Posts Tagged ‘Shatir Ghaznavi’
Goree goree gawaalan kee chhoree
Posted on: January 14, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5658 | Post No. : | 18159 |
“Pooja” (1940) was directed by AR Kardar for National Studios, Bombay. The movie had Sardar Akhtar, Zahoor Raja, Sitara Devi, Jyoti, Satish, Sunalini Devi, Ameer Bano, Bhudo Advani, Baby Meena, etc in it.
The film had 11 songs in it. One song has been covered in the past.
Here is the second song from the movie to appear in the blog. The song is sung by Sitaara Devi. Shaatir Ghaznavi is the lyricist. Music is composed by Anil Biswas.
Only audio of the song is available. Seeing that Sitaara Devi acted in the movie, it is clear the song was picturised on Sitaara Devi herself.
Song-Gori gori gawaalan ki chhori (Pooja)(1940) Singer-Sitara Devi, Lyrics-Shatir Ghaznavi, MD-Anil Biswas
Lyrics
gori gori gawaalan ki chhori
gori gori gawaalan ki chhori
sarson ke kheton mein wo o o o
sarson ke kheton mein wo o o o
o o o
raah takat hai moree ee
gori gori gawaalan ki chhori
gori gori gawaalan ki chhori
gali chalat mohe paas bulaaye
o bulaaye
gali chalat mohe paas bulaaye
paas bulaaye
hans muskaaye
gali chalat mohe paas bulaaye
paas bulaaye
hans muskaaye
hans muskaaye
baat banaaye
hans muskaaye
muskaaye
hans muskaaye
baat banaaye
baat banaaye
o banaaye
baat banaaye
kare thhathhoree ee ee
baat banaaye
kare thhathhoree ee ee
gori gori gawaalan ki chhori
gori gori gawaalan ki chhori
sarson ke kheton mein wo o o o
sarson ke kheton mein wo o o o
o o
raah takat hai moree ee
gori gori gawaalan ki chhori
gori gori gawaalan ki chhori
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
गोरी गोरी ग्वालन की छोरी
गोरी गोरी ग्वालन की छोरी
सरसों के खेतों में वो॰ ॰ ॰
सरसों के खेतों में वो॰ ॰ ॰
ओ ओ ओ
राह तकती है मोरी॰ ॰ ॰
गोरी गोरी ग्वालन की छोरी
गोरी गोरी ग्वालन की छोरी
गली चलत मोहे पास बुलाये
ओ बुलाये
गली चलत मोहे
पास बुलाये
हंस मुसकाए
गली चलत मोहे
पास बुलाये
हंस मुसकाए
हंस मुसकाए
बात बनाए
बात बनाए
ओ बनाए
बात बनाए
करे ठठोरी॰ ॰ ॰
बात बनाए
करे ठठोरी॰ ॰ ॰
गोरी गोरी ग्वालन की छोरी
गोरी गोरी ग्वालन की छोरी
सरसों के खेतों में वो॰ ॰ ॰
सरसों के खेतों में वो॰ ॰ ॰
ओ ओ
राह तकती है मोरी॰ ॰ ॰
गोरी गोरी ग्वालन की छोरी
गोरी गोरी ग्वालन की छोरी
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5262 | Post No. : | 17268 |
Today’s song is a female-female duet from the film Swami-1941.
1941 was the beginning of a new decade. After the Talkie film’s entry, this was the second decade. There were many changes taking place continuously in the film making and so it was interesting to know how the year 1941 fared. The 30s and the 40s mostly differed in film music and story contents. The new blood composers like Anil Biswas, C Ramchandra, Naushad, Ghulam Haider, K Datta, Hansraj Behl, Bulo C Rani, Gyan Dutt and many more replaced the Parsi, Marathi and Gujarati drama music to more acceptable lilting songs. Many musical films were made and some everlasting songs were composed by these people.
At the end of the 1940s, one more major change in the film industry took place due to Partition. More about it in the coming times. Let us see some important films which were worth a second look in 1941….
JBH Wadia produced the First Sindhi film ‘Ekta’ in 1940 and released it in 1941. His film Court Dancer-1941 (Raj Nartaki in Hindi and Bangla) was also in English.
Asra- Debut of actor director N A Ansari.
Behan- Mehboob directed this film having an incest suggestive story.
Chandan- Debut of S N Tripathi as an MD
Chitralekha- First big success of Kidar Sharma. Mehtab’s bath scene caused a ripple.
Dhandhora- Actor comedian Charlie directed the only film.
Doctor- Pankaj Mullick gave excellent songs. First popular song with Hoof beats-‘ Chale pawan ki chaal ‘.
Jhoola- One of the most successful films like Kangan and Bandhan, starring Ashok kunmar and Leela Chitnis.
Kanchan- First composed song of Naushad-” Bata do koi”
Khazanchi- A milestone in musical revolution with Punjabi Theka, by Ghulam Haider. Debut of Shamshad Begum in Hindi films.
Lagan- Saigal, as usual, gives good songs.
Mala- was remade as ‘ Amar-55’ with music again by Naushad only.
Naya Sansar- Story of Newspaper world. A novelty. Ashok Kumar’s famous cigarette smoking in films started from this film, solving his problem of ‘ what to do with the hands during acting’ !
Nirdosh- Mukesh sings his first film song.
Padosi- Last film of V Shantaram before leaving Prabhat. A Landmark film. ” Kaisa chhaya hai ujala” is a popular chorus song.
Pardesi- Debut of actress Anjali Devi (not the southwali) with real name ‘Durgesh’.
Radhika- Debut of Nalini Jaywant.
Raj Nartaki- Ambitious Wadia film in English , Bangla and Hindi. Released in the USA by Columbia Pictures of Hollywood.
Sangam- Amritlal Nagar’s first film as a writer. He did 18 films as writer and Lyricist.
Sikandar- A Magnum-Opus from Minerva. Chorus song- ” Zindagi hai pyar se” is very popular.
Taj mahal- Debut of Baby Suraiya as an actress.
Sasural and Ummeed were 2 films in which Noorjehan senior acted and sang. However these films are usually wrongly included in the filmography of Malika E Tarannum Noor jehan. She entered Hindi films only with the film Khandan-1942 at Lahore.
With a backdrop of such films and music in 1941, no wonder film Swami-41 was not shining. It was an average film There was neither anything special in its story nor its music. This resulted in an average response at the Box office. As such the music director and most of the cast was in the fading phase. This affected the producer of the film Chimanlal Trivedi – owner of the banner CIRCO Productions. Soon he closed it down and started his new company ‘ Laxmi Productions’. Trivedi was an interesting person.
Chiman Lal Trivedi, was one of the major filmmakers of the 30s and the 40s decade. He was more a Producer businessman than a Director. While he directed hardly 7 films, he produced close to 50 films- all having A grade actors, directors and composers !
Born on 19-3-1909 at a village near Anand in Gujarat he was from a Brahmin family. He did his schooling in Ahmedabad and technical graduation from Baroda. Being an expert in weaving, he took up a job as a weaving Master in Calcutta. Fond of writing, he started writing Dramas, which were staged in Bengal and Gujarat. He was attracted towards Cinema and tried some work in New Theatres. Knowing that the real playing field is Bombay he reached there. He wrote stories for the film Chevrolet-36 and Danger Signal-37 for Mohan pictures.
He established his own production company CIRCO (Cine Industries Recording Company) in 1937. By 1943, he had made 12 films. He preferred not to direct his films, but appointed directors like Mohan Sinha for Laxmi-40, Anuradha-40 and Vanmala-41, Balwant Bhatt for Suhag-40 and Madhusudan-41, A R Kardar for Swami-41 and Nai Duniya-42 and Debki Bose for Apna Ghar-42.
He had the art of getting the most popular stars for his films like, Prithviraj kapoor, Chandramohan, Durga Khote,Mazhar khan, Bibbo,Surendra, Jairaj, Sitara, Jeevan, Yaqub, Shobhana Samarth, Prem Adeeb, Vishnupant Pagnis,Leela Desai, Pahadi Sanyal, Shanta Apte and many others. Even big directors like Debki Bose,Nitin Bose, Kardar,Mohan Sinha, Sarvottam Badami, Nandlal Jaswantlal,Profull Roy, Sudhir Sen, R S Chaudhary, Phani mujumdar, Balwant Bhatt etc. worked for him. From Prabhat he brought Shanta Apte for Rs.1000 pm, and also Chandramohan, Pagnis and Mazhar khan. His friend Chandulal Shah followed his way and brought K L Saigal from New Theatres !
C L Trivedi was an expert in gathering funds for his films. After CIRCO at Parel, he started Laxmi Productions at Andheri, in 1942. He made mera Gaon,Sharafat,Bhagya Laxmi,Kadambari,Tamanna,Inkaar,Mohabbat, Miss Devi etc. In 1951, it was Supreme Pictures, Trivedi Productions was in 1952, Kala Kendra in 1953 and with Chitra Bharati in 1954, he made 13 films upto 1961. Top Composers like Timir Baran,Ashok Ghosh,Rafiq Gaznavi,K C Dey,Saraswati Devi,Husnlal-Bhagatram and Naushad gave music to his films.
In the end, he turned to Stage and started Abhinay Bharati. He staged many dramas in Bombay and Gujarat. Chimanlal always went for big names. He had close relations with Nehru, Menon, Morarji Desai, and other National leaders. His wife Kantaben was a Leader herself. Chimanlal Trivedi died on 25-11-1973. His wife, 3 sons and a daughter settled in the USA.
It may be a coincidence, but Gujarati businessmen like Chimanlal Trivedi, Chimanlal Desai,Chimanlal Luhar, Chaturbhuj Doshi, Chimankant Desai, Chunibhai Desai and Chandulal Shah made sizable contribution to Hindi cinema in the first 20 years of the Talkie era. All names started with CH ( ? ) !
(Thanks to Harish Raghuwanshi ji for his book ” बॉलिवूडमा गुजरातीयो ” in Gujarati.)
The cast of the film Swami-41 was Sitara, Jairaj, Jeevan, Yaqub, Majid, Badri Prasad, Rajkumari, Radha Rani, S.Nazir, Ram Avtar and others. The lesser known names were Majid and Ram Avtar.
Majid’s name was Abdul Majid Syed. He was born at Farrukhabad in U.P. in 1915. His father was an Overseer. After matric in 1929, he started his business of Leather in Akola, Maharashtra. in 1935, actor, director and producer Nazeer of Hind pictures, introduced him to S.K.Daryani and he got a small role in Sher ka Panja-36 and Sangdil samaj-36. However, from film Bulldog-37, he got side roles and lead roles in films like Gentleman daku-37, insaaf-37, Rajkumari-38, Masterman-38, Zamana-38, Mud-40, Saubhagya-40, Swami-41, Swaminath-42, he also acted in more films like Najma-43, Babar-44 and Zeenat-45.
In all he did over 100 films till 1947. After Partition, he migrated to Pakistan with Nazeer and Swarnalata. In Pakistan he did just 7 films. He died on 24-9-1959.
Now about Ram Avtar- my favourite comedian. Ram Avtar Pandey was born on 11-11-1911, at Rampur-UP,. He started his filmi career in 1938 with character roles. In the early 50s, he switched to comedy, when he gained weight and a pot belly.
Ram Avtar was a fixture in many Nasir Hussain films. His roles in Badi Behan-49, Nagin-54, Hum sub chor hain-56, Tumsa nahin dekha-57, jab pyar kisi se hota hai-61, Phir vohi dil laya hoon-63, Teesri Manzil-67, Yaadon ki Baraat etc are memorable. I like his role in film Teesri Manzil-1967. His last film was Prem Geet-1981. His last released film, however, was Love and God-1986. He acted in 133 Hindi films. He died on 23-12-2011 at Mumbai.
Today’s female duet is sung by Rajkumari and Sitara. In this films they sang 2 such duets. Before or after this, they never sang together again. Rafiq Ghaznavi’s music still followed the 30’s music pattern only, which had already been discarded by people in the 40’s.
Song-Man mein samaaye piya man mein samaaye (Swaami)(1941) Singers- Rajkumari, Sitara, Lyricist- Shatir Ghaznavi, MD- Rafiq Ghaznavi
Lyrics
hoy
hoy
man mein samaaye piya
man mein samaaye piya
man mein samaaye
hoy
man mein samaaye piya
man mein samaaye
nainan mein aaye gori
nainan mein aaye gori
jeewan mein chhaaye
nainan mein aaye gori
jeewan mein chhaaye
man mein samaaye piya
man mein samaaye piya
man mein samaaye
hoy
man mein samaaye piya
man mein samaaye
oonchi aatariya pe kaagarwa bole
haaye
oonchi aatariya pe kaagarwa bole
man ki talaiyya mein aa ?? dole
man ki talaiyya mein aa ?? dole
nainan mein jhoole balam
nainan mein jhoole balam
??
nainan mein jhoole balam
??
man mein samaaye piya
man mein samaaye piya
man mein samaaye
hoy
man mein samaaye piya
man mein samaaye
hoy
hoy
man mein samaaye piya
man mein samaaye piya
man mein samaaye
ho
man mein samaaye piya
man mein samaaye
sainyya ke aangna mein balam ke dere
ho
sainyya ke aangna mein balam ke dere
sau sau bahaane se panghat pe chhede
sau sau bahaane se panghat pe chhede
baanke sipahiya tohe raste mein ghere
baanke sipahiya tohe raste mein ghere
naina churaaye gori
naina churaaye gori
man mein lajaaye
naina churaaye gori
man mein lajaaye
man mein samaaye piya
man mein samaaye piya
man mein samaaye
ho
man mein samaye piya
man mein saamaye
nainan mein aaye gori
nainan mein aaye gori
jeewan pe chhaaye
nainan mein aaye gori
jeewan pe chhaaye
man mein samaaye piya
man mein samaaye piya
man mein samaaye
ho
man mein samaaye piya
man mein samaaye
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4352 | Post No. : | 15666 |
Today’s song is from the film Kaneez-49. The film had 12 songs. 11 songs are already posted. This is the last song of the film to be discussed here.
HFGK mentions mukhada of this song as ” Dil bechane nikla hai”, sung by Durrani and Rajkumari. There are at least two uploads of this song on YouTube. One is from our Sadanand Kamath ji and the other is from Saregama company. In both uploads, the first line is missing and the song starts as ” dil le lo, dil le lo”. However in the Saregama upload,, in the end , the words are ” dil bechane nikla hai, dil ka saudagar, dil le lo dil le lo”, confirming that this is the same song as mentioned in HFGK. As such, Girdharilal Vishwakarma ji has uploaded this song on Surjit ji’s site, from his record. So, there is no doubt.
Film Kaneez-49 has an interesting history of its making. As per an advertisement in a film magazine, this was first being made with a title of ” Tehzeeb”, by producers S A Shah and Krishan Kumar, for their Carvaan Pictures. It was to be directed by K D Mehra. Shatir Ghaznavi wrote the dialogues and lyrics. Due to the partition announcement. Krishan Kumar shifted to Bombay, with the incomplete film. After the partition, with a new set of actors, the film was redone and titled ‘ Kaneez ‘. Remaining dialogues were written by Hasrat Lucknowi. This time Krishan Kumar himself directed the film and released it in India and Pakistan. The film was a Hit.
Besides director Krishan Kumar, there were 2 MDs- Ghulam Haider and Hansraj Behl. Four lyricists wrote the songs. The cast of the film was Shyam, Munawwar Sultana, Urmila,Kuldip Kaur, Cuckoo, Ramayan Tiwari, Ramesh Sinha and others.
The shooting of Kaneez was in full swing in 1948 at Shrikant Studios. On another floor of that studio, a stunt film of Master Bhagwan was being shot. Isak Mujawar, Film Historian, has described an incident of that time, in his book on Master Bhagwan-” Ek Albela “. Actor Shyam was very friendly with Master Bhagwan. In those days, Shyam had grown very close to M.Sultana. One day, during a shooting break, shyam and Munawwar met Bhagwan and said,” I am very keen to work in your film”. Bhagwan smiled and said,” Before that, you must see the shooting of my films. After that, let us see what will be your decision.”
Accordingly, the next day Shyam and M.Sultana went to see the shooting of the film ” Laalach “,made by Bhagwan. The scene was Baburao pehelwan fighting with 5-6 goons, on the balcony of a house. The scene started and after some time Baburao got a hit from one villain and he slipped, falling on the ground floor where a glass table was kept. On impact, the glass table broke. There was a loud noise, commotion and shouting. Shyam and Munawwar shouted in fear and ran out of the studio. Such accidents were common to Baburao.After treating his bruises and cuts, Baburao started the fighting scene again. Shyam and M.Sultana came back to inquire about the actor’s fate. They were shocked to see him doing the fighting scene. On asking, Bhagwan told Shyam, ” In my films, such accidents are a common thing. And yes, you said you want to work in my films, isn’t it ?” Shyam said,” No , No, who wants to die doing stunts ?”. Bhagwan told him,” Be happy in doing Love scenes and singing songs in your films”. By a turn of fate, with 2 year’s time Shyam died doing a stunt for film ‘Shabistan’-51 !
In the cast, you will see Cuckoo. In those days, Cuckoo was an attraction in any film. Both Azurie and Cuckoo were in great demand. Cuckoo Moray, (4th February 1928 – 30th September 1981) was an Anglo-Indian dancer and actress. Cuckoo was the queen of film dancing in Hindi cinema of the 1940s and 1950s. Though unfamiliar in name, she was known as the “rubber girl” of Hindi cinema and her talent made cabaret dancing a must in the Bollywood films during the 1940s and 1950s. She could acrobatically bend her body at great length.
Cuckoo started appearing in films from the mid forties. She started as a child artiste. Her first film was Anjaan-41. She was seen as a background dancer in film Meghdoot-45. Cuckoo made her screen debut in the film Arab Ka Sitara in 1946. Soon after, in Sona Chandi-46, directors and greater audiences noticed her dancing abilities for the first time. One of her dances in film Parwana-47 with suggestive lyrics to the song was considered vulgar enough to get banned from the film. Then, the turning point in Cuckoo’s career was in Mehboob Khan’s films. Her dance number in his film Anokhi Ada (1948) established her as the lead dancer of the era and in Andaz(1949), a romantic drama starring Nargis, Dilip Kumar, and Raj Kapoor, gave the dancer an opportunity to display her acting skills. In Mehboob Khan’s 1952 technicolor film Aan, which was her first colour film, she had a brief cameo in a dance sequence. She only appeared in 2 colour films in her career- Aan & Mayurpankh. She would charge Rs 6,000 for a dance number, an enviable fee in the 50s.
Usually she is credited with bringing into films 2 Anglo Indian brothers Tony (Krishna kumar) and Robert (Surya kumar). However, Azuri later claimed that it was she who brought them into films from an orphanage and trained them. Dancers first, both became Choreographers of repute later.
Cuckoo remained the best dancer in Hindi films until dancers such as Helen and Vyjayanthimala came into the industry. Cuckoo was a family friend of the Anglo-Burmese dancer and actress Helen. She was also known for helping unknown actors get their break in Bollywood, such as Pran in Ziddi. Cuckoo had introduced a 13-year-old Helen into films as a chorus dancer in films such as Shabistan and Awaara (both 1951). Cuckoo and Helen most notably appeared in song and dance sequences together, such as in Chalti Ka Naam Gaadi(1958) and Yahudi (1958). Her last film appearance was in Mujhe Jeene Do in 1963 after which, she had disappeared from the film industry. She was a Heroine in the film Sona Chandi-46, under the name Kishori, but due to her faulty Hindi and pronunciation, she could not continue as a Heroine. She appeared in 155 films and 67 songs were shot on her.
Cuckoo, the legendary cabaret queen of Bollywood was one of those film stars who lived ostentatiously, spent extravagantly and died broke and penniless. Her three cars (one for her use, one for taking her dogs for a drive, and the other often used to summon protege Helen to play with her sister), her flats and whatever jewellery she had, were all taken away because the dancer had evaded income tax. She would charge Rs 6,000 for a dance number, an enviable fee in the ’50s. Cuckoo died of cancer at the age of 52; during her last days she could barely afford to buy painkillers. “She never thought of security, of tomorrow,” Helen recalls. “But what a tremendous lady she was! There wasn’t even a tear in her eye, even when the roles stopped, when the money disappeared. Instead she’d joke about her plight. Some actors did help but it was too late, much too late.”
Cuckoo died on 30 September 1981 due to cancer at the age of 53. She was forgotten and unattended by the film industry at the time of her death. (adapted from wiki, MuVyz, book ‘Edwina’ and cineplot).
Today’s song (despite the missing first line) is a good duet by G M Durrani and Rajkumari. Sadanand ji opines that the female singer is Shamshad Begum. With this song film Kaneez will be ‘ Yippeed ‘, with all its songs covered.
(I thank Sadanand Kamath ji for information about the film’s original avatar).
Song-Dil bechne nikla hai dil ka ik saudagar (Kaneez)(1949) Singers- G M Durrani, Unknown female voice, Lyricist- Shatir Ghaznavi, MD- Ghulam Haider
Both
Lyrics
dil le lo
dil le lo
dil le lo
dil le lo
o o o o
thahar saudaagar
aisa dil main khoj khoj ke haari ee
thahar saudaagar
aisa dil main khoj khoj ke haari
jo dil preet mein jalna jaane
uspe sadqe waari
jo dil preet mein jalna jaane
uspe sadqe waari
dil ka sauda karne waali
mushqil hai ye kaam kaam
mushqil hai ye kaa aam
dil ka sauda karne waali
mushqil hai ye kaam kaam
mushqil hai ye kaa aam
par aise de doon (??)bhi kya hai
dogi kitne daam
par aise de doon (??) bhi kya hai
dogi kitne daam
o o dil waale
iske badle pooraa kar doon
tere prem ka sapna aa aa
o o o dil waale
iske badle pooraa kar doon
tere prem ka sapna aa aa
tan bhi doongi
man bhi doongi
jeewan doongi apna
o o
tan bhi doongi
man bhi doongi
jeewan doongi apna
aa aa aa
?? jhoothhi aasha
sachchi teri preet
dil ki baazi naqda naqdi
jeet gayi tu jeet
main teri main teri baalam
tu mera tu mera aa
ham tum donon yoon mil jaayen
jaise saanjh sawera
ho o o
ham tum donon yoon mil jaayen
jaise saanjh sawera
ab meri jabaan pe na aayega
kabhi dilbar
ab meri jabaan pe na aayega
kabhi dilbar
dil bechne nikla hai
hai ik dil ka saudaagar
dil le lo o
dil le lo
dil le lo o
dil le lo
Duniya ki ye khushi hai
Posted on: January 22, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3475 | Post No. : | 13957 |
“Bhai”(1944) was directed by K D Mehra for Caravan Pictures, Bombay. The movie had Manorama, Satish, Radharani, Zahoor Raja, Khwaja Sabir, Zaheer, Minto Bai, R P Kapoor, Shatir Ghaznavi, O P Monga, Taus Khan etc in it.
This movie had eight songs in it. Five of them were composed by Ghulam Haider and the remaining three by Shyam Sundar.
Three songs from the movie have been covered in the past- and all of them in 2016.
Here is the fourth song from “Bhai”(1944) to appear in the blog. The song is sung by Zeenat Begam. Shatir Ghaznavi is the lyricist. Music is composed by Shyam Sundar.
Only the audio of this melancholic song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Duniya ki ye khushi hai (Bhai)(1944) Singer-Zeenat Begam, Lyrics-Shatir Ghaznavi, MD-Shyam Sundar
Lyrics
duniya ki ye khushi hai
tujhe bhool jaayen hum m m
tujhe bhool jaayen hum
ab maut ko hi jaa ke
kahin manaayen hum
kahin manaayen hum
pahunche chaman mein hum
pahunche chaman mein hum
to khizaan ban gayi bahaar
aa aa aa
aa aa aa
aa aa aa
pahunche chaman mein hum
to khizaan ban gayi bahaar
kaante naseeb mein hain
jo dil mein chubhaayen hum m
dil mein chubhaayen hum
duniya ki ye khushi hai
tujhe bhool jaayen hum m
tujhe bhool jaayen hum
o roothh jaane waale tu itna bataaye ja
o roothh jaane waale tu itna bataaye ja
roothhe huye naseeb ko
kaise manaayen hum m
kaise manayen hum
duniya ki ye khushi hai
tujhe bhool jaayen hum m
tujhe bhul jaayen hum
tere baghair jeena hai
marna teri kasam m m m m
kya khaaq zindagi hai
ke tujhko na paayen hum
tujhko na paayen hum
duniya ki ye khushi hai
tujhe bhool jaayen hum
tujhe bhool jaayen hum
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kaneez”(1949) was directed by Krishn Kumar for Caravan Pictures, Bombay. The movie had Shyam, Munawwar Sultana, Urmila, Kuldeep Kaur, Cuckoo, Tiwari, Ramesh Sinha, Shyama etc in it.
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Ud jaa re kagwa
Posted on: March 4, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kaneez”(1949) was directed by Krishn Kumar for Caravan Pictures, Bombay. The movie had Shyam, Munawwar Sultana, Urmila, Kuldeep, Cuckoo, Tiwari, Ramesh Sinha, Shyama etc in it.
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Main ek anokhi daali
Posted on: January 5, 2017
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
During the last 15 months or so, I have been concentrating mainly on rare songs from films of 1940s in my articles for the Blog. During this period, I came across some playback singers, music directors and lyricists who were unknown to me. I also got to know about some of the not so famous film production banners. Similarly, I got the opportunity to gather some information on film directors of 1930s and 40s such as Debaki Bose, P C Barua, V Shantaram, A R Kardar, Kishore Sahu, Mehboob Khan, Kidar Sharma etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bhai”(1944), an obscure movie by now, was directed by K D Mehra for Caravan Pictures, Bombay. The movie had Manorama, Satish, Radharani, Zahoor Raja, Khwaja Sabir, Zaheer, Minto Bai, R P Kapoor, Shatir Ghaznavi, O P Monga, Taus Khan etc in it.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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