Archive for the ‘Post by Sudhir’ Category
Aayi deewaali ki dulhaniya
Posted on: October 23, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Happy Diwali.
Greetings to all dear fellow travelers of this musical voyage, and all dear friends and readers on this blog. Another new celebration of the festival of lights – may it illuminate your life with the brilliance of joy and happiness. And may it bring blessings of good health, peace and satisfying prosperity – blessings that may come visiting, and then continue staying in your household. Till the time when it is due for celebration again, and this greeting will be refreshed – again.
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- In: "Defiance" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Song meant for one movie but used in another movie | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Many Colors of Love #23 – Defiant Love
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And so wrote the scribe
ishq baghaawat kar baithe to
duniya ka rukh mod de
aag lagaa de mehlon mein
aur takht e shaahi tod de
seena taane maut se khele
kuchh na karen fariyaad
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The association of Pankaj Babu and RC Boral starts from their coming together as artists and producers at Calcutta Radio. No specific dates are available, but the expected period is the second half of the 1920s. This period also coincides with the prime of the silent films in India. Calcutta had become a main production center. Being recognized as music directors at Radio Calcutta, it was natural for RC Boral and Pankaj Mullick to be called upon for creating the orchestral music for silent films. In the days of soundless films, the music and sound effects were presented live in the theatre, using a live orchestra. What we recognize as background music today, was very much a ‘foreground’ entity in those years. The mood and the action on screen, was duly accompanied by live music that was played by the orchestra sitting just below and front of the screen. Probably no recordings of such musical works were made, else that in itself would have been a very valuable treasure for lovers of film music. wo films from 1931 are identified as the ones for which this pair had prepared the orchestral ‘foreground’ music. Produced by International Filmcraft, the title of the films are ‘Chesher Maye’ (‘चेशेर मेय’) and ‘Chorkanta’.
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Aaj ki taaza khabar
Posted on: October 14, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Suniye
Suniye
Suniye
Suniye janaabe waala
Kya kehta hai munaadi waala
Pehle meri baat suniye gaur se
Phir baat kijiye aur se
Hear, hear, hear
Pay heed o gentlemen
Listen to what the town crier has to say
First listen to what I have to say
After that talk with others
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Tum miley gham gayaa
Posted on: October 7, 2014
- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Hemlata songs | Lyrics contributed by readers | Mahendra Kapoor songs | Mahendra Kapoor-Hemlata duet | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Greetings to Vinod Khanna on his 68th birthday. (6 october)
A commanding personality to contend with on screen. In whatever role he appears, he has the capacity to be the center of gravity in every scene. In the last scenes of ‘Mere Gaon Mera Desh’ (1971), appearing as the sardaar (leader) of a gang of dacoits, he is down and beaten, by Dharmendra. Even in that scene, he exudes strength, and gives the perception of being the stronger.
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Tum aise base morey nain
Posted on: October 7, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Many Colors of Love #22 – Dwelling in the Lover’s Eyes
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And so wrote the scribe
oooo
meri aankhon mein bas gaya koi re
mohey neend naa aaye main kyaa karun
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Gonda phulge morey raaja
Posted on: October 6, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rafi Sb – In The Seventies – 23
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(1971 – Solo – Regional – Chhattisgarhi)
One more song, the final one of this series – it belongs to the category ‘heard- just-once-o-but-never-forgotten’. And once again, another dramatic reunion, this one just two days ago.
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O re jeene waale hans le gaa le
Posted on: October 5, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Sandhya Mukherjee – a voice that is comparatively heard less frequently on the Hindi film screen, is a big name in the world of Bangla music and Bangla film music. In fact her association with Hemant Kumar as a duet singer, is almost as legendary as the on screen pair of Uttam Kumar and Suchitra Sen. Majority of the duets of these two actors in Bangla cinema, have been playback sung by these two singers.
Greetings to Sandhya ji on her 83rd birthday (4th october).
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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