Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Madhubala Zhaveri songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hanuman Janm”(1954) was produced by MS Pathak and Durgadas and directed by Raja Nene for Rani Productions, Bombay. The movie had Prem Adeeb, Ranjana, Paro, Miky, Uma Dutt, Kanta Kumari, Raj Adeeb, MS Phatak, Jugnu, Lily Kelkar, Alka, Raj Sehgal, Mohini, Avtar Kishan, Lalit Kapoor, Meera, S Prakash, Meenu, Chandabai etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aastik”(1956) was produced by Gordhan Das Kakkad and directed by S P Kalla for Rani Productions, Bombay. The movie had shahu Modak, Paro, Meenakshi, B M Vyas, Nagpal, Anand Joshi, Pravil Paul, Lotan, Ramesh, Micky, Dinanath, M S Phatak, Naazi, Shaanti, Mithailal, Master Dabboo, Master Babu etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the 1950s, many new female singers joined Hindi film industry to try their luck in making their careers in playback singing. Many of them went into oblivion after a couple of years or so. Playback singing career of a few of them like Seeta Kalyanpur, Suman Purohit ended with one or two films. A few others like Meenal Wagh (11 songs during 1950-54), Kaumudini Munshi (10 songs during 1954-68) could remain connected with Hindi film music for longer period but their singing output was low. While some of them may not have pursued the playback singing career due to personal reasons, there is no doubt about the fact that with the emergence of Lata Mangeshkar in early 50s along with established playback singers like Geeta Dutt and Shamshad Begum, the newcomers faced tough competition from them.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There are certain special words which seem to be favourites of film makers. These are used frequently in the Titles of films that are made. Some of the words I counted are not surprising. The work Ek (or its variations) has the distinction of appearing most frequently in the title of Hindi movies. Some examples for such titles are Ek roz, Ek thi Ladki, Eklavya etc etc. A staggesring 209 number of Hindi movies contain the word “Ek” or its variations !. This is for the period from 1931 to 2012. The next most popular words are Mera/Meri-165 films, Dil- 121 , Pyaar- 108 , Do- 91 , Hum/Ham/Hamara/Hamari – 87, Prem – 68 , Ghar- 51 , Veer – 45 etc etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ramman” (1954) was a Metropolitan Films Production. It was produced by Gemini Dewan and directed by Hiren Bose. The movie had Karan Dewan, Meena Shorey, Cuckoo, Om Prakash, Purnima, Majnu, Gulab, Randhir, V. Panchotia etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

My Primary education was in Urdu language. Hyderabad being a Muslim state, learning Urdu had a definite advantage, but there were schools in English, Marathi, Telugu, Kannada and even Hindi mediums as well in Hyderabad and the treatment to all other languages than Urdu was equal by the Nizam Government. This was because Hyderabad was a Trilingual state, consisting of 8 Telugu speaking Districts, 5 Marathi speaking Districts and 3 Kannada speaking districts, plus the rulers were Urdu speakers. From 5th standard I changed to Marathi Medium and continued till end of schooling. English, Marathi and Hindi were my favourite subjects, but Maths and Geography were my sworn enemies.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Khaiber (1954) is a film that is produced by Kamal Kapoor, who is also the hero in this film. Produced under the banner of Kapil Pictures, Bombay, the film is directed by Kedar Kapoor. The leading lady is Nigar Sultana, and the rest of the star cast includes Naaz, Tiwari, Niranjan Sharma, BM Vyas, Chaman Puri, Nand Kishore, Dev Raj, Rajan Kapoor, Dichhoo Kumar (Jr.), Roop Kumar, Baby Ratan, Chiman Lal, Charanjit Kumar and Indu Pal etc.
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