Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6401 Post No. : 19859

“Ratnaghar”(1955) was produced by Sudhir Phadke and Y H Joshi and it was directed by Yashwant Pethekar for Navbharat Chitra Bombay. The movie had Raja Paranjpe, Shakuntala, Lalita Pawar,Suryakant, Madan Mohan, Takalkar etc in it.

The movie had five songs in it.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6400 Post No. : 19855 Movie Count :

5181

Today I introduce a song from a movie which makes a debut on this blog. The movie I am talking about is “Laila” released in 1984 and the song is a fast romantic one sung by Kishore Kumar – “Ho Gaye Deewane Tum Ko Dekh Kar”.

The 1984 film Laila is a romantic drama directed by Saawan Kumar Tak. It is notably remembered as one of the early films of Anil Kapoor’s career, though its release was slightly delayed, leading to Woh 7 Din being his official debut as a leading man.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6400 Post No. : 19854

“Kaala Samundar”(1962) was directed by R P Ashq for Deepak Chitra Production. The movie had Jairaj, Chitra, Bir Sakuja, Maruti, Hiralal, Radhika, Tuntun etc in it.

“Kaala Samundar”(1962) had seven songs in it. Four of these songs have been covered in the past.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6399 Post No. : 19851

“Naya Sansaar”(1959) was produced by Darshan Malhotra and directed by Nanabhai Bhatt for Shri Krishna Films, Bombay. This “social” movie had Jayashree Gadkar, Pradeep Kumar, Nanda, Dhumal, Tuntun, Sundar, Shammi, Majnu, Sheila Vaz, Sai Subbulakshmi,Kamla Laxman etc in it.

“Naya Sansaar”(1959) had six songs in it. Three songs have been covered in the blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6399 Post No. : 19850

“Dhadkan” (1947) was directed by Zahoor Raja for Raja Movietone, Bombay. This by now forgotten movie had Zahoor Raja, Jyoti, Mishra, Murad, Chandrika etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6394 Post No. : 19835

“Taajposhi”(1957) was produced by Tejnath Zaar and directed by Dwarka Khosla for Zaar Productions, Bombay. The movie had Shyama, Ranjan, Shammi, Manju, Maruti, Jeevan, Praveen Pal, Bhagwan Sinha, Kanchanmala, Satish Batra, Gopal Vashishtha etc in it. Kammo had a guest appearance in this movie.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6393 Post No. : 19832

ہر ایک بات پہ کہتے ہو تم کہ تو کیا ہے

تمہیں کہو کہ یہ انداز گفتگو کیا ہے

نہ شعلہ میں یہ کرشمہ نہ برق میں یہ ادا

کوئی بتاؤ کہ وہ شوخ تند خو کیا ہے

یہ رشک ہے کہ وہ ہوتا ہے ہم سخن تم سے

وگرنہ خوف بد آموزی عدو کیا ہے

چپک رہا ہے بدن پر لہو سے پیراہن

ہمارے جیب کو اب حاجت رفو کیا ہے

جلا ہے جسم جہاں دل بھی جل گیا ہوگا

کریدتے ہو جو اب راکھ جستجو کیا ہے

رگوں میں دوڑتے پھرنے کے ہم نہیں قائل

جب آنکھ ہی سے نہ ٹپکا تو پھر لہو کیا ہے

وہ چیز جس کے لیے ہم کو ہو بہشت عزیز

سوائے بادۂ گلفام مشک بو کیا ہے

پیوں شراب اگر خم بھی دیکھ لوں دو چار

یہ شیشہ و قدح و کوزہ و سبو کیا ہے

رہی نہ طاقت گفتار اور اگر ہو بھی

تو کس امید پہ کہیے کہ آرزو کیا ہے

ہوا ہے شہہ کا مصاحب پھرے ہے اتراتا

وگرنہ شہر میں غالبؔ کی آبرو کیا ہے

हर एक बात पे कहते हो तुम कि तू क्या है
तुम्हीं कहो कि ये अंदाज़-ए-गुफ़्तुगू क्या है

न शो’ले में ये करिश्मा न बर्क़ में ये अदा
कोई बताओ कि वो शोख़-ए-तुंद-ख़ू क्या है

ये रश्क है कि वो होता है हम-सुख़न तुम से
वगर्ना ख़ौफ़-ए-बद-आमोज़ी-ए-अदू क्या है

चिपक रहा है बदन पर लहू से पैराहन
हमारे जैब को अब हाजत-ए-रफ़ू क्या है

जला है जिस्म जहाँ दिल भी जल गया होगा
कुरेदते हो जो अब राख जुस्तुजू क्या है

रगों में दौड़ते फिरने के हम नहीं क़ाइल
जब आँख ही से न टपका तो फिर लहू क्या है

वो चीज़ जिस के लिए हम को हो बहिश्त अज़ीज़
सिवाए बादा-ए-गुलफ़ाम-ए-मुश्क-बू क्या है

पियूँ शराब अगर ख़ुम भी देख लूँ दो-चार
ये शीशा ओ क़दह ओ कूज़ा ओ सुबू क्या है

रही न ताक़त-ए-गुफ़्तार और अगर हो भी
तो किस उमीद पे कहिए कि आरज़ू क्या है

हुआ है शह का मुसाहिब फिरे है इतराता
वगर्ना शहर में ‘ग़ालिब’ की आबरू क्या है

No need to say here that the above ghazal is the kalam of Mirza Ghalib. His takhallus is his signature in the last Shair. Like the painters sign at the bottom of the canvas. Newer trend here is the thumb impression, biometric is the new signature. Going back in time.

The trigger for the above ghazal is here in the last stanza of this song:

aakaash se taare toot padey
aankh se tapki jo meri daastaan

Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6393 Post No. : 19831

Today’s song is from a Costume film – Nagma E sahra aka The song of Desert- 1945.

The film was produced and directed by Master Bhagwan, for his own banner, Jagriti Pictures, Bombay. In those days the name of Master Bhagwan was well known for making C grade films for the lovers of stunt and action films. He had come up the hard way in this field. We know Bhagwan as a bulky comedian, but can you believe that Bhagwan had a great muscular body in the early days of his career ? He was not much educated, but he was not illiterate. He could not speak English like others, but he used to see English films regularly to get new ideas for his stunt films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6392 Post No. : 19828

Film Naya Kadam-1958 was a social film stressing the need to teach the children the right things, from childhood. Excessive pampering not only spoils the child but also makes the parents repent when it is too late. In this film,Balraj was paired with Sulochana (Latkar). The film was directed by S P Kalla, who also wrote a few songs for the film. The music was given by the pair of Pt. Shivram and Narayan Datt. The cast of the film was Balraj, Lalita Pawar, Nazir Husaian, Sulochana Latkar, Sunder, Daisy Irani, Bhagwan, Roopmala,Tilak Raj etc. The songs were written by Bharat Vyas, Shailendra and S.P.Kalla.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6391 Post No. : 19822

Today’s song is from the film Roop Kahani-50, a bi-lingual film( Roop katha-50 in Bangla), made by New Theatres during their last years. It was probably after this film that they closed shop forever.

The film was directed by Souren Sen. Souren Sen was a product of New Theatre’s policy of producing directors from within the company. Examples are Premankur Atorthy ( ex writer), Nitin Bose ( ex Editor) and Bimal Roy ( ex Editor). Souren Sen had started as an Art Director for film Desher Mati or Dharati mata-3 and followed it by films like Kashinath-43,Dui Purush-45, Milan-46, Desher Dabi-47, Nauka Dubi-47, Ramer Sumati-47, Manzoor-49 etc. He got a break as Director only in the last film of New Theatres Roop katha-50 Bangla and Roop kahani-50 Hindi version. Later he also directed one more film from Ashok Films, Calcutta- Chitrangada-54 in Bangla and Hindi. Thereafter he shifted to Bombay and he was an Art Director in Sahib bibi aur Ghulam-56, he did Shankar Narayan Bank-56 and Girls school-5 in Calcutta again. He did in Bombay Ek musafir ek haseena-62,Leader-64, Baharen phir bhi aayengi-66, Shikar-68 and Abhilasha-68.

The cast of the film was Ashita Bose, Asit Baran Mukherjee, Vijay Kumar, Tulsi Chakraborty, Zahar Roy and others. Music was by Pankaj Mullick.
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