Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Song of 1940’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

It is said that most great people wear their fame with comfort; but it is the really renowned who can wear their fame with humility. Fame is a mammoth burden to carry; and only those who are greater than the fame itself, will not be weighed down by it. Much has been written about Saigal Saab’s character and persona, and there is one quality that all writers concur about – that he was a humble, unassuming and an unsophisticated person. Once at a music concert, Saigal Saab was sharing the stage with luminaries of classical music like Fayaaz Khan, Hafiz Ali Khan and Sadiq Ali Khan. As soon as the first item was announced, there was trouble; the audience wanted to hear to Saigal Saab only. Later, while leaving the place, he commented to a friend that he will never participate in another concert in that particular city, because – “. . . the people here do not know how to behave. Today, my Guru’s were insulted on my account.” Many others would not even realize the issue, much less confess it.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Yet another non filmi ghazal offering from the genius of vocal expression. I have written about this before, and yet I am compelled to write again. Listening to Saigal Saab render a ghazal, is more than just good music and singing. There is an element of revelation, as one can feel that the singer is rendering each word with an understanding that gives a deeper import to the words of the ghazal itself. The singing comes through as not simply a rendering, but also comes through is a conviction, that the singer understands the words, and is making the effort to pass on the implication and the values of the words, and not just a vocal rendering.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The psychology of this genius mind continues to be a matter of analysis, just for the phenomena this person has become. A comparatively short life and a short film career that lasted barely 15 years. A voice that was apparently nurtured by the drink, and a life that was equally tormented by the same devil. Was it a romantic’s mind that compelled him to exist, as the poets described, a romantic. Was it the lead role in Devdaas (1935) that tampered with the mind and the existence of this prodigious phenomenon.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Continuing the silsilaa of ghazals rendered by Saigal Saab, this ghazal is a non film offering. The verses are written by Ghalib, and the combination, as always, is a heady wine that takes one to worlds beyond.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Movies with the name Zindagi have been made four (or maybe five) times. As per the recorded listings, the first instance of a film named Zindagi is in 1940. This is a New Theatre Productions from Calcutta, directed by PC Barua. The primary players in this film are KL Saigal, Jamuna, Pahari Sanyal, Ashalata, Sham Laha, Nemo, Manorama, Sitara, Dhruba Kumar, Bikram Kapoor, Rajnirani, and Ramkumari etc. The screenplay for this film is adapted from the novel ‘Priya Baandhabee’ by Prabodh Sanyal.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are many success stories in the film world, where in un-tested and un-trained folks from common occupations and professions, came into films and made it big. Without a doubt, the earliest such story which has turned out to be the most phenomenal success ever, is Saigal Saab. Moving from Jalandhar to Calcutta, and from being the sales manager in a typewriter company, KL Saigal broke into the Bengali cinema world in 1932, and in a short career that lasted barely 15 years, he has left behind a legacy that has charmed generation after generation of music lovers. A legend and a phenomena in his own living years, with a treasure of just 185 known recordings, an unrivalled treasure that cannot be compared to any other artist since the time the sound has been electrically recorded.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The poetry rendered to life by Saigal saab, is limited and yet infinite. By all accounts, the total recordings available of the songs and ghazals sung by him is less than 200. And yet, the presence of these countable offerings is infinite in themselves. Every time I pick up a recording to listen, it sounds new, fresh, and with new meanings and inflections. Such is the depth and range of this divine voice, that it is impossible to fathom it fully, no matter how many times one listens.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ghazal that epitomizes in parts the sufi philosophy of life, this probably is the only poetry of the famous poet Seemaab Akbarabadi that has been rendered by Saigal saab. This is a non filmi offering, and like all other songs / ghazals sung by him, this one too is steeped in a profound philosophy. The ghazal expounds the nature of life and its interpretation by the poet. The poet alludes to the ephemeral quality of what life is, and advances the thesis of detachment from this world.
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