Archive for the ‘Songs of 1940s (1941 to 1950)’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Hindi film industry has given rise to several controversies, some of them are settled, some are forever a question mark and some controversies come up again and again with the slightest of provocation. The worst thing in a controversy is that even if statements of clarification are given by the concerned people involved with it, it is viewed with suspicion of a personal bias.
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Udd gaya bhanwra kali udaas
Posted on: February 11, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are singing voices. Then there are voices that sing. And then there is SD Burman – affectionately Sachin Da, or just plain Dada, to most people in the industry, a voice that stands apart from everyone else.
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Odh chunariya taaron ki
Posted on: February 10, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Reverberating through the caverns of mind, comes this deep and soothing baritone voice of CH Atma. This song is another priceless and incomparable gem that he has renderded as a non-film offering.
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Main jhoom jhoom kar gaati hoon
Posted on: February 9, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The year is 1948, and the film name – ‘Mala, The Mighty’. The name sounds like a Nadia film. Well, almost. It is a Basant Pictures production directed by John Cowas, but the leading lady is Leela and not Nadia. But any way, a stunt film in the late 1940s, and it is a fair chance that the music director will be Chitragupt. Yes, you got it right.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This is a song from film ‘Shair’ (1949). I am not sure if that is the correct name for this film. If the name is ‘Shaayar’ or ‘Shaayir’ than it will mean ‘the poet’. If it is ‘Shair’ than it is ‘a couplet’. Eight songs from this film have appeared in this blog. I was able to find only one Rafi song in this film which is luckily not posted.
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Charkhi waale o
Posted on: February 4, 2013
“Ham Ek Hain” (1946) was a Prabhat Film Company Limited Production. It was directed by P L Santoshi. This movie was the debut movie of Dev Anand, Rehman, Rane, Rehana and Kamla Kotnis. The movie also had Durga Khote, Ram Singh etc in it.
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Tera kaanton se pyaar
Posted on: February 4, 2013
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This is one more duet by Mohammed Rafi and Geeta Dutt from the film ‘Chunariya’ (1948). Music Director is Hansraj Behl and lyricist is Mulkraj Bhakri. Four songs of this film are already posted in the blog and none of them are having video links. The songs of this film are specially poignant with these two solos by Lata and Rafi, viz. Dil e nashaad ko jeene ki hasrat ho gayee tumse and Sab kuchh lutaayaa hamne aakar teri gali mein. The song I am discussing also just has an audio link. But from the tone of the song I can guess that it is a ‘ beggar’s song ‘. The words are not really begging but the composition is such that it can not fit any other situation.
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Kahaani ban gayi
Posted on: February 4, 2013
“Nurse” (1943) is a movie that I became aware of only just now when I came across this song. Apparently very little information is available about this movie.
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“Qasam” (1947) was a Prem Pictures production. It was directed by M D Baig. The movie had Kanta Devi, Jamu Patel, Najma, Prem Adeeb, Raj Adeeb, Sabir, Shashibala etc in it. The songs of this movie are extremely rare and they were often considered as extinct by music lovers.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
C RAMCHANDRA is generally considered a rebel amongst the composers of his times. He is the one, who, in the fifth decade of the 20th century itself brought full fledged western music variety in Hindi songs. At the same time he composed soft and extremely melodious songs based on various Ragaas also. He took Lata Mangeshkar to the pinnacle where she remained, later, on her own merit, for a long period. Very few composers have exhibited such variety in their music. It was a fact that many of his films were sold merely on the strength of his music.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs
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