Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1947’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The admirers of both Anil Biswas and Mohammed Rafi are intrigued by the fact that Anil Biswas collaborated with Mohammed Rafi for far less number of songs – probably 10 in numbers. One possible reason could be that when Mohammed Rafi ‘s career as a playback singer was picking up, Anil Biswas’s career had already reached the zenith. During this period, he had Mukesh and Talat Mehmood for playback singing who were preferred over Mohammed Rafi by most of the then lead actors like Dilip Kumar.
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“Aap Ki Sewa Mein” (1947) was a Chandrma Pictures Production. It was directed by Vasant Joglekar. It had Dikshit, Kesri, Shantaarin, Saroj Borkar, Nimbaalkar, Samson, DR Gokhale, Bhaal Maraathe, Vijaya, Baby Nalini etc. This otherwise lesser known movie has gone down in the history of Hindi movies as the movie where Lata Mangeshkar made her debut as a playback singer with the song Paa laagoon kar joree re. Less well known is the fact that this movie was also the Hindi movie debut for music director Datta Davjekar who otherwise was a big name in Marathi movies as a music director at that time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

हाँ भई, होली हो और गीतों में रंग न हो तो, तो क्या मज़ा है, हाँ?

बस, भला हो उस ऊपर से ideas देने वाले का। गाने में एक से ज़्यादा आवाज़ हो तो पंक्तियों को color code कर दो। और फिर देखो गीत की लाईनें पढ़ने का मज़ा। और होली के दिन तो बस मज़ा रंगदार गीतों का ही है। सो, पेश है एक ऐसा ही रंगदार पंक्तियों वाला गीत – होली भी और रंग भी, दोनों ही गीत में गुथे हुये मिल गए।

होली मुबारक
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was aware of four popular folklores of Punjab-Sind provinces which are now in Pakistan – Heer Ranjha, Mirza Sahiban, Sohni Mahiwal and Sassi Punnu. These are the tragic love stories in which the lovers die at the end. The common features of all these four folklores are (i) the female character is extremely beautiful, (ii) families of both the lovers resent their unions, (iii) female lovers are forced by their families to marry other man and (iv) at the end, female lovers die first followed by the male lovers except in case of Mirza Sahiban where the two lovers die in the reverse order.
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“Qasam” (1947) was a Prem Pictures production. It was directed by M D Baig. The movie had Kanta Devi, Jamu Patel, Najma, Prem Adeeb, Raj Adeeb, Sabir, Shashibala etc in it. The songs of this movie are extremely rare and they were often considered as extinct by music lovers.
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This blog has 78 songs composed by Sajjad Hussain and that leaves about 20 more Sajjad Hussain songs that are yet to be covered.

These remaining songs are rare songs that are difficult to find and they may be available only with private dedicated collectors. I had mentioned in one of my earlier posts that I had the privilege of meeting Mr Bakshshish Singh in Sudhir jee’s residence. He has a nice collection of old and obscure songs and he is ever willing to share them. While leaving, he left his portable hard disk with Sudhir jee for him to see what was useful for him. Next day, when I was again in Sudhir Jee’s residence, I looked at the contents of the hard disk and copied some of it as may fit in my pen drive.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hindi film music became people oriented, in the real sense, from Khazanchi-1941. Till then HFM was ,as if, in the clutches of Classical and stage music.

The begining of the Fifth decade of the 20th century was a revolutionary period for Film Industry. Mehboob, Kardar, K.Asif, V.Shantaram, Filmistan etc established their own studios and started producing meaningful cinemas. It also brought a new dimension to film music. This decade showed that Good Music, on its own, can make a film successful at the box-office, irrespective of other factors like cast, plot etc.
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