Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Until 1970, I was only aware of old Hindi film songs from popular films like ‘Mahal’ (1949), ‘Barsaat’ (1949),’Malhar’ (1951),’Baiju Bawara’ (1952), ‘Ashiana’ (1952), ‘Patita’ (1953), ‘Anarkali’ (1953), ‘Seema’ (1955) and many more of such films. It was only when I was initiated by a friend into some lesser known gems from the films which I have never heard of, my interest in such songs grew. My friend used to arrange periodic meetings of like minded persons, mostly in his house. He had a mind boggling collections of such songs in 78 RPM gramophone records ( I guess, it was nearly 1000 in numbers). He had also had some audio cassettes containing lesser known songs recorded from Radio Ceylon and also from 78 RPM records held by some of his friends. During those meetings, he would select some rare songs and play on his Gerard record changer attached to his radiogram followed by discussions. Since I was a novice in this segment of old Hindi film songs, I was only a listener to those discussions. Later, I became aware of the fact that behind tha facade of popular old Hindi film songs, there exists a big store of lesser known jewels.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

The first time we hear of Khayyaam as a music director is in the 1951 film, ‘Pyaar Ki Baaten’. In this film, he shares the honors of music composition with Bulo C Rani. But certainly, this is not his first film as a music director. He has been active in the industry since 1948, albeit has was using a different name. In 1947-48 when he came to Bombay looking for opportunities as a music director, some producers and friends suggested to him not to use his original name, and so he adopted a pseduonym – Sharma ji. Under this name he composed music for three films, before reverting to his original name with the film, ‘Pyaar Ki Baaten’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the Mughal emperors, Bahadur Shah Zafar (24/10/1775 – 7/11/1862) evoked my sympathy whenever I used to read the chapters on Mughal Empire in the history book during my school days. One rarely comes across such a moving tale of a reluctant emperor at a time when Mughal empire had almost crumbled. It is an irony of fate that the last emperor of Muhgal dynasty who had ruled India for over 300 years had to spend the last few years of his life in exile in Rangoon (Yongon) in Burma (Myanmar) and died unsung in anonymity.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Baawre Nain” (1950) was the film that made the industry and the masses take notice of this new music director named Roshan. Roshan had made a debut with the film ‘Neki Aur Badi’ (1949), produced and directed by Kidar Sharma. With the kind of year that 1949 was – an absolute parade of films with fabulous music, not a surprise that a novice music director’s debut venture went by unacknowledged. ‘Neki Aur Badi’ settled into obscurity both as a film and also for the music. When Kidar Sharma planned his next venture, ‘Baawre Nain’, he restated his confidence in Roshan, by once again engaging him to create the music for it. And Roshan responded likewise, creating such wonderful tunes for this film, this after more than sixty years, this film is remembered now, simply on the basis of its music and songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I am reasonably well versed with the profiles of maestro S D Burman and his son R D Burman but not about Meera Burman, wife of S D Burman and mother of R D Burman. I was also curious to know about her life after the untimely death of her only son in January 1994. Apart from keeping a low profile, Meera Burman remained in the background under the shadows of her illustrious husband and son. Contrary to my expectation, I was able to get enough information about her from the archives of newspapers reports, articles and Yahoo discussion forum of R D Burman Fans on the internet. But reading all the these material made me very sad, particularly after knowing that this multi-talented woman had spent the last 13 years of her life in a very pathetic condition.
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