Archive for the ‘Songs of 1962’ Category
Mujhe dekhkar aap ka muskuraana
Posted on: November 24, 2008
“Ek Musafir Ek Haseena” was a movie featuring Joy Mukherjee and Sadhana. The music was by O P Nayyar and lyrics were written by Raja Mehdi Ali Khan ( known more for writing lyrics for Madan Mohan). Rafi, as is his wont creates magic with his divine voice in this song.
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Chhoti si ye duniya
Posted on: November 19, 2008
Considering that it is Shailendra who wrote the lyrics and Shankar Jaikishan who composed the music, it could as well be Mukesh singing for Raj Kapoor, but here it is Kishore Kumar singing for himself in “Rangoli”.
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Nanha munna raahi hoon
Posted on: November 13, 2008
India of 1960s was a much more simple and uncomplicated nation, where cynicism about the nation and its leaders had yet to take roots. People actually looked upto the national leaders. Every household compulsorily had the pictures of national leaders on their drawing room walls. Framed photographs of Mahatma Gandhi, Rajendra Prasad, and Jawaharlal Nehru were there in all households.
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Singer is Mukesh, lyricist is Shailendra and composers are Shankar Jaikishan. One may be forgiven to think that it must be a song picturised on Raj Kapoor. But no, this is a song from “Hariyali aur Raasta”, a movie featuring Manoj Kumar.
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This is a song from “Son of India”, which was a movie of 1962 and it had one very popular song called “Nanha munha raahi hoon main desh ka sipaahi hoon”. This movie had other popular songs as well.
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Rungoli sajaao
Posted on: October 28, 2008
In 1950s and early 1960s, Kishore Kumar, in addition to playback singing, acted as an actor cum singer in movies. He was in fact the lead actor in many such movies, and he made a reasonably popular pair with Vyjyanti Mala those days.
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Bol meri taqdeer mein kya hai
Posted on: October 4, 2008
There are many occasions I am told that this particular song was so wonderful, and I nod my head sagely, though in reality I may not even have a clue what song is being talked about. For instance, I have been told that ” bol meri taqdeer me kya hai” from “Hariyali aur raasta” is a wonderful song. I nodded my head knowledgeably at this suggestion by Raja though I doubted I had ever heard this song.
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45 | Post No. : | 53 | Movie Count : |
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Kishore Kumar sang most of his earlier songs under the music direction of S D Burman. But he did sing under other music directors too. But as far as sad/ serious songs were concerned, most such songs of Kishore Kumar tended to be under the music direction of S D Burman and typically picturied on Dev Anand.
But Kishore Kumar’s prowess in singing sad/ serious songs was being acknowledged by other music directors too. And Kishore Kumar was getting chances to sing for himself in movies as well.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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35 | Post No. : | 35 | Movie Count : |
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It is one of the immortal ghazals of Bollywood. When one of the biggest music directors of that time, Naushad, heard the ghazals of Anpadh ( other ghazal being ” hai isi mein pyar ki aabroo”), he found out who the composer was, and then phoned Madan Mohan and took an appointment with him. When Naushad met Madan Mohan, Naushad said that these two ghazals by Madan Mohan were equal to all the compositions that he ( Naushad) had ever created.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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14 | Post No. : | 14 | Movie Count : |
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This song is different from the usual songs that I have so far presented in this blog. For once, it is the first female solo song in this blog. But more than that, it is different in the sense that its popularity with retrospective effect among music lovers defies explanation.
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