This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6389 | Post No. : | 19817 |
#the Decade of Fifties – 1951 – 1960 #
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The song in this post is from the movie ‘Bandhan-1956’. I do not remember to have listened to the songs from this movie earlier or maybe I have forgotten them. The video of this movie is now available on internet which I guess was not the case years back when other songs from this movie were posted on the blog. I have not watched this movie so far, so can’t say much about this movie. This movie was passed by Censor Board on 05.11.1956.
‘Bandhan-1956’ was directed by Hem Chander for ‘Sarkar Productions, Calcutta’. It was produced by D.K. Sarkar. The cast of this movie has Meena Kumari, Pradeep Kumar, Shashikala, Motilal, Achala Sachdev, David, Kammo, Natwar, Nana Palsikar, Meenu, Bhupendra Kapoor, Leela Mishra, Shaikh, Sarita Devi, Shivjee Bhai, Pt Tulee, Ranu Mukherjee, Asit Sen, Zahar Ganguly and others. Music for this movie was composed by Hemant Kumar. This movie has seven songs which were all written by lyricist Rajinder Krishan. The playback singers for the songs of this movie were Hemant Kumar, Bela Mukherjee, Lata Mangeshkar, and Asha Bhonsle. So far three songs from this movie have already been posted on this blog.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6389 | Post No. : | 19815 |
ہوا جو پیوند میں زمیں کا تو دل ہوا شاد مجھ حزیں کا
بس اب ارادہ نہیں کہیں کا کہ رہنے والا ہوں میں یہیں کا
قریب ہے یارو روز محشر چھپے گا کشتوں کا خون کیوں کر
جو چپ رہے گی زبان خنجر لہو پکارے گا آستیں کا
ہوائے مے میں ہوں محو ایسا چمن میں گھر کر جو ابر آیا
سیہ مستی میں میں یہ سمجھا جہاز ہے آب آتشیں کا
امیرؔ دیکھا جو اس کا نقشہ تو نقشہ یوسف کا دل سے اترا
کہ نقش ثانی کے آگے ہوتا فروغ کیا نقش اولیں کا
हुआ जो पैवंद मैं ज़मीं का तो दिल हुआ शाद मुझ हज़ीं का
बस अब इरादा नहीं कहीं का कि रहने वाला हूँ मैं यहीं का
क़रीब है यारो रोज़-ए-महशर छुपेगा कुश्तों का ख़ून क्यूँ-कर
जो चुप रहेगी ज़बान-ए-ख़ंजर लहू पुकारेगा आस्तीं का
हवा-ए-मय में हूँ महव ऐसा चमन में घिर कर जो अब्र आया
सियह-मस्ती में मैं ये समझा जहाज़ है आब-ए-आतशीं का
‘अमीर’ देखा जो उस का नक़्शा तो नक़्शा यूसुफ़ का दिल से उतरा
कि नक़्श-ए-सानी के आगे होता फ़रोग़ क्या नक़्श-ए-अव्वलीं का
(Ameer Minai)
The above is the complete ghazal by Ameer Minai. The famous line “Jo chup rahegi zubaan e khanjar, lahu pukaregaa aasteen ka” is partly used in the last stanza of this song posted recently. Since the famous line is the crux of the matter, and full ghazal is the complete story, so given above as food for thought.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6388 | Post No. : | 19814 |
Hullo Atuldom
Back after a year of inactivity. My last post was on 27th December 2025. Since then the calendar has changed and we are into 2026- a New Year. Even if the gap has been of only a few days, it feels like I have been away forever- feels like an Year of Inactivity. 🙂
“Inspector” (1956) was a film that had 9 songs with the song ‘dil chhed koi aisa naghma’ having two versions – in Hemant Kumar’s & Lata Mangeshkar’s voices. The following songs of the film are present on the blog:-
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Kehna hee kya
Posted on: January 13, 2026
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6388 | Post No. : | 19813 |
A R Rahman – The Musician of 21st Century – 11
Finally, I come to this wedding song, semi-qawwali from the 1995 film Bombay. It is an essential song in the ARR series, as a personal favourite for all these years. The essence of this composition is undoubtedly K. S. Chitra’s rendition of this Hindi version. I can’t say much about the Tamil version, as the words are not comprehendible to me. Each language has its own sounds, and nuances of them. An ignorant person cannot fathom them. May be the regulars knowing Tamil will be able to describe, what I am unable to say here.
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Dard e dil tu hee bataa
Posted on: January 13, 2026
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6388 | Post No. : | 19811 |
Naa to kaarwaan ki talaash hai,
naa to hamsafar ki talaash hai
Clickbait?
Not really.
The above qawwali couplet from Barsaat ki Raat (1960) is quite viral these days. This post is however on the genius music director who composed the well-known qawwali.
Roshan Lal.
I have provided the qawwali link above, so that readers can enrich their knowledge regarding the origins and making of the popular number. There are many comments by knowledge readers in the article which give a lot of information.
And, as is my habit, here is a digression.
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