Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1961


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is an unusual song with different lyrics, from an obscure and less heard film, MATLABI DUNIYA-1961. I have not seen this film, nor could I get any information about this film anywhere, except what is available in HFGK.
Read more on this topic…


People intersted in old Hindi movie music often come across names that may confuse people. For instance, there are people who confuse between Naushad and Nashaad. Then there are people (including some who are regarded as knowledgeable by others as well as by themselves) who think that Ghulam Haider and Ghulam Mohammad are one and the same ! A few years back, I was listening to an audiocast (I think the actual tem used in different) of a programme on old songs. The presenter presented a song from “Shaheed, viz. Watan ki raah mein watan ke naujawaan shaheed ho (Shaheed) . After the song, the presenter informed the listeners that the music of this song was compose by Ghulma Haider, and that music lovers are awrae of this music director for his compositions in “Paakeeza” (1972). After listening to this sentence, I lost all respect for the knowledge of the presenter about old Hindi movies.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During 1960-70, Lata Mangeshkar had sung some beautiful non-filmy ghazals. Two of these NFS, viz. dahar mein naqsh-e-wafaa and aankh se aankh milaata hai koi have already been covered in the blog. These ghazals were composed by Faiyyaz Shaukat and K Mahavir respectively. In 1969, a LP of her non-filmy ghazals of Mirza Ghalib composed by her brother Pandit Hridaynath Mangeshkar was released.
Read more on this topic…


“Ek Ladki Saat Ladke”(1961) was a Filmistan Production. It was directed by Roop K Shorey. The movie had Ravindra Kapoor, Ameeta, Badri Prasad, Manju, Durga Khote etc in it. The movie must have really sunk without a trace for it to have become such an obscure movie.
Read more on this topic…


“Baghdad” (1961) was a Southern Movies production. It was directed by T R Sundaram. The movie had M. G. Ramchandran, Vyjyantimala, Gopal Krishna, T. S. Balliah, Nambiar, Sandhya, Helen etc in it. That makes it one of the rare movies where M G Ramchandran was seen in a Hindi movie. I wonder if it was a dubbed movie. I request our knowledgeable readers to throw more light on this movie.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contribuor to this blog.

In India people are too quick to categorise communities. For example, they believe that every Marwadi must be Kanjoosh(stingy), every Gujrati must be a businessman, all Kashmiri women must be beautiful. All Parsees must be eccentric or all Sardarjees must be either in Army/ a carpenter or a Truck driver.
Read more on this topic…


“Sasuraal” (1961) was a Prasad Production movie. It was directed by T Prakash Rao. The movie had Rajendra Kumar, B. Saroja Devi, Shobha Khote, Mehmood, Jayshree Gadkar, Dhumal, Misra, Leela Misra, Anwar Hussain, Randhir, Ratnamala, Wasti, Lalita Pawar, Bipin Gupta etc in it.
Read more on this topic…


This article is written by Sadanand Kamath,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year was 1947. Dilip Kumar, Anil Biswas and Lata Mangeshkar were travelling in a suburban local train to Malad where Filmistan Studio was located. During the journey, Anil Biswas introduced Lata Mangeshkar as a Maharashtrian girl who would be the singing star of tomorrow. Those days most of the Hindi film songs used to have more Urdu words than Hindi. Dilip Kumar retorted sarcastically. ‘A Maharashtrian? Her Urdu would not do justice to the song. My ears would tingle in shame’. These words stung Lata Mangeshkar so much that in the following morning, she started learning Urdu from an Urdu tutor just to prove Dilip Kumar wrong. This incident was revealed by Lata Mangeshkar in a private function at Dilip Kumar’s residence some time in 1970. Dilip Kumar in his characteristic style, replied that Lata Mangeshkar’s pronunciations and diction both in Hindi and Urdu are so clear and correct that now his ears tingle in shame for those remarks he made in 1947.
Read more on this topic…


Total visits so far

  • 17,893,258 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,944 other subscribers
Support the blog

Bookmark

Bookmark and Share

Recent comments

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 July 2008

Active for more than 6000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory