Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Barsaat ki raat


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘ X ‘ as we all know is the 24th letter in the alphabetic order of the English Language. Over the years I have often heard the phrase ‘ angrez chale gaye aur yeh angrezi chhod gaye…… ‘ This was usually in response to someone saying either ”sorry’ or ‘thank you’. The aspersion on the whole language was cast as ‘sorry’ and ‘thank you’ seem more formal and trivial words, compared to our own ‘ shukriya ‘ and ‘ mu’aaf kijiye ‘ or ‘dhanyawad’ and ‘kshama kijiye’ .

Similarly, the alphabet ‘ X ‘ of the English language is surplus to requirement as far as Hindi /Urdu are concerned.
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Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Film Barsaat Ki Raat (1960) is a tale of romance and love, built around a poet’s dream, and a troupe of singers who specialize in qawwaali singing. The storyline progresses as two sub plots intertwined with each other. The first is about Bharat Bhushan and his romantic interest in Madhubala. And the second is about Shyama and her family, who are the troupe of qawwaali singers, and their progression in the qawwaali competitions. Besides the wonderful songs that have been created for this film by Sahir Ludhianvi and Roshan, there are three iconic, and very famous qawaalis in this film, that basically defined its popularity in the minds of film goers.
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“Barsaat ki raat” was an awesome musical extravaganza, the likes of which were perhaps seen neither before nor since. The story of the movie itself revolved around a qawwali competion, so naturally the movie was full of qawwalis and most of them have gone on to become all time great evergreen qawwalis. Roshan, the music director of this movie was perhaps the best music director as far as composing qawwalis was concerned, and he made his reputation in this genre in this movie.
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