Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Devika Rani


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Anjaan”(1941) was directed by Amiya Chakraborty for Bombay Talkies Limited, Bombay. The movie had Devika Rani, Ashok Kumar, V H Desai, Girish, Suresh, P F Pithawala, Gulab, Fatty Prasad, Yusuf Suleman, Saiyyad Mukhtar, David, Reva, baby Madhuri, Arun Kumar, Ibnul Hasan, Bachan Lal Dixit, Om Prakash, Tarun Kumar, Bhargavi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Izzat”(1937) was directed by Franz Osten for Bombay Talkies. The movie had Devika Rani and Ashok Kumar in lead roles. The movie also had Kamta Prasad, Fateh singh, M Nazir, Ahmad, Mumtaz Ali, K H Dharamsi, Vimla, P F Peethawala, N M Joshi, Ameer Ali, Suneeta Devi, Madhurika, Manohar Ghatwai, Chandraprabha etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Izzat”(1937) was directed by Franz Osten for Bombay Talkies. The movie had Devika Rani and Ashok Kumar in lead roles. The movie also had Kamta Prasad, Fateh singh, M Nazir, Ahmad, Mumtaz Ali, K H Dharamsi, Vimla, P F Peethawala, N M Joshi, Ameer Ali, Suneeta Devi, Madhurika, Manohar Ghatwai, Chandraprabha etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Bombay has been the centre of Film making in India right from the very beginning. Why Bombay and not any other city in India ? It was because Bombay wahub of business activities in India, because it attracted Talent from all over the country and because the Bombay Government constantly made attempts to develop it as a metropolitan city. Old records indicate that a total of 2.72 lakh people migrated to Bombay in 1911, while this figure was was 4.21 lakhs in 1921 and more than 5 lakh people came to Bombay in 1931 to seek employment.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the early days of films, it was almost a tradition for the film people to invite or encourage their friends and relatives to join the industry. There could be two motives, One-to give opportunities to the dear ones and Two-to include them in the line so that their own position gets strengthened. Thus, the early artistes-at least the majority- were one way or the other connected to each others in the film line. Those days,Industry too needed people in various branches of film making as it was growing fast and social inhibitions still restricted the entries of people from respectable families.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The second song in the series “Debut or First film songs ” is from the First Hindi/English film KARMA-1933. It is sung by the ‘First lady of the Indian Cinema and the First winner of the prstigious Daqdasaheb Phalke Award- DEVIKA RANI.
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“Achhoot Kanya” (1936) was made at an era far far removed from the present day. It was produced by Bombay Talkies. Its producer was Himanshu Rai and it was directed by a German director called Franz Osten. It was a case of an indophile German directing a Hindi movie on a sensitive topic like untouchability and doing a great job. And those were the days when India was under British occupation too. And Ashok Kumar, a lab assistant with Bombay Talkies found himself being made the hero of the movie when the heroine Devika Rani eloped with the original hero, only to come back subsequently. And she was the wife of Himanshu Rai ! And the music director of this movie, a Parsi lady faced stiff resistance from members of her community who were against her decision of joining the film line as a music director.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a regular conributor to this blog.

Here is another song from Achhoot Kanya. This has to be one of the first bullock cart songs. In the early years of the past century, the hero and heroine did not, or could not get physical during romantic numbers. Despite that constraint, Ashok Kumar and Devika Rani share a lovely chemistry during this song. They sit close together, lean into each other and smile often.
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Even those who do not think much of old songs may have heard of this song or at least this movie. This movie called “Achhut Kanya” (untouchable girl) produced in 1936 was obviously made on a topic that was too far ahead of its time and the makers of this movie did a great social service by making a movie on this topic. It was the first out of only two movie that Mahatma Gandhi is reported to have seen, the other movie being “Ram Rajya”.
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