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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘2002


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4018 Post No. : 15129

It is the 8th year of my association with our Blog. I do not remember the date but it was in the month of July 2011 when I found this musical  Blog. I began my formal association with the Blog by posting my first comment sometime in the last week of July 2011. It was much later  I came to know that the Blog had then just completed its third birth anniversary.

Congratulation to Atul ji and his bandwagon for completing today the 11th year of the Blog. Over a period of time, our Blog has transformed into a cooperative movement to propagate Hindi film and non-film music especially of the vintage and the golden periods.

My interest in Hindi film music began during the early days of Binaca Geet Mala which used to be broadcast on Radio Ceylon every Wednesday. But it was during the late 1960s that I developed interest in the nitty gritty of Hindi film songs. I became the collector of 78 rpm gramophone records of popular as well as the then rare songs mostly of films released during 1940s to 1960s. However, by 1972-73, I had become disillusioned with my hobby for number of reasons, the main reason being the undesirable practices of a few of the record collectors and sellers.

During 1990s to 2000s, I was virtually cut off from the Hindi film music of the golden era as even my record player became irreparable and the India-made new ones were not available. The radio had become almost redundant. During this phase, I used to regularly watch TV programmes on Doordarshan (for Chitrahaar), Channel [V] and MTV. At that time, I started liking Hindi pop songs (Indipop). Those were the days when Hindi pop songs had become very popular to the extent that they were competing with Hindi film songs in terms of sales of the song albums. Among the Hindi pop singers, Alisha Chinoy, Sunita Rao, Sweta Shetty, Phalguni Pathak, Palash Sen, Diler Mehndi, Lucky Ali, Sonu Nigam and many others became very popular. The popularity of Hindi pop songs attracted some of the already well-established artists like Asha Bhonsle, Nusrat Fateh Ali Khan, Shubha Mudgal, AR Rehman, Majrooh Sultanpuri, Javed Akhtar etc. who got associated with Indipop.

After my final retirement from the service in June 2009, I again got interested in Hindi film music. It was during this phase when I came across this Blog and my interest in the Hindi film music was revived. But the most important contribution of the Blog for me was that my hobby of listening Hindi film songs got expanded to cover non-film songs and research in Hindi films and the music. The Blog has become a learning curve for me insofar as Hindi films and non-films music are concerned.

On the occasion of the 11th birth anniversary of our musical Blog, I have chosen one of my favourite indipop songs of the new millennium. The song is ‘Jahaan Ho Pyaar Ka Mausam’ (2002) rendered by the all-girls VIVA Band consisting of Seema Ramchandani, Pratichee Mohapatra, Neha Bhasin, Mahua Kamat and Anushka Manchanda. The song is written by Javed Akhtar which is set to music by Jatin-Lalit.

The song has a very thought provoking mukhda which has a universal appeal:

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi kahin na kahin

 When I heard this song recently after a long gap, it immediately struck me that the mukhda of the song was very apt for our Blog. For me, our Blog is the place where there is an atmosphere of love, union of hearts and minds. And where everyone speaks in a language of respect.

I should give some background about the song under discussion. In 2002, Channel [V] decided to promote pop stars in India. They started the first Indian version of the International Popstars Talent Show in 2002 in which 5 girls got selected. They formed a band named as VIVA. Their first album, VIVA produced by Times Music and Channel [V] was released in June 2002 which had 8 songs, including the song under discussion. All the songs were written by Javed Akhtar but they were  set to music individually by Shankar-Ehsan-Loy, Jatin-Lalit, Sandeep Chowta, Raju Singh, Kersi Lord and Ashtosh-Dhruv. The album received a very good response and in the first year itself, sales of albums crossed 5 lakhs.

VIVA Band got split within two years of its formation despite unprecedented success of its two albums. Probably, the girls in the band could not handle their sudden fame. Later, all of them pursued their solo careers in music and the related fields.

I had watched the video of the song under discussion umpteen times on TV during 2002-03. I always liked it for its meaningful lyrics and comparatively soft musical interludes than some of other Indipops.

For those who had watched the video of the song on TV in early 2000, it will be a nostalgic experience.

Audio

Video

 

Song – Jahaan Ho Pyaar Ka Mausam (NFS – VIVA) (2002) Singer – Seema Ramchandani, Pratichee Mohapatra, Neha Bhasin, Mahua Kamat, Anushka Manchanda, Lyrics – Javed Akhtar, MD – Jatin-Lalit

Lyrics


oou oou oou oou oou
oou oou oou oou

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
 
baaton mein ho ghul gayi
saare geeton ki jaise narmiyaan
aankhon mein ho yun khushi
moti bhari hon jaise seepiyaan
jahaan goonje prem shehnaai
jahaan zindagi le angdaai
jahaan har ghadi khushi ki ho daastaan
jahaan goonje prem shehnaai
jahan zindagi le angdaai
jahan har ghadi khushi ki ho daastaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam

rou rou rou rou rou
rou rou rou rou
rou rou rou rou

aisa ho nagar jahaan
chimni ka dhuaan phaila na ho
raahon mein hawaaon ka
aanchal zara bhi maila na ho
jahaan thande thande ho saaye
jahaan haule haule neend aaye
jahaan khwaab khwaab lagta ho har sama
jahaan thande thande ho saaye
jahaan houle houle neend aaye
jahaan khwaab khwaab lagta ho har sama
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam
jahaan meethi ho sab logon ki zubaan
haan
mujhe aise nagar hai jaana
main aisa nagar dhoondh loongi
kahin na kahin

jahaan ho pyaar ka mausam
jahaan sab dilon ka ho sangam

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

ऊ ऊ ऊ ऊ ऊ
ऊ ऊ ऊ ऊ

जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ

जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम

बातों में हों घुल गई
सारे गीतों की जैसे नर्मियाँ
आँखों में हो यूं खुशी
मोती भरी हों जैसे सीपीयाँ
जहां गूँजे प्रेम शहनाई
जहां ज़िंदगी ले अंगड़ाई
जहां हर घड़ी खुशी की हो दास्ताँ
जहां गूँजे प्रेम शहनाई
जहां ज़िंदगी ले अंगड़ाई
जहां हर घड़ी खुशी की हो दास्ताँ
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम

रू रू रू रू रू
रू रू रू रू
रू रू रू रू

ऐसा हो नगर जहां
चिमनी का धुआँ फैला ना हो
राहों में हवाओं का
आंचल ज़रा मैला ना हो
जहां ठंडे ठंडे हों साये
जहां हौले हौले नींद आए
जहां ख्वाब ख्वाब लगता हो हर समा
जहां ठंडे ठंडे हों साये
जहां हौले हौले नींद आए
जहां ख्वाब ख्वाब लगता हो हर समा
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम
जहां मीठी हो सब लोगों की ज़ुबान
हाँ
मुझे ऐसे नगर है जाना
मैं ऐसा नगर ढूंढ लूँगी
कहीं ना कहीं
जहां हो प्यार का मौसम
जहां सब दिलों का हो संगम

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This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4005 Post No. : 15109 Movie Count :

4150

For today’s post, I have chosen a movie who’s two namesakes are already there on the blog and thanks to their popularity they have even been yippeed already. However, this 2002 release and another namesake are perhaps waiting for me to open their account on the blog.

This film like many of the movies (phenomena particularly seen in 1930s) was inspired by a play. The director Vipul Amrutlal Shah adapted this movie from his own Gujarati play Andhalo Pato (Blindman’s Bluff). He has done these kind of adaptations later as well. I feel that its certainly a good idea to adapt movies from plays, novels, short stories etc as these often have wonderful ieas in them around which screenplays can be built. A good script will always give strength to a movie. Music no doubt is important to a movie but it can only do so much alone. I hope our filmmakers today will focus more on continuing this trend of re-using good stories rather than re-using good songs to make something else out of them!

The film tells the story of Vijay Singh Rajput (Bachchan) a hard-working but temperamental man who has spent all his life working for one bank and even achieving them international recognition. When Vijay loses his mind and goes on a violent rampage beating up another employee, he is subsequently fired. He decides to take vengeance by organising a full on heist and having the same bank robbed by three blind men as no one will suspect them. The film was quite appreciated when it released.
The detailed plot was as follows:-

Obsessive and temperamental bank manager Vijay Singh Rajput (Amitabh Bachchan) loses his job for badly beating up a bank clerk who tried to embezzle money. Angered at losing his job he plots revenge on the bank by intending to stage a heist. He employs three blind men – Vishwas (Akshay Kumar), a blind person who has the power of the sixth sense, Elias (Paresh Rawal) and Arjun (Arjun Rampal) — when, after passing by school for the blind, he understands that blind people can be trained to do things like sighted people. He blackmails and enlists the help of Neha (Sushmita Sen) who is a teacher at the school to train the trio to do the seemingly impossible heist. He chose blind people because they, as thieves, would never be suspected as noone would believe blind people can rob a bank.

The bank robbery is successful, with the jewels safely captured by the three. However, in the process of robbing the bank, Elias’s face is exposed, captured in footage and prompting citywide posters with his face. Meanwhile, Mr. Rajput anxiously tries to extort information from Vishwas and Arjun regarding the jewels and their location. Unable to answer, as they did not collect the items, they try to defer the answer by changing subjects. Ultimately, it is revealed that Elias is the one with complete knowledge of the box’s belongings. Meanwhile, tensions rise between Rajput and Neha; the latter resists the abusive nature of Rajput and his obnoxious harassing of Vishwas and Arjun. Arjun confesses his love to Neha, who reveals that she is associated in the plot only for the well-being of her younger brother, Rahul, who has been kidnapped by Rajput.

In a furious attempt, the police try to locate Elias. Elias lands up at Rajput’s place after getting drunk. Rajput tries several ways to force Elias into revealing the location of the box. Unable to generate an answer, he slams Elias, who falls on the ground and injures his eyes, causing bleeding. Even in this scenario, Rajput tries to get the information, but Vishwas and Arjun resist and claim that they will reveal the location if Elias is treated by paramedics. Rajput sends them to get Dr. Siddiqui. Vishwas senses that Elias is in danger and Arjun and Vishwas double back to the training center to save him. Rajput starts to harass Elias by tickling him to force him to reveal the answer.

In the action, Elias falls off the balcony and dies. Unable to bear the shock of the death, Neha pulls a gun on Rajput and threatens to reveal everything to the police if he does not leave her and the other two alone. Rajput notifies Neha that all these acts were done under her training, and he is spotless. Unable to bear this fact, Neha shoots herself, just as Vishwas and Arjun return after hearing loud screams.

Both men gang up on Rajput and try to attack him. Once Rajput realises that the men are ignorant about the jewels, he starts shooting them. The police arrive, and confusion ensues. Vishwas and Arjun come out and claim that Rajput is abusing them while he claims that there is a big conspiracy involving the two men, Neha and Elias. Unable to believe that blind men can ransack a bank and amidst Rajput’s impassioned defence, the police start getting suspicious. In the heat of defending himself, Rajput reveals that he had sent over Elias, thus confessing his crime.
In the end, Rajput has been locked away. Vishwas and Arjun decide to take care of Rahul and ultimately find the jewels – they were hidden in Elias’ musical instrument.

This would appear as the typical Hindi film end where the evil man ends up in jail. However, old timers may be remembering the curious case of Bandini having two endings being shot. As told in Bioscope ki Baaten on Vividh Bharti’s pitara programme long back Bimalda could not decide what end to give the movie. One option was to send Nutan’s character to hear new beau played by Dharmendra and the other was for her to go to her old love Ashok Kumar. As per announcer Kamal Sharma who hosted it as per my memory, Bimalda shot both the endings and showed it to a selected audience (perhaps the distributors??) who decided that the ending where She goes to side of the ailing Ashok Kumar would be more apt.

However in this movie’s case, the film makers had another ending in mind which was released in the overseas version! In the overseas viewers version, Rajput bribes the cop (Aditya Pancholi) and is set free, in return to get him his share and gets his manager Bhandari (Ajit Vachani) arrested. Vishwas and Arjun are sitting in a train (waiting for it to depart) and Rajput is standing on the platform with a smile on his face. He then warns them that “A dangerous game is about to begin”, after which Vishwas and Arjun both draw their guns, and the film ends.

Perhaps the film makers felt that overseas audience would better accept the corrupt angle while also leaving room for a sequel which never happened. Obviously, the alternate ending overseas version was longer in length too.

Interestingly, when the movie released, the pirated movies would often come via the Dubai route and in India, people going to cinemas and watching it at home were seeing the different endings! The movie was a big hit. I especially loved the way Sushmita Sen matched up to Amitabh Bachchan during her very effective role. Its sad that we have got to see so less of her in films. Bollywood, She hasn’t been seen since Chingaari (2006). Are you listening??

Before, I come to the chosen song itself, I must mention a very curious case of P-stats for the song. One man who “appears” as if He is yet to make his debut on the blog as far as one can see has not yet made his debut on the blog is making his debut with this song post. What’s interesting is that He’s making his debut on the blog as a singer, a composer as well as what he’s most known as – a Lyricist! Another interesting thing is that his co-composers in the song are a well known composer duo as well as a talented, now sadly deceased, solo composer. So this song for which he has written the lyrics has four composers! That’s quite rare must say!! I was surprised when I first discovered this and had to get hold of the “record” i.e. the CD to confirm the same! This gentleman has not only been a singer, composer and lyricist but also contributed to films as a dialogue writer as well as an actor!
You can see the CD for the credits here on Amazon.

I hope I have made you curious about the identity of the artist! You’ve probably heard some songs of his. He’s known for reviving Bambaiyya style songs in films like Ghulam (1998) and Satya (1998). For many years he was in demand for his Bambaiyya lyrics! His name is of course Nitin Raikwar.

How he came to write probably his biggest hit which kick started his lyricist career is a quite interesting incident. The year was 1996. Actor and filmmaker Neeraj Vora recommended that he go and meet ‘Mr Perfectionist’ Aamir Khan. Aamir was shooting on the sets of Ghulam at Sanpada in Navi Mumbai. He needed someone to write some funny shayaris for a character in his next film Sarfarosh. When Nitin reached there he found that due to some technical slag the whole unit was on standby while it was being rectified. Seeing Aamir free, Nitin went up to him and requested him to give a listen to one of the songs he had written. Aamir heard it and immediately called the director Vikram Bhatt. They both found the song unusual but nice. That song which got included in the movie was ‘Aati Kya Khandala’ which became a super duper hit (It was sung by Aamir himself with Alka Yagnik. Its not yet on the blog and I’m reserving it for a future post by me. Me. Me. Peevsie’s mom and other’s please note 😀 ). This song will probably feature in any playlist of Bambaiyya Hindi songs.

He was to follow it up with many hits. One of these is already on our blog. That is the famous Apun Bola Tu Meri Laila from Josh (2000) which has already had a post by Peevsie’s mom nearly 6 years back on 20th August here:-

In the tagging it has got miscredited to Sameer (who also wrote for the movie) and thus it became his “secret debut” on the blog (the writeup does mention him in one place!). The correctness of the credit can be easily seen on the CD here

Some of his other popular songs include Excuse Me Kya Re (from Style 2001) and Khallas from RGV’s Company (2002). He penned for many more movies being sought out for the Bambaiyya flavour. He was also called for children’s movies like Chhota Chetan (1998) and Jajantaram Mamantaram (2003).

He talked about all this in a 2017 interview with Mid Day.
To quote from it:-

Writing in tapori language was a skill that Raikwar developed after he moved to Mumbai from Pune in 1987. By then, he had already tried his hand at singing in orchestras, something his father wanted him to do since he was a successful show organiser. “But I didn’t see myself singing in orchestras all my life. I was aware of the risk and struggle involved in Bollywood, but I was adamant to make it,” he says. With little money to spend, Raikwar’s story reads like that of so many others who move to Mumbai from smaller towns to try their luck. “When a man is struggling, he spends time with people who are like him. So I would sit at chai tapris and talk to rickshawallas, drivers and daily wage labourers. Because I’m talkative and an extrovert by nature, I could strike up a conversation with just about anyone. That’s how I picked up the slang,” he says. Even when he didn’t have projects, Raikwar would write and seek feedback from his friends, some of whom were already working in the film industry as supporting actors. And it’s through their assistance that he finally met Anil Kapoor on the sets of Ladla. “I consider that the turning point in my life. Anil Kapoor felt I had potential and introduced me to directors and filmmakers,” he says. Raikwar’s first song was Teri Tirchi Nazar Main Hai Jaadoo for Anil Kapoor-starrer Loafer in 1996. But it was Aati Kya Khandala that earned him fame like no other. In fact, it helped him bag a Shah Rukh Khan film soon after. “I remember writing Apun Bola in 15 minutes after I heard the script. I wanted it to reflect Goan culture so I included words like kokum curry. You’ll also find words like ‘hoinga’ and ‘karenga’, just the way a Catholic aunty would say them,” he says.

In 2014, Raikwar had to put all work on the backburner for two years due to an illness. It began with bouts of headache, and he was later diagnosed with subdural hematoma of the brain. “The clots had to be removed through surgery. For a long time, I couldn’t work because of the illness. I’m fine now, and hope to get back to what I do best,” he says.

“I think what worked for me at that point was the novelty factor. People dig variety. For instance, we may love our vada pav, but when the burger made an entry in early 2000, we started queuing up for it. It’s the same with songs,” he says. These days, Raikwar is working on his debut album for which he has collaborated with Shrikant Ahire, one of Maharashtra’s foremost shadow dancers. He plans to release a single from it next month. The song is called Khan Sahab Apne Ladke Ko Sambhal. “I thought I’d write in a manner that people identify with. I can’t write in a flowery and larger-than-life way. It’s not me.”

For some reason, the album and song are yet to release though the 2017 interview suggested it would happen soon. No other work from him has come too as far as I can see.

Coming to the song post, It’s a very danceable song composed by our composer ‘quartet’ of Nitin Raikwar, Aadesh Shrivastav and Jatin-Lalit. Joining Nitin Raikwar sing in the movie are Aadesh Shrivastav himself and Actor/Singer Arun Bakshi who you all stalwarts probably already know about from his multiple movies. Written in his usual tapori style, the song for me at its core is quite a philosophical song asking one to not worry about our troubles and that we will one day have everything we want. The song has a nice uplifting mood to it that I love to listen when feeling a bit down sometimes. The feelings of the song somehow remind me of Manna Dey’s rendition of ‘Door Tera Gaon Ho, Thake Tere Paaon Hon Chalta Chal’ from movie Fashionable Wife (1959) which too I am fond of.

Here is the song for you all Bambaiyya Hindi lovers:-

Its picturised on Akshay Kumar, Arjun and Paresh Rawal. The song had become quite an anthem in those days just like today we have Apna Time Aayega but probably in a larger way. A view of the youtube comments of the song will prove that.

Karan Arora says, “My dad is a GM in maruti showroom now……. But 15 years ago…we had a financial crisis…He had to work as a driver under an advocate….we use to live on rent in one room of a govt. Apartment. I was 5 years old At that time.. Jab bhi main dukhi hota tha….he always use to say ” fatela jeb sil jayega…. Jo chahega mil jayega….. Tere bhi din ayenge chhote…. ” to encourage me… But us time esa lagta tha ki future hi nahi hai hamaara…but here we are… Living happily now… So I’m just sharing my story with you guys to encourage everyone who’s struggling in life right now….. Abhi main tum log ko kehta hoon “fatela jeb sil jayega… Jo chahega mil jayega…. Tere bhi din ayenge chhote”……bs rukne ka nahi…. Chalte raho…. 💙💙💙”

Saurabh Mahambrey says, “If three blind guys can sing about a better tomorrow and successful rob a bank …. You can do anything 😂😂😂”

Enceladus says, “2019 anyone 😂 this song is for eternal struggle”

Shubh Patil says, “Best way to get rid of anxiety attacks.. 2019 still here😁😁”

CRT says, “Whenever I feel down, I remember this song. And half of my tension goes away 😃”

Ansh Patil says, “Iconic song.. Amazing movie.. Specially Paresh Rawal rocks”

Shubham Hatekar says, “This song encourages me more than “Apna Time ayega”. Anyone feels same.”

I certainly feel the same. Stay motivated and keep going. You are stronger than the sum of all your troubles. Never forget that.

Video

audio

Song-Phatela Jeb Sil Jayega (Aankhen)(2002) Singers-Arun Bakshi, Aadesh Shrivastav, Nitin Raikwar, Lyrics-Nitin Raikwar, MD-Nitin Raikwar, Aadesh Shrivastav, Jatin-Lalit
Chorus

Lyrics

Phatela Jeb Sil Jaayega
Jo Chaahega Mil Jaayega
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahin
Thakne Ka Nahi
Life Mein Chalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai
Phatela Jeb Sil Jaayega
Jo Chaahega Mil Jaayega
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahin Thakne Ka Nahin
Life Mein Chalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai

Khaane Ka Hai Chicken Curry
Usko Mangta Patti Hari
Jeb Main Tere Dus Rupiya
Peele Cutting Khaale Bhajiya
Khaane Ka Hai Chicken Curry
Usko Mangta Patti Hari
Jeb Main Tere Dus Rupiya
Peele Cutting Khaale Bhajiya
Kismat Pe Rone Ka Nahin
calendar Badalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Are Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai

Aaj To Hai Andhera
Kal Hoga Ujaala
Are Apni Diwali Hogi
Kisi Aur Ka Hoga Diwala
Kal Dekh Lena Paisa
Ho Ga Goni Bhar Kar
Income Tax Officer
To Haath Dhokhe Hi
Peeche Pad Jaayega
Ha Ha Ha
Phatela Jab Sil Jaayega
Jo Chaahega Mil Jaayega
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahin
Thakne Ka Nahin
Life Mein Chalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Are Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai

Phatela Jeb Sil Jaayega
Jo Chaahe Mil Jaayega
Are Bhalta Hich Pakda Baap
Line Mein Aa
Line Mein Aa
Dhin Taak Dhin Taak
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahni Thakne Ka Nahin
Life Mein Chalte Rehne Ka
Life Mein Chalte Rehne Ka
ha
Life Mein Chalte Rehne Ka

Are Bheja Kyon Sarkane Ka
Sahi Bolta Hai Sahi Bolta Hai
Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai
Sahi Bolta Hai Sahi Bolta Hai
Sahi Bolta Hai Sahi Bolta.Hai
Sahi Bolta Hai Sahi Bolta Hai

—————————————————–
Devnagri Lyrics (Provided by Gajendra Khanna)
—————————————————-

फटेला जेब सिल जायेगा
जो चाहेगा मिल जाएगा
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
टेन्शन कायेको लेने का
फटेला जेब सिल जाएगा
जो चाहेगा मिल जाएगा
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
टेन्शन कायको लेने का
सही बोलता है सही बोलता है

खाने का है चिकन करी
उसको मंगता पत्ती हरी
जेब में तेरे दस रुपया
पीले कटिंग खा ले भजिया
खाने का है चिकन करी
उसको मंगता पत्ती हरी
पीले कटिंग खा ले भजिया
किस्मत पे रोने का नहीं
क्या लेनदार बदलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
अरे टेन्शन कायको लेने का
सही बोलता है सही बोलता है
आज तो है अन्धेरा कल होगा उजाला
अरे अपनी दिवाली होगी
किसी और का होगा दिवाला
कल देख लेना पैसा
होगा गोनी भर कर
इन्कम टैक्स आफिसर
तो हाथ धो के ही पीछे पड़ जाएगा
हा हा हा
फटेला जेब सिल जाएगा
जो चाहेगा मिल जाएगा
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
अरे टेन्शन कायको लेने का
सही बोलता है सही बोलता है
फटेला जेब सिल जाएगा
जो चाहे मिल जाएगा
अरे भलता हीच पकड़ा बाप
लाईन में आ लाईन में आ
धिन ताक धिन ताक
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
लाईफ में चलते रहने का
लाईफ में चलते रहने का

अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
टेन्शन कायको लेने का
सही बोलता है सही बोलता है
सही बोलता है सही बोलता है
सही बोलता है सही बोलता है
सही बोलता है सही बोलता है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3724 Post No. : 14661 Movie Count :

4007

 Today we remember the great son this soil Sardar Bhagat Singh (28th September 1907 – 23rd March 1931), on his birth anniversary.

We remember him for his bravery, courage, determination and supreme sacrifice made for a cause of the people, the people of this country.

He laid down his life at a young age of only 23 years, 5 months, and 25 days. He could have surrendered to the British and chosen a leisurely life enjoying the benefits and luxuries showered by the Britishers on him, had he requested to forgive him as proposed by them. However instead of choosing ‘the life of slavery’ he chose to dedicate his life for the ‘noblest cause – the freedom of his Motherland’ from the Britishers.

He will remain the inspiration for many as long as humanity exists and people read about him and realize what Bhagat Singh was and how great was he to have done so much in one single life of only 23 years.

I have earlier presented my thoughts while presenting the songs ‘Pagdi Sambhaal Jatta’ and ‘Vekho Loko Khidan To Pehlon’. Whatever will be written about him to remember him and his thoughts, is very less in comparison to the legacy he has left for us. And I am sure as the coming generations read about him will find his thoughts still relevant in terms of what his dreams of ‘true freedom’ for India was and what we have achieved after getting our ‘freedom’ – and they will find that yes, we have still miles to go to build this nation in the pursuit of those dreams.

As I have mentioned earlier in my posts the year 2002 was a special year as in that year there were as many as three movies released on the life of Bhagat Singh.

  • 23rd March 1931 Shaheed
  • The Legend Of Bhagat Singh
  • Shaheed-E-Azam

While “23rd March 1931 Shaheed” and “The Legend Of Bhagat Singh” were released on the same date the other movie “Shaheed-E-Azam” was delayed and was released at a later date.

I will not go into which one amongst them was better than the other. The important thing is that they were made on the life of Bhagat Singh and to make people aware of his true story (may be with a little or more filmy touch).

Today I present a song from the Rajkumar Santoshi directed ‘The Legend of Bhagat Singh-2002’. This movie was produced by Kumar Taurani and Ramesh Taurani (of TIPS). It had the star cast of Ajay Devgan, Sushant Singh, D. Santosh, Akhilendra Mihsra, Raj Babbar, Farida Jalal, Amrita Rao, Mukesh Tiwari, Surendra Rajan, Saurabh Dubey, Kenny Desai, Sitaram Panchal, Bhaskar Chatterjee, Sunil Grover and others.

The screenplay was written by Rajkumar Santoshi, Piyush Mishra and Anjum Rajabali. It was edited by VN Mayekar. Songs for this movie were penned by Sameer and music was composed by AR Rehman.

All songs of this movie composed by AR Rehman are very very good and I liked them as they fill us with patriotic fervour and with a poignant touch, yet making us thoughtful on the life and times of the martyrs and their feelings for their motherland.

Today’s song is in two parts and is sung by AR Rehman and Sukhwinder Singh.

Let us listen to this wonderful song now …

Desh Mere Desh Mere Meri Jaan Hai Tu …

 

Video (Partial)

Audio (Full)

Audio (Part II)

Song – Desh Mere Desh Mere Meri Jaan Hai Tu (The Legend of Bhagat Singh) (2002) Singer – Sukhwinder Singh, AR Rehman, Lyrics – Sameer, MD – AR Rehman

Lyrics

des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

mitaane se..ae nahin mit’te
daraane se..ae ae nahin darte
watan ke naam pe..ae
ae ae ae ae ae ae
watan ke naam pe..ae
ham sar kataane se nahin darte
mitaane se nahin mit’te..ae
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

hazaaron khwaab roshan hain
sulagati si nigaahon mein
sulagati si nigaahon mein
qafan ham baandh ke nikle hain aazaadi ki raahon mein
ae ae ae ae
kafan ham baandh ke nikle hain aazaadi ki raahon mein
nishaane pe ae jo rehte hain
nishaane se..ae..ae
nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

hamaari ek manzil hai
hamaara ek naara hai
dharam se zaat se jyaada
hamen ye mulq pyaara hai
ae ae ae ae ae
dharam se zaat se jyaada
hamen ye mulq pyaara hai
ham is pe zindagi apni
lutaane se..ae nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

mitaane se..ae nahin mit’te
daraane se..ae nahin darte
watan ke naam pe..ae..ae
ae ae ae ae ae ae
watan ke naam pe..ae
ham sar kataane se nahin darte
des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

des mere des mere meri jaan hai tu
des mere des mere meri jaan hai tu..u
des mere des mere meri shaan hai tu..u..u
des mere des mere meri shaan hai tu

———————————-
(Part II)
———————————-
dil se ae niklegi na mar kar bhi
watan ki ulfat
meri mitti se bhi khushboo e watan aayegi

des mere des mere meri jaan hain tu
des mere des mere meri jaan hain tu
des mere des mere meri shaan hai tu u

sunaayi thi jo bachpan mein
wahi lori suna de maa..aa
sunaayi thi jo bachpan mein
wahi lori suna de maa
tu apni god mein ab chain se
mujhko sula de maa..aa..aa..aa
tere charnon mein sab kuchh hum
lutaane se..ae nahin darte

des mere ae..ae
des mere ae..ae

des mere des mere meri jaan hain tu
des mere des mere meri jaan hain tu
des mere des mere meri shaan hain tu

des mere des mere meri shaan hain tu

des mere
des mere..ae..ae
des mere

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

मिटाने से॰॰ए नहीं मिटते
डराने से॰॰ए॰॰ए नहीं डरते
वतन के नाम पे॰॰ए
ए ए ए ए ए ए
वतन के नाम पे ए
हम सर कटाने से नहीं डरते
मिटाने से॰॰ए नहीं मिटते॰॰ए
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

हज़ारों ख्वाब रोशन हैं
सुलगती सी निगाहों में
सुलगती सी निगाहों में
कफन हम बाँध कर निकले हैं आज़ादी कि राहों में
ए ए ए ए
कफन हम बाँध कर निकले हैं आज़ादी कि राहों में
निशाने पे॰॰ए जो रहते हैं
निशाने से॰॰ए॰॰ए
नहीं डरते
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

हमारी एक मंजिल है
हमारा एक नारा है
धरम से ज़ात से ज्यादा
हमें ये मुल्क प्यारा है
ए ए ए ए ए ए
धरम से ज़ात से ज्यादा
हमें ये मुल्क प्यारा है
हम इस पे ज़िन्दगी अपनी
लुटाने से॰॰ए नहीं डरते

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

मिटाने से॰॰ए नहीं मिटते
डराने से॰॰ए॰॰ए नहीं डरते
वतन के नाम पे॰॰ए
ए ए ए ए ए ए
वतन के नाम पे॰॰ए
हम सर कटाने से नहीं डरते

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू॰॰उ
देस मेरे देस मेरे मेरी शान है तू॰॰उ॰॰उ
देस मेरे देस मेरे मेरी शान है तू

(भाग दो)

दिल से॰॰ए निकलेगी न मर कर भी
वतन कि उल्फत
मेरी मिटटी से भी खुशबू ए वतन आएगी

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी शान है तू॰॰उ

सुनाई थी जो बचपन में
वही लोरी सुना दे माँ॰॰आ
सुनाई थी जो बचपन में
वही लोरी सुना दे माँ॰॰आ
तू अपनी गोद में अब चैन से
मुझको सुला दे माँ॰॰आ॰॰आ॰॰आ
तेरे चरणों में सब कुछ हम
लुटाने से॰॰ए नहीं डरते

देस मेरे॰॰ए॰॰ए
देस मेरे॰॰ए॰॰ए

देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी जान है तू
देस मेरे देस मेरे मेरी शान है तू
देस मेरे देस मेरे मेरी शान है तू

देस मेरे
देस मेरे॰॰ए॰॰ए
देस मेरे


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14503

ASAD 10th Anniversary Celebrations – 11
———————————————————————

All right, the occasion demands that I write a post.  It is the tenth anniversary of the blog, ek post to banti hai. 🙂

So like all things transient, whether one is or isn’t the world moves on.  Time and tide wait for none.  I said this to my brother a few days ago.

Is it all make believe ?

What is real here ?

What exactly is happening ?

What are we doing here ?

What is the purpose of all this maya jaal ?

Anyways let me delude all and sundry that any of this matters.

Checking the date of my last post in the blog, I realise it is almost 2 years ago.  I really didn’t mean to deprive the blog of my ramblings for so long, whether it makes sense or not.

As always there is no dearth of bollywood songs.  My search among celebratory songs kept coming back to this one from ‘Hollywood/Bollywood’ (2002).  This movie is Canadian production directed by Deepa Mehta.   This is a light hearted love story, containing just the right dose of drama, songs at regular frequency, with almost black humour, of Dina Pathak mouthing dialogues such as “I am not here to bury Ceaser, but to praise him”. How did they manage not to draw the curtains after this one ? Not an easy task, this editors job. This, in the last 10 minutes of the movie.  No need to say there never was a chance for  anymore goals in the game.

So here is the song, a firm favourite of the last decade. Both the lyricists and music director are new names for the blog. The singing by Sonu Nigam and Alisha Chinoy is very peppy and infectious with a spontaneity which makes this song special.  This also reaffirms my belief that Sonu Nigam is the true disciple and carries the torch for Rafi  Sahab’s singing legacy.

Congatulations on the 10th anniversary of the blog to all involved.  Thanks to Atul ji and Sudhir Sir, it feels good to write about things and nothings.

sitaron se aage jahaan aur bhi hain
abhi ishq ke imtihan aur bhi hain
 
tihi zindagi se nahin yeh fazaayein
yahaan sainkadon kaaravaan aur bhi hain
 
qanaa’at na kar aalam-e-rang-o-bu par
chaman aur bhi, aashiyaan aur bhi hain  
 
agar kho gaya ek nasheman to kya gham
muqaamaat-e-aah-o-fughaan aur bhi hain
 
tu shaaheen hai, parvaaz hai kaam tera
tere saamne aasmaan aur bhi hain
 
isi roz-o-shab mein ulajh kar nah rah jaa
ke tere zamaan-o-makaan aur bhi hain
 
gaye din ke tanhaa thaa main anjuman mein
yahaan ab mere raaz-daan aur bhi hain

 


Song – Rang Rang Mere Rang Rang Mein (Bollywood Hollywood) (2002) Singer – Sonu Nigam, Alisha Chinoy, Lyrics – Jaideep / Taabish Romani, MD – Sandeep Chowta
Sonu Nigam + Alisha Chinoy
Chorus

Lyrics

aaa ha
oo ho
hoye
rang rang mere rang rang mein
rang jaayegi tu rang
sang sang mere sang sang mein
sang aayegi sang  
ho oh ho
oh ho

ho oh ho
oh ho

 
hey..ea ye..ea
rang rang mere rang rang mein
rang jaayega tu rang
sang sang mere sang sang mein
sang aayega sang
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
ho oo oo
rang rang mere rang rang mein

rang jaayegi tu rang
sang sang mere sang sang mein
sang aayegi sang  
 
hey
hey
hey
hey
hey
hey
 
rangon mein hai..ea
ishq pyaar
aankhon mein hai..ea
mast bahaar
ho baahon mein hai ea
pehla yaar
ahaa ahaa
arey lamhon mein hai ea
intezaar
oho
honton pe hai ek pukaar
dil mein hai dard-e-jahaan
honton pe hai ek pukaar
dil mein hai dard-e-jahaan
ho oh ho
oh ho

ho oh ho
oh ho

 
haan
rang rang mere rang rang mein ea
rang jaayegi tu rang
sang sang mere sang sang mein
sang aayegi sang  
ho oo oo
oo oooo
balle balle balle balle
turrrrrr..aa..aa..aa

 
hoy
ho
hoy
ho
goraa sa badan..nn
sharmaaye..ea
ahaa ahaa
goraa sa ye ang..gg
khil jaaye 
masti bhara mann..nn
muskaaye..ea
ahaa ahaa
hanste hanste ham mm
kho jaayen..en
yaadon ko ham sambhaalen
waadon ko ham na bhoolen
yaadon ko ham sambhaalen
waadon ko ham na bhoolen
hoy
rang rang mere rang rang mein
rang jaayega tu rang
sang sang mere sang sang mein
sang aayega tu sang
oh ho o
ho o
oh ho o
ho o
 
hey
rang rang mere rang rang mein ea
rang jaayegi tu rang
sang sang mere sang sang mein
sang aayegi sang  
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
rang sang mera mil jaayegaa
ang ang teraa khil jaayegaa
hey
rang rang
rang rang mere rang rang mein ea
rang jaayegi tu rang
hoy hoy
sang sang mere sang sang mein
sang aayegi sang  
hoy hoy
rang mere rang rang mein ea
rang jaayega tu rang
hoy hoy
sang sang mere sang sang mein
sang aayegi sang
hoy hoy

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

आ हा
ओ हो
होये
रंग रंग मेरे रंग रंग में
रंग जाएगी तू रंग
संग संग मेरे संग संग में
संग आएगी संग
हो ओहो हो
हो हो
हो ओहो हो
हो हो

हे॰॰ए॰॰ए ये॰॰ए
रंग रंग मेरे रंग रंग में
रंग जाएगा तू रंग
संग संग मेरे संग संग में
संग आएगा संग
रंग संग मेरा मिल जाएगा
अंग अंग तेरा खिल जाएगा
रंग संग मेरा मिल जाएगा
अंग अंग तेरा खिल जाएगा
रंग संग मेरा मिल जाएगा
हो अंग अंग तेरा खिल जाएगा
रंग संग मेरा मिल जाएगा
अंग अंग तेरा खिल जाएगा

हो ओ ओ
रंग रंग मेरे रंग रंग में
रंग जाएगी तू रंग
संग संग मेरे संग संग में
संग आएगी संग

हे
हे
हे
हे
हे
हे

रंगों में है॰॰ए
इश्क़ प्यार
आँखों में है॰॰ए
मस्त बहार
हो बाहों में है॰॰ए
पहला यार
आहा आहा
अरे लम्हों में है॰॰ए
इंतजार
ओ हो
होठों पे है एक पुकार
दिल में है दर्द ए जहाँ
होठों पे है एक पुकार
दिल में है दर्द ए जहाँ
हो ओहो हो
हो हो
हो ओहो हो
हो हो

हाँ
रंग रंग मेरे रंग रंग में
रंग जाएगी तू रंग
संग संग मेरे संग संग में
संग आएगी संग
हो ओ ओ
ओ ओ॰॰ओ
बल्ले बल्ले बल्ले बल्ले
तुर्रर्रर्रर्र॰॰आ॰॰आ॰॰आ

होय हो
होय हो
गोरा सा बदन॰॰न्न
शरमाये॰॰ए
आहा आहा
गोरा सा ये अंग॰॰ङ्ग
खिल जाये॰॰ए
मस्ती भरा मन॰॰न्न
मुसकाए॰॰ए
आहा आहा
हँसते हँसते हम॰॰म्म
खो जाएँ॰॰एँ
यादों को हम संभालें
वादों को हम ना भूलें
यादों को हम संभालें
वादों को हम ना भूलें
होय
रंग रंग मेरे रंग रंग में
रंग जाएगा तू रंग
संग संग मेरे संग संग में
संग आएगा तू संग
हो ओहो हो
हो हो
हो ओहो हो
हो हो

हे
रंग रंग मेरे रंग रंग में
रंग जाएगी तू रंग
संग संग मेरे संग संग में
संग आएगी संग
रंग संग मेरा मिल जाएगा
अंग अंग तेरा खिल जाएगा
रंग संग मेरा मिल जाएगा
अंग अंग तेरा खिल जाएगा
रंग संग मेरा मिल जाएगा
अंग अंग तेरा खिल जाएगा
रंग संग मेरा मिल जाएगा
अंग अंग तेरा खिल जाएगा

हे
रंग रंग
रंग रंग मेरे रंग रंग में
रंग जाएगी तू रंग
होय होय
संग संग मेरे संग संग में
संग आएगी संग
होय होय
रंग रंग मेरे रंग रंग में
रंग जाएगा तू रंग
होय होय
संग संग मेरे संग संग में
संग आएगी संग
होय होय


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulwaasis’

Today(8 february 2017) is the first death anniversary of Nida Fazli. I realised it when radio Ceylon played songs penned by him this morning. I must admit here that I didn’t know that he had passed away last year of a massive heart attack. Another thing I should admit was that I never knew that he was that old a poet.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all the guys and gals of Atuldom

The writing bug has hit me after a long time.

Had an enjoyable January. To begin with had a quiet ushering in of the New Year followed by birthday time. So each had a small outing attached to it.

Then the most eventful Sunday….17th January 2016. A day which was under planning since October 2015 when we had a mail from Guruji of his impending visit to Bangalore via Hosur and Hyderabad. This time the group met at a new venue— Residence of Gajendra Khanna. Now here I feel like mentioning that I am floored by his collection of Vinyl Records and the number of WORKING TURNTABLES or Record Players as I used to call them as a kid. Another thing that should be mentioned is his wonderful idea of how to get more people to enjoy an event and the thought behind getting us live on YOUTUBE that day. We went live that day at about 11. And instantly Avinashji, Ben Katie, Atulji YYIIPPEEEE master and a few of Gajendra’s friends (I don’t know exactly how many or who all) hooked on to us. The (physical) attendees were Shenoyji, Arunji (Guruji), Rajaji, Gajendraji and a group of music lovers whom I got acquainted with for the first time that day.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 3
—————————————————–

There is something very special about his voice.  Not that other thespians of the industry are any way less impressive.  Every actor and actress have their own unique styles and expressions, and many of them have become memorable across the decades.  The sounds and the words sometimes combine together to leave such an imprint on the mind of the audiences, that certain dialogues of certain artists become popular and become part of the current idiom.
Read more on this topic…


I am aware of “Sharaarat” (1959) as well as “Sharaarat”(1972). These two movies have great music by Shankar Jaikishan and Ganesh respectively.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15130

Number of movies covered in the blog

Movies with all their songs covered =1172
Total Number of movies covered =4154

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Active for more than 4000 days.

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