Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Dimple Kapadia


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5165 Post No. : 17132


A stalwart of many talents, a multi faceted personality who was single handedly responsible for bringing to life the endeavors of Assamese cinema, bringing international recognition to the age old music and culture of far eastern India.

Remembering Dr Bhupen Hazrika on the anniversary of his birth – he would have been 96 today. He is known as ‘Shudha Kontho’ – the one with the nectar of amrit (shudha, sudha) in his throat.

He was born in Sadiya, Assam in 1926. Even as a child, his musical and singing talents were evident. In 1939, at the tender age of 12, he recorded his first song for the Assamese talkie film ‘Indramalati’ (1939). His traveled to faraway Benaras for his education (BA and MA degrees in Political Science, 1944 and 1946), and then to the US for his PhD to New York (Columbia University, 1952). However, the association that was established in childhood would be sustained and strengthened over the years. 

He became recognized as a renowned film maker in the east. As a renowned musician, and a multi lingual lyricist and vocalist, he was the representative face of the music and culture of that region. And more than that, he was the cultural ambassador of India to the rest of the world.

Many awards and accolades came to him throughout his illustrious career, most notable being the Sangeet Natak Academy award in 1987, Dadasaheb Phalke lifetime achievement award in 1993, and the Padma Bhushan in 2001. He was the president of the Sangeet Natak Academy from 1999 to 2004. As a creator of films and film music, he has been conferred many honors by film associations and critics associations in the US, Japan, Bangladesh, besides India.

Bhupen Hazarika breathed his last on 5th November, 2011.

‘Rudaali’, a 1993 production by the feminist film maker and director, Kalpana Lajmi, is a story about the life and tribulations of Shanichari (Dimple Kapadia), a poor woman, abandoned by her own family as a child, and later in life, abandoned by the man whom she loves. A caustic and a weather beaten personality, her life is dogged by one misfortune after another. But the character within is stronger than steel, and she faces the world without a tear in her eye. The strength of her resolve is at conflict with her profession of a mourning woman, rudaali, in the villages of interior Rajasthan. The film is a powerful commentary on the traditional status of women in rural India. The film itself, and the portrayal if the central character by Dimple Kapadia, has won many awards and recognitions, both national and international.

The lyrics of this film are penned by Gulzar, and the haunting music is from the mind of Bhupen Hazarika. This particular song is rendered both by Bhupen Hazarika and Lata Mangeshkar. The deep baritone voice of Bhupen Hazarika so strongly brings to life the powerful verses.

The song tells about the personal sorrows and tribulations of the protagonist – Shanichari, a rudaali woman in rural Rajasthan. Bhupen Hazarika version plays in the background, as we the entire life of Shanichari crumbling and wasted around her. We see her sitting next to her husband’s funeral pyre, slowly removing all her jewellery and adornments. Later in the song, she is face to face with Raj Babbar, her lover, who has also abandoned her. The words are so evocative and portray the sadness that reigns inside her. “Teri Oonchi Ataari, Maine Pankh Liye Katvaaye” – your adobe is at such a height, and the miserable me has shorn off her wings.

A deeply moving experience about life itself.

Bhupen Hazaarika Version

Lata Mangeshkar Version

Song – Dil Hoom Hoom Kare Ghabraaye  (Rudaali) (1993) Singer – Bhupen Hazaarika, Lata Mangeshkar, Lyrics – Gulzar, MD – Bhupen Hazarika

Lyrics

Bhupen Hazarika version

dil hoom hoom kare ghabraaye,
ghan dham dham kare garjaaye
ik boond tabhi paani ki
mori akhiyon se barsaaye
dil hoom hoom kare ghabraaye

teri jhori daarun
sab sookhe paat jo aaye
tera chhua laage
meri sookhi daal hariaaye
dil hoom hoom kare ghabraaye

jis tan ko chhua tune
us tan ko chhupaaun
jis mann ko lagey naina
woh kisko dikhaaun
o more chandrama aaa
teri chaandani ang jalaaye
oonchi tor ataari
maine pankh liye katwaaye

dil hoom hoom kare ghabraaye,
ghan dham dham kare garjaaye
ek boond kabhi paani ki
mori akhiyon se barsaaye
dil hoom hoom kare ghabraaye

Lata Mangeshkar version

dil hoom hoom kare ghabraaye,
ghan dham dham kare garjaaye
ik boond tabhi paani ki
mori akhiyon se barsaaye
dil hoom hoom kare ghabraaye

teri jhori daarun
sab sookhe paat jo aaye
tera chhua laage
meri sookhi daal hariaaye
dil hoom hoom kare ghabraaye

jis tan ko chhua tune
us tan ko chhupaaun
jis mann ko lagey naina
woh kisko dikhaaun
o more chandrama aaa
teri chaandani ang jalaaye
teri oonchi ataari
maine pankh liye katwaaye

dil hoom hoom kare ghabraaye,
ghan dham dham kare garjaaye
ek boond kabhi paani ki
mori akhiyon se barsaaye
dil hoom hoom kare ghabraaye

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

भूपेन हज़ारीका

दिल हूम हूम करे घबराए
घन धम धम करे गरजाये
इक बूंद तभी पानी की
मोरी अखियों से बरसाए
दिल हूम हूम करे घबराए

तेरी झोरी डारूं
सब सूखे पात जो आए
तेरा छुआ लागे
मेरी सूखी डाल हरीआये
दिल हूम हूम करे घबराए

जिस तन को छुआ तूने
उस तन को छुपाऊँ
जी मन को लागे नैना
वो किसको दिखाऊँ
ओर मोरे चन्द्रमा आ
तेरी चाँदनी अंग जलाए
ऊंची तोर अटारी
मैंने पंख लिए कटवाए

दिल हूम हूम करे घबराए
घन धम धम करे गरजाये
इक बूंद तभी पानी की
मोरी अखियों से बरसाए
दिल हूम हूम करे घबराए

लता मंगेशकर

दिल हूम हूम करे घबराए
घन धम धम करे गरजाये
इक बूंद तभी पानी की
मोरी अखियों से बरसाए
दिल हूम हूम करे घबराए

तेरी झोरी डारूं
सब सूखे पात जो आए
तेरा छुआ लागे
मेरी सूखी डाल हरीआये
दिल हूम हूम करे घबराए

जिस तन को छुआ तूने
उस तन को छुपाऊँ
जी मन को लागे नैना
वो किसको दिखाऊँ
ओर मोरे चन्द्रमा आ
तेरी चाँदनी अंग जलाए
तेरी ऊंची अटारी
मैंने पंख लिए कटवाए

दिल हूम हूम करे घबराए
घन धम धम करे गरजाये
इक बूंद तभी पानी की
मोरी अखियों से बरसाए
दिल हूम हूम करे घबराए


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5144 Post No. : 17106

Today 18th August 2022 is the eighty-eighth birthday of Poet, Lyricst, Writer, Director, etc. Shri Sampooran Singh Kalra whom we know by his pen name ‘Gulzar’ (born on 18.08.1934).

Gulzar Saab has come a long way in the film industry starting from ‘Shriman Satyawadi’ (1960) and ‘Kabuliwaala’ (1961) to the recently released (on OTT) ‘Darlings-2022’ (where he wrote lyrics for a song).

Much has been written about him and most of us are well aware of his ‘cinematic excellence’ and his unique ‘poetry’ where he uses the ‘similes’ in his unique ways in his poetry and lyrics in Hindi Film Music.

There have been numerous posts on the blog about Gulzar Saab and there will be many coming in future. So, today, I am not going into the details of his movies and lyrics list which I like most or which have left an indelible mark on my mind. But I would like to mention here that while Gulzar Saab have done so much in all areas of writing, cinema, and poetry I have yet to read many of his works other than movies. However, in the case of movies I can say that I have watched many of the movies directed by him. And l loved them all.

One more thing which I am very fond of Gulzar Saab is his writings for children or his lyrics for the movies for children and the non-filmi albums of his for children (like ‘Karadi Tales etc). I would also like to mention his commentary in two audio albums one for film music i.e., ‘Fursat Ke Raat Din’ and one for Bhupen Hazarika’s song ‘Main Aur Mera Saaya’ which I like very much. Finally, I would like to mention his song for tele serial ‘Mirza Ghalib’ which is also one of my most favorite albums.

There are many things which one can write about him and his works in cinema and other than ‘cinema’. However, today we leave this for another day and straightway come to today’s song to celebrate Gulzar Saab’s birthday on the blog. (This song is lying with us since almost a decade now 😊).

This song is from the 1990 movie ‘Lekin’.

‘Lekin’ was directed by Gulzar for Dinanath Kala Mandir. Hridaynath Mangeshkar and Bal Phoole were the producers of this movie. It was presented by Lata Mangeshkar. This movie was passed by Censor Board on 29.08.1990.

It had Vinod Khanna, Dimple Kapadia, Amjad Khan, Alok Nath, Moon Moon Sen, Vijayendra Ghatge, Beena, Manohar Singh, Ram Mohan, Ajit Vachhani, Sunil Advani, Shabir Abbas, Masood Akhtar, Yash Sharma, GP Singh, Bashir Khan, Mohafiz Haider, S Madan, Harmeet Singh, Umesh Vyas, Mansi Upadhyay, Sapna Awasthy, Rashmi, Ahmed Siddiqui, and Baby Shabana Khan. Hema Malini made a guest appearance in this movie.

The story of this movie was written by Gulzar, who also wrote the screenplay, dialogues, and lyrics for this movie. Editing of this movie was done by Sadanand Shetty, Ravi, and Aadinath Mangeshkar.

This movie has eight soundtracks as mentioned on the blurb of the audio cassette of this movie. Music is composed by Hridaynath Mangeshkar. I like all songs of this movie very much and this is one of my most favorite albums. Today’s song is sung by Suresh Wadkar and on screen it is lip-synced by Vinod Khanna.

This movie is an interesting movie to watch, so nothing more about the movie here 😊

Let us listen to today’s song and enjoy Gulzar Saab’s poetry …

We wish Gulzar Saab a very happy birthday today and a happy, healthy and peaceful life ahead …

Over to the song now …

Video

Audio

Song-Surmayee shaam is tarah aaye (Lekin)(1990) Singer-Suresh Wadkar, Lyrics-Gulzar, MD-Hridaynath Mangeshkar

Lyrics

surmayee shaam is tarah aaye ae ae ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye ae
surmayee shaam

koi aahat nahin badan ki kahin
phir bhi lagta hai tu yahin hai kahin
koi aahat nahin badan ki kahin
phir bhi lagta hai tu yahin hai kahin
waqt jaata sunaayee deta hai
tera saaya dikhayee deta hai ae
jaise khushboo nazar se chhoo jaaye
jaise khushboo nazar se chhoo jaaye
saans lete hain jis tarah saaye
surmayee shaam

din ka jo bhi pahar guzarta hai
koi ehsaan sa utarta hai
din ka jo bhi pahar guzarta hai
koi ehsaan sa utarta hai
waqt ke paaon dekhta hoon main
roz yeh chhaaon dekhta hoon main
aaaye jaise koi khayaal aaye
aaye jaise koi khayaal aaye
saans lete hain jis tarah saaye ae
surmayee shaam is tarah aaye
saans lete hain jis tarah saaye
surmayee shaam

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

सुरमई शाम इस तरह आए
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम

कोई आहट नहीं बदन की कहीं
फिर भी लगता है तू यहीं है कहीं’
कोई आहट नहीं बदन की कहीं
फिर भी लगता है तू यहीं है कहीं’
वक़्त जाता सुनाई देता है
तेरा साया दिखाई देता है
जैसे खुशबू नज़र से छू जाये
सांस लेते हैं जिस तरह साये
सुरमई शाम

दिन का जो भी पहर गुज़रता है
कोई एहसान सा उतरता है
दिन का जो भी पहर गुज़रता है
कोई एहसान सा उतरता है
वक़्त के पाँव देखता हूँ मैं
रोज़ ये छांव देखता हूँ मैं
आए जैसे कोई खयाल आए
आए जैसे कोई खयाल आए
सांस लेते हैं जिस तरह साये
सुरमई शाम इस तरह आए
सांस लेते हैं जिस तरह साये
सुरमई शाम

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4951 Post No. : 16816

Lata Mangeshkar – 1929-2022

A lifetime of music passed by, and then today morning, that voice of the century descended into the forever sleep, from where no one returns. The fears have been there for almost a month – the time she spent in the hospital. And there were prayers also – prayers by millions – millions who have loved and revered this voice that has been singing for the past almost seventy five years. This voice will not be heard again.

And yet, this voice will continue to ring till there is time, and there are lovers of music. Her legacy and her memories will keep alive. Thousands of songs that have been sung by her and recorded – these songs will continue to please the ears till there music lives. The voice will live forever.

नाम गुम जाएगा
चेहरा ये बादल जाएगा
मेरी आवाज़ ही पहचान है. . .

Goodbye Didi. . . it has been a terrific inning – 1929 – 2022.

================================================

Recently when I updated my list of pending songs shared earlier, I noted that the top two songs are from the movie ‘Lekin’ (1990). Both the songs were shared long back in 2012. Since these were pending since long, I thought I should try to add a write-up to them and send for posting. I like all the songs from this movie very much, and I must have listened to them innumerable times.

I was staying at Kota (Rajasthan) then when the music for this film was released. I had bought the cassette for this film on 12.01.1991. (The film was dedicated to the ‘girl child’). Music was released by HMV in September’1990. That is now almost thirty-one years back now. Hushh…!! how time flies? … 😊 to me its only like few months back. Only thing is now I didn’t get to listen these songs regularly because the cassette-recorder-player has gone out of order and cannot be repaired now. (Maybe I need to buy a new one. Otherwise, I am afraid that the cassettes will also deteriorate).

I like the songs of this movie very very much, but I did never get to watch this movie. When I checked on internet the movie was already available, so I decided to watch it, and had watched it few weeks back. Sadly, the film available seems to be a re-recorded one and not an original print. Also, this version has the songs deleted from it. And that means all songs are deleted from this version. Though videos of the songs are available separately. But their absence from the movie takes out all the joy of enjoying the movie. But nevertheless, one can enjoy this movie for the mystery it contains.

I liked this movie very much. It has all the ingredients that I love to watch – the palaces of Rajasthan, the ruins, the sand-dunes, train journey, the inside view of the special coaches of the train (in this case it the first class coach, I think), library, books, mystery wrapped in time, wandering soul (we can see that 😊 in the movie), and above all the captivating and mesmerizing music – classical as well as folk of Rajasthan – the thrill of those ‘Ragas’ -the poetry in the songs – the divine singing voice – all these takes one to a different planet. I would not like to spoil the interest of those who intend to watch this movie, so I will not write much about the movie in details.

This movie is said to be inspired from one the famous Rabindranath Tagore story ‘Kshudhit Paashaan’ (Angry Stones).
[Auth. Note: I do have this story book in my library and this I realized when I read about this movie based on this story and then I remember, yes, I think I have this book. Then I look for it in the shelves and it was there. No mystery in this 😊 my younger daughter always pushes me to read the books that I have collected and not to add newer ones unless I read the older ones all 😊.]

Coming back to the today’s movie now. ‘Lekin’ was directed by Gulzar for Dinanath Kala Mandir. Hridaynath Mangeshkar and Bal Phoole were the producers of this movie. It was presented by Lata Mangeshkar. The star cast includes Vinod Khanna, Dimple Kapadia, Amjad Khan, Alok Nath, Moon Moon Sen, Vijayendra Ghatge, Beena, Manohar Singh, Ram Mohan, Ajit Vachhani, Sunil Advani, Shabir Abbas, Masood Akhtar, Yash Sharma, GP Singh, Bashir Khan, Mohafiz Haider, S Madan, Harmeet Singh, Umesh Vyas, Mansi Upadhyay, Sapna Awasthy, Rashmi, Ahmed Siddiqui, and Baby Shabana Khan. Hema Malini made a guest appearance in this movie. This movie was passed by Censor Board on 29.08.1990.

Story of this movie is written by Gulzar. Gulzar also wrote the screenplay, dialogues, and lyrics for this movie. Editing of this movie was done by Sadanand Shetty, Ravi and Aadinath Mangeshkar.

This movie had eight soundtracks as mentioned on the blurb of the cassette and the details are given below.

Sl. No.

Song Title Singer/s

Posted On

01 Yaaraa Seeli Seeli Lata Mangeshkar
02 Sunio Ji Ek Araj Mhaari Lata Mangeshkar 26.10.2012
03 Surmai Shaam Jis Tarah Suresh Wadkar
04 Kesariya Balamaa Lata Mangeshkar
05 Kesariya Balamaa Lata Mangeshkar
06 Joothhe Nainaa Bole Asha Bhonsle, Satyasheel Deshpande
07 Main Ek Sadee Se Lata Mangeshkar
08 Jaa Jaa Re Lata Mangeshkar, Hridaynath

Coming back to the today’s song it is sung by Lata Mangeshkar and on screen lip-synced by Dimple Kapadia. This song is beautifully picturized in the ruins and deserts of Rajasthan. I am sure listening to this song will give one a lot of pleasure and will take one far away in the ‘desert’. I stayed at Kota for almost eight years, but never visited the ‘desert-triangle’. I wish I will visit them soon. Though during my stay, I visited palaces and forts at Jaipur, Udaipur, Chittorgarh, Bundi and at Kota. Whenever I visit there, I used to jokingly say my friends that in my previous birth I was a King and ruled there 😊 …

As mentioned above only one song from this movie has been posted on the blog on 26.10.2012 just few months more and this movie will complete a decade on the blog. Let us now listen to the today’s song.

Main ek sadi se baithhi hoon

Video

Video

Song – Main Ek Sadi Se Baithi Hoon (Lekin)(1990) Singer – Lata Mangeshkar, Lyrics – Gulzar, MD – Hridaynath mangeshkar

Lyrics

hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm

main ek sadi se baithhi hoon
main ek sadi se baithhi hoon
is raah se koi guzra nahin
kuchh chaand ke rathh to guzre thhe
kuchh chaand ke rathh to guzre thhe
par chaand se koi utara nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon

din raat ke donon pahiye bhi
kuchh dhool udaa kar beet gaye
beet gaye
din raat ke donon pahiye bhi
kuchh dhool udaa kar beet gaye
main man aangan mein baithhi rahi
main man aangan mein baithhi rahi
choukhat se koi guzraa nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon

aakash bada boodhaa baba
sab ko kuchh baant ke jaata hai
jaata hai
aakash bada boodhaa baba
sab ko kuchh baant ke jaata hai
aankhon ko nichoda maine bahut
aankhon ko nichoda maine bahut
par koi aansoo utra nahin
main ek sadi se baithhi hoon
main ek sadi se baithhi hoon

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म हम्म हम्म
हम्म हम्म

मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ
इस राह से कोई गुज़रा नहीं
कुछ चाँद के रथ तो गुजरे थे
कुछ चाँद के रथ तो गुजरे थे
पर चाँद से कोई उतरा नहीं

मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ

दिन रात के दोनों पहिये भी
कुछ धूल उड़ा कर बीत गए
बीत गए
दिन रात के दोनों पहिये भी
कुछ धूल उड़ा कर बीत गए
मैं मन आँगन में बैठी रही
मैं मन आँगन में बैठी रही
चौखट से कोई गुज़रा नहीं
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ

आकाश बड़ा बूढ़ा बाबा
सब कुछ बाँट के जाता है
जाता है
आकाश बड़ा बूढ़ा बाबा
सब कुछ बाँट के जाता है
आँखों को निचोड़ा मैंने बहुत
आँखों को निचोड़ा मैंने बहुत
पर कोई आँसू उतरा नहीं
मैं एक सदी से बैठी हूँ
मैं एक सदी से बैठी हूँ

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4856 Post No. : 16646 Movie Count :

4536

Pancham’s Music – Eighties (1981-1990) -4 (1984)
————————————————

In today’s post we move on to Pancham’s music in 1984.

Pancham continued entertaining his audience by composing good music in this year ‘1984’ too. There were as many as seventeen movies (released) in this year 1984, where the music was composed by Rahul Dev Burman or our beloved Pancham Da.

The list of these seventeen movies is as listed below.

Sno Movie Title Director Lyricist Date of Censor Certificate Status on the Blog
1 Aanand Aur Aanand Dev Anand Anjaan 11.05.1984 1 of 6 songs posted
2 Aawaaz Shakti Samanta Anand Bakshi 27.10.1984 3 of 6 songs posted
3 Andar Baahar Raj N Sippy Gulshan Bawra 30.08.1984 2 of 5 songs posted
4 Bheemaa Dinesh Saxena Anjaan 07.04.1984 0 of 4 songs posted
5 Duniyaa Ramesh Talwar Javed Akhtar 18.09.1984 2 of 6 songs posted
6 Hum Dono B.S. Glaad Anand Bakshi 21.12.1984 0 of 5 songs posted
7 Hum Hain Laajawaab Mohan Saigal Anand Bakshi 21.08.1984 1 of 7 songs posted
8 Jaagir Pramod Chakravarti Anand Bakshi 20.10.1984 1 of 6 songs posted
9 Jawaani Ramesh Bahl Gulshan Bawra 10.12.1984 1 of 6 songs posted
10 Jhoothha Sach Ismayeel Shroff Majrooh Sultanpuri 22.08.1984 1 of 5 songs posted
11 Karishmaa I.V. Sassi Gulshan Bawra 30.11.1984 0 of 5 songs posted
12 Maati Maange Khoon Raj Khosla Anand Bakshi 22.03.1984 0 of 6 songs posted
13 Manzil Manzil Naasir Hussain Majrooh Sultanpuri 26.09.1984 0 of 8 songs posted
14 Musaafir* (U/R 1986) Jabbar Patel Gulzar 15.10.1984 1 of 3 songs posted
15 Sunny Raj Khosla Anand Bakshi 15.09.1984 3 of 6 songs posted
16 Yeh Desh T. Rama Rao Anand Bakshi 16.02.1984 0 of 5 songs posted
17 Zameen Aasmaan Bharat Rangachari Anjaan 14.05.1984 1 of 5 songs posted

In-spite of composing good music and giving some timeless classics in some of the above movies, none of the song from the above movies appeared in the ‘annual list of Binaca Geetmala’ that year of 1984.

Songs of ‘Hero-1983’, ‘Sharaabi-1984’ and ‘Tohfa-1984’ ruled the roost by securing number 1,2 and 3 respectively. Another song of ‘Tohfa-1984’ was on number four.

If I am asked to select the best of Pancham that year the album “Duniya-1984” certainly was the topper for me. It had a varied range of songs composed by Pancham – the foot tapping ‘tu chaand nagar ki shehzaadi’, taking you far from world ‘gehre halke, halke gehre’, the philosophical ‘phirte hain kab se dar-badar’, the entertaining ‘duniya bahut hi kamaal hai’, the party song ‘jhoomti raat jawaan’ and lovely one ‘teri meri zindagi pyaar bhari zindagi’. The lyrics of all the songs by Javed Akhtar were all magical.

The movie ‘Sunny’ (aur kya ahd e wafaa hote hain etc), ‘Zameen Aasmaan’, ‘Aawaaz’, ‘Ham Hain Laajawaab’, ‘Jhoothha Sach’ also have some good compositions by Pancham. But the albums mostly heard and were a run-away hits were songs from ‘Jawaani’ and ‘Manzil Manzil’. However, none of them made it to the ‘Binaca Geetmala annual list of 1984’.

Today we are going to listen to a song from the movie ‘Manzil-Manzil’. This song is picturised on Dimple Kapdadia and Sunny Deol who are lip-syncing for the voices of Asha Bhonsle and Shailendra Singh respectively.

This song has two parts, the first one is the duet, and second part is in the voice of Shailendra Singh which is the ‘third stanza’ of the duet repeated in slower version. This song stood at sixth rank in the ‘annual Binaca Geetmala of 1985’.

One song of ‘Manzil Manzil’ stood at rank twenty-three while one song from ‘Jawaani-1984’ ranked at number eleven and one song from the movie ‘Jhoothha Sach-1984’ appeared on in the annual list of Binaca Geetmala of 1985.

Let us have a look on the details of today’s movie now.

“Manzil Manzil” was directed by Nasir Hussain for his home productions ‘Nasir Hussain Films, Bombay’. Nasir Hussain was also the producer of this movie, and he wrote dialogues of this movie too.

This movie had Dimple Kapadia, Sunny Deol, Prem Chopra, Danny Dengzongpa, Kulbhushan Kharbanda, Tariq, T.P. Jain, Rinku Jaiswal, Sajida, Surendra Pal, Raj Bibra, Abid Sayyad, V. Malhotra, Ahmed Khan, Moijuddin, Meghdoot, D.S. Rana, K.K. Raj, Ramesh Goyal, Naveen Kumar, Dolly Jena, Anuradha, Leena Das, Jazbel, Nihal Khan, Hemendra Sinha, Deval Raiji and others.

Actor Feroz made his debut in this movie.

Asha Parekh and Ravindra Kapoor make friendly appearance sin this movie.

This movie was passed by Censor Board on 26.09.1984.

SNo Song Title Singer/s Posted On
01 Jhalak dikha ke kar gayi deewaana Shailendra Singh
02 O mitwa mitwa tujhko aana hi padega Asha Bhonsle
03 Ho lut gaye ham to raahon mein Asha Bhonsle, Shailendra Singh
04 Man re, man re, pyaar hari ke dwaar miley Chandrashekhar Gadgil, chorus
05 O meri jaan, o meri jaan ab nahin rehna tere bina (part 1) Asha Bhonsle, Shailendra Singh
06 Aa he baba he baba, mil kahin ek din he baba Asha Bhonsle
07 Ho he saba he saba o saba, ho ye naina yaad Asha Bhonsle, Shailendra Singh
08 O meri jaan, ab nahin rehna tere bina (part 2) Shailendra Singh

As mentioned above, today’s song is sung by Asha Bhonsle and Shailendra Singh. Lyrics are by Majrooh Sultanpuri, and music is composed by R.D. Burman.

With today’s song the movie ‘Manzil Manzil-1984’ makes its debut on the blog.

Let us now enjoy today’s song. …

Audio

Video

Audio (Part II)

Song-O meri jaan ab nahin rehna tere bina (Manzil Manzil)(1984) Singers-Asha Bhonsle, Shailendra Singh, , Lyrics-Majrooh Sultanpuri, MD-R D Burman
Both

Lyrics

o meri jaan
o meri jaan
o meri jaan
o meri jaan
o meri jaan
o meri jaan
ab nahin rehnaa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan

haari main tujhse munh pher ke ae
aankhen khulin par zaraa der se
ho o o o o
haari main tujhse munh pher ke ae
aankhen khulin par zaraa der se
ae ae ae
koi meraa aa tujhsaa kahaan
ab nahin rehnaa aa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan

tu hai to thhokar kha loongi main
kaanton mein Jeevan bita loongi main
ho o o o
tu hai to thhokar kha loongi main
kaanton mein Jeevan bita loongi main aen aen
le chal mujhe ae ae
chaahe jahaan
ab nahin rehnaa aa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan

jis din se dekha
yaara tujhe
manzil manzil
pukaara tujhe
ho o o o
jis din se dekha
yaara tujhe
manzil manzil
pukaara tujhe
ae ae ae
paa ke tujhe
jaana kahaan
ab nahin rehnaa aa
tere binaa
ho o o o ab nahin rehnaa aa
tere binaa
o meri jaan
o meri jaan
ab nahin rehnaa aa
tere binaa

aa aa aa aa
aa aa aa aa
ha aa aa aa
aa aa aa aa

—————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————

ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
ओ मेरी जान
अब नहीं रहना
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान

हारी मैं तुझसे मुंह फेर के ए
आँखें खुली पर ज़रा देर से
हो ओ ओ ओ
हारी मैं तुझसे मुंह फेर के ए
आँखें खुली पर ज़रा देर से
ए ए ए
कोई मेरा आ तुझसा कहाँ
अब नहीं रहना आ
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान

तू है तो ठोकर खा लूंगी मैं
काँटों में जीवन बिता लूंगी मैं
हो ओ ओ ओ
तू है तो ठोकर खा लूंगी मैं
काँटों में जीवन बिता लूंगी मैं
ले चल मुझे ए ए
चाहे जहां
अब नहीं रहना आ
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान

जिस दिन से देखा
यारा तुझे
मंजिल मंजिल
पुकारा तुझे
हो ओ ओ ओ
जिस दिन से देखा
यारा तुझे
मंजिल मंजिल
पुकारा तुझे
ए ए ए
पा के तुझे
जाना कहाँ
अब नहीं रहना आ
तेरे बिना
हो ओ ओ ओ अब नहीं रहना आ
तेरे बिना
ओ मेरी जान
ओ मेरी जान
अब नहीं रहना आ
तेरे बिना

आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4770 Post No. : 16519 Movie Count :

4494

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLVI: Year 1992
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1992.

In 1991, 100 Hindi movies containing 646 songs were released. Lata Mangeshkar got to sing in 12 of these movies and she sang 25 songs in these movies. So Lata Mangeshkar’s voice was heard in 12 % of the movies released in 1992. Her voice was heard in 4 % of the songs appearing in the movies of 1992.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1992 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Angaar Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
2 Bewafa Se Wafa Usha Khanna 0 3 3 0 0 0 Saawan Kumar
3 Geet Bappi Lahiri 0 1 1 0 0 0 Indeewar
4 Heer Ranjha Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
5 I Love You Ram Laxman 0 4 1 3 0 0 Kaushik
6 Inteha Pyaar Ki Anand Milind 0 1 1 0 0 0 Sameer
7 Khuda Gawaah Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
8 Khel Rajesh Roshan 0 1 0 1 0 0 Javed Akhtar
9 Police aur mujrim Bappi Lahiri 0 1 1 0 0 0 Anjaan
10 Radha Ka Sangam Anu Malik 0 3 0 3 0 0 Hasrat Jaipuri
11 Saatwaan Aasmaan Ram Laxman 1 3 1 2 0 0 Suraj Sanim
12 Vansh Anand Milind 1 3 1 2 0 0 Sameer
Total 12 movies 7 MDs 2 25 12 13 0 0 9 lyricists

Lata Mangeshkar worked with 7 music directors and 9 lyricists in these 12 movies released in 1992. Laxmikant Pyarelal were the most prolific music directors with Lata, with 659 songs in HFM with Lata Mangeshkar by the end of 1992. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 331 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Bappi Lahiri (110), Salil Chaudhary (109), Rajesh Roshan (106) and Vasant Desai (104). Together these seventeen music directors composed 3714 songs out of 5034 songs that Lata Mangeshkar had sung in Hindi movies till end of 1992. Anand Bakshi with 679 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (154). These ten lyricists had penned 3200 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1992 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 171 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 99 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 3 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 9 38 20 16 1 1
1990 9 movies 3 12 3 9 0 0
1991 16 movies 5 57 35 20 1 1
1992 12 movies 2 25 12 13 0 0
Total upto 1992 1810 movies 3714 5034 3312 1404 206 112

It can be seen from the table of 1992 that Lata Mangeshkar sang 25 songs in 12 movies released in 1992.

2 songs sung by Lata Mangeshkar in movies of 1992 have been covered in the blog. That leaves us with 23 songs from 12 movies of 1992 that are yet to be covered.

Alphabetically “Angaar”(1992) is the first movie of 1992 that offers us a Lata Mangeshkar song to be covered in the blog.

“Angaar”(1992) was produced by S M Arif and Shashilal K Nair and directed by Shashilal K Nair. The movie had Jackie Shroff, Dimple Kapadia, Nana Patekar, Om Puri, Mazhar Khan, Meghraj Siddharth(aka Siddharth Ray),Kader Khan, Achyut Potdar, Sulbha Deshpande,Neena Gupta, Firoz Irani, Anang Desai,Tom Alter, Chandrakant Gokhale, Virendra Saxena, Ajit Vachani, Lalit Mohan Tiwari, Sudhir, Deepak Qazir, Prajakta Kulkarni, Aadesh Srivastava(Late Music director), Urmila Bhatt, Sunil Rege, Javed Rizvi, Ghanshyam Rohera, Sunil Shende etc. Kiran Kumar made a special appearance.

“Angaar”(1992) had six songs in it. Voice of Lata Mangeshkar song was present in two of these songs.

Here is a song from “Angaar”(1992). This song has two solo version. Female version is sung by Lata Mangeshkar and male version by S P Balasubrahmaniam. The song is picturised on Dimple Kapadia, and Jackie Shroff. Others are also visible in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Angaar”(1992) makes its debut in the blog.

Lata Mangeshkar version
Video

Audio

S P Balasubrahmaniam version
video

audio

Song-Mushqil mein hai kaun kisi ka samjho is raaz ko (Angaar)(1992) Singer-Lata/ S P Balasubrahmaniam, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

————————————————-
Lyrics(Provided by Prakashchandra)
————————————————-

—————————-
Lata Mangeshkar version
—————————-

mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi tum
khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi tum
khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko

aur nahin to kam se kam
itni to takleef karo
aur nahin to kam se kam
itni to takleef karo
logon ki taareefon mein
kabhi apni bhi taareef karo
sabse to tum khush ho
apne aap se kyun naaraaz ho
mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi
tum khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko

jeene ka na shauk rahe to
kya rakkha hai jeene mein
jeene ka na shauk rahe to
kya rakkha hai jeene mein
ik qaidi ki tarah pada hai
kab se ye dil seene mein
pinjre ka darwaaja todo
panchhi ko parwaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi
tum khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko

jaago hosh mein aao
phir se josh mein aao
jaago hosh mein aao
phir se josh mein aao
khoon bahe nas nas mein
bebas man ho bas mein
band labon ko kholo
aankhon se kuchh bolo
chehra khaali khaali
na gussa na gaali
bolo mere jaanu
main kaise tumhen pahchaanoon
ye zulfon ka saaya
ye palkon ki chhaaya
ye bharpoor jawaani
pyaar ki rut mastaani
ye nainon ke jhoole
tum ye sab kuchh bhoole
yaad karo tum apna
toota sundar sapna
tukda tukda jodo
ye maayoosi chhodo
khel ye hans kar khelo
haath mein haath ye lelo
tum balwaan nahin ho
par bejaan nahin ho
meri kasam uthhaao
pahla kadam uthhaao
saathi saath badhe hain
sab taiyyaar khade hain
saathi saath badhe hain
sab taiyyaar khade hain

bina lade mat haaro
dushman ko lalkaaro
bina lade mat haaro
dushman ko lalkaaro

geet puraane gaao
chhedo dil ke saaz ko
geet puraane gaao
chhedo dil ke saaz ko

lekar apna naam kabhi tum
khud ko aawaz do
lekar apna naam kabhi
tum khud ko aawaaz do
geet puraane gaao
chhedo dil ke saaz ko
lekar apna naam kabhi
tum khud ko aawaz do
geet puraane gaao
chhedo dil ke saaz ko
lekar apna naam kabhi tum
khud ko aawaz do

———————————-
S P Balasurahmaniam version
———————————-

(whistling sound)

mushqil mein hai kaun kisee kaa samjho is raaz ko
mushqil mein hai kaun kisee kaa samjho is raaz ko
lekar apnaa naam kabhi tum khud ko o aawaaz do o
laaa laalaa laaaa laaa
aey hey aey ae ae
raa aa raaa aaa
mushqil mein hai kaun kisee kaa samjho is raaz ko
lekar apnaa naam kabhi tum khud ko o aawaaz do o
mushqil mein hai kaun kisee kaa

jeeney ka na shauq rahey to
kya rakhaa hai jeeney mein
aaa hha haa
jeeney ka na shauq rahey to
kya rakhaa hai jeeney mein
ek qaidee ki tarhaa padaa hai
kab se ye dil seeney mein aen
pinjrey ka darwaazaa todo
panchchi ko parwaaz do
lekar apnaa naam kabhi tum khud ko aawaaz do o
mushqil mein hai kaun kisee kaa samjho is raaz ko
mushqil mein hai kaun kisee kaa

laallaala lallalallaaa
laalalaalal lalaallaaaa
laallaalaaa lallallaaa
laalalaalal lalaallaaaa

doston ye zindagi ek imtihaan hai aey ae
doston ye zindagi ek imthihaan hai aey ae ae
jeenaa to mushqil hai
marnaa aasaan hai aey ae ae
aasaan hai aey ae ae
o jeeney waalon zindagi ko koyee andaaz do
lekar apnaa naam kabhi tum khud ko aawaaz do o
mushqil mein hai kaun kisee kaa samjho is raaz ko
mushqil mein hai kaun kisee kaa

(aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

aur naheen to kam se kam
itni to taqleef karo o
aur naheen to kam se kam
itni to taqleef karo o
logon ki taareefon mein
kabhi apni bhi taareef karo o
sabse to tum khush ho
apney aap se kyon naaraaz ho
lekar apnaa naam kabhi tum khud ko o aawaaz do o
mushqil mein hai kaun kisee kaa samjho o is raaz ko
lekar apnaa naam kabhi tum khud ko o aawaaz do o
laaaa laaa laa aa
laalaa laalaaa
roo roo rooo
roo roo roo
roo roo roo rooo


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4708 Post No. : 16414

Hullo Atuldom

“Saagar” (1985) was produced by G P Sippy and directed by Ramesh Sippy. Its story, screenplay and lyrics were written by Jawed Akhtar and RD Burman was music director. The movie had 7 songs of which the blog has 5 but in my opinion we have covered six songs as the sad version of ‘saagar kinaare dil ye pukaare’ is found in the comments of post; which means that with today’s post “Saagar” will be YYIIPPEEEED!!!

Song Date of post
Maria o Maria 3 September 2008
Saagar kinaare dil ye pukaare 29 November 2008
Yoonhi gaate raho 9 August 2013
Ho chehra hai ya chaand khila hai 17 June 2018
Sach mere yaar hai 7 November 2020

We can see “Saagar” made its debut in 2008 ( 2 songs) then the next one came 5 years later. The movie waited for another 5 years when Atulji posted ‘chehra hai ya chaand khila hai’ and then we had a song last November.

“Saagar” was a star-studded movie (a term which was very commonly used in those times) with Dimple Kapadia (who was making a return to films), Rishi Kapoor, Kamal Haasan, Saeed Jaffrey, Nadira, Madhur Jaffrey, Kiran Vairale, Shafi Inaamdar, Satish Kaushik, A K Hangal etc. Kishore Kumar, S P Balasubrahmanyam, Lata Mangeshkar, Asha Bhonsle and Shailendra Singh. ‘Chehra hai ya chaand khila hai’ got Kishore Kumar his 8th Filmfare award. It was a film that was sent as an entry to the Academy Awards in the Foreign Language category. Interestingly, Kamal Haasan was nominated under the Best Actor and Best Actor supporting categories in the Filmfare awards of that year. He won it in the Best Actor category, his only award in Hindi films. Before that, in 1968, Ashok Kumar was nominated in two categories for ‘Aashirwad’. The movie had a very simple story of two friends falling in love with the same girl with an economic classes clash thrown in for good measure.

I had lots of songs to choose from for today’s post to wish Dimple Kapadia on her 64th birthday. This song from ‘Saagar’ gives us a glimpse of how beautiful Dimple is/was. How gorgeous her hair is/was. How elegant she is/was. Though she had signed ‘Saagar’ first other movies like ‘Zakhmi Sher’, ‘Lava’, ‘Manzil Manzil’ etc released first. She has since been seen in many movies where her characters have showed emotions, drama, action etc.

It was not easy writing out the lyrics to this song. There are so many different styles of breathing intonation, I didn’t know if the sound ‘ssh’ with which the song begins is a word or the character catching her breath when the hero touching her. But all-in-all a very romantic song and there is a beautiful play of lights reflecting off the waters of the pool.

Happy Birthday Dimple. may you have many more…


Audio

Song-Jaane do na paas aao na (Saagar)(1985) Singers-Asha Bhonsle, Shailendra Singh, Lyrics-Javed Akhtar, MD-R D Burman

Lyrics

haa jaane do na
ae paas aao na
ho o jaane do na
hey paas aao na
chhuo na chhuo na mujhe
chhuo na chhuo na dekho
chhuo na chhuo na chhuo naa
ho o o pa..aa..as aao na
jaa..aa..n..ae..e do na
aao na aao na paas
aao na aao na dekho
aao na aao na aao na

ho o o jaa..aa..ne ae do na
paas aao naa

hmm
hm
chhodo kalaayi dekho ro doongi
chhodo kalaayi dekho ro doongi
jaao main tumse nahin boloongi
maan bhi jaao meri baat sanam
haathon mein rehne do yeh haath sanam

chhuo na chhuo na mujhe
chhuo na chhuo na dekho
chhu..oo..o na
pa..aa..as aao na
ja..aa..ne do naa

pyaase honthon ki jo kahaani hai
pyaase honthon ki jo kahaani hai
paas aake tumhein sunaani hai

yeh baatein main na kar paaoongi
paas na aana mar jaaoongi
aao na aao na paas
aao na aao na dekho
aa.o na aa

jaa.aa..ne do na
paas aao na

dil jaise karvaten badalta hai ae
dil jaise karvaten badalta hai
mera toh saara tan jalta hai
armaan jo dil mein machalte hain
tan yoonhi jalte uchhalte hain

chhuo na chhuo na mujhe
chhuo na chhuo na dekho
chhuo na aa aa
paas aao naa
o ja.aa..ne do na
aao na aao na paas
aao na aao na dekho
aao na aao na aao na

ho o o ja..aa.ne do na
paas aao na
ho hm hm hm hm
hm hm hm hm
hm hm hm hm
hmmm


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4702 Post No. : 16406 Movie Count :

4458

The other day, Madhuri Dixit’s birthday was celebrated on the blog and it inevitably reminded me of many of her songs. This is one song from the film ‘Ram Lakhan’ (1989), which is never out of mind, though has been out of sight for many years now. This was in 1989, and my mother and elder sister were already fans of Anil Kapoor. I was not a fan and would call him some uncharitable names, not unprintable but will not mention here. The era of seeing every Amitabh Bachchan film was over, and Subhash Ghai, the producer director of this film was a big name. He was so big that he got to name a few of his heroines, rechristen them literally. Meenakshi, Madhuri and Manisha, Mahima etc. He was fixated or superstitious about naming the heroines beginning with the letter ‘M’. I have seen very few Anil Kapoor songs appearing in the blog. Some newer songs are here, but the many films he did in his earlier period, especially of his jodi with Jackie Shroff, are not here at all. Same is the case with Madhuri Dixit.

Film magazines like Stardust and Filmfare, were still the popular medium of reading and gaining knowledge, useful as well as not so useful. I can say for sure that it has been decades, since I have seen a film magazine in any language. Even doctor’s dispensaries don’t have them. I personally don’t know anyone who buys/reads any such magazines, or if they grace the center-table in any living rooms nowadays. Quite a fall for these publications really. Absence of television has helped, so that I am not even aware of the winners of Filmfare awards these days.

The song in question is a well composed, written and sung, sort of a filmy situation ‘bhakti’ song. Madhuri Dixit is the highlight, as only she could be. Laxmikant-Pyarelal have given a dekho, a ‘retro’ of ‘Pakeeza’ soundtrack and their own ‘Sargam’ soundtrack in the interlude music. The team of Anand Bakshi & L-P were a pro at creating such situational songs. And Lata Mangeshkar was still the backbone of any L-P score, be it the films of the South or Bombay.

What is happening here is the engagement party of Madhuri Dixit, sort of, with Amrish Puri’s son. Jackie Shroff is a police officer, playing the title role of Ram and Anil Kapoor is the younger brother Lakhan. Madhuri is forced to accept this alliance by her father Anupam Kher, with no help from Anil Kapoor, who is away on training as Police Inspector. So, when Madhuri is asked to perform in front of the guests, she starts the bhajan, remonstrating with the Almighty, and complaining to Ram present in the party, directly. Another highlight of the song is the way Jackie Shroff is seen to be preening (in his fine feathers) almost, as the addressee and the brother of Lakhan.

Anyway, when it is Lata Mangeshkar, who is crooning “Ho Ram ji ee eee”, and Madhuri Dixit is on screen, performing, who can stay unmoved.

Video

Audio

Song – O Ram Ji. . . Bada Dukh Deena Tere Lakhan Ne (Ram Lakhan) (1989), Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Lakshmikant Pyarelal
Anupam Kher
Chorus

Lyrics (Based on the Audio Version)

sa ga re
ga sa sa
ga re
sa ga re
ga ga re
re ma pa ni sa
sa ga ma dha pa
ni re ga ma ma ma
re ma pa
sa ga re
ri ni sa
sa sa sa sa sa aa aa

ho raam ji ee eee
badaa dukh deenaa
tere lakhan ne ea
bada dukh deenaa
tere lakhan ne ea ea
bada dukh deenaa
sudh budh bisraayi
meri neend churaayi
mera mushkil kar diya jeenaa aa
badaa dukh deenaa
tere lakhan ne ea ea
bada dukh deenaa
ho raam ji ee eeea
badaa dukh deenaa

wo deepak hai
main jyoti hoon
wo deepak hai
main jyoti hoon
wo hanstaa hai ea ea
main roti hoon
hmmm mmmm
mmmmm mmmmm
mere pyaar ki qadar
usse hogi magar
mujhe zehar padegaa peena aa aa
badaa dukh deenaa aa
bada dukh deenaa
tere lakhan ne ea
bada dukh deenaa

meri ankhiyaan
mere sapne
meri ankhiyaan an
mere sapne
le gayaa sab kuchh
saathh wo apne ea
hmmm mmmm
mmmmm mmmmm
ye jaan nigodi
jaane kaahe ko chhodi
chhaliye ne sab kuchh chheena aa aa
badaa dukh deenaa aa
bada dukh deenaa
tere lakhan ne ea
bada dukh deenaa

ga ga re sa

ra ga ma pa

ga ma pa

pa ma ga

ga saa

aaa aaaaa
aa aaaaa aaaaa
sun kar meri raam duhaayi
ho oo ooo
sun kar meri raam duhaayi
dekho wo
aayaa harjaayi
aaa aaa aaaa
aaaaa aaaaa
nirmohi ye kaisa
jo main jaanti aisa aa
to main karti pyaar kabhi naa
badaa dukh deenaa
tere lakhan ne ea
bada dukh deenaa aa
badaa dukh deenaa

arrey kis lakhan ki baat karti ho tum

lakhan ne lakhan ne
mere lakhan ne
hmmm mmmm
mmmmm mmmmm
sajan ne sajan ne
mere sajan ne
hmmm mmmm
mmmmm mmmmm
sajno ke sajan ne
mere lakhan ne
hmmm mmmm
mmmmm mmmmm
hmmm mmmm
mmmmm mmmmm
aaaa aaaaaa
aaaaaa aaaaaa
lakhan ne lakhan ne
aaaaa aaaaaa
lakhan ne lakhan ne
aaaaa aaaaaa
lakhan ne lakhan ne
aaaaaa aaaaaa
lakhan ne lakhan ne
aaaaaaa aaaaa
aaaaaaaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4495 Post No. : 16026

Hullo Atuldom

“Saagar” (1985) had a cast of Dimple Kapadia, Rishi Kapoor, Kamal Hasaan, Saeed Jaffery, Nadira, Sharat Saxena, Shafi Inaamdar, Satish Kaushik, Lilliput and Madhur Jaffery. It was directed by Ramesh Sippy and was produced by G P Sippy’s ‘Sippy Films’. It was a vehicle for Dimple’s comeback into Bollywood after her sabbatical brought on by marriage and family life. She was making a comeback after a gap of about 11 years. Her heroes were also her age group so they made an eye-pleasing team.

“Saagar” was a simple love story of a rich boy falling in love with a ‘not-so-well off girl’ who helps her father run a tavern in a fishing village . She has a childhood friend (Kamal) who loves her but cannot get himself to profess it. Into this village the rich boy (Rishi) walks in, befriends Raja (Kamal) and falls in love with Mona (Dimple). There is also friendship between the three, almost reminiscent of Raj Kapoor’s “Sangam”. We have Ravi’s (Rishi) grandmother playing the spoke in the cartwheel of the lovers. We also have one friend sacrificing his love for the happiness of the other two.

All-in-all nothing spectacular just that the movie was entertaining and we had the lead actors giving good performances. The songs were written by Javed Akhtar, and RD Burman was the composer. He had Kishore Kumar (who won a Filmfare award for “Saagar kinaare”), Lata Mangeshkar, S P Balasubramaniam, Asha Bhonsle and Shailendra Singh singing the songs in the movie.

I am writing this post to wish the superstar of South Indian cinema on his 66th birthday. He has been in the industry from a young age. He began as a child-actor and I have written a brief about him in this post of mine four years ago. So let us get directly to the song and marvel at this actor’s ability to emote with his eyes.

The song is sung by SPB and is a party song which is a celebration of the characters birthday. It has Nadira and Lilliput who are aware of Raja’s feelings and Saeed Jaffery and others who are oblivious. The song also begins with RD’s trademark of making music with unusual instruments; here he has used a comb.

Wishing Kamalhassan all health and happiness today on his 66th birthday.

Audio

Video

Song-Sach mere yaar hai (Saagar)(1985) Singer-S P Balasubrahmaniam, Lyrics-Jawed Akhtar, MD-R D Burman
Chorus

Lyrics

sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere

jis haathh mein ik haathh hai
us haathh ki ee kya baat hai
kyaa faasle ae kya manzilen
ik humsafar gar saath hai
jiski kismat koi yoon sanwaar de
wohi dildaar hai ae
yaar mere
ho o yaar mere

sunte thhe hum ae zindagi
gham aur khushi ka mel hai
hum ko magar aaya nazar
ye zindagi wo khel hai
koi sab jeete
sab koi haar de
hahaha
apni to haar hai
yaar mere
haan yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
haan yaar mere
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4455 Post No. : 15927

Lata Mangeshkar – 91st birthday on 28/09/2020
————————————————————————–
Today is the day when the “Nightingale of India”, Lata Mangeshkar was born 91 years ago.

In 1973, she won the National Film Award for Best Female Playback Singer for the song “Beeti Na Bitaayi” from the film Parichay, composed by R. D. Burman, and written by Gulzar.

In 1975, she again won the National Award, this time for the song “Roothe Roothe Piya” from the film KoraKaghaz, composed by Kalyanji Anandji.

She won her third National Film Award for Best Female Playback Singer for her rendition of the song “Yaara Sili Sili” from the film “Lekin”, which was composed by her brother Hridaynath Mangeshkar.

In 2001, Lata Mangeshkar was awarded the Bharat Ratna, India’s highest civilian honour.
A lot of information about her early days, family background and career progress are available here.

I have selected a song from 1985 to post on this occasion. Scores of her hit, known and popular songs from all decades are yet to be posted, so it was no easy task to arrive at a single song. This is a solo from the film ‘Arjun”, written by Javed Akhtar and composed by R. D. Burman. It is a typical, teasing and appeasing song, where hero Sunny Deol and Heroine Dimple are running around usual garden locations in Mumbai, while Dimple is singing this song by LataMangeshkar. Actually the stanza’s are very uplifting and motivating for someone who is dejected. Sunny deol looking like a petulant child and Dimple is trying to make him see the positive side of things. The encouraging tone sounds less romantic and more children’s song, if only heard. I was a fan of Dimple those days, and saw her few films. I thought I might have seen this one too, but when I found the video, it was clear that I was seeing it for the first time. The catchy tune and song I knew well, but remembered only the mukhda bit with hazy re-collection of words. All these years I have been humming this song, sometimes using “Neeli neeli aankhon”, after “neele neele ambar par” which was also a favourite. My sister would often correct me that it is ‘Bhoori bhoori” not ‘neeli neeli”.

I heard the pop/rock song ‘kokokorina” by Ahmed Rushdi sometime back. Stumbled upon the song at Wikipedia page on Kishore Kumar, to be precise. I heard the song, it didn’t ring a bell, so I had never heard it before. But the song seemed somewhat familiar as if its tune is taking me to some other song. On hearing it a few more times, I landed on this sometime ‘neeli’ and sometime ‘bhoori bhoori aankhon wala ekladka hai” song. I have since searched the net to find if there is a connection, or only I feel like that. Seems I am the only one who could connect these two songs. The RDB page on itwofs.com features as many as 42 songs, linking to inspiration and similar tunes. But this case of “Arjun’ song is not listed there.

I see that in the Wikipedia page also this song is mentioned in relation to RDB songs by Lata in the 80’s :

Some Rahul Dev Burman compositions for Lata in these years include “Aaja Sar-e-Bazaar” in Alibaba Aur 40 Chor (1980), “Bindiya Tarase” in Phir Wohi Raat (1981), “Thodi Si Zameen” in Sitara (1981), “Kya Yahi Pyar Hai” in Rocky (1981), “Dekho Maine Dekha” in Love Story (1981), “Tune O Rangeele” in Kudrat (1981), “Jaane Kaise Kab” in Shakti (1982), “Jab Hum Jawan Honge” in Betaab (1983), which became instantly popular, “Humein Aur Jeene” in Agar Tum Na Hote (1983), “Tujhse Naraaz Nahin” in Masoom (1983), “Kahin Na Ja” and “Jeevan Ke Din” in Bade Dil Wala (1983), “Jaane Kya Baat” in Sunny (1984), “Bhoori Bhoori Aankhon” in Arjun (1985), “Sagar Kinare” in Sagar (1985), “Din Pyar Ke Aayenge” in Savere Wali Gaadi (1986). “Kya Bhala Hai Kya”, “Khamosh Sa Afsana” and “Seeli Hawa Chhoo” in Libaas (1988).

I have made a very brief list of such songs, which starts with ‘tu meri zindagi hai”, and if two posts for today are over, then two more songs in the list remain.

As for the blog, Lata Mangeshkar’s tally stands at 3589 out of 5645.

With sixes galore, turning the matches in IPL, I will end this post with this very positive stanza of the song:

tu maane na maane aisa din aayegaa
jab duniyaa ke chehre se gham dhul jaayegaa
phool khilenge rang hansenge aanchal aanchal
aangan aangan goonjengi khushiyon ki paayal

Audio :

Video :

Song-Bhoori bhoori aankhon waala ek ladka hai (Arjun)(1985) Singer-Lata, Lyrics-Jawed Akhtar, MD-R D Burman

Lyrics

Gaga ma re
La lala
Re gasa

Aaa
oooo
oooooo
bhoori bhoori aankhon waala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai
bhoori bhoori aankhonwaala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai
gumsum gumsum
khoyaa khoyaa saa rehtaa hai
sapneydekhne se jaane kyun
ghabraat ahai
ho bhoori bhoori aankhon waala
ek ladka hai
lalalala
lalalala
lalalala

meri aankhon mein hain
kitne saare sapne
rang birange
meethhe meethhe
pyaare sapne
ho meri aankhon mein hain
kitne saare sapne
rang birange
meethhe meethhe
pyaare sapne
deewaane tu bhi
aankhon mein sapne rakh le
banke chamkenge raaton mein
taare sapne
ho bhoori bhoori aankhon waala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai

tu maane na maane
aisa din aayegaa
jab duniyaa ke chehre se
gham dhul jaayegaa
o tu maane na maane
aisa din aayegaa
jab duniyaa ke chehre se
gham dhul jaayegaa
phoolkhilenge rang hansenge
aanchal aanchal
aangan aangan goonjengi
khushiyon ki paayal
ho bhoori bhoori aankhon waala
ek ladka hai
sapney dekhne se jaane kyun
ghabraata hai
gumsum gumsum
khoyaa khoyaa sa rehtaa hai
sapney dekhne se jaane kyun
ghabraata hai
lalalala
lalalala
lalalala
lalalalala
lalalalala
hoho
hoho


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4154 Post No. : 15321

As I have said in one of my recent posts, whenever I read something inspiring, be it a poem or an article, it inspires me to write something of my own thoughts. Nowadays there is less and less readable material forthcoming from the print media. The blog and its posts are sometimes savior’s for the intellect. One such article was the post by Sudhir Sir – “Gandhi Tere Desh Mein Ye Kaisa Atyachaar“, on the birth anniversary of Mahatma Gandhi.  It appeared quite late in the night, but as I read it completely, it was a thoroughly readable and thought provoking post. At least I found it thought provoking and for the next few days the matters and the quotes from the Mahatma’s books, and my own thought relating to them were reverberating in my mind. I wrote a lengthy comment on the post which I am reproducing here.

Sir,

Congratulations on writing such an extensive, studied article on Mahatma Gandhi and his philosophies. Reading it, I realised I haven’t read any of his books.  Being a Kitaabi keeda from childhood hasn’t helped me reach out to any of Mahatma’s books. Where ever I have found a bookshelf and a rack of books I tend to go through the titles and authors. In my defence, I can only say that non-fiction is not my strong case. Nevertheless, it is sad and tragic that the works of such great thinking minds are nowhere to be found in present day libraries.

The para’s you quote from his writings, about non-violence and cowardice; I dare say are the sort of philosophy which is popular as well as non-popular, depending on disparities in viewpoints.

I will quote an incident to explain what I mean. This happened in friends household. The son was playing football with his friends. A few other boys from the neighborhood, came up to one of the boy and started beating him over some fight or rivalry. All the friends including my friend’s son ran away from there. The boy came home and told the parents about this. This was just a school going kid. The father said, how can you do this, being a punjab da puttar, how could you not help your friend. The son said, if tried to help him than they will start hitting me too. Logic here, self-preservation not cowardice, the mother opined.

In the light of the above incident, the Mahatma’s point is first one will try to stop the violence by non-violence. But avoiding the situation altogether is not non- violence, but cowardice.  As opposed to valour.  The will to defend the one in difficult situation. Not just defend, but save. This is valour, opposite of cowardice.

But this is an era of “tamashbeen”.  A vast majority of public now prefers to just be a bystander and watch, rather than doing anything to stop the violence. Which neither here, nor there. This is a side kick of mass media. We are used to watching violence and it doesn’t make us flinch. A humans natural tendency to reject violence is gone. We watch it like it is a natural movie watching experience.

I believe, big cities are little better, with regards to violence of any kind. For the disruption is bigger and inconvenient. Crowd will be of various dispositions in any urban setting, someone will be a local and saner than others. Hopefully.

One more point, I would make here is about the “decay” of creation. The decay in creation is caused by impurities. The very nature of creation in mortal. What has started will end, whatever has lived will die. A natural death. Like some civilisation of the past died, due to natural calamities and became a step for newer civilisation to develop.

It is the truth which is pure. The lies added to it make it impure, and cause decadence. The civilisations that decay and then die of decadence,  rot. No new civilisation can emerge from such decayed rot.

So, we as humans, the superior among all creation, have a duty to preserve this purity in ourselves.

Regards.

I realize that the comment is just one dimensional, and could not carry the total sum of my impressions on the article.   I have said that non-fiction is not my strong case, and here I am, daily trying my hand at writing non-fiction  :).

Now I simply must quote this from the article :

It goes to establish that Gandhi was no ordinary soul, and such souls appear on this planet quite rarely. Albert Einstein has so beautifully summed it up in his tribute – “Generations to come will scarce believe that such a one as this ever in flesh and blood walked upon this earth”.

Of course I have read this quote before and this is not fiction. Another important thing he highlighted was about the discourse around ‘the relevance of the Mahatma today’.  And films like “Lage Raho Munna Bhai” were just a final stone dropped in the (already dry) pond, through the popular film media, to explain to the second generation Indians born after the end of the Gandhian era, that over dose of Gandhian philosophy like any other philosophy is also capable of creating a ‘chemical locha’ in the mental equilibrium.

May be the decay of this great civilization of homo-sapiens has started. The very nature of creation is temporary; all that exists will be destroyed one day.  The Universe may be infinite, but the only definite thing here is death. So be it, whether it is the death of a philosophy, a society or a world. The very wisdom of this species is in danger of being homogenized with its earlier extinct versions.

If one really gives deep thought about the situation the human race is facing, it feels as if the ‘Qayamat’ is truly underway.  The life we are living is like a tight rope walk of ‘pul-e-siraat‘.  One wrong step and below is hellfire. It’s that difficult to keep to the truth, obey the truth and keep faith in the truth.

But then there is a superior power, the creator, the sustainer and the nourisher of all that exists. As Allama Iqbal said :

mudda’ee laakh buraa chaahe to kya hota hai
wohi hota hai jo manzoor-e-khuda hotaa hai

So I have here a very positive kind of feel good song written by Javed Akhtar from ‘Dil Chahta Hai’ (2001).  The singer is Srinivas and composers are Shankar-Ehsan-Loy.   Yeah, the name of composers has a message in it.  I can try and translate the middle one i.e. ‘Ehsan’.

We all are familiar with word  ‘ehsaan‘ in songs like “Ehsaan Mere Dil Pe Tumhaara Hai Dosto” and “Ehsaan Tera Hoga Mujh Par“. The word ‘ehsan’ is a related word, with a change in meaning.  It means the ‘beauty of good conduct’. Or rather the beauty of best behavior.

The song I am presenting has a dream like quality with Dimple in white, Akshaye Kumar in white, and a white canvas.  The portrait of Dimple gradually develops on the canvas, while the Akshaye is dreaming on of pure water streams, dipping his hand into the stream,  full moon, in a dreamy halo of light and roshni.   In this moon light, all the colours are amalgamated to make a portrait, in which the fragrances are visibly mingling. Moon, stream, clouds, song, rain and butterflies are all in favour – in favour of the flavor of love, that is created of such different matter.  Some physical and some metaphorical matter, to make the billions and trillions of DNA that comprise this universe.

Video

Audio

Song – Kaisi Hai Ye Rut Ke Jis Mein Phool Ban Ke Dil Khile (Dil Chaahta Hai) (2001) Singer – Srinivas, Lyrics – Javed Akhtar, MD – Shankar-Ehsan-Loy

Lyrics

kaisi hai ye rut ke jis mein
phool ban ke dil khile. . .

kaisi hai ye rut ke jis mein
phool ban ke dil khile
ghul rahe hain rang saare
ghul rahi hain khushbooen
chaandni jharne ghataayen
geet baarish titliyaan
hum pe ho gaye hain
sab meherbaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile

dekho
nadi ke kinaare
panchhi pukaare..ea
kisi panchhi ko
dekho
ye jo nadi hai
milne chali hai..ea
saagar hi ko
ye pyaar ka hi
saara hai kaarwaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile

ho ooo
kaise
kisi ko bataayen
kaise ye samjhaayen..en
kya pyaar hai
iss mein
bandhan nahin hai
aur na koi bhi
deewar hai
suno pyaar ki niraali
hai daastaan
kaisi hai ye rut ke jis mein
phool ban ke dil khile
ghul rahe hain rang saare
ghul rahi hain khushbooen
chaandni jharne ghataayen
geet baarish titliyaan
hum pe ho gaye hain
sab meherbaan

kaisi hai ye rut ke jis mein
phool ban ke dil khile
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn
hnmnmnmnm
hmnmnmnmnmn

———————————————————-
Hindi script lyrics (Provided by Nahm)
———————————————————-

कैसी है ये रुत के जिस में
फूल बन के दिल खिले॰ ॰ ॰

कैसी है ये रुत के जिस में
फूल बन के दिल खिले
घुल रहे हैं रंग सारे
घुल रही हैं खुशबूएं
चाँदनी झरने घटाएँ
गीत बारिश तितलियाँ
हम पे हो गए हैं
सब मेहेरबाँ
कैसी है ये रुत के जिस में
फूल बन के दिल खिले

देखो
नदी के किनारे
पंछी पुकारे॰॰ऐ
किसी पंछी को
देखो
ये जो नदी है
मिलने चली है॰॰ऐ
सागर ही को
ये प्यार का ही सारा
है कारवां
कैसी है ये रुत के जिस में
फूल बन के दिल खिले

हो॰ ॰ ॰
कैसे
किसी को बताएं
कैसे ये समझाएँ॰॰ऐं
क्या प्यार है
इसमें
बंधन नहीं है
और न कोई भी॰॰ई
दीवार है
सुनो प्यार की निराली
है दास्ताँ
कैसी है ये रुत के जिस में
फूल बन के दिल खिले
घुल रहे हैं रंग सारे
घुल रही हैं खुशबूएं
चाँदनी झरने घटाएँ
गीत बारिश तितलियाँ
हम पे हो गए हैं
सब मेहेरबाँ

कैसी है ये रुत के जिस में
फूल बन के दिल खिले
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न
हम्म ह्म म्न हम्न


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17200 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17246

Number of movies covered in the blog

Movies with all their songs covered =1338
Total Number of movies covered=4642

Total visits so far

  • 15,555,070 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 5000 days.

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