Posts Tagged ‘Jaan Nisaar Akhtar’
Ae dil meri jaan
Posted on: December 14, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5627 | Post No. : | 18115 |
Happy birthday to Biswajeet (born December 14, 1936), the ‘chocolate hero’ of the 1960s on completing 87 years of age today. Kolkata born Biswajeet got his first break in a Bengali film, ‘Kangsha’ (1958). By 1962, he did about a dozen Bangla films before he shifted to Mumbai.
Biswajeet commenced his career in Hindi films with a box office hit film, ‘Bees Saal Baad’ (1962), produced by Hemant Kumar. Since then, his Hindi film career has travelled through the genres, first the suspense/thriller, followed by the musical romance and then to social/drama. His made-up girl’s character in the song ‘kajra mohabbat wala in ‘Kismat’ (1968) was a trend setter for Rishi Kapoor (‘Rafoo Chakkar’- 1975), Amitabh Bachchan (‘Laawaaris’-1981), Sanjay Dutt (‘Mera Faisla’-1984), Govinda (‘Aunty No.1’-1998) etc. He also became a trend setter in fashion with his all-white look that included white shoes. Jeetendra and Govinda later seem to have followed him to some extent.
I used to wonder as to how the Kolkata-born Biswajeet could speak his Hindi dialogues more or less fluently. The reason was that his father being an army doctor, he was on frequent transfers to places like Lucknow, Meerut, Lahore, Karachi etc where Biswajeet had spent his childhood.
Biswajeet had a spate of suspense films like ‘Bin Badal Barsaat’ (1963), ‘Kohra’ (1964), ‘Ye Raat Phir Na Aayegi’ (1966), ‘Jaal” (1967) etc which led to getting him branded as a ‘suspense hero’. In order to avoid the tag of the ‘suspense hero’, Biswajit did films in the genre of musical romance, like ‘April Fool’ (1964), ‘Mere Sanam’ (1965), ‘Do Dil’ (1965), ‘Night in London’ (1967), ‘Kismat’ (1968) etc. Biswajit also went on to do social/family drama films like ‘Kaise Kahoon’ (1964), ‘Sagaai’ (1966), ‘Do Kaliyaan’ (1968) ‘Paisa yaa Pyaar’ (1969), ‘Pyaar Ka Sapna’ (1969), ‘Main Sunder Soon’ (1971) etc. Most of his films were box office success. He also did few Bengali films during 1960s and 1970s. At one time, Biswajeet had a good number of films under production, requiring him to shuttle between Mumbai, Kolkata and Chennai.
Biswajeet turned producer-director with ‘Kahten Hain Mujhko Raja’ (1975) with star-studded cast that included Dharmendra, Hema Malini, Shatrughan Sinha and Rekha, apart from himself. The film flopped at the box office resulting in heavy financial losses. Post 1975, he did about two dozen of Hindi films but most of his films of this period failed to make much impression on the audience. Also, by this time, Rajesh Khanna, Dharmendra, Amitabh Bachchan, Jeetendra had given him the tough competition for the lead roles under top film production banners. He then switched over to the supporting roles in a few films. During his Hindi film career, he worked in 63 films, his last film being, ‘Aa Dekhen Zara’ (2009) in a guest role. His son, Prosenjit Chatterjee is a supper star of Bangla films.
How would have evolved Biswajeet’s Hindi film career if he had accepted the role of Bhootnath in ‘Sahib Bibi Aur Ghulaam’ (1962) is anybody’s guess. Biswajeet, in an interview, has revealed that Guru Dutt offered him the role when he saw his performance as Bhootnath in the Bangla play, ‘Sahib Biwi Gholam’ at Kolkata. He was called to Mumbai and was introduced to the main cast of the film. His friends, however, dissuaded him from accepting the role as they feared that due to whimsical nature of Guru Dutt, the film may get shelved. Instead, he accepted Hemant Kumar’s offer of ‘Bees Saal Baad’ (1962).
One of the unusual roles Biswajeet played in Hindi film was in ‘Raahgir’ (1969) in which he was a wandering young man in search of the meaning of the life. His performance was critically acclaimed. But the film flopped on the box office front. Another film in which Biswajeet had an unusual role was ‘Do Shikaari’ (1979) in which he played the role of a hunter in the wild African forest. Originally started with the title, ‘Anjaane Safar’ in 1969, the film was held up for nearly a decade reportedly due to the problem with the Censor Board. Finally, the film got the Censor Certificate on March 15, 1978, and was released on December 14, 1979.
‘Do Shikaari’ (1979) was produced and directed by Kuldeep Pal. The star cast included Biswajeet and the newcomer, Rekha in the lead roles with supporting actors, Vinod Khanna, Amjad Khan, Joginder, Keshto Mukherjee, Alka, Padma Khanna etc. The film flopped on the box office front but became famous for the controversy during the shooting in which Rakha was kissed by Biswajeet without her consent. Apparently, the scene got deleted by the censor board. Biswajeet has recently clarified that he did the scene as told by the director and agreed that Rekha’s consent was not taken.
The gist of the story of the film is as under:
The film is about unearthing of a treasure lying in Solomon’s Mines in Africa. Zorro (Amjad Khan) is after that treasure for the last 10 years without any trace of the route to reach. Sunita’s (Rekha) father has the map of reaching the hidden treasure. So, Zorro kidnaps Sunita’s father, and as a ransom, he pressurises Sunita to meet two hunters, Ranjeet (Biswajeet) and Satish (Vinod Khanna) in the African forest in the guise of searching her missing brother. She reaches Africa with the map and meets Ranjeet to help her in searching her missing brother. There is an offer of a huge money in case the brother is located which interests Satish. But Ranjeet refuses to help her by saying that he has more pressing work on hand.
With lot of persuasion, Ranjeet agrees to search for Sunita’s brother. He, Satish and Sunita travel in the dense forest of Africa facing the wild animals, hostile villagers and above all, the treachery by Satish who gets to know the route to reach Solomon’s Mines on a hill. In the meanwhile, Zorro with his men also reaches the African forest to keep a tag on the progress of the search for treasure.
Ranjeet gets hold of a local tribesman who knows the route to the Solomon’s hill. The entire group reaches the cave where they find one man (Mac Mohan) already on the job to search for the lost treasure. Now the secret is out that the search is for the hidden treasurer and not for the missing brother. Ranjeet has no interest on the lost treasure, but Satish gets greedy. He goes with the man (Mac Mohan) and after a long and treacherous walk, he finds the boxes of treasure. They are extremely elated. However, Ranjeet comes and tell them that the tribesman who had shown the route has vanished. Now the problem is how to get out of the cave.
Somehow, Satish finds out the outlet to come out of the cave. While one by one all persons are being taken out of the cave, Satish refuse to help Ranjeet to come out the cave as he wants him to die in the cave so that he gets the entire treasure. After a fierce fight with Satish, Ranjeet comes out of the cave to find that Zorro with his gang has already taken Sunita in their custody to force Ranjeet to take them to the treasure. However, local tribesmen with their weapons surround and overpower Zorro and his men. Zorro is taken into custody by the tribals for the death penalty, and Ranjeet and Sunita become their guests.
The tribal belief that those who tries to take out the hidden treasure never come back alive become once again true in the case of Zorro and Satish.
When the film had commenced shooting in 1969, Biswajeet was one of the top stars in Hindi films and Vinod Khanna was a newcomer having worked only in a couple of films. This was Rekha’s first film. When the film was released in 1979, Biswajit was at the start of his fading phase while Vinod Khanna was rising in status. Rekha had already become a star. Had the film was released on time, it would have become Rakha’s first released film.
‘Do Shikaari’ (1979) had 7 songs written by Jan Nisar Akhtar (3), Rahi Massom Reza (2), Ashk Jallandari (1) and Unknown (1). All the songs were set to music by Chitragupt. One song from the film has been covered in the Blog. I present the second song from the film, ‘ae dil meri jaan teri manzil hai kahaan’ to appear on the Blog, The song is written by Jan Nisar Akhtar and rendered by Biswajit, the only song he rendered for Hindi film. This is the background song when Biswajeet and Rekha travel in the safari jeep on their way to search for the treasure in the African forest.
Despite being a good singer, Biswajit avoided singing for himself in his Hindi films. The reason given by him was that he felt that Mohammed Rafi and Kishore Kumar were much better singers than him. However, when his friend and producer-director Kuldeep Pal insisted on him to sing a background song in this film, he agreed. Incidentally, during the lean phase of his filmy career, especially after 1980s, he started stage shows of his singing all over India. He has also to his credit some non-film song albums.
Video Clip:
Audio Clip:
Song-Ae dil meri jaan (Do Shikaari)(1979) Singer-Vishwajeet, Lyrics-Jaan Nisaar Akhtar, MD-Chitragupta
Lyrics
ae dil meri jaan
teri manzil hai kahaan
ae dil meri jaan
teri manzil hai kahaan
raahbar na raahi hai
door tak siyaahi hai
raaste sabhi hain anjaane
anjaana har samaa
ae dil meri jaan
teri manzil hai kahaan
raat din tujhe hai kiski justjoo
dard ban gayi ye kiski aarzoo
raat din tujhe hai kiski justjoo
dard ban gayi ye kiski aarzoo
armaan hai kyun deewaane
koi inhen kaise jaane
tuhi apna raazdaar
ae dil meri jaan
teri manzil hai kahaan
dhool hai zameen dhuaan hai aasmaan
khauf ka agar iraade hain jawaan
dhool hai zameen dhuaan hai aasmaan
khauf ka agar iraade hain jawaan
aandhi ho yaa ke toofaan
dam bhar ke sab hain mehmaan
nahi rukte kaarwaan
ae dil meri jaan
teri manzil hai kahaan
Har tan mein kavi har man mein kavi
Posted on: May 22, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5421 | Post No. : | 17781 |
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Blog 10-Year Challenge (2013-2023) – Song No.121
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On this date ten years ago (22 May 2013),seven songs from seven digfferent movies was covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 8110 | Main teri huyi re baalma | Gehra Daagh(1963) | Movie YIPPEED in the blog by now |
| 8111 | Saanwariya teri yaad mein ro ro marenge ham | Ramu To Deewaana Hai(1980) | 2 songs covered out of 10 by now |
| 8112 | Suraj ki garmi se jalte huye tan ko | 2/3 Parinay (1974) | 2 songs covered out of 3 by now |
| 8113 | Aaye aaye re nanhe munne raaja ko nindiya sulaaye | Doosri Sita (1974) | Movie YIPPEED in the blog with this song |
| 8114 | Jhoomta muskuraata chal | Mauqa (UR)(1970) | |
| 8115 | Toone har raat muhabbat ki qasam khaayee hai | Ganga Ki Saugandh(1978) | Movie YIPPEED by now |
| 8116 | Tu meri adhoori pyaas pyaas | Ghajini (2008) | 1 song covered out of 5 by now |
We observe that two movies (out of seven) have since been YIPPEED in the blog. One movie was YIPPEED on this date ten years ago itself.
That leaves us with five unYIPPEED movies that are eligible for Blog Ten Year Challenge today.
“Parinay”(1974) is one of the BTYC eligible movies. This movie was directed by Kantilal Rathod for Samantar Chitra, Bombay. This was an art movie that had Romesh Sharma, Shabana Azmi,Krishnakant,Shivraj,Abhijit Sen, Achala Sachdev, Champshibhai Nagda, Radhikarani,Lakshmi Patel,Bhairavi Mehta, Ashvin Chopra,
Master Nirav Mehta etc in it. Amitabh Bachchan and Mac Mohan were narrators in this movie.
“Parinay”(1974) had three songs in it. The song covered ten years ago was the second and penultimate song of the movie. Here are the details of the two songs covered in the blog so far:-
| Blog post number | Song | Singer/s | Posted On |
|---|---|---|---|
| 5819 | Mitwa mitwa morey man mitwa | Manna Dey, Vani Jairam | 18 April 2012 |
| 8112 | Suraj ki garmi se jalte huye tan ko | Deenbandhu Sharma, Ramanand Sharma (known as Sharma brothers) | 22 May 2013 |
We notice that “Parinay”(1974) had become a contender for YIPPYdom ten years ago itself, but the third and final song was not available those days. Now, this third song, an elusive song has become available. It came as a pleasant surprise to me when Prakashchandra sent me the lyrics of this song to be used for Blog Ten Year Challenge occasion.
So, here is this third and final song of “Parinay”(1974). This song is sung by Rajendra Mehta. Jaan Nisaar Akhtar is the lyricist. Music is composed by Jaidev.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
With this song, all the songs of “Parinay”(1974) get covered in ther blog. The movie thus joins the list of movies that have got YIPPEED in the blog.
audio link:
Song-Har tan mein kavi har man mein kavi (Parinay)(1974) Singer-Rajendra Mehta, Lyrics-Jaan Nisaar Akhtar, MD-Jaidev
Lyrics(Provided by Prakashchandra)
har tan mein kavi…eee
har mann…nn mein kavi…eee
jab gham ke deep
jaley ae ae lagtey ae ae
aisey mein bataa
tujhe
haayye rey haayye kyun
preet ke geet bhaley ae lagtey
aisey mein bataa
tujhe
haayye rey haayye kyun
preet ke geet bhaley ae lagtey
kavi rey ae ae aey ae
ae ae ae
kavi rey ae aey ae ae
o o o kavi rey ae ae ae ae
jab pag pag apnee dharti par
andhkaar ne daaley ho derey ae ae
ek mutthhee bhar daanon ke liye
jab martey ae baalak bahuterey
jab raat dinaa aa har dhan waalaa
jeevan se gareebon ke kheley
jab jeenaa aa ik apraadh lagey ae
jab jeenaa ik apraadh lagey
jab maanav dukh par dukh jheley
aisey mein bataa aaa
tujhe
haayye rey haayye kyun
preet ke geet bhaley ae lagtey
kavi rey ae ae
ae ae ae
o kavi rey ae ae ae ae
kavi rey ae ae ae ae
ae ae ae ae ae
o kavi rey ae ae ae ae
Buraa hai na gaana buraa
Posted on: August 14, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5140 | Post No. : | 17099 |
Today’s song is from the film ‘Road No. 303’ (1960).
This film was special in many respects. Let’s start with it’s title. Among the total of 3240 Talkie films made in the first 30 years of Hindi films (1931-1960), only 19 Hindi films had titles which actually had numbers in their Titles. The first one to have a numerical figure in its title was Miss 1933 (1933) and the last one to have it was today’s film Road No. 303 (1960). Just for information of our readers, there were 7 such film titles in the 1930’s (total films 924), only 4 such film titles in the 1940’s (total films 1191) and 8 such film titles in the 1950’s (total films 1125). There were hundreds of film titles having figures in words, like ‘Ek Thi Ladki’, ‘Do Gunde’, ‘Teen Batti Char Rasta’ etc. but numbers in titles were a novelty.
Secondly, this was the first Hindi film of the music director C Arjun. He started by giving music to the first Sindhi film after the Independence – ‘Abana’ in 1958. (The first Sindhi film ever in India was ‘Ekta’ (1940), made by Wadia Movietone, directed by Homi Wadia).
Thirdly, this was the first and the only Hindi film in which Mehmood and Shubha Khote were the leading pair. In all other films, they were in the side roles.
‘Road No. 303’ was made by Mahesh Pictures, Bombay and it was directed by Dharam Kumar. He was born on 26-11-1919 and had directed 14 Hindi films. His first film as a director was ‘Jalte Deep’ (1950) and his last film was ‘Truck Driver’ (1970). Dharam Kumar expired on 28-7-1993, in his 75th year. The 6 songs of this film were written by Naksh Lyallpuri (3) and Jaan Nissar Akhtar (3).
‘Road No.303’ is truly an obscure movie as no information is available about it on any internet site. This name too is not known to many. The film was produced by Ratankumar and Bhikhubhai. The story of film is….
Manohar (Maqbool) is murdered and his body is thrown on the Road No. 303 in the dead of the night. Ramesh (Mehmood), his younger brother who loved him much is devastated. Manohar was an honest Police officer.
Ramesh is in love with Sadhana (Shubha Khote), a young and educated daughter of Seth Deen Dayal (KN Singh) . Seth ji is a well known philanthropist rich man, running destitute homes for widows and orphans.
Ramesh starts finding out about the cause of murder and he learns that soon Manohar was to arrest a big person in society for some serious crime. Munna (Bhagwan) , a small-time pickpocket and a friend of Ramesh, also helps him . Sona (Helen) a dancer in ‘Red Lite Cafe’ is also in love with Ramesh and helps him.
Meanwhile there are attempts to kill Ramesh too. Finally, with the help of Sona, Munna, and Sadhana, Ramesh finds out that the murderer is nobody else but Seth Deen Dayal who runs a racket of trading women and children to Arab countries.
Sadhana is very firm and in the end Seth ji is arrested for murder of Manohar and for his illegal work.
The debutante composer C Arjun was one of those composers who never got what he really deserved. In spite of giving music to 22 films, he always remained a “lesser known music Director”. His best known film was ‘Jai Santoshi Maa’ released in the same year (1975) as film ‘Sholay’ of Ramesh Sippy and it did an unprecedented business amongst the mythological films.
His full name was ARJUN PARMANAND CHANDNANI and he was born in Karachi on 1-9-1933. After partition his family settled in Baroda. He inherited his musical talent from his father who was a singer. He became assistant to another Sindhi music director Bulo C Rani. He started his career with composing for a Sindhi film ‘Abana’ (1958) (first Sindhi film in Independent India).
His first Hindi film was ‘Road No. 303’ in 1960. Off and on he got films under nondescript banners with B/C grade cast. That he created memorable music nevertheless did not do much to change his fortunes. His teaming with the lyricist Jaan Nisar Akhtar would rank at par with the best of Sahir Ludhianvi’s composed by SD Burman or Roshan. He also composed a number of non film songs.
He gave music to 22 Hindi films, besides films in Gujarati, Sindhi and Haryanvi languages. Some of his films were, ‘Main Aur Mera Bhai’, ‘Punarmilan’, ‘Ek Saal Pehle’, ‘Jai santoshi Maa’, ‘Raksha Bandhan’, ‘Karwa Chauth’, ‘Aankh Ka Taara’, ‘Lambu In Hong Kong’, ‘Ustad Pedro’, ‘Mangu Dada’, ‘Gunahon Ka Mandir’, ‘Nawab Sahib’, ‘Kanoon Aur Mujrim’, ‘Hamari Kahani’, ‘O Mere Jaane Jigar’ etc. His film ‘Susheela’ (1966), which was incomplete, was completed and releasd as ‘Subah Zaroor Aayegi’ in 1977 in which “Bemurawwat Bewafa Begaana e Dil Aap Hain” song sung by Mubarak Begum and “Gham Ki Andheri Raat Mein” sung by Talat and Rafi became very popular.
I still remember the interview of C Arjun by Ameen Sayani on radio in Binaca Geetmala program, a long time ago about the story behind as to how a popular song was written by Indivar and how it was tuned, for the film ‘Punarmilan’ (1964).
C Arjun said – “One day we (both me and Indivar) were travelling in a BEST bus while returning home in the evening, from the recording studio. Both of us were sitting on the same seat and the bus was packed full with passengers. After 2 or 3 stations Indivar saw that a young and very beautiful girl boarded the bus and she came near our seat standing in the middle amongst other standing passengers. Indivar was repeatedly looking at her time and again. After 4 or 5 minutes, Indivar asked me to leave my seat and offer it to the pretty girl standing besides us.
After a bit of hesitation I agreed and gave my seat to her. To my surprise, Indivar didn’t talk to her even once while she was sitting beside him for about 20 -25 minutes before she de-boarded the bus at one of the stops in our way. When I asked Indivar why he didn’t talk to her?. He replied today he shall de-board the bus with me at my residence bus stop & answer me when we shall reach my home. We de-boarded the bus at my residence. On reaching home Indivar said “My dear Arjun, thank you so much for offering your seat to her and letting her sit beside me and I have imagined and thought of some lines while she was standing and then sitting beside me”. Indivar there and then spoke those lines to me and they were “PAAS BAITHO TABIYAT BAHAL JAYEGI, MAUT BHI AA GAYI HO TO TAL JAYEGI”.
And then Indivar wrote this whole song there and then in about one hour and asked me to compose its tune the same night. We sat together after our dinner and composed its tune before we went to our beds late at night. Indivar stayed with me that night and left for his home next day morning.”
C Arjun died on 30-4-1992, due to a massive heart attack when he was recording a non-filmi Sindhi song in the Sterling Studios, Mumbai.
Sometime back there was a story that C Arjun started his career with acting and that he was the hero in film ‘Malhar’ (1951).
There is irrefutable proof available on Cinegems and Cineplot, that the hero of ‘Malhar’ was none other than Arjun Bakshi, and NOT C Arjun, MD.
Arjun Bakshi who had acted in some other films, including ‘Daku ki Ladki’, and Naujawan etc, was later a screenplay writer in Hindi films. He is the father of the actress Jyoti Bakshi (of ‘Bullet’, with Dev Anand). Jyoti and her father separated later and Jyoti had a very pathetic and sad demise, a few years back.
Few years back one senior member from RMIM group had reported that he had met Arjun Bakshi in a Music shop in Canada in 2003. And as written above, C Arjun had died in 1992. So, once for all it is clear, once again, that C Arjun the composer and Arjun the actor were two different persons. In addition, C Arjun’s nephew – Shyam Chandnani, who is in Dubai appeared in a music related Blog- Songs of Yore and commented that C Arjun had never ever acted in any film or visited Canada, in his lifetime. That was another final confirmation.
This film was only the second film – after ‘O Tera Kya Kehna’ (1959), in which Mehmood and Master Bhagwan came together. Today’s song is filmed on these two comedians. Though this was C Arjun’s first film, he had used Rock and Roll music for his songs. In today’s song he has tried a jugalbandi in Rock n Roll music with Bharat Natyam Music. Two duets were filmed on the lead pair. This song was quite popular in 1960 and many readers might remember it also.
I was pleasantly surprised to find that this song was not yet featured on the Blog. Perhaps, it was waiting for me to write on it. Enjoy this duet featuring Rafi and Manna Dey.
Song- Bura hai na gaana bura (Road No 303) (1960) Singers- Mohammed Rafi, Manna Dey, Lyricist- Jaan Nisaar Akhtar, MD- C Arjun
Mohammed Rafi + Manna Dey
Lyrics
bura hai na gaana
bura
bura hai na gaana
bura
itna to jaan
kya cheez ye kala hai ae ae ae
itna to maan
karte ki vidya hai
bura hai na gaana
bura na bajaana
ye phan puraana
bura hai na gaana
bura
mathura nagar ki kunj galin mein
dekhi hamne dhoom re
hoye dekhi hamne dhoom re
arey murli ki vo taan raseeli
manva jaaye jhoom re
manva jaaye jhoom re
dil ko har ek naach jhanjhore
kathak ke yoon baaje tode
[Kathak bol]
bura hai na gaana
bura
o door dakhan mein jaakar dekhi
duniya sur aur taal ki
duniya sur aur taal ki
chhan chhana chhan baje manjire
goonje thape naal ki
goonje thape naal ki
dil pe jara bhi rahe na kaabu
bharatnatyam dekh ke babu
[Bharatnatyam bol]
bura hai na gaana
bura
bura hai na gaana
bura
sair sapaate karte yaaron
aaye jab punjab mein
haaye aaye jab punjab mein
oye naach vo dekha rang rangeela
jo na dekha khawaab mein
jo na dekha khawaab mein
boodha baccha loola langda
jisko dekha nache bhangda
urr yeeaah
un hun aahoon aahoon
un hun aahoon aahoon
un hun aahoon aahoon
un hun aahoon aahoon
o munde mard kamaiyaan karde
o o o o
hoy munde mard kamaiyaan karde
ke lachhi tere pal(?) na bane
un hun aahoon aahoon
un hun aahoon aahoon
un hun aahoon aahoon
un hun aahoon aahoon
bura hai na gaana
bura
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Hindi script lyrics (Provided by Sudhir Kapur)
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बुरा है ना गाना
बुरा
बुरा है ना गाना
बुरा
इतना तो जान
क्या चीज़ है ये कला आ आ
इतना तो मान
करते की विद्या है
बुरा है ना गाना
बुरा न बजाना
ये फन पुराना
बुरा है ना गाना
बुरा
मथुरा नगर की कुंज गलिन में
देखी हमने धूम रे
होय देखी हमने धूम रे
अरे मुरली की वो तान रसीली
मनवा जाये झूम रे
मनवा जाये झूम रे
दिल को हर एक नाच झंझोरे
कत्थक के यूं बाजे तोड़े
[कत्थक बोल]
बुरा है ना गाना
बुरा
ओ दूर दक्खन में जाकर देखी
दुनिया सुर और ताल की
दुनिया सुर और ताल की
छन छना छन बाजे मंजीरे
गूँजे थापें नाल की
गूँजे थापें नाल की
दिल पे ज़रा भी रहे ना काबू
भरतनाट्यम देख के बाबू
[भरतनाट्यम बोल]
बुरा है ना गाना
बुरा
बुरा है ना गाना
बुरा
सैर सपाटे कर के यारो
आए जब पंजाब में
हाय आए जब पंजाब में
ओय नाच वो देखा रंग रंगीला
जो ना देखा ख्वाब में
जो ना देखा ख्वाब में
बूढ़ा बच्चा लूला लंगड़ा
जिसको देखा नाचे भंगड़ा
उर्रर्र यीआह
ऊँ हूँ आहूँ आहूँ
ऊँ हूँ आहूँ आहूँ
ऊँ हूँ आहूँ आहूँ
ऊँ हूँ आहूँ आहूँ
ओ मुंडे मर्द कमाईयां करदे
ओ ओ ओ ओ
ओ मुंडे मर्द कमाईयां करदे
के लच्छी तेरे पल(?) ना बने
ऊँ हूँ आहूँ आहूँ
ऊँ हूँ आहूँ आहूँ
ऊँ हूँ आहूँ आहूँ
ऊँ हूँ आहूँ आहूँ आहूँ आहूँ
बुरा है ना गाना
बुरा
Aankhen ye kaali kaali
Posted on: May 28, 2022
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5062 | Post No. : | 16976 |
“Road No 303″(1960) was produced by Ratan Kumar and Bhikhu Bhai and directed by Dharam Kumar for Mahesh Pictures, Bombay. The move had Shubha Khote(as Sadhana), Mahmood(as Ramesh) Bhagwan(as Munna), Helen, K.N.Singh, Tiwari(aka Ramayan Tiwari), Sheelu, Altaf, Mirajkar, Maqbool, Raju, Ramlal, Fazlu, Majnu, Joshi, Kashi,S.Kerawala, Master Nissar, Baxi etc in it.
The movie had six songs in it. Two songs have been covered in the past.
Here is the third song from “Road No 303″(1960) to appear in the blog. This song is sung by Geeta Dutt. Jaan Nisaar Akhtar is the lyricist. Music is composed by C Arjun.
Only the audio of the song is available. This song sounds like club dance song, possibly picturised on Helen. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
Song-Aankhen ye kaali kaali (Road No 303)(1960) Singer-Geeta Dutt, Lyrics-Jaan Nisaar Akhtar, MD-C Arjun
Lyrics(Provided by Prakashchandra)
sun lo o o meharbaan
mushqil jeenaa yahaan
aaye..ae tum kaahaan
aankhein ye kaali kaali
baatein nishaaney waali
jaaye na waar khaali bachnaa…aaaa
dekho na aisey dekho
hum pe nazar na phenko
samjho na bholi bhaali bachnaa..aaa
bijli hoon jo bhi chhoo le
lagey sau jhatkey
lagey sau jhatkey
ye sunn lo.
dil ko zaraa samjhaa do
na hamse atkey
na hamse atkey ye sunn lo
haayye haayye haayye
aankhein ye kaali kaali
baatein nishaaney waali
jaayein na waar khaali bachnaa…aaa
sun lo o o meharbaan
mushqil jeenaa yahaan..aaan
aaaye..ae..ae tum kahaaan..aaan
zulfein ghataa kehlaayein
ghataa bhee aisee
ghataa bhee aisee ke taubaa
mere ishaarey qaatil adaa bhee aise
adaa bhee aise ke taubaa
haayye haayye haayye
aankhein ye kaali kaali
baatein nishaaney waali
jaayein na waar khaali bachnaa
sun lo..o meharbaan
mushqil jeenaa yahaan..aaan
aaye.. tum kahaan..aaan
rehnaa sambhal ke rehnaa
na phir pachhtaanaa
na phir pachhtaanaa kaheen tum
kehti hoon dekho dekho
na maarey jaanaa
naa maarey jaanaa kaheen tum
haayye haayye haayye
aankhein ye kaali kaali
baatein nishaaney waali
jaaye na waar khaali bachnaa
dekho na aisey dekho
hampe nazar na phenko
samjho na bholi bhaali bachnaa..aaa
Chehre se naqab e husn uthhaa
Posted on: March 19, 2022
- In: Blog Ten Year Challenge (2012-2022) | Body part song | Chehra song | Dance song | Lyrics by Prakashchandra | Lyrics contributed by readers | Raj darbaar song | Songs of 1970s (1971 to 1980) | Songs of 1974 | Suman Kalyanpur solo | Suman Kalyanpur songs | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4992 | Post No. : | 16887 |
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Blog 10-Year Challenge (2012-2022) – Song No. 32
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This date ten years ago (viz 19 March 2012) saw four songs from four different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 5656 | Mit nahin sakta kabhi likha huaa taqdeer ka | Sansaar (1951) | 6 songs covered so far out of 14 |
| 5657 | Nasheeli hawaa hai samaa hai suhaana | Commercial Pilot Officer(1963) | 3 songs covered so far out of 6 |
| 5658 | Wo zindagi to thhi ab tak teri panaahon mein | Neelkamal(1968) | Movie YIPPEED by now |
| 5659 | Pukaarti hai muhabbat kareeb aa jaao | Daastaan e Laila Majnu(1974) | One song covered so far out of 11 |
One movie out of four, whose songs were covered on 19 march 2012 has since been YIPPEED. The other three movies are eligible for Blog Ten Year challenge today.
“Daastaan e Laila Majnu”(1974) is one of the eligible movies.
“Daastaan e Laila Majnu”(1974) was produced and directed by R L Desai for Chandra Art, Bombay. The movie had Anaamika, Kanwaljit,Dheeraj Kumar(special appearance), Jayshree.T., Satyajeet, K.N.singh, B.M.Vyas, S.N.Tripathi, Dulari, Mohan Sherry etc in it.
The movie had 11 songs in it. One song has been covered so far and that was ten years ago.
So after a gap of exactly ten years, here is the second song from “Daastaan e Laila Majnu”(1974) to appear in the blog.
The song is sung by Suman Kalyanpur. Jaan Nisaar Akhtar is the lyricist. Iqbal Qureshi is the music director.
The song is picturised on Jayshree T, with Anamika and Dhiraj Kumar also visible as royals. Laila Majnu tale is a medieval tale, that is why Jayshree T dance should not be called a cabarat dance, but that dance and also the music sounds and looks every inch a cabarat dance song to me. 🙂 Hindi movies are in any case not known for attentions to details and accuracy of facts.
Lyrics of the song were sent to me by Prakashchandra.
audio link:
video link:
Song-Chehrey se naqab-e-husn uthhaa (Daastaan e Laila Majnu)(1974) Singer-Suman Kalyanpur, Lyrics-Jaan Nisaar Akhtar, MD-Iqbal Qureshi
Lyrics(Provided by Prakashchandra)
chehrey se ae naqab-e-husn uthhaa aa
jaan-e-adaa aaa aaChehre se naqaab e husn uthhaa (Daastaa
hum bhi tera jalwaa..aaa…aa..aa dekhengey
shaayad koyi bijli
dil pe girey…aey ae
haan dil pe girey ae
achchaa hai tamaashaa aa aa aa dekhengey
chehrey se naqab-e-husn uthhaa..aa…aaa
jaan-e-adaa..aaa..aa
hum bhi tera jalwaa aa aa aa..aa dekhengey
nazrein jo milengi nazron se ae ae
kuchch aur woh sharmaa jaayengey
nazrein jo milengi nazron se ae ae
kuchch aur woh sharmaa jaayengey
dekhengey to meri aankhon mein aen
haan aankhon mein aen
apney hi tamanna..aa…aaa…dekhengey
chehrey se naqaab-e-husn uthhaa aa aaa
haan jaan-e-adaa aaa
hum bhi tera jalawaa aaa aa aa aa dekhengey
jo un`ki khushee woh meri khushee ee ee
jab pyaar kiyaa to pyaar kiyaa aa aa
jo un`ki khushee woh meri khushee ee ee
jab pyaar kiyaa to pyaar kiyaa aa
ae dard-e-muhabbat
dard-e-wafaa…aaa..aa
haan dard-e-wafaa..aa..aa
kaisey tujhey ruswaa aa aa aa dekhengey
chehrey se naqab-e-husn uthhaa aa aa
haan jaan-e-adaa aa
hum bhi tera jalawaa aa aa aa dekhengey
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4941 | Post No. : | 16796 |
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Blog 10-Year Challenge (2012-2022) – Song No. 13
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This day ten years ago viz 27 January 2012 was a lean day for the blog. Just one song was covered on that day. The song was Chhaaya hai samaa mera dil hai jawaan from “Qaidi”(1957). The movie made its debut in the blog with this song.
“Qaidi”(1957) was produced by F C Mehra and directed by Mohammad Hussain for Eagle Films, Bombay. The movie had Padmini, Suresh, Anwar Hussain, Helen, Agha, Ragini, Leela, Johny Walker, M Kumar, Kamal Mehra, Rajan Kapoor etc.in it. This ‘B’ grade action-oriented film was released in January 1957, exactly 65 years ago.
Today, exactly ten years later after the movie made its debut in the blog, seven out of 8 songs of “Qaidi”(1957)have been represented in the blog. Here are the details:-
| Blog post number | Song | Date of post | Singer (s) |
|---|---|---|---|
| 5349 | Chhaaya hai samaa mera dil hai jawaan | 27 January 2012 | Asha Bhonsle, Rafi |
| 6496 | Yoon muskura ke saamne aaya na keejiye | 22 August 2012 | Rafi, Asha Bhonsle |
| 10777 | Kuchh to aisi baat kar zaalim | 28 January 2015 | Asha Bhonsle |
| 13356 | Hamse bhi aate jaate aankh milaana door se | 22 June 2017 | Asha Bhonsle |
| 13842 | O sainyya ja ja ja ja ja | 26 December 2017 | Asha Bhonsle |
| 14040 | Dekh li teri ada aji bas shukriya | 9 February 2018 | Shamshad Begam |
| 16641 | Bedardi preet nahin jaani | 29 October 2021 | Asha Bhonsle, Usha Mangeshkar |
That leaves us with just one song from “Qaidi”(1957) to be covered in the blog. Here is that song.
This song is sung by Asha Bhonsle. Jaan Nisaar Akhtar is the lyricist. Music is composed by O P Nayyar (16 January 1926 – 28 January 2007 whose 15th remembrance day falls on 28 January.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of the song were sent to me by Prakashchandra.
With this song, all the eight songs from “Qaidi”(1957) are covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
This movie gets the distinction of getting YIPPEED in the blog in exactly ten years (3653 days)!
Song-Chaahe tu na bata (Qaidi)(1957) Singer-Asha Bhonsle, Lyrics-Jaan Nisaar Akhtar, MD-O P Nayyar
Lyrics
(Provided by Prakashchandra)
chaahey tu naa bata
mujhe sab hai pataa
dekho morey sanwariyaa
main jaan gayee rey ae
dekho morey sanwariyaa
main jaan gayee rey
chaahey tu naa bata
mujhey sab hai pataa
dekho morey sanwariyaa
main jaan gayee rey..ae
dekho morey sanwariyaa
main jaan gayee rey
teri nazron ne nazron se mil ke
teri nazron ne nazon se mil ke aey ae
keh diye raaz sab tere dil ke aey ae
keh diye raaz sab tere dil ke
ho mujhey sab hai khabar
teri jhoomey rey nazar
teraa machley jiyaa
chaahey tu naa bataa
mujhe sab hai pataa
dekho morey sanwariyaa
main jaan gayee rey ae
dekho morey sanwariyaa
main jaan gayee rey
tere dil ke rangeeley iraade..ae
hho tere dil ke rangeeley iraade
main bataa doon jo sainyyaan to kya dey aey ae
main bataa doon jo sainyyaan to kya dey aey ae
hho mujhey sab hai khabar
teri jhoomey rey nazar
teraa machchley jiyaa
dil ke armaan hain aankhon mein jaage
dil ke armaan hain aankhon mein jaagey aey ae
kuchch kahoongi na main iske aagey aey ae ae
kuchch kahoongi na main iske aagey
ho mujhe sab hai khabar
teri jhoomey rey nazar
teraa machley jeeyaa
chaahey tu naa bataa
mujhe sab hai pataa
dekho morey sanwariyaa
main jaan gayee rey ae
dekho morey sanwariyaa
main jaan gayee rey
Aashiq ho to aisa ho
Posted on: August 21, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4782 | Post No. : | 16537 |
Hullo Atuldom
The song with this post was suitable for 19th August. 19th was the remembrance day of Khayyam the music composer who began his journey in Bollywood in 1947, when he sang a song with Zohrabai Ambalewali. His first as a music director was in 1948 as ‘Sharmaji’ of the ‘Sharmaji-Varmaji’ composer Duo. The statistics page of the blog says that Khayyam saab has given music to 377 songs in 42 movies. That may seem too little when compared with music directors who were active during that period; but each song of his were ‘pure pleasure on the ears’. Songs like ‘shaam-e-gham ki kasam’ (1953) or ‘tum apna ranj-o-gham’ (1964) are still popular as also the hits from the ’70s and ’80s: ‘aa jaa re, aa jaa re o mere dilbar aa jaa’, ‘kabhi kabhi mere dil mein khayal aata hai’, ‘dikhayi diye yun ke bekhud kiya’, and many more that I grew up listening to, of course at that age only the songs used to play in my head, I never knew details about singer, composer, lyricist etc.
The song with this post is also one such song, one that was only heard and details of which I gathered at the time of writing this post. I had heard it in the ’80s at the time “Noorie” released. Possibly not as often as the other popular songs from “Noorie” viz. Aa jaa re and Chori chori koi aaye.
“Noorie” (1979) was a movie directed by Manmohan Krishna (the popular character actor of those times) under Yash Chopra’s production. It had a cast of lesser known actors (at that time) like Poonam Dhillon, Farooque Sheikh, Bharat Kapoor, Iftikhar, Madan Puri, Gita Siddharth, Padma Khanna etc. The movie was a simple love story with the lovers being separated due to the death of the girl and in the final scene the lovers are united when they are buried beside each other. In the interim Bharat Kapoor (who plays a negative character) upturns the love cart of the lovers by killing the girl’s father, sending the boy away on a made-up-errand, raping the girl etc., which has the girl committing suicide. The boy returns, learns the cause of his beloved’s death and in his bid to avenge it, is killed. Here I shall add that the bad-man or villain also doesn’t escape punishment as the girl’s pet dog eventually kills him.
The playback singers used in that movie were Pamela Chopra, Jagjit Kaur, Asha Bhonsle, Anwar, Lata Mangeshkar, Nitin Mukesh and Mahendra Kapoor and S. K. Mahan (the character actor who used to be mostly seen in Yash Chopra movies. He is the one in the orange jacket at the beginning of this song). Of the 6 songs three (one song has two-versions)were written by Jan Nisar Akhtar, 2 by Naqsh Lyallpuri, and one by Majrooh Sultanpuri. Today’s song is written by Jan Nisar Akhtar whose remembrance day also happened to be 19th August.
Jan Nisar Akhtar has penned some memorable songs in a career spanning about 30 years but he was essentially a writer of poems, ghazals and nazms. He was awarded the 1976 Sahitya Academy award for his work ‘Khaak-e-dil’ a collection of poetry. His legacy is being carried forward by his son Jaaved Akhtar and grandchildren Farhan Akhtar and Zoya Akhtar.
The song is in the voices of Pamela Chopra, Mahendra Kapoor, S K Mahan and Jagjit Kaur who died a few days back on 15th August. I am not attempting an tribute to the (recently) departed singer of such wonderful songs as ‘dekh lo aaj hum ko jee bhar ke’; ‘kaahe ko biyaahi bides’; ‘saada chidiyaan da champa ve’ etc. Jagjit Kaur’s end came a few days before her husband Khayyam saab’s anniversary. Must be a measure of the love between the musical couple.
Audio
Video
Song-Aashiq ho to aisa ho (Noorie)(1979) Singers-Mahendra Kapoor, S K Mahan, Pamela Chopra, Jagjit Kaur, Lyrics-Jaan Nisaar Akhtar, MD-Khayyam
Mahendra Kapoor + S K Mahan
Pamela Chopra + Jagjit Kaur
Lyrics
kasam hai yaar teri
tere yaaron ko mazaa aaya
yeh tera jazbaa-e-dil thha
ke dilbar khud khincha aaya
sabhi tapte rahe dil mein
sabhi jalte rahe dil mein
jahaan taktaa raha
maashooq baahon mein chala aaya
toh matlab yeh hua
ke aashiq ho toh
ke aashiq ho toh aisa ho
ke aashiq ho toh aisa ho
ke aashiq
ke aashiq
ke aashiq
aashiq aashiq aashiq
aashiq ho toh aisa ho
ke aashiq ho to aisa ho
dil ko dildaar mila
pyaar ko pyaar mila
aankh se aankh mili
taar se taar mila
ishq ko aaj koi
naaz bardar mila
har tawaajon ke liye
husn taiyyar mila
aaa aaa
aa aa aa
aa aa aa
aa aa aa
husn mashoor hai inaam-e-wafaa dene ko
apna sab kuchh kisi aashiq pe luta dene ko
ishq ik gul se sajaa leta hai gulshan apna
sirf ik phool se bhar leta hai daaman apna aa aaa aa
ke aashiq ho toh
haan
ke dilbar ho toh
na na na
ke aashiq ho toh aisa ho
ke dilbar ho toh aisi ho
ke aashiq
ke aashiq
ke aashiq
aashiq aashiq aashiq
aashiq ho to aisa ho
ke dilbar
ke dilbar
ke dilbar
dilbar dilbar dilbar
dilbar ho toh aisi ho
ke dilbar ho toh aisi ho
haay
sirf aahen jo bhare usko aashiq na kaho
door se pyaar kare usko aashiq na kaho
gham mein chup chap marein (huh) usko aashiq na kaho
jo zamaane se darey
usko aashiq na kaho
saamna ismein har ik aan hai bedardon ka
ishq pesha hai meri jaan jawaan mardon ka
ispe marte hain
koi harf na aane paaye
haath se thhaamne mehboob na jaane paaye ae ae ae
ke aashiq ho toh
arre jaa
ke dilbar ho toh
aa aa aa aa aa
ke aashiq ho to aisa ho
ke dilbar ho to aisi ho
jaise majnu
jaise farhaad
jaise mahiwaal raanjhe jaisa
aashiq ho toh aisa ho haan
jaise laila
jaise shireen
jaise sohni heer jaisi
dilbar ho toh aisi ho
ke dilbar ho toh aisi ho
hum toh yeh jaante hain
yaar ke yaar hain hum
aazma humko kabhi
pyaar hi pyaar hain hum
jaan dene ke liye
tujpe taiyaar hain hum
hum koi ghair nahin
tere gumkhaar hain hum
aaaa aaaa aaaaa
aa aa aa aa aa
aa aa aa aa aa
husn waale koi jaadu sa jaga dete hain
yaar do roz mein yaaron ko bhula dete hain
baat jab kehte nasha ishq ka taari bhi rahe
husn se pyaar rahe
yaaron se yaari bhi rahe
yaaron se yaari bhi rahe
yaaron se yaari bhi rahe
yaaron se ae ae
yaaron se yaari bhi rahe ae ae ae
ke aashiq ho toh
ja ja ja
ke dilbar ho toh
ke ke ke ke ke
ke aashiq ho toh aisa ho
ke dilbar ho toh aisi ho
ke aashiq
ke dilbar
ke aashiq
dilbar
ke aashiq
dilbar
aashiq ho toh aisa ho
ke dilbar ho toh aisi ho
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4548 | Post No. : | 16130 |
Remembrance Day of N Datta on 30.12.2020
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Geeta Dutt – Solos and duets (01)
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This is a tribute post for Datta Naik, also known as N Datta, on his 33 death anniversary. It looks as if, N Datta formed a successful team with Sahir Ludhianvi as most of his popular songs are with Sahir in the period 1957-1959. He has composed a sizeable 349 songs in 54 films, out of which 221 are already in the blog.
A few weeks aga I inadvertently ended up with a short list of Geeta Dutt’s song links, which included different genre of songs, duets, solos and female duets. They are mostly so sweet and pleasing songs. Sometimes melancholy, but still sweet.
So here is the first song in the series, combined with the remembrance day tribute post of N. Datta. It is a Mohammed Rafi- Geeta Dutt duet from the 1960 film “Rickshawala”. The lyricist here is Jan Nisar Akhtar. The song actually is a sales pitch song. The sale of the humble fruit called “Chikoo”. It is called “Sapota” too. Both singers along with chorus are enthusiastically promoting it, even offering it for free, in exchange of a heart. The celebrity names are also freely taken for encouraging people to buy the fruit. So it is a fruit vendors song, who say that :
‘chehre ka ye husn badhaaye,
Nargis khaaye,
Nimmi khaaye,
khaaye madhubala”
‘ Chikoo’ is supposed to be rich in iron, so may be, it is useful in increasing ‘chehre ka husn’. I had early experience of buying ‘chikoo’ in, believe it or not Mumbai local trains. The price was unbelievable, 5-6 chickoos for Rs. 2/- only. Those were the cheap 80’s.
Only two songs from this film are posted so far :
| Song | Date of posting |
|---|---|
| Neeli saadi sunahra jumper | 14 February 2012 |
| Jawaani mein to ik dil ki | 18 December 2018 |
Title of the film is ‘Rickshawala’, but there is no riksha or tonga song here. There are these marathi words repeated in the song ‘aga saku, ghe chikoo’. It means ‘O saku, buy chikoo’. ‘Saku’ may be a slang or a nickname of sort, where girls are called ‘saku’ in a teasing way.
I could find only the audio link for the song, but it is filmed on Johnny Walker and Anita Guha. Another film with only Mohammed Rafi male singer, with Lata Mangeshkar, Asha Bhosle and Geeta Dutt.
Song-Pandit ho ya lala ya Gandhi topi waala (Rickshawala) (1960) Singers-Geeta Dutt, Rafi, Lyrics-Jaan Nisaar Akhtar, MD-N Datta
Chorus
Rafi + Geeta Dutt
Lyrics
Pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
pandit ho ya laala
ya Gandhi topi waala
hoy pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
aga sakoo oo
ghe chikoo oo
joru kehti khaaoon na khaana
bhool gaye kyun chikoo laanaa
arrey joru kehti khaaoon na khaana
bhool gaye kyun chikoo laanaa
isi ki sab farmaaish karte
ho o o o o o
isi ki sab farmaaish karte
saali ho ya saalaa
kehlaaye matwaalaa aa
pandit ho ya laala
ya Gandhi topi waala
hoy pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
aga sakoo oo
ghe chikoo oo
chehre ka yeh husn badhhaaye
saari duniyaa shauq se khaaye
chehre ka yeh husn badhaaye
saari duniyaa shauq se khaaye
Nargis khaaye Nimmi khaaye ea ea
oo oooo oo ooo
Nargis khaaye Nimmi khaaye
khaaye Madhubalaa
kehlaaye matwaalaa aa
pandit ho ya laala
ya Gandhi topi waala
arey pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
aga sakoo oo
ghe chikoo oo
(aye aye ayen)
le ja jholi bhar bhar le jaa
daam na ho to dil hi de jaa
haay haaye
le ja jholi bhar bhar le jaa
daam na ho to dil hi de jaa
jaise chaahe sauda kar le ea
oo o ooo
jaise chaahe sauda kar le
kar na gadbad jhaala
kehlaaye matwaalaa a
pandit ho ya laala
ya Gandhi topi waala
oye pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
hey Bhikoo
ab to khaa chikoo oo
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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