Posts Tagged ‘Khayyam’
Maana churaaoge badan
Posted on: November 23, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6337 | Post No. : | 19632 |
#The Decade of Eighties – 1981 – 1990 #
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This song is a duet by Asha Bhonsle and Kishore Kumar. It is from the movie ‘Sawaal-1982’. I had earlier presented two songs from this movie on the blog. I had also given a brief about the story of this movie in the earlier posts.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6330 | Post No. : | 19605 |
Films with the title “Hum Ek Hai” were released in different years.
Suffice to say Hum Ek Hain, lekin same title anek hai.
Well, this post of mine had tried to sort out the confusion arising out of this same title released in different years and with different cast and composers. I had elaborated on the standalone patriotic song produced by Govt of India’s Films Division which also had the same title.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6325 | Post No. : | 19589 |
Mukesh and his NFS – 12
Mukesh had an excellent rapport and good association with composer Khaiyyam. He sang about 18 filmi and 10 NFS.
I have mentioned and enlisted all these 28 songs in my earlier posts. They can be found here and here.
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Mere angnaa mehndi ka boota
Posted on: October 6, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6289 | Post No. : | 19467 |
‘Mehndi’ (1983) was produced by Dinesh Kumar and was directed by Asit Sen. The cast included Vinod Mehra, Ranjeeta, Raj Babbar, Tamanna, Raj Bothara, Madan Puri, Usha Kiran, Seema Deo, Meena T, Mohan Choti, Birbal etc. Bindiya Goswami and Sh akti Kapoor made their special appearances in the film. This was Asit Sen’s last Hindi film as a director.
There are confusion galore about two Asit Sen’s works in Hindi films on the internet. Suffice to say here that Asit Sen, the director of the film under discussion did not act in any Hindi film. He directed his first Hindi film ‘Mamta’ (1966) while Asit Sen, the comedian/character actor has also directed only two Hindi films, ‘Parivaar’ (1956) and ‘Apraadh Kaun’ (1957). Hence, there is a clear demarcation of their work as director in terms of the timeframe. Unfortunately, Asit Sen, the director is hardly remembered today who had directed some Hindi classic films such as ‘Mamta’ (1966), ‘Anokhi Raat’ (1968), ‘Khaamoshi’ (1969), ‘Safar’ (1970), ‘Annadaata’ (1972) and some Bengali films. Even if he is remembered, he is often mistaken with Asit Sen, the comedian. For example, an article in ‘The Hindu’ which appeared on April 02, 2010, under ‘Blast From The Past’, calls Asit Sen, the director of ‘Mamta’ (1966) as ‘a disciple of Bimal Roy’. Surely the writer has confused with Asit Sen, the comedian who had worked with Bimal Roy as his assistant director for his films of 1950s.
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Akelaapan mitaa do na
Posted on: September 8, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6261 | Post No. : | 19377 | Movie Count : |
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‘Bepanaah’ (1985) was produced by Sagar Bhagat and directed by Jagdish Sidana. The cast included Shashi Kapoor, Mithun Chakraborty, Poonam Dhillon, Rati Agnihotri, Kadar Khan, Dheeraj Kumar, Madan Puri, Satyen Kappu, Suresh Oberoi, Paintal. Gajanan Jagirdar, Sharat Saxena etc. It was an action drama film loosely based on Sidney Sheldon’s novel, ‘Rage of Angels’ (1980) which I had read long back.
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Dil aakhir dil hai
Posted on: August 21, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6243 | Post No. : | 19309 |
‘Dil Aakhir Dil Hai’ (1982) was produced by M S Gulati and was directed by Esmayeel Shroff. The cast included Rakhee, Nasiruddin Shah, Parveen Babi, Jalal Agha, Rehman, A K Hangal, Deena Pathak, Dinesh Hingoo, Ramesh Tiwari, Murad, Leela Mishra etc.
In an interview with The Times of India, which was published on October 27, 2022, Nasiruddin Shah has revealed that he was cast in the film only because Rishi Kapoor had backed out from the film. Film’s director, Esmayeel Shroff propped him up by saying that he can do any type of roles. But as the film progressed, he and the director realised that he was a misfit in the film. Probably, this was one of the reasons that film failed at the box office.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19303 |
ye ilm kaa sauda, ye risaale, ye kitaaben
ek shaks ki yaadon ko bhulaane ke liye hain
—– Jaan Nisaar Akhtar
The meaning of the sher is that these exchange of knowledge, these journals, these books are meant to forget memories of a person. But I write this article for remembering today, Jaan Nisaar Akhtar on his 49th Remembrance Day. He was essentially a poet but circumstances forced him to write songs for films when an arrest warrant was issued against him in Bhopal being the follower of leftist ideology. He went underground eventually landing in Mumbai in 1949 leaving behind his wife and two small children. So, to manage the family, he started writing songs for Hindi films.
Syed Jaan Nisaar Hussain Rizvi (18/02/1914 – 19/08/1976), popularly known as Jaan Nissar Akhtar was born in Gwalior. His father, Muztar Khairabadi, a well-known Urdu poet was the Magistrate in the State of Gwalior. After completion of the matriculation from Gwalior, Jaan Nissar Akhtar joined Aligarh Muslim University and completed M.A. in Urdu. He returned to Gwalior and got a job as a lecturer in Victoria College. In 1943, he got married to Safia, sister of Urdu poet, Mazaj Lucknawi. In 1947, he shifted to Bhopal where he joined Hamidia College as Head of Urdu and Persian Department. In Bhopal, he joined the Progressive Writers’ Movement.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19302 |
Today, August 19, 2025, is the 6th Remembrance Day of a ‘ruhaani‘ music director, Mohammed Zahoor Khayyam Hashmi (18/02/1927 – 19/08/2019), better known as Khayyam. His musical career can be divided into three parts. The first part (1948-67) was his struggling years during which he mostly got low budget films. In the second part (1967-74), he took sabbatical from the Hindi film industry and concentrated in composing non-film Hindi songs. In the last part of his musical career, (1974-2013) he rejoined his musical career in Hindi films during which he had a successful stint both financially and career-wise.
Khayyam was born in Rahon in Nawanshahr district (now Shaheed Bhagat Singh Nagar) of Punjab in a Muslim scholar’s family who loved poetry and music. There used to be a regular gathering in his father’s large library room to discuss poetry and music which included films as well as classical music. All the family members were highly educated. His father expected Khayyam to follow suit. But he was glued more to the gramophone record player listening to film songs than to his schoolbooks (akin to the addiction to smartphone among today’s school going children) as he wished to become an actor-singer like K L Saigal, his idol.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6238 | Post No. : | 19286 |
‘Aahistaa Aahistaa’ (1981) was produced by Sibte Hasan Rizvi and was directed by Esmayeel Shroff. The cast included Kunal Kapoor, Padmini Kolhapure, Shammi Kapoor, Nanda, Shashikala, Girish Karnad, Aruna Irani, Deven Verma, Kader Khan, Rehman, Ashalata, Savita Bajaj, Leela Mishra, Rakesh Bedi, Sudhir Pandey, Soni Razdan, Master Sandeep, Baby Gazala, Krishnakant etc. For Padmini Kolhapure and Kunal Kapoor, it was their first film in lead roles.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6237 | Post No. : | 19283 |
उर्मिले त्रिवार वंदन तुला (Urmile trivaar vandan tulaa) is a Marathi non-film bhajan rendered by Ram Phatak which I used to listen on the radio in my younger days. The meaning of the first line is ‘hey Urmila, my thrice salute to you’. The salutation by the poet is because she was an unsung character in Ramayan. She was the wife of Lakshman and younger sister of Seeta. When Ram was exiled along with Seeta for 14 years, Lakshaman decided to accompany Ram and Seeta to protect them during the exile. Urmila also wanted to join Lakshman. But she was asked by Lakshman to stay back and take care of his aged parents in Ayodhya during their absence. During those 14 years, Urmila is said to have slept continuously so that Lakshman can remain awake to protect Ram and Seeta.
I had forgotten about this Marathi song for a long time. While I was researching on Khayyam for writing a tributary article on the occasion of his 6thth Remembrance Day on August 19, 2025, I realised that his wife, Jagjit Kaur was the ‘Urmila’ in his life who sacrificed her aristocratic life to marry a struggling music director. While the selflessness of Urmila cannot be strictly comparable as Jagjit Kaur and her husband Khayyam spent their life together. But, apart from her aristocratic comfort, she sacrificed her playback singing career after her marriage with Khayyam sometime in 1954 in her own volition as she had said in her interviews. She did not seek playback singing assignments either from her husband or from others. Instead, she decided to assist her husband in whatever manner – either professionally or on the domestic front. She had said in an interview as late as 2019 that she recorded the song under Khayyam only because the scheduled playback singers did not turn up for recording the songs or the producers/directors of the films suggested her name for the songs.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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