Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Manisha


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to everyone in Atuldom

Today 25th June 2017 is the 93rd birth anniversary of the legendary Madan Mohan.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Atul Song-A-Day 10K Song Milestone Celebrations – 39
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Fortunately or unfortunately (for my friends, readers and followers) I belong to the variety of people who take pleasure in bringing out the hidden rare gems from HFM, usually from the 60s and the 70s. In keeping with my passion for “Rare Hindi Film Songs” (RHFS is my group on FB), today, I present two forgotten gems from one single movie – “Raftaar” released in 1975.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mere Bhaiyya”(1972) was directed by Satyen Bose for Rajshree Productions. The movie had Nazima, Vijay Arora,Suresh Chatwal, Bipin Gupta, Durga Khote,Master Satyajeet, Baby Gauri, Manisha,Manik Dutt,V.Gopal,Pal Sharma,Shekhar Purohit,Anil Kumar, Master Ravi,Master Anil Nayak, Prakash Mishra, Sushil Bhatnagar,Tarun Ghosh, Imthiaz,Ram Singh, Pardesi,Ravi Kant, Ram Lal,Manjeet, Jayant Shah,Tejendra, Darshan,Moolchand, M.A.Lateef, etc in it. The movie also introduced Amrit Lakhanpal, Raman Kumar and Nisha.
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Most music lovers, including myself, would think that O P Nayyar’s best phase as a music director was the 1950s. Indeed, professionally he ruled the roost in the 1950s, so much so that many other established music directors too were instructed by their producers to create O P Nayyar kind of music. and we have in fact noticed the music of some other music directors resembling O P Nayyar music in that decade.
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