Posts Tagged ‘Paintal’
Saibaba bolo Saibaba bolo
Posted October 29, 2023
on:This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5581 | Post No. : | 18054 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Shirdi Ke Saainbaabaa-1977)
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Today’s song is from the film ‘Shirdi Ke Saainbaabaa-1977’. I have earlier presented a song from this movie which has been close to my heart since many years, and had shared lyrics for one song from this movie which I liked very much. This movie has some good songs and a few of them have been permanently embedded in my memory ever since I watched it in ‘1977’. I vaguely remember to have watched this movie with my younger brothers and cousins at Akola . This must in the summer vacations of that year ‘1977’. Also, I vaguely remember that this movie was given a ‘tax free’ status.
From the year ‘1977’ I remember to have watched movies like ‘Agent Vinod’, ‘Amar Akbar Anthony’, ‘Chaachaa Bhateejaa’, ‘Chhailaa Baaboo’, ‘Dharam Veer’, ‘Dildaar’, ‘Dream Girl’, ‘Hum Kisise Kam Nahin’, ‘Khoon Paseenaa’, and ‘Shirdi Ke Saainbaabaa’. May be we also watched ‘Yahi Hai Zindagi’, but I could not recall it now. ‘1977’ is the year mainly remembered for the successful movies by Manmohan Desai like ‘Amar Akbar Anthony’, ‘Chaachaa Bhateejaa’, ‘Dharam Veer’ and ‘Parvarish’. Other prominent movies of this year were ‘Ham Kisise Kam Nahin’, ‘Dulhan Wohi Jo Piya Man Bhaaye’, ‘Apnaapan’, ‘Khoon Paseenaa’, ‘Gharonda’, ‘Inkaar’, ‘Swaami’, ‘Kinaaraa’, ‘Shatranj Ke Khilaadi’, ‘Bhoomika’, and ‘Khattaa Meethhaa’. I think ‘Shirdi Ke Saainbaabaa’ also deserves a to be in this list as this was a well-made, well watched and well-appreciated by the audience even if it was not a highly successful movie.
Today I present one more song from this movie which I like very much and I often break into humming it. I had never forgotten this song even after the passage of many years. The lyrics are nice, and its soulful singing by all the singers leaves deep impact on me every time I listen to it. I hope readers will also enjoy listening to this song.
‘Shirdi Ke Saainbaabaa’ (passed by Censor Board on 28.02.1977) was directed by Ashok Bhushan for ‘Saain Shyam Movies’. It was presented by Manoj Kumar and Saain devotees. And the movie was produced by ‘Sarla Charities Trust’. Pandurang Dixit was the co-director and production controller of this movie. The cast of this movie included Sudhir Dalavi as ‘Saainbaabaa’, with Manmohan Krishna, Shrikant Moghe, Raj Mehra, B.M. Vyas, Birbal, Preetam Beli, Chanda, Vatsala Deshmukh, Ratnamala, Suman Dharmadhikari, Jyotsana Kirpekar, Bhavna, Nazeer Kashmiri, C.S. Dubey, Master Titu, Master Raju,
It also had Usha Chavan, ‘Laxman’ Chawla, Kumari Mahalaxami and Saain devotees in special appearance. And also making special appearance in the movie were Rajendra Kumar, Prem Nath, Hema Malini, Shatrughan Sinha and Manoj Kumar, Madan Puri, Sachin, Kishan Dhawan, Paintal, Dheeraj, Satish, Kuljeet.
This movie was based on Govindrao Dabholkar’s ‘Sri Saain Satcharitra’ and experiences of devotees of Saainbaabaa. Screenplay and dialogues of this movie were written by Manoj Kumar. Dev Kishan wrote the story of this movie and was also the associate writer of this movie. Editing of this movie was done by V. V. Kamat. Audiography for this movie was done by Raghuvir Date while art direction was done by Kanu Desai. And Special effects were by Dahyabhai.
This movie had nine songs in it that were written by Manoj Kumar, Pandurang Dixit and Dev Kishan. Music for this movie was composed by Pandurang Dixit. Mohd Rafi, Asha Bhonsle, Usha Mangeshkar, Jani Babu, Anoop Jalota, Anuradha and Dilraj Kaur had given their voices to the songs in this movie. Music for this song is composed by Pandurang Dixit.
Today’s song is sung by Mohd Rafi, Jani Babu, Anup Jalota, and Anuradha. On screen we can see Manmohan, Vatsala Deshmukh, Dheeraj, Paintal, Madan Puri, Raj Mehra, and others ( I am unable to identify couple of the female actors lip syncing the song and few other male actors). We can also see Sudhir Dalvi, Birbal, Bharat Vyas and others in the picturisation of this song.
In the movie this song happens when Saint Saain baabaa leaves his body and travels to help his devotee (Tahsildar Chandorkar and his daughter who is about to deliver a child) on the way his meeting with Baijaa Bai. Before that Baabaa had told his devotee that if his body has no indication of life nobody should worry and cry and ask Shyama to write ‘tera saain yahaan thhaa, yahaan hai, yahaan rahegaa’. Saain baabaa’s lifeless body stays around seventy-two hours before he come backs to life and into his body, after this song. (Meanwhile his opponents had already prepared a site for his cremation.)
Let us now listen to this wonderful song.
Lyrics for the song are by Manoj Kumar and music is composed by Pandurang Dixit.
Video
Song-Saain baaba bolo saain baaba bolo (Shirdi Ke Saibaba)(1977) Singers-Rafi, Anuradha Paudwal, Anup Jalota, Jaani Babu, Lyrics-Manoj Kumar, MD-Pandurang Dixit
Anuradha Paudwal + Anup Jalota
All chorus
Lyrics
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
dagmag jag ye ae
dol rahaa hai
dagmag jag ye ae
dol rahaa hai
aasan se ae mat dolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
aa aa aa aa aa
aa aa aa aa aa aa aa
aankhen sookhin
man rotaa hai
baabaa hamaaraa
kyun sotaa hai
khol ke aankhen◦◦◦◦◦◦◦◦aen
dekh le baabaa
khol ke aankhen
dekh le baabaa
tere binaa yahaan
kya hotaa hai
tere binaa yahaan
kya hotaa hai
laut ke aajaa
saain hamaare
laut ke aajaa
saain hamaare
apni aankhen kholo o o
raam saain bolo
shyam saain bolo
saain raam bolo o
saain shyam bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
aa aa aa aa aa
aa aa aa aa aa aa aa
tu to rehmat
khudaa ki saain
tu to mohabbat
khudaa ki saain
tu to kudrat
khudaa ki saain
tu to kudrat
khudaa ki saain
tu to soorat
khudaa ki saain
tu to soorat
khudaa ki saain
tum bin jeewan
zehar hai saain
tum bin jeewan
zehar hai saain
aab e zam zam gholo o
allaah saain bolo
maula saain bolo o
allaah saain bolo
maula saain bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
saain baabaa bolo o
awwal allaah noor upaayaa aa aa
kudrat ke sab bandey ae
kudrat ke sab bandey
awwal allaah noor upaayaa aa
kudrat ke sab bandey ae
kudrat ke sab bandey
kirpaa kar de
ae ae ae ae
ae ae ae ae
kirpaa kar de
naanak roopi
sab hovangey changey
sab hovangey changey
kirpaa kar de he
naanak roopi
sab hovangey changey
bhai
sab ho vangey changey
haan aan
sab hovangey changey
sab granthon ka aa arth tumhi ho o
sab granthon ka aa arth tumhi ho o
prem ki baani bolo o
naanak saain bolo o
govind saain bolo o
naanak saain bolo o
govind saain bolo o
saain raam
saain shyam
saain shyam
saain raam
saain raam
saain shyam
saain shyam
saain raam
subramanyam subramanyam
shanmukh naatha subramanyam
subramanyam subramanyam
shanmukh naatha subramanyam
allaah saain maula saain
maula saain allaah saain
allaah saain maula saain
maula saain allaah saain
saain baabaa bolo o ◦◦◦◦◦◦◦
shiv shiv
saain
bhola saain
bhola saain
shiv shiv saain
shiv shiv saain
bhola saain
bhola saain
shiv shiv saain
saain bolo re ae
satnaam satnaam
waaheguru waaheguru
baabaa bolo re ae
satnaam satnaam
waaheguru waaheguru
saain bolo re ae
baabaa bolo re ae
naanak saain govind saain
govind saain naanak saain
naanak saain govind saain
govind saain naanak saain
saain raam
saain shyam
saain shyam
saain raam
saain raam
saain shyam
saain shyam
saain raam
o o o o o o ◦◦◦◦◦◦◦◦
saain raam
saain shyam
saain shyam
saain raam
saain raam
saain shyam
saain shyam
saain raam
saain raam
saain shyam
saain shyam
saain raam
o o o o o o
Dukki Pe Dukki Ho Ya Satte Pe Satta
Posted May 2, 2023
on:This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
5401 | Post No. : | 17723 |
This is the song, part of which is shot near to the Thajiwas glacier, near Sonamarg, Kashmir. This is the route going to Laddakh, travelling east of Srinagar. Further on this road falls Kargil area, about which many people have told me is much too beautiful to miss. Laddakh is a sight to behold too. I have missed both Laddakh and Kargil, but hope to visit in future, in-sha-Allah.
When we spoke to local people and guides in the valley at Sonamarg, one of them told us that many Hindi film songs are filmed in the area and very near to the Thajiwas glacier. He mentioned a song from the 1982 film ‘Satte Pe Satta’. I forgot all about this and only discovered this song accidentally. It is indeed filmed nearer to the glacier, than we could travel. A few decades ago, the vehicles were allowed to go up to the valley where the glacier is near, and the rivers and waterfalls start, fed by the Thajiwas glacier. Obviously, the location is visible from the highway, but far away for us city people to walk up or even ride a horse. I clicked great many photos, to capture different fingers of the main glacier, whatever I could see from one side i.e. the highway and Sonamarg side. It must be magnificent to look at from the other sides, which are truly remote and not habitable areas. This is only one glacier of the 10,000 which fall in the Indian territory. One needs several lives to fully watch and savour the magnificence of the Himalayan Mountain range, and its various attributes and aspects. The Himalayas were formed due to the friction and constant northward movement of the Indian plate against the Asian plate, over thousands of years.
This is my previous post on Kashmir visit – “Jiya Jiya Re Jiya Re“.
Todays’s song is from the film ‘Satte pe Satta’ (1982), which is mostly shot in Kashmir over 40 years ago, and one part of it is near the famous glacier. Must be in fair weather, the full star cast of the film went up there to shoot in bright sunlight. But they all returned to the base farmhouse/ farmstead where rest of the song is filmed. The singers are RD Burman, Kishore Kumar, Asha Bhosle, Bhupinder Singh, Sapan Chakraborty, Basu Chakraborty and the music is composed by RD Burman. The lyricist is Gulshan Bawra and it is the title song of the film.
Interestingly, Gulshan Bawra has rhymed the words satte pe satta with the word albatta. This gives us a unique word, and as far as I am aware, used only once in a Hindi film song. The word is a common usage affirmative / emphasising in cultured chaste Urdu. In old Hindi films this word is common, in dialogues, where the speaker wants to say or assert a view, despite this or inspite of that, ‘albatta‘, the truth prevails 😊.
اَلبَتَّہکےاردومعانی پوشیدہ فعلمتعلق یقیناً، قطعیطورپر، بےشک، ضرور، یقینہےکہ، لیکن، مگر، اتناضروریہے
albatta. अलबत्ताالبتہ. although, but, on the other hand. Isth
This explains the origin of the word.
Is the English word ‘albeit’ derived from the Urdu word ‘Albatta’?
No, the word ‘albeit’ is not derived from the Urdu word ‘Albatta’. ‘Although’ is a conjunction that means ‘in spite of the fact that’ or ‘even though’. It is derived from the Old English word ‘þeah’ which means ‘even though’ or ‘although’. The Urdu word ‘albatta‘ is a conjunction that means ‘although’ or ‘notwithstanding’. It is derived from the Arabic word ‘al-batta‘ which means ‘however’ or ‘despite’.
I have fond memories of watching this film at Minerva (or was it Apsara?) in 1982. We lived in the BEST officer’s quarters and the many families decided to watch the film collectively. The tickets were booked through the theater management, via the PSU’s good offices, as the supplier of electricity. I remember the theater management had put up a welcome message for the BEST officers and their families on screen, before the start of the film.
I am truly amazed to have had such unique experiences of movie watching, in theaters. Some memories, like being hit with a clothes hanger, and being forced to go to watch ‘Muqaddar ka Sikander’ (1978); and leaving the Liberty cinema in interval after not watching ‘Lekin’ (1990), walking up to Maratha Mandir to watch a re-release matinee show of ‘Mughal-e-Azam’ (1960) in knee deep water-logged streets; the experience of watching coins being thrown at the screen on the song “Tere Chehre Mein Wo Jaadu Hai” in a dilapidated theatre in Belgaum while watching ‘Dharmata’ (1975) sometime in the mid 80’s; the best of which is my friend being told by the usher, “No madam, it is waiting for you” at Regal cinema where we were late for the show of ‘Gone With The Wind’ (1939), in reply to her question “Has the movie started?”. There are more such memories, which will surface in time. I will share them in future posts.
Song – Dukki Pe Dukki Ho Ya Satte Pe Satta (Satte Pe Satta) (1982) Singer – Kishore Kumar, Asha Bhosle, Bhupinder Singh, Sapan Chakraborty, Basu Chakraborty, Lyrics – Gulshan Bawra, MD – RD Burman
Chorus
Lyrics
hey…
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
haan
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
tu mere dil ka raja hai
ya tere dil ki main raani
tu mere dil ka raja hai
ya teredil ki main raani
o o o
tu meri baahon mein aa
main teri baahon mein hoon
pyar to hoga jaani
banegi wohi kahaani
koi faraq nahin albatta
koi faraq nahin albatta
ho koi faraq nahin albatta
koi faraq nahin albatta
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
wow
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
ho ho ho
ah ha haa
oh ho ho ho ho ho ho
qismat mein jin ki milna hai
wo kisi tarah bhi mil jaayen
qismat mein jin ki milna hai
wo kisi tarah bhi mil jaayen
o o purab se paschim ki ee
uttar se dakshin ki ee
mil jaati hain rekhayen
laakhon pehre lagaayen
atak gaya
kyun
ka ko ka ko ka ka
ka ka kao kao
bolo bolo bolte raho
koi faraq nahin albatta
koi faraq nahin albatta
ho koi faraq nahin albatta
koi faraq nahin albatta
ho dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
dono ka ek matlab hai
dil de de ya to dil le le
ho dono ka ek matlab hai
dil de de ya to dil le le
ho….
sadiyon se hota hai jo
aakhir ko wohi hoga
lagte hain pyar ke mele
jaayenge sabhi akele
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
dukki pe dukki ho
ya satte pe satta
dukki pe dukki ho
ya satte pe satta
gaur se dekha jaaye
to bas hai patte pe patta
koi faraq nahin albatta
koi faraq nahin albatta
hoy koi faraq nahin albatta
koi faraq nahin albatta
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Hindi script lyrics (Provided by Sudhir)
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हे ॰ ॰ ॰
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हाँ
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
तू मेरे दिल का राजा है
या तेरे दिल की मैं रानी
तू मेरे दिल का राजा है
या तेरे दिल की मैं रानी
ओ ओ ओ
तू मेरी बाहों में आ
मैं तेरी बाहों में हूँ
प्यार तो होगा जानी
बनेगी वही कहानी
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हो कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
वॉव
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हो हो हो
आ हा हा
ओह हो हो हो हो हो हो
क़िस्मत में जिनकी मिलना है
वो किसी तरह भी मिल जाएँ
क़िस्मत में जिनकी मिलना है
वो किसी तरह भी मिल जाएँ
ओ ओ पूरब से पश्चिम की॰ ॰ ॰
उत्तर से दक्षिण की॰ ॰ ॰
मिल जाती हैं रेखाएँ
लाखों पहरे लगाएँ
अटक गया
क्यों
का को का को का का
का का काओ काओ
बोलो बोलो बोलते रहो
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
हो कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दोनों का एक मतलब है
दिल दे दे या तो दिल ले ले
दोनों का एक मतलब है
दिल दे दे या तो दिल ले ले
हो॰ ॰ ॰
सदियों से होता है जो
आखिर को वोही होगा
लगते हैं प्यार के मेले
जाएँगे सभी अकेले
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
दुक्की पे दुक्की हो
या सत्ते पे सत्ता
गौर से देखा जाये
तो बस है पत्ते पे पत्ता
कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
होय कोई फरक नहीं अलबत्ता
कोई फरक नहीं अलबत्ता
Darr Lagey To Gaana Gaa
Posted September 12, 2020
on:This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4439 | Post No. : | 15882 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 102 # In Remembrance – Jaikishan #
————————————————————————————
Today 12th Sep 2020 is forty-ninth remembrance day of the genius music director Jaikishan of Shankar-Jaikishan duo.
Jaikishan was born on 04th November 1929 at Vansda (in Navsari district, Gujarat) and passed away on 12th September 1971 at Bombay (now Mumbai, Maharashtra). He was only 41 when he passed away and his death shook the entire film industry then.
As a tribute to him here is a song from the 1971 movie – ‘Yaar Mera’. One song from this movie – “Dil Ki Kitaab Kori Hai, Kori Hi Rehne Do” – has already been presented on the blog by Sudhir ji on 13th Sep’2013 with a heartfelt tribute to Jaikishan remembering him on his 42nd remembrance anniversary. Today we will listen another song from the same movie.
‘Yaar Mera’ was released after Jaikishan’s death and the movie was dedicated to his memory. The movie begins with this ‘couplet’. I am unable to identify the voice uttering these words, which plays in the background of the dedication title.
jo shaam savere miltaa thha
phoolon ki tarah se khiltaa thha,
aye maut, tujhe maut aa jaaye
kyon yaar ko mere chheen liyaa
Shankar Jaikishan ruled the music charts in 1971 with their “Zindagi Ek Safar Hai Suhaana” ranking top of the annual ‘Binaca Geetmala’ list. In 1971 from the total 115 released movies, Shankar Jaikishan had composed music for as many as seventeen movies plus the un-released movie ‘Bombay Talkie’ making it to total eighteen movies. Here is the list of movies where Shankar-Jaikishan composed the music and that were released (or passed by Censor Board) in 1971,
S No | Movie | Passed by Censor Board on | Lyricist/s |
01 | Albelaa | 14.10.1971 | Hasrat Jaipuri |
02 | Andaaz | 23.04.1971 | Hasrat Jaipuri |
03 | Balidaan | 27.12.1971 | Verma Malik |
04 | Duniyaa Kya Jaane | 23.08.1971 | Rajinder Krishan |
05 | Ek Naari Ek Brahmachaari | — | Hasrat Jaipuri, Neeraj, Anjaan, Kiran Kalyani |
06 | Elaan | 30.04.1971 | Hasrat Jaipuri, Farooq Kaiser, Verma Malik, Indeewar |
07 | Jaane Anjaane | 17.05.1971 | Hasrat Jaipuri, SH Bihari, Gulshan Bawra |
08 | Jawaan Mohabbat | 15.05.1971 | Hasrat Jaipuri, Shailendra, Rajinder Krishan |
09 | Kal Aaj Aur Kal | 11.11.1971 | Hasrat Jaipuri, Neeraj, Shaily Shailendra |
10 | Laal Patthar | 31.12.1971 | Hasrat Jaipuri, Neeraj, Dev Kohli |
11 | Main Sundar Hoon | 18.03.1971 | Anand Bakshi |
12 | Naadaan | 20.08.1971 | Hasrat Jaipuri |
13 | Parde Ke Peechhey | 16.03.1971 | Rajinder Krishan |
14 | Patangaa | 20.08.1971 | Hasrat Jaipuri, Neeraj, Indeewar |
15 | Preetam | 26.07.1971 | Rajinder Krishan, Hasrat Jaipuri |
16 | Seema | — | Verma Malik, Gulzar, Indeewar |
17 | Yaar Mera | 29.11.1971 | Hasrat Jaipuri, Neeraj, SH Bihari |
18 | Bombay Talkie (UR) | 19.02.1971 | Hasrat Jaipuri, Usha Iyyer |
Other than songs of ‘Andaaz’ (two songs), the songs of ‘Main Sundar Hoon’ (also two songs) made it to the list of annual Binaca Geetmala of 1971 from the above list of movies. And that can explain how tough the competition was that year.
The song “Dil Ki Kitaab Kori Hai. . .“was the only popular song from the today’s movie and it was frequently heard on radio during that time. As mentioned above this song has already been posted on the blog.
The film was directed by Atmaram for RS Productions, Bombay. Raja Ram and Satish Wagle were the producers of this movie and Jayendra Pandya was the Associate Producer of this movie. Story of this movie was written by Anand Dutta. Dialogues and screenplay of this movie were written by Abrar Alvi. Editing for this movie was done by YG Chowhan, and he was assisted by EG Shinde and DB Rana. CR Panchal was the controller of production of this movie.
The star cast of the film includes Jeetendra, Rakhee, Nazima, Helen, Paintal, Achala Sachdev, Jayant, Sajjan, Randhir, Murad, Sulochana Sr., Nana Palsikar, Radheshyam, Narbada Shankar, Krishan Dhawan, Manmohan, Raj, Darshan, MS Mehta, Fordil, A Kumar, Ram Sindhi, Mona, and Ashok Bhalla.
This movie has five songs written by Hasrat Jaipuri (two songs), Neeraj (two songs) and SH Bihari (one song). Music is composed by Shankar-Jaikishan. Mohammed Rafi, Asha Bhonsle, Suman Kalyanpur and Manna Dey are the playback singers for this movie.
Coming to today’s song, although a lesser heard song, I think it was also played intermittently on radio during those times and later on. This song is sung by Mohd Rafi and lyrics are by Neeraj. An entertaining remembrance which was lying noted since more than seven years now.
Let us now enjoy the today’s song. On screen Jeetendra is performing the song. Also seen in the picturization of the song is Manmohan and Paintal and many others…
Darr Lagey To Gaana Gaa. . .
Video
Audio
Song – Darr Lagey To Gaana Gaa (Yaar Mera) (1971) Singer – Mohammed Rafi, Lyrics – Neeraj, MD – Shankar Jaikishan
Lyrics
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aise bhi
haan aan aa aa aa
waise bhi
mmm mmm mmm mmm
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aise bhi ee
haan aa aa aa aa
waise bhi
mmm mmm mmm mmm
darr lagey to gaanaa gaa
aayeein
darr lagey to gaanaa gaa
jo bhi yahaan cheez hai ae
tera hi maal hai ae
jo bhi yahaan cheez hai ae
tera hi maal hai ae
tera haath thaam le ae
kis ki majaal hai
pakad bhi jaaye yaar kabhi tu
bas mein rail mein
thaane mein jail mein
bheed mein mele mein
sone mein
akele mein ae
sirf gaanaa gaa aa aa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
duniya ko bhool ja aa
jaam zaraa thhaam le ae
haan
duniya ko bhool ja aa
jaam zaraa thhaam le ae
mauj zaraa maar le ae
ho masti se kaam le ae
chot kahin aa jaaye tujhko
ro nahin dho nahin
cheekh nahin chillaa nahin
chup nahin bhaag nahin
so nahin
jaag nahin ee
sirf gaanaa gaa aa aa aa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aayee ee
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa aa
darr nahin maut se ae
khatron ko jhel tu oo
darr nahin maut se ae
khatron ko jhel tu oo
zindagi ye khel hai ae
zindagi se khel tu
phir bhi tujhko darr lage to
aate hue jaate hue
peete hue khaate hue
uthhtey hue girtey hue
jeetey hue
martey hue ae ae ae
sirf gaana gaa aa aa aa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
aise bhi ee
haan aan aa aa aa
waise bhi
mmm mmm mmm mmm
darr lagey to gaanaa gaa aa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa
darr lagey to gaanaa gaa aa
————————————————–
Devnagri Script lyrics (Provided by Sudhir)
————————————————-
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
ऐसे भी
हाँ आं आं आं
वैसे भी
म्मम म्मम म्मम म्मम
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
ऐसे भी
हाँ आं आं आं
वैसे भी
म्मम म्मम म्मम म्मम
डर लगे तो गाना गा
अईं
डर लगे तो गाना गा
जो भी यहाँ चीज़ है
तेरा ही माल है
जो भी यहाँ चीज़ है
तेरा ही माल है
तेरा हाथ थाम ले
किस की मजाल है
पकड़ भी जाये यार कभी तू
बस में रेल में
ठाणे मे जेल में
भीड़ में मेले में
सोने में
अकेले में
सिर्फ गाना गा आ आ
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
दुनिया को भूल जा
जाम ज़रा थाम ले
हाँ
दुनिया को भूल जा
जाम ज़रा थाम ले
मौज ज़रा मार ले
हो मस्ती से काम ले
चोट कहीं आ जाये तुझको
रो नहीं धो नहीं
चीख नहीं चिल्ला नहीं
चुप नहीं भाग नहीं
सो नहीं
जाग नहीं ईं
सिर्फ गाना गा आ आ
डर लगे तो गाना गा
डर लगे तो गाना गा
अई इ
डर लगे तो गाना गा
डर लगे तो गाना गा
डर नहीं मौत से
खतरों से खेल तू
डर नहीं मौत से
खतरों से खेल तू
ज़िंदगी ये खेल है
ज़िंदगी से खेल तू
फिर भी तुझको डर लगे तो
आते हुए जाते हुए
पीते हुए खाते हुए
उठते हुए गिरते हुए
जीते हुए
मरते हुए ए ए ए
सिर्फ गाना गा आ आ
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा
ऐसे भी
हाँ आं आं आं
वैसे भी
म्मम म्मम म्मम म्मम
डर लगे तो गाना गा आ
डर लगे तो गाना गा
डर लगे तो गाना गा
डर लगे तो गाना गा आ
Bhajan binaa chain na aaye raam
Posted June 30, 2020
on:This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4365 | Post No. : | 15694 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 94 # Kalyanji-Anandji – Year 1975
———————————————–———————————————
Today 30th June 2020 is 92nd birth anniversary of Kalyanjibhai Virjibhai Shah (30 June 1928 – 24 August 2000) of the great music director duo Kalyanji-Anandji.
On this occasion as a tribute to him here is a song from the ‘1975’ movie ‘Rafoo Chakkar’. I vaguely remember to have watched this movie with my parents and brothers in my childhood. I was just around seven years old then (considering the date of release of this movie). However, the songs of this movie have always remained in my memory. I think they were very popular in those years and were frequently heard on loud speakers and radio. Particularly the songs ‘chhuk chhuk chhak chhak Bombay se Baroda tak’, ‘tumko mere dil ne’, ‘kisi pe dil agar aa jaaye to kya hota hai’, ‘dil lena buri balaa hai’, ‘ae zamaane tu kar le sitam pe sitam’…
Almost all songs from this movie were good and I have a big nostalgia of the songs of this movie. So, when I became a member of this blog I had shared a couple of songs, and one of them ‘tumko mere dil ne’ was posted on 21.01.2014 (much later according to me, because when I joined the blog I always thought all songs of the seventies must be already there . 🙂
‘Tum ko mere dil ne’ has always been my big favorite and so is ‘kisi pe dil agar’ but then there is one more song from this movie which brings back memories for me and I am going to present this song today.
And since this song was pending since 2013, I thought I should go with it instead of taking another song when I was thinking of a post on this occasion today. All these years this song has been in my dormant memory associated with the name of this movie ‘Rafoo Chakkar’. I have no recollection of having watched this movie again either in theatre or on TV channels. I have only watched a couple of its songs on TV. I may have watched parts of this movie when it was being aired on TV.
“Rafoo Chakkar-1975’ was a presentation from the ‘House of Nadiadwala’. It was produced by I.A. Nadiadwala for ‘M.I. Films Pvt Ltd’. This movie was directed by Narinder Bedi.
Ajay Kumar was the chief assistant director while assistant director was Kapil Kapoor. Raj Bedi was the dialogue director.
Story of this movie was written by Jayant Dharmadhikari, whereas the dialogues were written by Kadar Khan. K.K. Shukla had written the screenplay of this movie.
Editing of this movie was done by Babubhai Thakkar.
It had Rishi Kapoor, Neetu Singh, Rajindernath, Faryal, Asrani, Master Chikkoo with Paintal, Madan Puri, Anwar Hussain, Sulochana, Mumtaz Begum, Shetty, Viju Khote, Shamim, Surender Shetty, K.N. Singh, Sudhir, Bhagwan, MacMohan, Man Mohan, Habib, Jankidas, M. Rajan, Tiwari, Mohan Sherry, Hiralal, Rajan Haksar, Goga, Dalpat, Sapru and Kamran.
Lyrics were written by Gulshan Bawra and music was composed by Kalyanji-Anandji.
Asha Bhonsle, Usha Mangeshkar, Shailendra Singh, Kanchan, Mahesh Kumar and Aziz Nazan were the playback singers who had given their voices to the songs in this movie.
Jaikumar conducted the music while Frank Fernand was the arranger and Babla was the assistant in music of this movie.
This movie was passed by Censor Board on 02.01.1975.
In 1975 there were a ‘dozen’ of movies where Kalyanji-Anandji had composed the music for them. Here is the list;
Sno. | Title | Year | Passed by Censor Board | Lyricist | Represented on the Blog</ |
---|---|---|---|---|---|
1 | Anokhaa | 1975 | 02.04.1975 | Indeewar, Sawan Kumar | N |
2 | Apne Dushman | 1975 | 19.11.1975 | Verma Malik, Qamar Jalalabadi | N |
3 | Bhoolaa Bhatkaa | 1975 | 13.10.1975 | Anand Bakshi | |
4 | Chori Mera Kaam | 1975 | 30.04.1975 | Verma Malik | Yes/Yippeeee’ed |
5 | Dharmaatmaa | 1975 | 30.04.1975 | Indeewar | Y |
6 | Do Thug | 1975 | 05.12.1975 | Rajinder Krishan | N |
7 | Faraar | 1975 | 11.11.1975 | Rajinder Krishan | Y |
8 | Himaalaya Se Ooncha | 1975 | 15.04.1975 | Indeewar | Y |
9 | Monto | 1975 | 15.05.1975 | Verma Malik | |
10 | Rafoo Chakkar | 1975 | 02.01.1975 | Gulshan Bawra | Y |
11 | Uljhan | 1975 | 31.10.1975 | M.G. Hashmat | Y |
12 | Zoro | 1975 | 31.10.1975 | Verma Malik |
None of the songs of this movie “Rafoo Chakkar-1975” make it to the annual list of ‘Binaca Geetmala’ of that year. And only two compositions of Kalyanji-Anandji featured in that year’s list one from the previous years’ release ‘Haath Ki Safaai-1974’ i.e. ‘waadaa kar le sajnaa’ at number six and another from the movie ‘Dharmaatma-1975’ which was ‘tere chehre mein wo jaadu hai’ at number thirty-one.
The title song of ‘Uljhan-1975’ figured at number eleven in the annual list of ‘Binaca Geetmala-1976’.
Let us now enjoy the today’s song which is sung by Aziz Nazan and Kanchan. On screen Rishi Kapoor and Neetu Singh are lip syncing the voices of Aziz Nazan and Kanchan whereas we can see Rajindernath, Paintal, Sulochana, Mumtaz Begum and many others in the picturization of this song.
Rishi Kapoor, Neetu Singh, Rajindernath and Paintal are performing ‘hippies’ in disguise (not for viewers) to get release of the captivated Sulochana and Mumtaz Begum.
Video
Audio (Full)
Song-Bhajan binaa chain naa aaye Raam(Rafoo Chakkar)(1975) Singers-Aziz Naaazaan, Kanchan, Lyrics-Gulshan Baawra, MD-Kalyanji Anandji
chorus
Lyrics
dekh ke tu pinjare mein panchhi ee ee ee ee
kaahe ko muskaaye
hum sab hain is jag mein qaidi ee ee ee
tu ye samajh naa paaye ae
bhajan binaa aa aa
chain naa aaye raam
bhajan binaa aa aa
chain naa aaye raam
koi naa jaane kab ho jaaye ae
koi naa jaane kab ho jaaye
is jeewan ki shaam aam
is jeewan ki shaam
bhajan binaa chain naa aaye raam
moh maaya ki aas to pagle ae
moh maaya ki aas to pagle
hogi kabhi naa puri ee ee
hogi kabhi naa poori
poori ee
hogi kabhi naa poori
karte karte bhajan prabhu kaa
karte karte bhajan prabhu kaa
mit jaayeagi doori ee ee
mit jaayeagi doori
doori ee
mit jaayeagi doori
o o o o
hum bhakton ke ae ae ae ae
hum bhakton ke saath saath lo
sab hi prabhu ka naam
naam aam
bhajan binaa aa aa aa
chain naa aaye raam
bhajan binaa aa aa aa
chain naa aaye raam
bolo raam raam raam
raadhe shyaam shyaam shyaam
seeta raam raam raam
raadhe shyaam shyaam shyaam
bolo bolo bolo
bolo
hare raam raam raam
raadhe
raadhe shaam shaam shaam
seeta
seeta raam raam raam
raadhe
raadhe shaam shaam shaam
bhajan hai amrit ras kaa pyaala aa
bhajan hain amrit ras kaa pyaala
shaam savere peena aa aa
shaam savere peena
peena aa
shaam savere peena
isko peekar saara jeewan
isko peekar saara jeewan
masti mein tu jeena aa aa aa
masti mein tu jeena
jeena aa
masti mein tu jeena
o o o o o
bhakti kar to o o o o
bhakti kar to
ban jaayenge apne bigde kaam
kaam
bhajan binaa aa aa
chain naa aaye raam
koi naa jaane kab ho jaaye ae
is jeewan ki shaam
shaam m m m
is jeewan ki shaam
shaam
is jeewan ki shaam
bolo raam raam raam
raadhe shaam shaam shaam
seeta ram raam raam
raadhe shaam shaam shaam
hare raam raam raam
bolo bolo bolo
radhe shaam shaam shaam
seeta raam raam raam
radhe shaam shaam shaam
raadhe
hare raam raam raam
seeta
radhe shaam shaam shaam
radhe
bolo raam
sita raam raam raam
radhe shaam shaam shaam
bolo raam
hare raam raam raam
radhe shaam shaam shaam
bolo raam
sita raam raam raam
radhe shaam sham shaam
bolo raam
Saadh Re Mann Sur Ko Saadh Re
Posted June 21, 2020
on:This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day: |
4356 | Post No. : | 15678 |
“One good thing about music, when it hits you, you don’t feel pain”.
Thus spoke Bob Marley (1945-1981), the famous Jamaican singer and songwriter, about the power of music. From the most casual to the most formal, every activity, every endeavor of human existence is in one form or another, quite inextricably linked with music. Music pervades our lives and our beings. In many an instance, music appears quite unexpectedly in our lives.
Back in 1981, the Minister of Culture of France was a gentleman by the name Jack Lang. He appointed Maurice Fleuret as the Director of Music and Dance. One observation Maurice had about the cultural ethos of France – “the music everywhere, the concert nowhere”. He conducted a sample survey of the French population. The survey brought out some very interesting results; the most important one was which established that almost half the population was adept at playing one or another type of musical instrument.
Armed with this result, Maurice dreamt of bringing this talent for music, out in the open. Working with his minister, Maurice set out to design a method which would allow common people to be able to perform for others. From this pursuit was born the concept of ‘Fête de la Musique’ or the ‘Festival of Music’. After preparing and communicating for many weeks, finally the date for this public festival was decided as 21st June. In the year 1982, this event was rolled out across the length and breadth of France.
Ever since, the phenomena has spread to practically everywhere. This festival is now held in more than a thousand cities across 170 countries.
One basic feature of this celebration is that it is free. The artists and musicians perform for free. And also, all performances are free for the viewing public.
When writing about music, I have occasionally fallen back on the 1985 film ‘Sur Sangam’, for a suitable song for the post. Once again today, as I write to celebrate this worldwide event, I bring to the readers another wonderful song that tells about the nature and practice of music. The beginning words of this song lay out such an adept definition,
saadh re mann sur ko saadh re
ek mann ko doosre se baandh re
Yes, a force that brings together and binds the minds and hearts of people. Need I say more – the experience of the regulars of this musical bandwagon will speak for itself.
As I noted in my write up for the song “Aaye Sur Ke Panchhi Aaye”, as far as the memory serves, the film ‘Sur Sangam’ is probably the last film that I can remember, that has music as its central theme. After 1985, I cannot recall any other Hindi film built on the theme of music.
The film is a Hindi remake of the iconic Telegu film ‘Shankarabharnam’. It has been produced by V Ramesh for Vijay Madhavi Pictures, Madras and is directed by K Vishwanath. The eminent star cast of this film includes Girish Karnad, Jayaprada, Sachin, Sadhna Singh, Deven Verma, Bharti Achrekar, Paintal, Tabassum, Asrani, Bhushan Tiwari, Dina Pathak, Mohan Choti, OP Singh, Jeet Mohan, Sulabha Deshpande, SP Dubey, Urmila, Master Akash Singh and Baby Mamta.
The film has a set of very wonderful 11 songs, all written by Vasant Dev, and set to wonderful classical melodies by Lakshmikant Pyaarelal. Five songs of this film are already showcased on our blog. And the sixth makes its appearance today on the occasion of the World Day of Music. The singing voice is that of Rajan Sajan Misra.
May there be delightful music today, and every day in our lives.
Audio
Video
Song – Saadh Re Mann Sur Ko Saadh Re (Sur Sangam) (1985) Singer – Rajan Sajan Misra, Lyrics – Vasant Dev, MD – Laxmikant Pyaarelal
Lyrics
saadh re
mann sur ko saadh re
saadh re
mann sur ko saadh re
ek mann ko
doosre se
baandh re
saadh re
mann sur ko saadh re
saadh re..ae..ae
mann sur ko saadh re
taa..aa..aan hai suraj kiran
taa..aa..aan hai suraj kiran
alaap neelam ka gagan
alaap neelam ka gagan
ab ugey ankur dhara par
baandh aisa raag re..ae..ae
saadh re..ae
mann sur ko saadh re
saadh re..ae
mann sur ko saadh re
ma pa nee nee nee dha
nee. . . sa
ga nee ma pa
pa ga
ma re
re pa
megh se malhaar le tu. . .
megh se malhaar le tu
gandh se gandhaar le tu
gandh se gandhaar le tu
dhol pancham kokila ka
tu bahaa re raag re. . .
saadh re..ae
mann sur ko saadh re
saadh re..ae
mann sur ko saadh re
mann yahi tu dhyaan rakh
mann yahi tu dhyaan rakh
sur ki sahi pehchaan rakh
sur ki sahi pehchaan rakh
tu rahe ya na rahe
par sur rahe abaad re..ae
ae..ae
saadh re..ae
mann sur ko saadh re
saadh re..ae..ae
mann sur ko saadh re
saadh re..ae
mann sur ko saadh re
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
साध रे
मन सुर को साध रे
साध रे
मन सुर को साध रे
एक मन को
दूसरे से
बांध रे
साध रे
मन सुर को साध रे
साध रे॰॰ए॰॰ए
मन सुर को साध रे
ता॰॰आ॰॰आन है सूरज किरण
ता॰॰आ॰॰आन है सूरज किरण
आलाप नीलम का गगन
आलाप नीलम का गगन
अब उगे अंकुर धरा पर
बांध ऐसा राग रे॰॰ए॰॰ए
साध रे॰॰ए
मन सुर को साध रे
साध रे॰॰ए
मन सुर को साध रे
म प नी नी नी ध
नी॰ ॰ ॰ स
ग नी म प
प ग
म रे
रे प
मेघ से मल्हार ले तू॰ ॰ ॰
मेघ से मल्हार ले तू
गंध से गंधार ले तू
गंध से गंधार ले तू
ढोल पंचम कोकिला का
तू बहा रे राग रे॰ ॰ ॰
साध रे॰॰ए
मन सुर को साध रे
साध रे॰॰ए
मन सुर को साध रे
मन यही तू ध्यान रख
मन यही तू ध्यान रख
सुर की सही पहचान रख
तू रहे या ना रहे पर
सुर रहे आबाद रे॰॰ए
॰॰ए॰॰ए
साध रे॰॰ए
मन सुर को साध रे
साध रे॰॰ए॰॰ए
मन सुर को साध रे
साध रे॰॰ए
मन सुर को साध रे
Aaye Sur Ke Panchhi Aaye
Posted June 21, 2017
on:- In: Classical composition | Devnagri script lyrics by Sudhir | Duet | Guest posts | Kavitha Krishnamurthy Songs | Lyrics contributed by readers | Post by Sudhir | Rajan Sajan Misra - Kavitha Krishnamurthy Duet | Rajan Sajan Misra Songs | Songs of 1980s (1981 to 1990) | Songs of 1985 | Stage song | Yearwise breakup of songs
- 14 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today, 21st June is designated as the World Music Day. The reminders checked in quite late in the afternoon today. The historical details about this event are available on the internet, and our dear Arun ji has also summarized them in a brief post on the Whatsapp group.
As I set down thinking about this event, and to search out an appropriate song for today, my mind almost immediately went to the 1985 film ‘Sur Sangam’. In my mind, this is probably the best film on the theme of classical music, in the recent decades. Times are past that classical music and the legends of this art form used to be the central themes of many a film, especially from the historical perspective, in the decades that coincide with the golden era of Hindi film music. Historical persona such as Tansen and Baiju, Narsi Mehta and Meerabai, Kalidas and Soordas, Kabir and Rani Roopmati have been central themes and central characters of many a film till the decade of 1970s. Beyond that, I cannot easily recall a film whose theme and storyline is based primarily on classical music.
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Brahma o brahma
Posted July 15, 2014
on:This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Atul Song-A-Day 10K Song Milestone Celebrations – 21
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In our series of introducing the regular contributors on the eve of 10,000th song, here is the next contributor- Prakashchandra!
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