Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Ranjeet


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4873 Post No. : 16668 Movie Count :

4543

Today (20 November 2021) is the birthday of Minu Purushottam (DoB 20 November 1944). She made her debut in Hindi movies in 1963 with “Tajmahal”(1963), under the music direction of Roshan. The song was Naa naa naa re haath na lagaana , a duet alongwith Suman Kalyanpur. The lilting song from “Ye Raat Phir Na aayegi”(1966), Huzoorewaala jo ho izaajat , a duet with Asha Bhonsle, is quite a popular song to this day. Both songs incidentally were picturised on Helen and Madhumati (Helen clone).

Though overshadowed by the bigger name playback singers, she still has sung songs that were popular on their days. Unable to make much headway in Hindi movies, she switched over to non film songs. Later, she migrated to USA and lived there at Houston where she taught music.

On the occasion of her birthday, here is a song from “Qasam”(1976). This movie was directed by Ramesh Bedi for Kunwar Films Bombay. The movie had Radha Saluja, Satish Kaul, Laxmi Chhaya, Ranjeet, Nana Palsikar, Chandrashekhar, Vasti, Mohan Sherry, Junior Mehmood, Paintal, Ravi Kumar, Renu, Sukhbeer Kaur, Pratap, Darshan, Master Avinash, Baby Geeta etc in it.

This “social” movie had six songs in it. Two of these songs were duts sung by Minu Purushottam and Rafi.

Here is one of these songs. The song is penned by Mahendra Dehalvi. Music is composed by Surinder Kohli.

A poor quality partial video of the song is available. It shows that the song is picturised on Laxmi Chhaayaa ( I hope I have identified her correctly) and Ranjeet (villain in Hindi movies those days). I request our knowledgeable readers to help confirm/ refute my identification of the lady in the picturisation.

The audio contains the full song. The lady asks her lover to take her to Kashmir, or at least to nearby Chandigarh or Amritsar, but her lover is so ridiculously “kanjoos” that he would not agree to take her out of the village. 🙂

With this fogotten song, which is quite hummable to listen to, “Qasam”(1976) makes its debut in the blog.

Video partial

Audio (Full)


Song-Tu mera Raanjha main teri heer ve (Qasam)(1976) Singers-Minu Purushottam, Rafi, Lyrics-Mahendra Dehalvi, MD-Surendra Kohli

Lyrics

ho raanjhiyaa
ho o

tu mera raanjha main teri heer ve ae ae ae ae
tu mera raanjha main teri heer ve
arre chal abke le chal mujhko kashmir ve
arre chal abke le chal mujhko kashmir ve
achcha
main tera raanjha tu meri heer ni ee ee ee
main tera raanjha tu meri heer ni
arree chal kheto me dikhla doon kashmir ni
arree chal kheto me dikhla doon kashmir ni

tere khet mein roop ki chaandi
kahin pighal na jaaye
sone jaisi meri jawaani
dhoop mein dhal na jaaye
gar kashmir nahin to mujhko
aur kahin le jaa re
jeth maheene ki garmi mein ae
jaan nikal na jaaye
tu mera majnu main teri laila ve ae ae ae
tu mera majnu main teri laila ve
are chandigadh ki sair kara de chhaila ve
are chandigadh ki sair kara de chhaila ve
chandigadh mein kya rakha
chal bag ki sair kara doon
pagdi ke palle se tujhko
thhandi thandi hawa du
chandigadh kashmir hai kya
jo dil ki nazar se dekhe
apni aankhon mein tujhko
saari duniya dikhla doon
tu meri shirin main tera farhaad ni ee ee
tu meri shirin main tera farhaad ni
areee pyaar se apne ghar ko kar aabaad ni
arree pyaar se apne ghar ko kar aabaad ni

ho raanjhiyaa
ho o

chikni chupdi baaton se
na yoon mujhko behla re
jaan gayi tujhko
mujhse mat jhootha pyaar jata re
shirin ki khatir farhad ne
doodh ke nahar nikali
tu kis boote pe aashik banta hai
ye batla re
tu mera punnu main teri kashti ve ae ae ae
tu mera punnu main teri kashti ve
arre chal pilwa de amritsar ki lassi ve
arre chal pilwa de amritsar ki lassi ve
arre chal
lassi ka tu naam jo legi
to khaayegi danda
chal kunwe pe chalke pila doon
paani thanda thanda
tu kho gayi shahar mein
tujh bin haal mera kya hoga
koi kanwaara kahega mujhko
koi kahega randa
tu meri sohni main tera mahiwaal ni ee ee ee
tu meri sohni main tera mahiwaal ni
arree rah gaanv mein shahar ka
chhod khayaal ni

nahin
arree rah gaanv mein shahar ka chhod khayaal ni
nahin baba
arree rah gaanv mein shahar ka chhod khayaal ni
arree nahin baba
ari rah gaanv mein shahar ka chhod khayal ni


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4707 Post No. : 16412 Movie Count :

4460

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXVII: Year 1983
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1983.

In 1983, 130 Hindi movies containing 676 songs were released. Lata Mangeshkar got to sing in 33 of these movies and she sang 73 songs in these movies. So Lata Mangeshkar’s voice was heard in 25.4 % of the movies released in 1983. Her voice was heard in 10.3 % of the songs appearing in the movies of 1983.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1983 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aan Aur Shaan R D Burman 0 1 1 0 0 Majrooh Sultanpuri
2 Agar Tum Na Hote R D Burman 2 4 3 1 0 0 Gulshan Baawra
3 Arpan Laxmikant Pyarelal 4 4 2 2 0 0 Anand Bakshi
4 Avtaar Laxmikant Pyarelal 1 1 0 1 0 0 Anand Bakshi
5 Baabu Rajesh Roshan 0 2 1 1 0 0 Majrooh Sultanpuri
6 Bade Dil Waala R D Burman 1 4 0 4 0 0 Majrooh Sultanpuri
7 Bandhan Kachche Dhaagon Ka Hemant Bhonsle 0 1 1 0 0 0 Anjaan
8 Betaab R D Burman 1 3 0 3 0 0 Anand Bakshi
9 Bindiya Chamkegi R D Burman 0 2 2 0 0 0 Anjaan
10 Chor Police R D Burman 1 1 1 0 0 0 Nida Fazli
11 Ek Baar Chale Aao Chaand Pardesi 0 1 1 0 0 0 Sameer
12 Fareb Bappi Lahiri 0 1 1 0 0 0 Indeewar
13 Hero Laxmikant Pyarelal 2 3 1 2 0 0 Anand Bakshi
14 Himmatwaala Bappi Lahiri 1 1 0 1 0 0 Indeewar
15 Humse Hai Zamaana Ram Laxman 0 2 2 0 0 0 Maya Govind
16 Justice Chaudhary Bappi Lahiri 0 1 0 1 0 0 Indeewar
17 Laalach Bappi Lahiri 1 1 0 1 0 0 Anjaan
18 Laal Chunariya Shamji Ghanshamji 0 1 1 0 0 0 Kulwant Jaani
19 Lovers R D Burman 0 3 1 2 0 0 Anand Bakshi
20 Nishaan Rajesh Roshan 0 4 1 3 0 0 Gulshan Baawra
21 Painter babu Uttam Jagdish 2 5 0 5 0 0 Manoj Kumar-Qamar Jalalabadi-Qateel Shifai
22 Prem Tapasya Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
23 Pyaasi Aankhen Usha Khanna 0 2 2 0 0 0 Rana Sahari (1) Indeewar (1)
24 Razia Sultan Khayyam 3 3 3 0 0 0 Jaan Nisaar Akhtar (2) Kaifi Azmi (1)
25 Rishta Kaaghaz Ka Rajesh Roshan 1 4 4 0 0 0 Majrooh Sultanpuri
26 Romance R D Burman 0 3 0 3 0 0 Anand Bakshi
27 Sautan Usha Khanna 1 3 2 1 0 0 Saawan Kumar Tak (2) Pradeep Kaushik -Saawan Kuamr Tak (1)
28 Shubh Kaamna R D Burman 1 1 1 0 0 0 Anjaan
29 Sweekaar Kiya Maine Usha Khanna 3 3 2 1 0 0 Nida Fazli
30 Wo Jo Haseena Ram Laxman 1 2 1 1 0 0 Gauhar Kanpuri
31 Wo Saat Din Laxmikant Pyarelal 0 2 0 2 0 0 Anand Bakshi
32 Ye Ishq Nahin Aasaan Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
33 Zara Si Zindagi Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
Total 33 movies 11 MDs 26 73 36 37 0 0 18 lyricists

Lata Mangeshkar worked with 11 music directors and 18 lyricists in these 33 movies released in 1983. Laxmikant Pyarelal continued to be the most prolific music directors with Lata, with 590 songs in HFM with Lata Mangeshkar by the end of 1983. Shankar Jaikishan with 456 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji were third with 301 songs. R D Burman with 275 songs overtook C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3360 songs out of 4655 songs that Lata Mangeshkar had sung in Hindi movies till end of 1983. Anand Bakshi with 587 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (399), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (118). These ten lyricists had penned 3060 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar collaborated with music directors Chaand Pardesi and Uttam Jagdish for the first time in movies of this year. She also worked with Lyricists Pradeep Kaushik, Sawan Kumar Tak, Sameer, Rana Sahri and Qateel Shifaifor the first time in movies released this year.

Here I have assumed that Chaand Pardesi was different from music director Pardesi with whom Lata mangeshkar had worked in the past. I request our knowledgeable readers to throw light on this matter.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1983 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 136 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 170 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 141 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 93 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 90 130 84 39 3 4
1971 52 movies 106 126 71 52 3 0
1972 62 movies 97 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 46 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 39 88 48 34 2 4
1982 45 movies 27 82 41 37 1 3
1983 33 movies 26 73 36 37 0 0
Total upto 1983 1615 movies 3632 4655 3112 1240 199 104

It can be seen from the table of 1983 that Lata Mangeshkar sang 73 songs in 33 movies released in 1983.

26 songs sung by Lata Mangeshkar in movies of 1983 have been covered in the blog. That leaves us with 47 songs from movies of 1983 that are yet to be covered.

All Lata Mangeshkar songs from 8 movies of 1983 are already covered in the blog. So 47 Lata Mangeshkar songs from 25 movies of 1983 are still available to be discussed.

Alphabetically “Aan Aur Shaan”(1983),the very first movie of 1983 among movies of 1983 containing Lata Mangeshkar songs offers us a Lata Mangeshkar song to cover in the blog.

“Aan Aur Shaan”(1983) was produced by Mohan Barodia and directed by Ravi Tandon for Elephanta Films, Bombay. The movie had Shammi Kapoor, Dara Singh, Rishi Kapoor, Moushumi Chatterjee, Nirupa Roy, Farida Jalal, Ravinder Kapoor, Janki Dass, Jeevan, Ranjeet, Harish Magan, Master Ravi, Maan Singh, Pardesi, Prem, Uttam Sodi, Chandu, Joher Sen, Narendra Jaiswal etc with guest appearances by Aruna Irani, Jayashree.T., Satyen Kappu, O.P.Goyle and Putul Guha.

The movie had four songs in it. One of them was a Lata Mangeshkar solo song.

Here is that Lata Mangeshkar solo song from “Aan Aur Shaan”(1983). The song is penned by Majrooh Sultanpuri. Music is composed by R D Burman.

The song is picturised as a mujra song on Aruna Irani. Ravinder Kapoor, Shammi Kapoor, Dara Singh, Ranjeet, Jeevan etc are also seen in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Aan Aur Shaan”(1983) makes its debut in the blog.

Audio link:

video link:

Song-Diya hamne dil tumko apna samajh ke (Aan aur Shaan)(1983) Singer-Lata, Lyrics-Majrooh Sultanpri, MD-R D Burman

Lyrics (Provided by Prakashchandra)

aaa aa aa aa aa
oo oo oooo
diyaa hamne dil
diyaa hamne dil tumko
apna samajh kar
na jaanaa sanam
tum badey ae aadmi ee ho
diyaa hamne dil tumko apna samajh kar
na jaanaa sanam
tum badey ae aadmi ee ho o
ke ye dillagi hogi
dilbar tumhaari ee
lutengey to hum
tum badey ae aadmi ee ho o o
diyaa hamne dil

sochaa thha basengi dil mein
nazrein tumhaari ee
sochaa tha basengi dil mein
nazrein tumhaari ee
chhoti si kaheen pe hogi duniyaa hamaari
par kyaa milaa
ab meri zindagi ee ko oo
ke yoon hi naheen tumse
dartaa hai ye ae dil
tumhaari qasam
tum badey ae aadmi ee ho o
diyaa hamne dil

main hoon woh shamaa jalti
hai jo galee mein aen
main hoon woh shamaa jalti
hai jo galee ee mein aen
mehalon mein aake kaisey
lagoongi bhalee main
sochey yehee kya karoon apney jee ko
ke hum hain zameen aur
tum aasmaan ho
miley kaisey hum
tum badey ae aadmi ho o o
diyaa hamne dil tumko
apna samajh kar
na jaanaa sanam tum badey ae aadmi ho o
diyaa hamne dil l l l l


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4626 Post No. : 16277 Movie Count :

4420

If you search in google for ‘history of post cards in India’ top of the results yields this result;

In July 1879, the Post Office of India introduced a quarter anna postcard that could be posted from one place to another within British India. This was the cheapest form of post provided to the Indian people to date and proved a huge success. … The postcard facility continues to this date in independent India.

***

Regulars on the blog are aware of how some members of this blog are fond of talking about our social institutions or our public transports and communication, like railways and post departments specifically.
Actually, it would not be wrong to say that some members like me are madly in love with the railways and postal departments in our country. And why not, both the railways and postal departments have their presence all over the country and these services also play major roles in nation building and national integration. I have a BIG nostalgia associated with both of these services.

***
I remember in my childhood days I was, (even now I am), very much fascinated with the postal services, their stationery. The overall atmosphere in a ‘post-office’ have always fascinated me.

A ‘post-card’ costing fifteen paise was very much popular and the most preferred one to send letters among families and friends, and others. Due to my interest in books and magazines I was frequently using it for getting various publications.

I used to order books through VPP and sometimes even if I could not buy books, I would ask for the ‘list of publications’ from various publishers. We needed to send only a ‘post card’ and in return there would be an envelope carrying printed list with printed pictures of some of the books. That would give me immense pleasure.

I was also having my library containing story books and magazines for children to read mainly during summer vacations.

The simple ‘post-card’ costing fifteen paise was used for many things like conveying important messages or urgent messages, as it was said that the post-cards were delivered faster than the ‘inland letter’ and ‘envelopes.
My Grand Father staying at Akola (i.e., 25 kms from Paras) was always using post-card to send us letters. And it was the same with most other people.

Years back I had pursued my correspondence studies through IGNOU wherein all the study materials were delivered by post and all communication was through posts only. So, one can guess how close the post services are to my heart. 😊

I do not remember anyone raising any ‘privacy violation issues’ those days for ‘post-cards’. I vividly remember that a ‘postman’ would never read your letters unless requested by those who could not read. They would make it a point to handover the letters to the ‘addressee’ and to no one else.

***

After coming back from Kenya in Dec’2019, I got to visit the post office here in Vadodara many times particularly for dispatch of my daughter’s online shop products and other communications. I noticed how the department has been now given a modernized look and we can also see attractive guidelines and information painted on the walls giving it a ‘super-market’ type look.

But I also noticed someting that has not changed over the years. It is a one iron-box used for storing ‘stamps’ (a box little big than or similar to a metal school box of those days) and the ‘sorting room’ or ‘chamber’ having wooden partition separating it from general office.

Another change that I noticed is in the price of the post card, inland letter and envelope. Now we have to pay fifty paise for a post card.

I have a vague recollection that I have seen post cards of ten paise or five paise as well ! May be when I was a child, I must have seen them some with my ‘stamp-collecting’ friends.

Slowly and gradually After the advent of mobile phones and many modes of faster communication the ‘postal modes’ has Slowly and gradually taken the back-seat.

Recently for the sake of nostalgia I bought one piece each of ‘post card’, inland letter and envelope’.


***
What we discussed above is all good one side of the ‘coin’ (or post-card I should say) including happy memories and nostalgia.

On the other side there is another side. Now people do not find time to write letters as they are ‘busy’ in life. Sometimes it can even create misunderstandings between two close friends, where lack of response from either side can strain their relations.

People close to you or even not so close to you always have expectations. And there are some people who are not at all punctual like others, to return a call or a reply to a letter and reciprocate with same zeal and enthusiasm. It may be inadvertentand not deliberatel, but not responding for whatever reason may affect our relations with others.

As an example, it is my habit even now to call each and every friend that I am in contact with, even if they do not reciprocate with the same enthusiasm (I expect somebody should also given me a call and give me a pleasant surprise ).

I have noticed that nowadays people will send you friend requests, emails, WhatsApp messages or use all kind of social networks. On the other hand they generally avoid face to face conversation or the joy of meeting a person and giving him (or her) a hug (😊). In older days people would jump at the opportunity of meeting each other (I mean jump with joy 😊).

Communicating with our near and dear ones is so cheap and affordable, still there are some who cannot find time to communicate with others.

In older days, such people would be described as ‘arey yaar wo to pandrah paise ka ek post card bhi nahin bhejta hai’ or ‘kam se kam pandrah paise ka ek card hi post kar dete Bhai’, ‘itne dinon se tumhaari koyi khabar hi nahin aayi, pandrah paise ka card bhi nahin kharid sakte the kya, aisi bhi kya kanjusi’😊 (I have still maintained to keep the conversation in sophisticated language … and not using dialects 😊)

After remonstating thus, the long lost friends would readily forgive you and give you benefit of doubt in view of the various reasons given by you for responding. And after a little good natured quarrel everything would be fine among the aggrived and the aggriever.

What about someone who is in love with you and has ‘nyochhawar’ed’ (slang?) oneself on you, she or he will definitely say what the lady in today’s song is saying …

I will not repeat it here instead let us listen to this in today’s song …

Jayshree T is performing this song from the ‘1979’ movie ‘Ahinsaa’. We can see Ranjeet and others in the picturization of this mujra song.

“Ahinsaa-1979” was directed by Chand for ‘Ashwin Arts, Bombay’. It was produced by Shiv Kumar.

Story of this movie was written by Chand and K.B. Pathak and dialogues were written by Jainendra Jain. Editing of this movie was done by B.S. Glaad. It had Sunil Dutt, Rekha, Prem Nath, Ranjeet, Nirupa Roy, Alka, Kamini Kaushal, Rajendra Nath, Jayshree T., Jairaj, Trilok Kapoor, Tun Tun, Kundan, Mohan Shery, Bhagwan, Romeo, Jankidas, Birbal, Raj Kishore, Master Raju, Shiv Kumar, Keshav Rana, Rajan Haksar, Narendra Pathak, Major Anand, Ranveer Raj, Hiralal and others. Om Shivpuri, Dev Kumar, Shakti Kapoor, Shyamlee make a friendly appearance in this movie. Asrani make a special appearance in this movie.

This movie had four songs. Two were written by Rajkavi Tulsi and one each by Ram Bharadwaj and Anjaan.

Asha Bhonsle, Mohd Rafi, Manna Dey, Anand Kumar C., and Badri Prasad (mentioned in HFGK not in the movie titles) had given their voices to the songs in this movie.
Music of this movie was composed by Kalyanji-Anandji.

This movie was passed by Censor Board on 12.06.1979.

let us enjoy this rocking(😊) mujra song dedicated to the lovely ‘post-cards’ what they were in the seventies – ‘khat, pandrah paise waalaa’. Just out of curiosity I counted and noted that the word ‘pandrah paise waalaa’ appears ‘sixteen’ times in the song…

With today’s song this movie “Ahinsaa-1979” makes its debut on the blog. (It also serves another purpose of bringing ‘movies with same title on the blog’. We already have “Ahinsaa-1947” on the blog.

I have not watched today’s movie so can’t say much about its storyline but we can get idea of the story of this movie from the following dedication in titles;

‘This movie is dedicated to all those criminals and dacoits who surrendered themselves to the law with the inspiration of Loknayak Shri. Jayaprakash Narayan’

I had come across the today’s song a few months ago when I was looking for ‘Kalyanji-Anandji’ composed songs.
On going through other songs of this movie I find only song sounding familiar to me which is ‘Yaar mera rab ho gaya’ only. I was curious to know about the other songs so I listened to them and found today’s song as an interesting 😊 song.

Let us now listen to today’s song. Lyrics for the today’s song are by Ram Bharadwaj and music is composed by Kalyanji-Anandji.

Video

Audio

Song-Maine tan man de daala saiyya solah saal waala (Ahinsa)(1979) Singer-Asha Bhonsle, Lyrics-Ram Bhardwaj, MD-Kalyanji Anandji

Lyrics

aa aa aa aa
aa aa aa aa aa aa
aa aa aa
khoyi khoyi si rehti hoon
le le ke tera naam
hansi udaaye har subah
aur dank maare shaam

maine tan man de daalaa aa
maine tan man de daalaa
sainyya solah saal waalaa aa
maine tan man de daalaa
sainyya solah saal waalaa
par toone to khat bhi na daalaa
haaye
pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
tan man de daalaa
sainyya solah saal waalaa
par toone to khat bhi na daalaa
arey pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa

ye mardon ki jaat
nibhaaye naa saath
muyee mardon ki jaat
nibhaaye naa saath
jo aurat ko samjhe
khilaunaa aa
kabhi bante hain yaar
kabhi karte hain pyaar
jo dikhaate hain sapnaa salonaa
hai tujhko qasam
ye bataa de balam
hai tujhko qasam
ye bataa de balam
kya souten ne tere din phere ae
arey kaalaa jaadu daalaa
bairi kaalaa jaadu daalaa
kaalaa jaadu daalaa
bairi kaalaa jaadu daalaa
tan man de daalaa
sainyya solah saal waala
par toone to khat bhi na daalaa
kyun
pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa

dekh main phuljhadi
tere dar pe khadi ee
dekh main phuljhadi
tere dar pe khadi
mujhe pehnaa de pyaar ka kangnaa aa
ye hai arzi meri
ye hai marzi meri
tere nainon mein hai mujhe basnaa
mere dil mein hai jo
naa jaane tu wo
mere dil mein hai jo
naa jaane tu wo
kaise bedardi sainyya se ae ae
kaahe padaa paalaa
bairi kaahe padaa paalaa
kaahe padaa paalaa
bairi kaahe padaa paalaa
tan man de daalaa
sainyya solah saal waala
par tune to khat bhi na daalaa
arey pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4374 Post No. : 15716

Saga Of Sleepless Nights – 9
– – – – – – – – – – – – – – –

aaj ki raat, ye kaisi raat
ke hum ko neend nahin aati. . .

If the previous song in the series was a lament about lonely nights and the longing that accompanies them, this song today is expressing the opposite emotion. The lovers are together, and the lady is now complaining that her lover does not have an iota of sleep in his eyes, and that she is worried for that.

The gamut of human emotions is spread out wide and far. And whatever be the emotional flavor one may select, one is sure to locate a song from Hindi films that expresses that emotion fairly accurately. Continuing with the saga of sleepless nights, here today we have a flavor of sleeplessness that is expressing a complaint against the lack of sleep on the part of the gentleman. The lady is cajoling and chiding him, trying to induce sleep in his eyes. She is asking him what toy he would like to have, and that she may bring to him that which he desires. But the imploring thread intertwined is that the lack of sleep in his eyes worries her.

Word are crafty. They are a double edge sword that say one thing and mean another. The scenario being played out on screen appears to be one of deception. Apparently Ranjeet is pursuing Navin Nischol, who in turn seems to have taken refuge at Rekha’s home. Now both Rekha and Navin Nischol are inside a room, with Ranjeet sitting outside. And the scenario being played out is as if Rekha is putting a baby to sleep inside the bolted room. The song is telling in words that a mother is trying to put a baby to sleep. That is what a person outside the room would surmise, as one listens to the words of the song emanating from the room. However, the scene, as is being played out inside, there is no baby being put to sleep. Rather, the lovers have been thrown together by themselves in the room. The lady is trying to fend off the advances of the gentleman, and is singing a complaint that there is no sleep in his eyes, and that she would rather that he would take shelter in sleep.

The word and the scenario present an interesting juxtaposition. The film is ‘Saawan Bhaadon’ from 1970. Memory serving right, I remember this film being promoted as the debut film for the lead pair of Navin Nischol and Rekha. As later inputs would clarify, technically this is not the debut film for Rekha, and that her first film ‘Do Shikari’ (1978) was eventually released after a delay of many years. I remember seeing the posters and hoardings for this film as a school going kid. And I also remember that a few songs of this film became very popular and were often played on the radio waves.

The film is produced under the banner of Deluxe Films, Bombay and is directed by Mohan Sehgal, a director of certain repute from that era. The list of actors is presented as Navin Nischal, Rekha, Shyama, Jaishri Talpade, Agha, Narendra Nath, Iftikhar, Krishan Dhawan, Ranjeet, Chandrima Bhaduri, Sushma, Madhukar, Devi Chand, Pardesi, OP Kohli, Dhruv Kumar, Ajeet Bengali, Mamaji, and Darpan Nille etc.

The films has seven songs, all from the pen of Verma Malik. The music is composed by the duo of Sonik Omi. Two songs of this film are already showcased on our blog. This is the third song to find its place here.

Today also is the remembrance day for Manohar Lal Sonik, the senior partner in this duo team of music directors. He had passed away this day (9th July) in the year 1993. This is the reminder nudge from our dear Prakashchandra ji, who has sent in the lyrics for this song.

So this was one of the lesser heard songs in its time, being overshadowed by its more popular siblings like “Sun Sun O Gulabi Kali”, “Kaan Mein Jhumka Chaal Mein Thumka” and “Aankhen Meri Maikhaana, Maikhaana, Maikhaana”. On screen the song is performed by a pre-makeover Rekha, chiding a naughty Navin Nischol, while Ranjeet is seated outside the door of the room.

Listen, view and enjoy.

Video

Audio

Song – Mera Mann Ghabraaye Teri Aankhon Mein Neend Na Aaye  (Saawan Bhaadon) (1970) Singer – Asha Bhosle, Lyrics – Verma Malik, MD – Sonik Omi

Lyrics (Provided by Prakashchandra)

(crying sound of a child)
o ho ho o ho o
hmm….hmmm pchh pchh
basssh bass bass bass
hmm…hmmmm
hmm… hmmmmm
hmm…hmmm
hmmm…hmmm
hmmm….hmmm…hmm
lallalaa lallalaaa lala
hmmm…hmmm lallalaaa la
(laughing sound)

mera mann ghabraaye
teri aankhon mein neend na aaye
haaye chup ho ja
vey so jaa  saanwariyaarey
chup ho ja
vey so jaa saanwariya rey ae
mera mann ghabraaye
teri aankhon mein neend na aaye
haaye chup ho ja
vey so jaa  saanwariyaarey
chup ho ja
vey so jaa saanwariya rey ae
mera mann ghabraaye

maangta hai tu kya
chaahta hai tu kya
bol kaisa khilona main laaun
pyaar ki paalki mein
bithaa ke tujhe
apni duniya ka raja banaaun
mere sapnon ka..aa..aa
tu hai savera
mera jeevan bhi..ee..ee (infant crying sound)
ab to hai tera
tera
tera
ho o ho o oo o
mera mann ghabraaye
teri aankhon mein neend na aaye
haaye chup ho ja
vey so jaa saanwariya rey
chup ho ja
vey so jaa saanwariya rey ae
mera mann ghabraaye

apni aankhon ki main
neend de doon tujhe
aur aanchal se tujh ko hawa doon
apne kaajal ki main
doriyaan daal ke
dil ki dhadkan ka jhoola bana doon
tujh pe sadqe hai..ae ae
meri jawaani
meri jaissi ho o ho o o (infant crying sound)
teri bhi raani
raani
raani

ho o o ho o o
mera mann ghabraaye
teri aankhon mein neend na aaye
haaye chup ho ja
vey so jaa saanwariya rey
chup ho ja
vey so jaa saanwariya rey ae
mera mann ghabraaye

mera mann ghabraaye ae
hmm…hmmm
lallalaaa la

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

हम्म॰॰॰हम्ममम
हम्म॰॰॰हम्ममममम
हम्म॰॰॰हम्मम
हम्म॰॰॰हम्ममम
हम्म॰॰॰हम्ममम॰॰॰हम्म
लल्लाला लल्लाला लाला
हम्म॰॰॰हम्मम लल्लाला ला

मेरा मन घबराए
तेरी आँखों में नींद नहीं आए
हाय चुप हो जा
वे सो जा साँवरिया रे
चुप हो जा
वे सो जा साँवरिया रे
मेरा मन घबराए
तेरी आँखों में नींद नहीं आए
हाय चुप हो जा
वे सो जा साँवरिया रे
चुप हो जा
वे सो जा साँवरिया रे
मेरा मन घबराए

मांगता है तू क्या
चाहता है तू क्या
बोल कैसा खिलौना मैं लाऊं
प्यार की पालकी
में बिठा के तुझे
अपनी दुनिया का राजा बनाऊँ
मेरे सपनों का॰॰आ॰॰आ
तू है सवेरा
मेरा जीवन भी
अब तो है तेरा
तेरा
तेरा
हो ओ हो ओ ओ ओ
मेरा मन घबराए
तेरी आँखों में नींद नहीं आए
हाय चुप हो जा
वे सो जा साँवरिया रे
चुप हो जा
वे सो जा साँवरिया रे
मेरा मन घबराए

अपनी आँखों की मैं
नींद दे दूँ तुझे
और आँचल से तुझको हवा दूँ
अपने काजल की मैं
डोरियाँ डाल के
दिल की धड़कन का झूला बना दूँ
तुझपे सदक़े है॰॰ए॰॰ए
मेरी जवानी
मेरी जैसी हो॰॰ओ॰॰ओ
तेरी भी रानी
रानी
रानी
हो ओ हो ओ ओ ओ
मेरा मन घबराए
तेरी आँखों में नींद नहीं आए
हाय चुप हो जा
वे सो जा साँवरिया रे
चुप हो जा
वे सो जा साँवरिया रे
मेरा मन घबराए

मेरा मन घबराए
हम्म॰॰॰हम्मम
लल्लाला ला


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today(12 november 2016) is the 70th birthday of Gopal Bedi.

Gopal who, you say?

No surprise if the name doesn’t ring a bell. But if I say “Ranjeet”, it will have instant recall.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Asha ji, one of the leading lady playback singers in Indian cinema, turns 83 today. Seventy of thes 83 years have been spent in an active career, probably the longest such accomplishment by a playback singer. As Sadanand ji indicates in his article (the one before this), he states that she is currently on a concert tour of US. This speaks of the energy and the verve of this personality.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bandhe Haath”(1973) was produced by O P Ralhan and directed by O P Goyle. The movie had Amitabh Bachchan, Mumtaz, Ajit, Anjana Mumtaz, Kumud Chugani, Ram Mohan, Sardar Akhtar, O.P.Ralhan, Madan Puri, Ranjeet, Gajanan Jagirdar, Asit Sen, Tuntun, Baldev Mehta, Pinchoo Kapoor, Kamal Deep, Moolchand, Sikandar, Gaurang, Maqbool, Usha Amershi, Vanita Thakur etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aap To Aise Na Thhe” (1980) was an Emkay Enterprises Production. It was produced by Mohan Kumar and directed by Ambarish Sangal. The movie had Ranjeeta Kaur, Raj Babbar, Deepak Parashar, Madan Puri, Om Shiv Puri, Raj Mehra, Tamanna, Dulari, Lalita Kumari, Junior Mehmood, Arpana Choudhary, Bhagwan Dada, Chottu Dada, Manju, Chaand, Kalpana Iyer etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Time to take a breather. Ah, well, not on Atul-Song-a-Day blog. For the celebrations are afoot, and the special songs have to be processed and posted, in time for deadlines.

Talking about deadlines, in the past week to ten days, we have been missing quite a few of them. I was in email communication with Atul ji earlier today. You see, he had informed us well in advance that his family will be with him during the closing weeks of the year, and he would have very little time to devote to the blog activities. Ah yes, when the boss is around, . . . . 🙂
Read more on this topic…


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = =
Atul Song-A-Day 10K Song Milestone Celebrations – 39
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

Fortunately or unfortunately (for my friends, readers and followers) I belong to the variety of people who take pleasure in bringing out the hidden rare gems from HFM, usually from the 60s and the 70s. In keeping with my passion for “Rare Hindi Film Songs” (RHFS is my group on FB), today, I present two forgotten gems from one single movie – “Raftaar” released in 1975.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16670

Number of movies covered in the blog

Movies with all their songs covered =1291
Total Number of movies covered=4543

Total visits so far

  • 14,900,646 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,951 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: