Posts Tagged ‘Moolchand’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6241 | Post No. : | 19302 |
Today, August 19, 2025, is the 6th Remembrance Day of a ‘ruhaani‘ music director, Mohammed Zahoor Khayyam Hashmi (18/02/1927 – 19/08/2019), better known as Khayyam. His musical career can be divided into three parts. The first part (1948-67) was his struggling years during which he mostly got low budget films. In the second part (1967-74), he took sabbatical from the Hindi film industry and concentrated in composing non-film Hindi songs. In the last part of his musical career, (1974-2013) he rejoined his musical career in Hindi films during which he had a successful stint both financially and career-wise.
Khayyam was born in Rahon in Nawanshahr district (now Shaheed Bhagat Singh Nagar) of Punjab in a Muslim scholar’s family who loved poetry and music. There used to be a regular gathering in his father’s large library room to discuss poetry and music which included films as well as classical music. All the family members were highly educated. His father expected Khayyam to follow suit. But he was glued more to the gramophone record player listening to film songs than to his schoolbooks (akin to the addiction to smartphone among today’s school going children) as he wished to become an actor-singer like K L Saigal, his idol.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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3514 | Post No. : | 14114 | Movie Count : |
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#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 64# Singer – Kishore Kumar
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In my opinion, Kishore Kumar’s voice reached a different and special plane altogether during late 1960s as compared to his voice prior to earlier years i.e. pre ‘Padosan'(1968) and ‘Aradhana’ (1969). He retained that “something special” in his voice for the rest of his career. His voice was at its versatile peak during this phase of his career.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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