Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘O P Nayyar


I have heard this song many a times but I was not aware of its details till recently. It is only just now that I have come to know that this song is from “Saawan Ki Ghata” (1966). The song is sung by Asha Bhonsle. The music is composed by O P Nayyar.
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I just realised two facts. One fact is that the hair of leading ladies in Hindi movies play an important part in Hindi movies, especially in songs. when the Hero needs to sing a song in praise of her, what are the things about her that he can mention? He will sing about her face- likening it to Chaand(Moon), he will sing about her eyes, likening them to deep lakes. Another important body part that find much mention in the paens that hero sings for the lady are her hairs, which are called “zulf” in Hindi song parlance and they are often likened to Ghata (viz black rain bearing clouds). Heroine being compared to moon,lakes, cloud ! Hindi movie lyricists must have paid enough attention in their geography classes, it would seem to me, at least when these geographical topics were being discussed.
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Here is a song from a light hearted movie called “Bhaagam Bhaag” (1956). The song begins with Shashikala lip syncing in Asha Bhonsle’s voice. Then Kishore Kumar appears singing not in his voice but in Rafi’s voice. Yes, this song is one of the few occasions when Kishore Kumar, despite his well known singing prowess, was made to lip sync in another playback singer’s voice.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Talat Mehmood started his musical career in 1939, singing ghazals on All India Radio, Lucknow. He had formally trained in music under Pt. SCR Bhat at the Morris Music College in Lucknow. His voice caught the attention of HMV, with whom he produced many records of non filmi ghazals. His records started gaining popularity, and in 1944 came the phenomenal hit, “Tasveer Teri Dil Mera Behlaa Na Sakegi”, which continues to be a very popular number on ghazal selections even today. The Calcutta film industry took notice and Talat moved to Calcutta. Initially, in Calcutta, he recorded many Bengali songs both for films and non-films, under the name ‘Tapan Kumar’. Talat as a person, had a handsome and commanding appearance and was offered cameo roles in the movies. In 1949, he moved to Bombay. After the release of “Aarzoo” (1950) and the unbeatable hit “Ae Dil Mujhe Aisi Jageh Le Chal”, composed by Anil Biswas, there was no looking back.
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Here is a wonderful romantic duet from the past which is easily one of the timeless classics from the golden era of Hindi movie music. Listening to this song magically transports us back to the era half a century ago, when melody was king, lyrics were given their due and songs were created like monuments , not like disposal cans.
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