Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘O P Nayyar


Here is a song from a light hearted movie called “Bhaagam Bhaag” (1956). The song begins with Shashikala lip syncing in Asha Bhonsle’s voice. Then Kishore Kumar appears singing not in his voice but in Rafi’s voice. Yes, this song is one of the few occasions when Kishore Kumar, despite his well known singing prowess, was made to lip sync in another playback singer’s voice.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Talat Mehmood started his musical career in 1939, singing ghazals on All India Radio, Lucknow. He had formally trained in music under Pt. SCR Bhat at the Morris Music College in Lucknow. His voice caught the attention of HMV, with whom he produced many records of non filmi ghazals. His records started gaining popularity, and in 1944 came the phenomenal hit, “Tasveer Teri Dil Mera Behlaa Na Sakegi”, which continues to be a very popular number on ghazal selections even today. The Calcutta film industry took notice and Talat moved to Calcutta. Initially, in Calcutta, he recorded many Bengali songs both for films and non-films, under the name ‘Tapan Kumar’. Talat as a person, had a handsome and commanding appearance and was offered cameo roles in the movies. In 1949, he moved to Bombay. After the release of “Aarzoo” (1950) and the unbeatable hit “Ae Dil Mujhe Aisi Jageh Le Chal”, composed by Anil Biswas, there was no looking back.
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I was not aware of this movie called “Do Dilon Ki Daastaan” (1966) till recently. I wonder why . This movie has such nice songs in it and it should have been much better known. This movie had Pradeep Kumar and Vyjyantimala in lead roles.
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Here is a wonderful romantic duet from the past which is easily one of the timeless classics from the golden era of Hindi movie music. Listening to this song magically transports us back to the era half a century ago, when melody was king, lyrics were given their due and songs were created like monuments , not like disposal cans.
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“Sambandh” (1969) was a movie based on a Bangla novel. This movie had Pradeep Kumar,Deb Mukherji,Anjana Manjrekar (later Anjana Mumtaz),Sulochana etc in it. The movie was produced by Shashdhar Mukherji to launch the acting career of his son Deb Mukherji, just as he had helped launch the career of his eldest son Joy Mukherji one decade back with a home production movie, viz ‘Love in Shimla” (1960).
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My regular visitors may have noticed that these days I tend to discuss several songs of some particular artists and then my preference of artists suddenly undergoes a change. I had discussed the method behind this madness in an earlier post.
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Songs and dances play a very important role in Hindi movies. In olden days, lead actors were needed to sing and dance. Once playback singing began, actors were thankfully no longer required to sing their own songs, but they were still required to dance. That is especially true for actresses and proficiency in dancing was an important skill for them.
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