Posts Tagged ‘V Balsara’
Akad Ke Kahaan Chale Meri Jaan
Posted on: March 13, 2019
- In: "Please don't go" song | "wooing" song | Calling the beloved | Debut song of movie in the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3890 | Post No. : | 14924 | Movie Count : |
4123 |
Missing Films of 1960s – 94
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With every episode, we are closing in on clearing all the pending and available films for representation here on our blog. Today, we bring on the 1969 film ‘Pyaar’.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
zamaanaa bade shauq se sun raha tha
hameen so gaye daastaan kehte kehte
hameen so gaye
Today is the remembrance day of legendary singer Mukesh. (23 July 1922 to 27 August 1976).
“Each word from his lips was a pearl. No one could sing the way Mukesh did, with the right diction, inflexion and intonation. His vocal timbre was out of this world.”
These are the words of composer Salil Choudhary in praise of the voice of Mukesh.
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Rahoge Kab Tak Hum Se Door
Posted on: February 9, 2017
- In: Calling the beloved | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1967 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 32
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‘र’
“रहोगे कब तक हमसे दूर”
ishq pukaarega tumko aana hi hoga re
aana hi hoga re
aana hi hoga re
Goodness, more than four months now that the previous episode in this series was posted (29th Sep, 2016). Not a record, I must say. There are some other series (by me) (sic) in progress that have been waiting much much longer to be completed. But then, this scenario makes me marvel more and more on how Atul ji is able to pull the progression of this bandwagon, single handedly, day after day after day. I have been excusing myself on account of too much time pressure on my personal side of life. And then I think, well, my situation is not very unique, and I am sure that there are similar constraints that are present in the lives of everyone else. And thus, I tip my hat to Atul ji, for his tenacity and perseverance. On his shoulders, the bandwagon rolls on and on. . .
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O o o yaad teri aayee
Posted on: November 2, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is a Manna Dey NFS.
We have just completed 2 years without the Ace Singer, Manna Dey. He left us on 24-10-2013. He was probably the last of the Golden Age male singers, who started singing in the 40s. I called him an Ace singer and most readers would agree with it too, but Manna Dey never got rated as the No 1, or 2 or 3 or even 4th singer. Every A grade composer agreed that he was a great singer, but no one would call him to sing a song, on a regular basis. Though Manna Dey sang for almost every composer of his times, he was neither a favourite of any Music Director, nor did any top actor insist for him as a playback singer of his choice. So, strangely, while recognition was there, results were not matching !
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Kab beet gayi jeewan ki subah
Posted on: March 10, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Madmast” (1953) was directed by Jagdish Pant for Sweet Pictures. The movie had Ansari, Nirupa Roy, Shashikala, Shakeela, Sapru, Mukri etc in it.
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Ye hawa ye fiza ye bahaaren
Posted on: June 14, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Geeta Dutt was one of the few singers who got a godsend opportunity as a playback singer in Hindi films. The devdoot or farishta (angel) in her case was none other than Pandit Hanuman Prasad, one of the music director of the 40s. While walking on a Mumbai street, he heard a singing voice coming from the balcony of the building above him which attracted his attention. He straightway walked into the room and found a teenage girl singing. She was Geeta Roy as she was known then. He liked her singing so much that he offered her the chance to sing a predominantly chorus song in the film ‘Bhakt Prahlad (1946) in which she had two lines to sing. These two lines from the song attracted the attention of S D Burman who persuaded her parents to let her sing in ‘Do Bhai’ (1947). The iconic song “mera sundar sapna beet gaya” and the box office success of the film signalled the arrival of Geeta Roy as a playback singer. By the end of 40s, she had already attained the status of one of the prominent female playback singers of Hindi films.
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More naina saawan bhaadon
Posted on: February 27, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Many poet-saints were born across India between the 14th to 16th centuries. I recallthe names of a few of them mainly because films were made on their lives. They were Guru Nanak, Sant Kabeer, Sant Gyaneshwar, Sant Tukaram, Narsinh Mehta, Chandidas, Purandara Dasa, Kanaka Dasa, Arunagirinathar, Appiah Dikshitar etc. These saints wrote poems in praise of Gods. Some of them even composed music for their poems. In eastern India, there was a poet-saint Vidyapati Thakur (also known as Maithili Kavi Kokil or simply Vidyapati) who was born in the 15th century in Madhubani, Bihar. He wrote poems in Maithili dialect in praise of Lord Shiva but also wrote love lore on Radha-Krishna in keeping with the popularity of Lord Krishna in this region. Over a period of time, his poems and love lore spread across whole of eastern India. His influence over Bengal was so much that at one point of time, many including me thought that he was a poet-saint belonging to Bengal.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
If one browses through the Hindi films made in the 1940s, it will be observed that there were many lesser known music directors who had tried their luck in Hindi films. My guess is that the number of such lesser known music directors in the 1940s may be a close to 50. Sadly, most of these talented music directors could not sustain their careers for long in the Hindi film industry. This blog has covered songs of many of lesser known music directors of the 40s such as Neenu Majumdar, Shanti Kumar Desai, Shyambabu Pathak, Madhulal Damodar Master, Ramchandra Pal etc. V Balsara was one among such music directors who started his career in Hindi films but could not sustain it for long as a music director. But he changed the track of his career and became a famous instrumentalist, orchestra conductor, a music teacher and the music director of non-filmy songs and a few Bengali films during rest of his life. I became aware of his name in the 1970s mainly for his beautiful compositions of some non-filmy Hindi songs.
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