Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for April 2010


In Bollywood movies, most songs are picturised on lead actors, but sometimes songs are picturised on bit actors playing beggars/ mandicants/ sadhus etc who would be shown singing a philosophical song as a leading lady would be shown suffering. This song is one such song. The lady (who is she !) finds her helpless and she is seen arriving at a temple as a last resort, where this song is sung.
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“Shrimatiji” (1952) is a movie that was different from the usual Bollywood movies. Its storyline was not Indian, rather that was drawn from external sources. And it is interesting to find stereotypical depiction of exotic people in this movie and its songs.
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This song is a special song in more ways than one. This is a song that should have been extremely well known song. Instead this song is largely unknown, not only to the younger generation, but even to those who lived in the era when this song and its movie was released.
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This song was a popular song during its time. When I listened to it, I thought that R D Burman was the music director. It was only much later that I realised that the music director was not R D Burman , but a newcomer called Bappi Lahiri. Yes, Bappi Lahiri was creating great impression in the minds of music lovers. He had created some nice music in “Zakhmee” (1975), his debut music and then in “Chalte Chalte” (1976).
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I had been thinking of posting this song for at least one year, if not more. But somehow I was not able to bridge the gap between intention and implementation. One reason was that I was not able to get the lyrics right to my satisfaction. In addition to understandable words, this song also has gibberish (which could well be words in some other languages) that I was unable to note down correctly.
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“Adhikaar” (1954) is a forgotten movie by now, but what a remarkable movie it was. This movie had Kishore Kumar and Usha Kiran in lead roles who (if I am not wrong) play live in couple at least five decades earlier than when this concept became somewhat socially acceptable. And the same movie was remade as “Sweekaar Kiyaa Maine” in 1980s.
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“Shama Parwaana” (1954) was one of the first movies of Shammi Kapoor. And in this movie, he was paired up opposite a top heroine of the day, namely Suraiyya. In Bollywood movies, leading ladies as often treated as pieces of decoration. It is heratening to see that leading lads too can get the same treatment. In Shammi Kapoor’s earlier movies, especially where he was pitted against star names like Suraiyya, Suraiyya got all the limelight and Shammi Kapoor was left playing the second fiddle. 🙂
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