Archive for August 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Starting with Dil Deke Dekho in 1959, Usha Khanna has been active in the Hindi film industry as a music director for more than fifty years now, During the 90s and the first decade, her assignments have been few and far between, but she continues to work. As per current information, the film “Khandala House”, for which she has composed the music, is complete and is awaiting release in 2011.
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Public have a se idea about the roles that the two genders play and they are used to the same roles being played by them in Hindi movies too. But sometimes movie makers come up with situations when the two genders behave in a rather unusual manner not expected of that gender and that makes amusing viewing for the public and subsequently more visits to the cinema hall for the movie makers.
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Oodi oodi chhaayi ghataa
Posted on: August 10, 2011
Though I have discussed as many as seven songs from “Amar” (1954) already, I was not aware of this song till its lyrics were sent to me by Atif M.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Hansraj Behl had a career in Hindi films that lasted from 1946 to 1979, and he was one of the more successful and popular music directors in the post independence years. Creator of many iconic songs in the 50s and 60s, Hansraj Bahl’s music has a semi classical touch, with roots in his earlier training in classical music. He has been a very active music director for Punjabi movies also, and there is a large number of very popular Punjabi films songs that are composed by him.
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Though 1950 was “only” six decades ago, it looks like that was an entirely different world altogether from what it is today. For one, things were much simpler and un complicated and moreover, people seemed to have all the time in the world at their disposal. Imagine riding on a slow moving bullock cart and taking entire day to cover a distance of may be 15 miles, that one can now cover in a few minutes. Yes, one used to measure distances in miles those days.
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Rut hai suhaani mast hawaayen
Posted on: August 10, 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Street Singer (1938) is a landmark film, that was a big success in its own time. The film is a trendsetter, and a musical bonanza beyond par. Produced by BN Sircar for New Theatres, Calcutta and directed by Phani Mazumdar, it had the two foremost singing stars of that era, paired for lead roles. The star cast includes KL Saigal, Kaanan Devi, Jagdish Sethi, Bikram Kapoor, AH Shorey, Boken Chatto, Chamanlal, Abdul Rehman, Braja Paul, Ram Kumari, Nirmal Bannerjee, Rani, Satya Mukherjee. Interestingly, the music maestro Khemchand Prakash, also played a role in this movie, as a stage hero working in the theatre.
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Kabhi raat din ham door thhey
Posted on: August 9, 2011
These days I have begun to look at Rafi-Lata duets with renewed interest. My interest has been aroused after I learnt some interesting statistics about the number of duets the two have sung together. It is estimated that the duo have sung about 410 odd duets. It excludes those songs in which some other voices were also present. And it also excludes multiple version songs (viz. same song sung separately by the two).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Browsing through some songlists, I started to play this song last evening; and then just like that, checked the blog. Wow, this song must be brought on. And I am sure you will agree too.
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Dil ki lagan sainyya jaane naa
Posted on: August 9, 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The decades of 50s and 60s are known as the golden age of Hindi film music, and that for a good reason. The quality of music and songs was absolutely superb, no matter what the content of the films used to be. One just has to untwine one thread on this time line, and immediately there is a gem of a song to be heard. Maybe it is an obscure film, maybe the song itself is unheard, or not heard for ages. Maybe the sound of the song is such that the first reaction is, whose voice is this, whose composition is this. But just let the song play and simply listen to it, and before long you will start loving it, and now the reaction would be, where has been this gem hiding all these years. Atul ji has written over and over again about this phenomena, about finding unheard gems from obscure movies, with every plunge one takes into this ocean of music.
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Kavi Pradeep was known for wearing his heart on his sleeves and writing songs that he strongly believed in. And he had the ability to influence people with his hard hitting and straight from the heart lyrics. He has written songs iconic patriotic songs at a time when India was still ruled by the British, and he has written songs that give vent to the feelings of anguish among the public in the aftermath of partition related violence. He has written songs about the feelings of despondency and people feel when things are not going their way. And he has also written inspirational songs that tell people to look at the future with optimism, irrespective of what has happened in the past.
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