Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for 2012


Here is one more song of the popular unofficial genre viz “how come this song was not posted earlier” 🙂 . During my younger days I was only into listening current songs and any song created before 1968 was old song for me. then one fine day in mid 1970s I decided to become mature, viz. become interested in old songs. It was then that I learnt about O P Nayyar. The fact that he made his career without using the voice of Lata voice impressed me a lot. Then I heard O P Nayyar compositions from movies like “CID”(1956), “Naya Daur”(1957) etc.
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Till one year ago, this blog was largely a one man show. But with time, music lovers joined in and became regulars, and a few regulars became contributors too. With time, some of these contributors began to achieve their own landmarks in the blog, viz. century of contributions etc.
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“Do Dilon Ki Daastaan” (1966) is by now an obscure movie. This movie was a production of Pradeep Kumar and his brother under their banner viz Deep and Sandeep Production. Pradeep Kumar directed the movie and the starcast included names viz. Pradeep Kumar, Vyjyanti Mala, Om Prakash, Jagdeep, Rehman, Shashikala, B. Nandi, Nazir Hussain, Tuntun etc.
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The world of Hindi Classical Music has produced so many maestros both in vocal and in instrumental category. We have different maestros of different gharanas in the field of vocal music and same is the case in different instrument categories too. In the field of string instuments, we have sitar, veena, sarangi, sarod, and a few more. When we take the name or even think of sitar, the first name that comes to our mind is Pandit Ravi Shankar, whose real name is Robindro Shaunkor Chowdhury.
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When one is disturbed, there is nothing like a soothing bhajan to calm one’s nerves. The music and the singing of the bhajan has a calming influence on the mind, and the philosophical content of the lyrics makes us see things in perspective. Bhajans make us realise that living creatures (including humans) are mortals and we are mere puppets in the grand scheme of things. Things are not supposed to work out according to our wishes, so we should better reconcile ourselves with whatever is in store for us.
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“Chowkidaar” (1974) did not create any impression at the box office when it was released. And it meant that yet another movie with Madan Mohan’s compositions flopped and the songs of this movie remained unheard and unwatched by moviegoers.
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If a movie title has nouns like “Behan”,”Bahu”, Bhabhi” etc in it preceded by adjectives like “Badi”, “Chhoti” etc then one can safely conclude that sacrificing characters lie ahead in the movie and unless one is masochistic in nature, one needs to steer clear of such movies.
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“Vachan”(1955) was a Goel Cine Corporation movie. It was produced by Devendra Goel and directed by Raj Rishi. The movie had Rajendra Kumar, Geeta Bali, Neelma, Madan Puri, S. K. Prem, Radhakrishen, Raajdeep, Praveen Paul, Babboo etc in it.
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