Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for 2012


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A song awaiting to be posted for some time. One of the drafts that I lost a few weeks back when my computer had crashed. And now, here it is. A remarkable haunting melody, from the same composer who conjured up the refrain for “Kahin Deep Jaley Kahin Dil”. Maybe a lesser known and less often heard creation, nonetheless a melody that, once heard, will surely continue to echo through the corridors of the mind. When I had posted the song “Koi Bechaara. . .”, Derubala ji had specifically responded with a comment picking out this song as a favorite.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

With Kundan Lal Saigal towering above every other male singing star and singer of his era, it was inevitable that many a new-comer tried to sing in the Saigal idiom in the 1940s. Mukesh got noticed sounding like Saigal in Dil jalta hai to jalne de in Pehli Nazar (1945); the self-confessed Saigal devotee Kishore Kumar sang Marne ki duaayen kyun maangoon in Ziddi (1948) and Jagmag-jagmag karta nikla chaand poonam ka pyaara in Ziddi (1949) in the Saigal style; C. H. Atma always sounded like Saigal.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A post that has been waiting to be keyed in for many days now. And I have two reminders from AK ji already. Two weeks ago, the music lovers community in Delhi had a rare treat. A few local enthusiasts had come together and sponsored a visit by Mubarak Begum, the famous singer of the 50s and 60s, and a live program was arranged on the evening of 6th October, a Saturday. I had informed AK ji about the program, and he was also able to attend. The program was arranged at the India Islamic Center on Lodhi Road, and the primary sponsor of this program was an NGO by the name Panch Tattwa. Another sponsor is a person who is a good friend of mine.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The Voice of Mukesh #2
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Listening to the first song of Mukesh, ‘Dil Hi Bujhaa Huaa Ho To Fasl e Bahaar Kyaa’ from the film ‘Nirdosh’ (1941), one is suitably impressed by this maiden effort from a singer, whom we now know as a stalwart of the Hindi film music. But back then in 1941, this debut happened singularly unacknowledged, failing to impress the public, the music directors and film producers. With Saigal Saab’s voice reigning supreme at that time, most people wrote off this voice as another Saigal imitator, trying to make it good with a voice sounding like the great icon. And what with the icon still in full bloom and alive, this song by Mukesh failed to evoke any great level of interest. And so started the career of Mukesh, unimpressive and indifferent.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

GOPAL KRISHNA (1938) was produced under the banner of Prabhat Film Company both in Hindi and Marathi versions. The film was directed by V G Damle and S Fatelal. The star cast included Ram Marathe, Shanta Apte, Parshuram, Ganpatrao Tambat etc. I have not seen the full movie but based on a few short clips of the films including the video clips of the songs that are available on the internet, it is a mythological film with a subtle message of nationalism against the British rule in India. The conflict between Gokul villagers on the one hand and King Kansa on the other side was compared with that of Indians and the British rule. Some of the dialogues of Krishna were full of nationalist fervour. For instance, he says to Nand that if we continued the live under the fear of King Kansa, none of our work would be successful. In some other context, Krishna says that the King and his men have been blinded by an authority of absolute power and when Kans’s men drag our cows like dogs and keep with them without proper food, such ruler and his men need to be mauled.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

MUSIC is an inseparable part of Indian culture.

From the Vedic periods, music has been in use. Many Mantras and Richas are to be recited in musical notes. It was believed that sound waves have special powers.
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I find that the movies that I did not like often ended up as big hits (viz. “Muqaddar Ka Sikandar”, “Suhaag” etc). On the other hands , the movies that I like a lot end up getting lukewarm response from the public (viz “The Great Gambler”, “The Burning Train”, “Deshpremi” etc).
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