Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for March 2013


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regulkar contributor to this blog.

Folk music has played an important role in popularising Hindi film songs. The films’ producers and more so the music directors knew that folk music based film songs bring instant connectivity with the cine goers especially in the semi-urban and rural areas. The beats and rhythms of most of the folk music are good inspirations for music directors to customise the Hindi film songs accordingly. In the early years of Hindi film music following the advent of talkies, songs were mostly based on classical and semi-classical tunes which included the traditional devotional music. The earliest Hindi film songs recorded on a folk based tune as per my search of the Hindi film songs on the internet was a song bande naav ka langar chhod from ‘Kangan’ (1939) which appears to be based on a bhatiali ( boat man’s) folk song of Bengal. There may be a few more Hindi film songs in the 30s based on folk music.
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I realised it only just now, literally at the 11th hour that today (8 march) is the birth anniversary of Sahir Ludhianvi (8 march 1921- 25 october 1980). How could I forget the fact that Sahir Ludhianvi’s birthday falls on the International Women’s day ! This fact was mentioned by Raja while discussing Sahir Ludhianvi song (Aurat ne janam diya mardon ko (Saadhana)) this day two years ago.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Four songs of “Teesra Kaun” (1965) have already been discussed on this blog. Three of them with lyrics provided by Prakashchandra. Lyrics of the other songs of this movie were also provided by him sometime back.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is the 1000th guest post in this blog.

Joy Mukherjee and Saira Banu were one of the popular lead pairs of Hindi movies in 1960s. They acted together in ‘Door Ki Aawaz’ (1964), ‘Aao Pyaar Karen’ (1964), ‘Saaz Aur Aawaz’ (1966), ‘Ye Zindagi Kitni Haseen Hai’ (1966) and ‘Shagird’ (1967). However, except for ‘Shagird’ (1967), none of their other 4 films could succeed at the box office. On the other hand, during the same period, Joy Mukherjee also paired with Asha Parekh in ‘Phir Wohi Dil Laaya Hoon’ (1963), ‘Ziddi’ (1964) and ‘Love in Tokyo’ (1966) all of which became box office hits. Most of these films were directly or indirectly associated with Mukherjee family and their production company Filmistan and later Filmalaya.
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Today (8 march 2013) is the International women’s day. When I looked up, I find that this day is being celebrated as International women’s day since 1977 when the United Nations General Assembly invited member states to proclaim March 8 as the UN Day for women’s rights and world peace.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Heard this song 3- 4 days back on TV Rajasthani!!!!! Would you believe it I have become addicted to this channel at the 8.30 -9.00 A.M. slot. The programme is perfect to go with breakfast. It is their Bhoole Bisre Geet programme. and they have been presenting only Anil Biswas songs from the look of the last two programmes that I saw.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My attachment to Lord Shiva is from a very young age. We resided in Hyderabad, but my father did his Law graduation from Nagpur. While at Nagpur,h e got introduced to some revolutionaries and he too joined them.
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