Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Aao phir se yaad karen

Posted on: December 12, 2019


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4164 Post No. : 15336 Movie Count :

4226

Today’s song is from a film called Chiragh-43. This Social film was made by Murli Movietone and was directed by Ram Daryani. MD was Khemchand Prakash. Songs were written by D N Madhok, Wali Saheb and Pt.Indra. 8 singers were used for 11 songs. The cast of the film was Ishwarlal,Kaushalya, Veena Kumari, Gope, Majeed, Gulab and others.

Today, we will discuss a fresh case of ” Same Name Confusion “. In my first book, released last year, I had clarified about 56 artistes coming under the SNC category. In the last one and half year I have discussed 14 such new artistes and including today’s case, it will be 16 artistes. The total comes to 72 and surprisingly there are 36 Males and 36 female artistes in this group, so far. However, I feel, as the time passes by, there are still few more cases yet to come to light and that, finally in this, the females will outnumber the males in numbers.

One of the reasons for this could be that in the early era, actresses came from Muslim Tawayef families or even poor families. In such families, the girls’ names were pretty common – like Nurjahan, Zubeida, Khurshid, Naseem or Shameem etc. Those who came first in films kept their original names, others had to change their names. But even then, the limited stock of names created problems. For example, Khursheed Akhtar changed her name to Shyama, but there were already 2 Shyamas working in films. One more example was today’s case. Originally Nurjahan, changed name to Veena Kumari, but there was another Veena working in films.

The trouble with same names is when you want to write about them, their Filmography is mixed up. Secondly, most sites, blogs and Fb pages invariably mix up even their Bio data, in addition to Filmography. My B.P. goes up when I see this . Whenever possible, I try and give explanation to make corrections, but every time it is not possible. Further they quote from sites like Wiki and IMDB, who are the major culprits in creating, sustaining and nurturing the same name confusions.

Anyway, let us now see who this Veena Kumari was. Her original name was Nurjahan. Her father was a landlord in Lucknow. She was born in 1916. As per customs of those times, she never went to school, but being well to do, got private tutors and she learnt Urdu and English sufficiently to read and speak. She was a typical good looking girl. She was very fond of seeing silent films, with her father. When the Talkie films started, her interest grew much more and she decided to join films. She was a natural good singer too and this helped her getting into films.

Her first film was Inteqam-33, where she worked without any fees. Here she was credited with her real name Nurjahan. In the 1939 film Swastik, made by Mohan Pictures, she became Veena kumari-heroine of Jeevan. She continued working in films like Radhika,Asra and Kasauti- all 1941, Gharib and Zevar in 42, pratigya, masterjee and Chiragh in 43, Mujrim-44, Gunjan and Shauhar in 48. Shauhar was made by her own banner-Dil-Sitan arts. The film was directed by her. Her last film was Basera-50. She sang 22 songs in 7 films. She was quite good in singing. When you will hear her today’s song, you will agree with me.

Now let us see what proves they were 2 different persons. Firstly, Veena Kumari started her career much earlier than Veena. Secondly, Veena started acting in Punjabi films in 1941 only and then came to Bombay for film Yaad-42, Najma-43,Rajputani-44, Humayun-45 etc. Thirdly, Veena kumari was a B grade actress and her films were made by smaller banners, whereas, from the beginning, Veena was in Big league of Mazhar khan, Ranjit, Mehboob, Kardar, K.Asif, Minerva etc. Fourthly, Veena kumari stopped working in 1950, while Veena continued till 1983. The most important point was, Veena could not sing, whereas Veena kumari sang 22 songs in 7 films. All this clearly separates them as different actresses.

Veena acted in about 100 films in her 40 years’ career. Her Biodata is available freely on Internet as well as on this Blog. So much for the Same Name Confusion in this case.

Film Chiraagh was directed by Ram Daryani. His life story is very interesting. Ram Daryani was born on 6-12-1915, at Hyderabad, Sindh Province (now in Pakistan). His early education was done in Sindh and for college education he came to Karachi. Due to intense desire of being in film world, he left studies and joined Eastern Art Production and assisted Moti Gidwani in direction of film Insan ya Shaitan-33. But due to family pressure he had to rejoin college. After some time he again left college for good and started working as assistant director for films Prem Pariksha-34 with G R Sethi, Bharat ki Beti-35 with Premankur Attorthy and Yasmin-35 with H K Shivdasani.

He got his first chance to independently direct the film Baal Hatya aka Khoon E Nahak-35. In the year 1936, he floated his own company Daryani productions and directed films like Sangdil Samaj-36, Prem Murty-36 and Gentleman Daaku-37, for which his brother K S Daryani wrote the stories. In 1938, brother K S Daryani started Krishna Movietone. Ram Daryani closed his company Daryani productions and directed film Zamana-38 for krishna Movietone. The film became a Hit and his name became famous.

He worked for Murli Movietone to direct films like Pyas-41, which celebrated Silver jubilee. His other films were Qurbani-43, Preet-45, Panna Dai-45 and Shravan kumar-46. In all, Ram Daryani directed 23 films. His last film was Chand mere aaja-60. After this he entered Film Distribution business. Ram Daryani died on 7-9-1993.

The Heroine of this film was Kaushalya. She was born at Lucknow in 1929. She was the daughter of the famous dancer Lachhoo Maharaj and actress Daya Devi. Being brought up in the house of dancer and actor, Kaushalya picked up Dance, Music and acting very early. She appeared as a child artiste in films from 1936, when she was just 7 year old. She worked in 11 films as a child artiste. After film Devbala-38, she did roles in Bhole bhale and Uski Tamanna-both in 1939, made by Sagar Movietone. She even sang in both films.

Then came films like Darshan and Ghar ki laaj, both 1941, and Baraat, Bharat milap, Station master and Swapna, all 42. The work poured on her till 1946, when she got married to a boy from Calcutta, when she had gone there for doing films. After marriage she found it difficult to work in films, but continued for some more films, till her last film Ek Do Teen-1953.

In all Kaushalya acted in 27 films and sang more than 100 songs in about 35 films, in her short career time. As a Heroine she had worked with Prithviraj Kapoor, Ulhas, Kumar, Ishwarlal etc.

Today’s song is a duet of Veena kumari and Ishwarlal. I feel she beats Ishwarlal in singing. Her voice is full of youthfulness and quite professional, as compared to Ishwarlal. With this song, film Chiraagh-43 makes its Debut on the Blog.

( For the information used herein, thanks to Filmdom-46, Hindi film songs by Prof. Yadav, Swaron ki yatra by Anil Bhargav and my notes )


Song- Aao phir se yaad karen (Chiraag)(1943) Singers- Veena Kumari, Ishwarlal, Lyricist- Wali saheb, MD- Khemchand Prakash
Both

Lyrics

Aao phir se yaad karen
Aao phir se yaad karen
bhoole huye afsanon ko
bhoole huye afsanon ko
Aao phir se yaad karen

aao ?? pe jhoola daalen
aao ?? pe jhoola daalen
dil ke sab armaan nikaalen
dil ke sab armaan nikaalen

itni oonchi paing badhaayen en en
itni oonchi paing badhaayen en
jag ki nazron se kho jaayen
jag ki nazron se kho jaayen

ek jagah bithhlaa de baalam
ek jagah bithhlaa de baalam
dil ke do mehmaanon ko
dil ke do mehmaanon ko

aao phir se yaad karen

prem dor so ae
baandhoon tumko o o
prem dor so ae
baandhoon tumko o
bin baandhhe bandhh jaaooon main
bin baandhhe bandhh jaaooon
bin baandhhe bandhh jaaooon main
bin baandhhe bandhh jaaooon

main man ki
aasha ki chhedoon(?)
main man ki
aasha ki chhedoon(?)
haule haule gaaoon main
haule haule gaaoon main

deepak raag suna kar donon
deepak raag suna kar donon
tadpa den parwaanon ko
tadpa den parwaanon ko

aao phir se yaad karen
aao phir se yaad karen

3 Responses to "Aao phir se yaad karen"

I hear ?? as ‘ aao aam pe jhoola daalein’.

Like

Arun ji ,
I remember having seen an actress named Kaushalya in Dev Anand’s movie तमाशा , who tries to trap Dev with the help of her mother .
Was she the same Kaushalya , the heroine of this film चिराग or is it one more example of
SNC ?

Pramod Godbole.

Like

Pramod ji,
Thanks for bringing it to my notice.
On checking the HFGK again, I find that Kaushalya did act in not one, but 3 more films after Bahurani-50.
Tamasha-52
Vaasana-52 and
Ek Do Teen-53.
I am requesting Atul ji to make appropriate corrections in the post.
Thanks again.
-AD

Like

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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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