Tum se mil ke dil ka hai jo haal kya karen
Posted on: January 15, 2026
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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After that qawwali like fusion wedding song from “Bombay”, I remembered a few filmy qawwalis from the 21st century. Several of them are composed by ARR, so there is a possibility of at least one more qawwali in that series. There is another one from the 90’s which should follow in the next few days.
After the top one “Na to karwaan ki talaash hai” many people consider “parda hai parda hai” to be second most liked and famous qawwali in Rafi Sahab’s songs. I am sceptical about this rating. I have personally always liked “pal do pal ka saathh hamaara” and “Hai agar dushman” better than the hugely popular “Parda hai parda hai”. This qawwali is performed in most of the shows of Rafi Sahab songs. That is fine, as someone remarked, that it is a more engaging one and singers enjoy performing it. That makes it a favourite for the singers too. So, it has somethings going for it. I just wish that the singers try other equally appealing and engaging qawwalis too. All of them are trying to touch the benchmark, in playback singing left by Rafi Sahab. Some say that the textbook is written, and ink dried, and they just need to open the pages and try and absorb.
For qawwali, the non-filmy variety, there are other legends who have set benchmarks. “Na to karwaan ki talaash hai” certainly inspired and achieved a benchmark, so much so that for decades, none of the major music directors tried to reach that. A true sufiana genuine qawwali tradition in hindi films is revived by ARR. In the 90’s Nusrat Fateh Ali Khan did make a splash with his brand of originality in hindi films. Some others went the plagiarism way to cash in to the popularity of sufiana qawwalis of NFAK. It is ARR ingenuity that he comfortably travels from the southern Indian sounds and transcends the hieghts of sufiana, via the folklore and ‘Vande mataram” to Beethoven.
This post is not about A. R. Rehman, so I will move to the song.
This is unabashed attempt towards a genuine qawwali. With the colours and performance, choregraphed and shot with all angles, in the fashion of a live show performance on stage. Anu Malik and Javed Akhtar have teamed up for once, to deliver this funny romantic qawwali, in “Main hoon na” 2004.
Awards list is here:
Album Awards:
· 2004 – Filmfare Awards – Best Music Director – Anu Malik
Song Awards:
· 2004 – Screen Awards – Best Male Playback Singer – Tumse Milke Dil Ka Hai Jo Haal Kya Kahen – Sonu Nigam
And they delivered an enlivening creation; they all should be proud of. They gave it to Sonu Nigam and chorus team of Aftab Sabri and Hashim Sabri.
Shah Rukh Khan, Zayed Khan, Amrita Rao and Sushmita Sen are on screen, dancing and prancing with a whole lot of other actors, and some dancers/extras. Females have no lines to sing, and Sonu Nigam is singing for both Shah Rukh and Zayed. So, this a real “one singer singing for two actors” song.
Colourful singing, colourful sets, colourful dancing, and all things full of colours and shades. Better to see it with dimmed setting in the computer. It is a multiple hat wearing picturization.
It is Sonu Nigam’s song, as he takes away all the singing accolades, and does a Rafi number with voice variation in mukhda repetition, to go to a true blue qawwali mode. Also changes his voice to suit SRK for the last stanza. SRK is seen enjoying himself throughout performing this qawwali, singing in chorus.
BTW, did anyone spot a “Golden Kite” in the song? It is ‘Makar Sankrant” time, after all. “Chali chali re patang meri chali re” is trending on the blog today.
Video:
Audio:
Song-Tumse mil ke dil ka hai jo haal kya karen (Main Hoon Na)(2004) Singers-Sonu Nigam, Lyricist-Javed Akhtar, MD-Anu Malik
Shahrukh Khan
Unknown male voice
Chorus (Aftab Sabri, Hashim Sabri)
Lyrics:
Munh to band karo uncle
Ishq hai jaise ek aandhee
ishq hai ek tooofaan
ishq ke aage bebas hai
duniya mein har insaan
ishq mein sab deewaane hain
ishq mein sab hairaan
ishq mein sab kuchh mushkil hai
ishq mein sab aasaan
dekho pyaare
yeh nazaare
yeh deewane
yeh parwaane
hain ishq mein kaise gum
haay
tum se mil ke dil ka hai jo haal
kya kahen
ho gaya hai kaisa yeh kama.aa..al
kya kahen
tum se mil ke dil ka hai jo haal
kya kahen
ho gaya hai kaisa yeh kama.aa..al
kya kahen
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom haa
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom haa
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom mmm
check that..
like that..
dil to hai ek raahee jaanaan
dil kee tum manzil ho o o
dil to hai ek kashtee jaanaan
jis ka tum saahil ho o o
dil na phir kuchh maange jaanan
tum agar haasil ho o o
dil to mera hai tanhaa jaanaa
aao to mehfil ho oo
check that..
wicked…
ishq se hee saaree khushiyaan
ishq hi barbaaadee ee
ishq hai paabandee lekin
ishq hee aazaaadee ee
ishq kee duniya mein yaaron
khwaabon kee aabaaadee ee
kho gayaa wo jis ko manzil
ishq ne dikhlaa dee
dekho pyaare
yeh nazaare
yeh deewane
yeh parwaane
hain ishq mein kaise gum
haay
tum se mil ke dil ka hai jo haal
kya kahen
ho gaya hai kais yeh kama.aa..al
kya kahen
tum se mil ke dil ka hai jo haal
kya kahen
ho gaya hai kaisaa yeh kama.aa..al
kya kahen
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom haa
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom…..
check that..
like that..
tum ko pooja hai ae
tumhaaree hee ee
‘iba..a..adat kee hai ae
ham ne jab kee hai ae
to phir aisey
muhobbat kee hai ae
ham ne jab kee hai ae
to phir aisey ae ae
muhobbat kee hai ae
check that..
wicked…
dil mera paagal hai jaanaan
iss ko tum behlaa do o o
dil mein kyun halchal hai jaanaa
mujh ko tum samjhaa do o o
mehkaa jo aanchal hai jaanaan
iss ko tum lehraa do o o o
zulf jo baadal hai jaanaan
mujh pe tum barsaa do o o
check that..
like that..
jaanaan le ke jaan ayaa hai
tera yeh deewaanaa
jaanaan tujh pe mit jaayegaa
teraa yeh parwaanaa aa
jaanaan mere dil mein kya hai ae
tu ne yeh na jaaanaa aa
jaanaan tujh ko yaad aayegaa
mera yeh afsaanaa aa
dekho pyaare
yeh nazaare
yeh deewaane
yeh parwaane
hain ishq mein kaise gum
haay
tum se mil ke dil ka hai jo haaal
kya kahen
ho gaya hai kais yeh kama.aa..al
kya kahen
tum se mil ke dil ka hai jo ha..aal
kya kahen
ho gaya hai kaisa yeh kama.aa..al
kya kahen
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom haa
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom…..
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom haa
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoomi tara
dhoom…..
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
January 15, 2026 at 6:28 pm
I simply love to see this song/ qawwali. It is out & out a Farah Khan tribute to Filmy Music.
Actually I was going to comment that it is 4-5 days late & should have appeared on the blog on 9th January when Farah turned a year older. But by highlighting the “Golden Kite” at towards the end of the song you have made it “Sankrant friendly” 😀 I have read or heard a long time ago that the “kite” was SRK’s touch to the song giving the action that Farah choreographed a “meaning” – there is a lot of places in the song where the artists are doing the “manja lapet” action
Thank you Nahmji for the song
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