Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The blog, which started on 19 July 2008, completes 17 years of its existence today on 19 July 2025.

Blog Day :

6210 Post No. : 19172

“Luteraa”(1955) was produced by Dalsukh M Pancholi and directed by Ravindra Dave for Pancholi Productions, Bombay. This movie had Naseer Khan, Zabeen, Beghampara, Nazeer Hussain, David, Om Prakash, Noor, Shyam Lal, Ramesh Thakur, Prakash, Ramlal, Master Ashok, Bhalla etc in it. Kamal and Mridula were in guest appearances.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The blog, which started on 19 July 2008, completes 17 years of its existence today on 19 July 2025.

Blog Day :

6210 Post No. : 19171

“Gokul”(1946) was directed by Vasant Painter for Prabhat Films. The movie had Anant Marathe, Kamla Kotnis, Sapru, Chandrakant, But Kashar, Ganpat Rao, Yashwant Suley, Nimbalkar, Vimal Karnataki, Madhukar Apte etc in it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6209 Post No. : 19170

Hullo Atuldom

It is 13 years since the passing of the first Superstar of Hindi cinema. I shall hold back the adjectives that are normally showered on this ICON who had a way to charm the audiences. His smile, emoting eyes etc. had the film viewing public, specially the female viewers swooning all over him, his images and even his CARS. A kind of mania no other actor has managed to replicate since then. He walked into their hearts riding an open top jeep, singing a song composed by S.D. Burman, in the voice of Kishore Kumar. Though that was not his first foray into films.

Let me first clarify that we are remembeing actor/producer Rajesh Khanna who veered towards politics (he contested the 1991/1992 Lok Sabha elections & won the ’92 Bye-election) briefly.
He was a winner of the 1965 All India Talent Contest, organised by United Producers and Filmfare magazine. Actors turned filmmakers Subhash Ghai & Dheeraj Kumar were also contestants in that year.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6209 Post No. : 19169

If one looks at professions, we find that different professions have enjoyed popularity during different times. As new inventions were made, new professions came about. The profession of film actors, technicians etc were created when film making started. Singers have been there in the past as well but they typically used to be patronised in royal court. with the invention of gramophone recording, singers’ songs could be recorded and played even at remote locations where the singer would never go. That way this invention revolutionised the spread of music. As Radio was invented, these records could be played on radio stations and the same songs could reach a vast audience who did not need to possess these records themselves. So Radio, along with records, enabled dissemination of music, as well as news etc at a level that was revolutionary in human history.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6208 Post No. : 19168

Dance Dance was produced and directed by Babbar Subhash and had music by Bappi Lahiri.

The film starred Mithun Chakraborty, Smita Patil, Mandakini, Shakti Kapoor, Amrish Puri, etc.

“Dance Dance” is a musical drama centered on the aspirations, trials, and tragedies faced by a brother-sister duo who dream of making it big in the world of music and dance. The film explores themes of ambition, revenge, exploitation in showbiz, and the enduring bond between siblings.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6208 Post No. : 19167

Today’s song is from a dubbed film Ek Tha Raja-1951.

I consider myself a mixture of south and marathi culture. From childhood, I grew up in an atmosphere which was truly cosmopolitan – in Hyderabad state. Exposure to south customs and following a Marathi lifestyle. My paternal grandparents stayed with us. My father, uncles and aunts addressed my grandmother as ‘Amma’, a typical way of calling mother in southern style. However, I called my mother as “Aai”, like a Marathi kid !

To be a multilingual person is good. Knowing more languages-not just knowing, but speaking many languages has its own advantages. I had the built in advantage of having been born in a Multilingual state of Hyderabad. Starting with Urdu, I soon learnt Marathi(Mother tongue), Hyderabadi and Pure Hindi, Telugu and Kannada. Because of my father, I learnt Sanskrit, but could not master it, though I am well conversant in it. After coming to Bombay,I learnt Gujarati so well that I can read Gujarati papers, books and E Mails etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6207 Post No. : 19166

Decoit films have been an important genre of Hindi films for a long time. Perhaps, the first talkie film in this genre was ‘Daaku Mansoor (1934) which was directed by Nitin Bose with K L Saigal in the title role. But, after going through the synopsis, the film appeared to be more of a costume drama than a decoit film though the story involved a decoit.

The genre of decoit films started attaining prominence during 1950s and 60s, probably in the background of the stories that were circulated in the newspapers about the prominent decoits of Chambal valley and elsewhere. The newspapers sensationalised the dread decoits like Gabbar Singh, Maan Singh, Mohar Singh, Putli Bai etc on their daring dacoity and the fear they instilled in their area of operations. Such news became the inspirations for many Hindi films such as ‘Mother India’ (1957), ‘Ganga Jamuna’ (1961), ‘Jis Desh Mein Ganga Behti Hai’ (1962), ‘Mujhe Jeene Do’ (1963) etc. This trend continued in the 1970s with films like ‘Mera Gaon Mera Desh’ (1971), ‘Khotey Sikkey’ (1973), ‘Kachhe Dhaage’ (1973), Sholay’ (1975), ‘Ganga Ki Saugandh’ (1978) etc. In recent years, ‘Paan Singh Tomar’ (2014) and ‘Sonchiraiya’ (2019) were made with decoit stories.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6207 Post No. : 19165

Today’s song is from the Cult film Ram Rajya-1943.

This is one film which I must have seen many times. I was too young when it was released, but in its “n’th run during the 1949 to 1954 period, I led the groups of seniors in the family to see the film several times. My friends used to laugh at me and ask if I was not bored. Honestly, I was never tired of seeing this film.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6206 Post No. : 19164

‘Poonam’ (1981), was directed by Harmesh Malhotra and starred Raj Babbar, Poonam Dhillon, Shakti Kapoor, Madan Puri, Pinchoo Kapoor, Kalpana Iyer, etc.

Three songs from this movie have already been posted. This will be the fourth out of seven songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6206 Post No. : 19163

Today’s song is from the Mythological film Navratri-1955.

Made by Bhagyodaya Pictures, Bombay, it was directed by Raman B. Desai. It was produced by R.U.Patel and Natwar Shyam. The music was by the king of Melody – Chitragupt, ably assisted by Dilip Dholakia. The cast of the film was Nirupa Roy, Manahar desai, Sapru, S.N.Tripathi, Lalita Pawar, Kumkum etc. Songs were by G.S.Nepali (6) and Bharat Vyas (2).

Two major actors, who featured in many religious films in Hindi were Manhar Desai and Shahu Modak. You may be surprised to know that both were Christians. Actors who were not Hindus and doing Hindu Gods’ roles in Hindi films, is not new. I remember, there was an actor, Syed Hasan Ali Zaidi aka Mijjan Miyan, with New Theatres, Calcutta. He did the role of Bhakta Pooran in a film with this title in 1933. Just before the release of the film, there were communal riots in Calcutta.
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