Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘2005


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4951 Post No. : 16817 Movie Count :

4577

Hullo Atuldom

6th February 2022. Sad day for lovers of music. The news which all music fans didn’t want to hear came through a friend’s message on Whatapp. Our dear Sur Saraswati – Nightingale – Miracle of Nature – Swar Kokila (all such epithets fell right and square on her slender shoulders) is no more. She was a power house of talent that came in a small package. She was the face of Indian film music who rode the classical music vehicle with as much ease as light music. Bhajans rendered by her were what the nation woke up to for years and were the inspiration for singers of the later generation to try their hand at classical and devotional songs.

She was a fan of cricket for the longest time and Pt. Vishwa Mohan Bhatt who was pouring his heart out on a TV channel said that she was ill yesterday or else she would have been the first to tweet a congratulatory message to the victorious Under-19 team for winning the World Cup. That is one thing that has amazed me about the Grand-Lady of Indian Film music. She took to Twitter, Facebook and other social media as if she was a person of the now-generation. She was very active on social media.

A cross section of Indians have been pouring their heart out and putting out tweets but one that struck me most was “We will miss you and hope the void left by you doesn’t fill”.

A journey which began in the 40s at the age of 13 has come to an end after giving voice to songs in close to 1884 films in Hindi and about 30 films in other languages. A person who sang for Shobana Samarth in 1949 and Kajol (Shobana Samarth’s grand daughter) in the 90s. A person who brought tears to the eyes of the then Prime Minister Pandit Jawaharlal Nehru with her rendition of “Ae Mere Watan Ke Logo“. A person who has given us songs for every mood is being bid farewell from this mortal world as I write this (those are the visuals playing on all the news channels). She has been draped in her trademark white saree with a simple border. She has been brought to Shivaji Park with full state honors and the nation is in two-day mourning for this Bharat Ratna.

Like she has said in her song “Meri Awaaz Hi Pehchaan Hai” we have her voice with us forever. And the song playing at this point is “Ae Mere Watan Ke Logo“” with Lata Didi saying “Ab Hum To Safar Karte Hain’ —-prophetic.

For this post I was looking for one of her last Bollywood song. We have covered Lata Didi’s last released songs in the course of Atul ji’s series ‘Yearwise Review’. So, the song with this post is not the absolute last but one from the last decade of her journey in Bollywood.

It is from the 2005 release ‘Lucky’ which had the tagline ‘No Time for Love’. The song is sung by Lata Mangeshkar and Adnan Sami, written by Sameer and tuned by Adnan Sami.

Like she has sung

rahen naa rahen hum,
mehkaa karenge
ban ke kali,
ban ke sabaa,
baage wafaa mein

Her mehak will be with us forever

Alvida Lata Mangeshkar

Video

Audio

Song – Ik Ajnabi Sa Ehsaas Dil Ko Sataaye (Lucky) (2005) Singer – Adnan Sami, Lata Mangeshkar, Lyrics – Sameer, MD – Adnan Sami

Lyrics (Provided by Prakashchandra)
(Based on Audio)

ik ajnabi sa
ehsaas dil ko sataaye
shaayad yahi to pyaar hai
betaabion mein
dhadkan meri chain paaye
shaayad yahi to pyaar hai

kuchh bhi kaho na
aaa aaa
kuchh bhi suno na
phir bhi
bechain dil hai hamaara
ho oo oo
behke kadam hain
aaa aaa
mushkil mein hum hain
dekho
sambhlen bhala kaise yaara
chaahe bina hi
nazdeek hum chale aaye
shaayad yahi to pyaar hai

nazren bichha den
pehre laga den
dil pe
par dil kisi ki na maane
kaanton pe chal ke
sholon mein jal ke
ro ke
mil ke rahenge deewaane
oo oo oo
chaahat ki lau to
aandhi mein bhi jhilmilaaye
shaayad yahi to pyaar hai
oo oo oo
ik ajnabi sa
ehsaas dil ko sataaye
shaayad yahi to pyaar hai

ye mulaqaaten
ye teri aankhen
baaten
aaa aaa
ek pal na main bhool paaun
kitni mohabbat
hai kitni chaahat
tum se

ho oo oo
kaise bhala main bataaun
oo oo

achha lage jo
tu saamne muskuraaye
shaayad yahi to pyaar hai
ik ajnabi sa
ehsaas dil ko sataaye
ho oo oo
shaayad yahi to pyaar hai

ho oo oo
kuchh bhi kaho na
aaa aaa
kuchh bhi suno na
phir bhi
aaa aaa
bechain dil hai hamaara
ho oo oo
behke kadam hain
mushkil mein hum hain dekho
ho oo oo
sambhlen bhala kaise yaara
chaahe bina hi
nazdeek hum chale aaye
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
shaayad yahi to pyaar hai
oo ra oraa
aaa haa haa aa
oo ho oho


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4854 Post No. : 16644 Movie Count :

4534

Yearwise discussion of Lata Mangeshkar songs in HFM: Part LVIII: Year 2005
———————————————————————————————————

In this episode, the 58th episode, we cover Lata Mangeshkar songs that she sang in Hindi movies released in 2005.

2005 saw 775 songs getting created in 115 movies. Lata Mangeshkar sang 4 songs in three of these movies. So Lata Mangeshkar got to sing in 2.6% of these movies and she sang 0.5 % of songs in these movies.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 2005 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Bewafa Nadeem Shrawan 0 1 1 0 0 0 Sameer
2 Lucky: No time for love Adnan Sami 0 1 0 1 0 0 Sameer
3 Page 3 Samir Tandon 0 2 2 0 0 0 Sandeep Nath
Total 3 movie 3 MD 0 4 3 1 0 0 2 lyricists

Lata Mangeshkar worked with 3 music director and 2 lyricists in these three movies released in 2005.

Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2002. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (204), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3742 songs out of 5238 songs that Lata Mangeshkar had sung in Hindi movies till end of 2005. Anand Bakshi with 731 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3252 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2005 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 17 movies 51 57 42 8 4 3
1949 40 movies 142 160 105 35 13 7
1950 36 movies 116 143 93 32 14 4
1951 49 movies 190 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 172 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 190 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 100 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 62 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 60 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 4 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 10 38 20 16 1 1
1990 9 movies 4 12 3 9 0 0
1991 16 movies 6 57 35 20 1 1
1992 12 movies 3 25 12 13 0 0
1993 14 movies 3 49 22 23 2 2
1994 12 movies 5 39 9 28 0 2
1995 4 movies 2 8 3 4 0 1
1996 5 movies 2 14 7 7 0 0
1997 5 movies 1 21 2 14 4 1
1998 3 movies 4 11 3 7 0 1
1999 7 movies 3 14 6 7 0 1
2000 2 movies 3 5 1 2 0 2
2001 6 movies 2 12 6 5 0 1
2002 2 movies 1 8 3 5 0 0
2003 NIL movies 0 0 0 0 0 0
2004 1 movie 4 9 2 4 0 3
2005 3 movies 0 4 3 1 0 0
Total upto 2005 1878 movies 3759 5238 3386 1513 213 126

“Bewafaa”(2005) was alphabetically the first movie released in 2005 that had the voice of Lata Mangeshkar. “Bewafaa”(2005) was produced by Boney Kapoor and directed by Dharmesh Darshan forSridevi Productions, Bombay. The movie had Anil Kapoor, Akshay Kumar, Kareena Kapoor, Sushmita Sen, Manoj Bajpai, Shamita Shetty, Kabir Bedi, Nafisa Ali, Supriya Karnik, Navneet Nishan, Benika Deepak etc in it.

The movie had eight songs in it. Lata Mangeshkar’s voice was there in one song.

Here is that one song from “Bewafaa”(2005). This song is sung by Lata Mangeshkar. Sameer is the lyricist. Nadeem Shwrawan is the composer.

The song is picturised on Kareena Kapoor. Sushmita Sen’s portrait is also seen in the picturisation.

The song’s tune, theme lyrics, everything sounded familiar to me but I was not able to put my finger to it. And then it struck me I that this song was so reminiscent of the songs of “Sautan”(1983). Yes, that is it. Why create a new tune when you have an existing tune already available.

With this song, “Bewafaa”(2005) makes its debut in the blog.

The lyrics of the song and other details were provided by Prakashchandra.

Audio

Video

Song-Kaise piya se main kahoon (Bewafa)(2005) Singer-Lata, Lyrics-Sameer, MD-Nadeem Shrawan
Chorus

Lyrics(Provided by Prakashchandra)

kaise piya se main kahoon mujhe kitna pyaar hai
kaise piya se main kahoon mujhe kitna pyaar hai
aankhon ko intezaar hai dil bekaraar hai
ho o
hoga milan apna mujhe aitbaar hai
hoga milan apna mujhe aitbaar hai
aankhon ko intezaar hai dil bekaraar hai
ho o
kaise piya se main kahoon mujhe

aayenge jab woh saamne baahon mein main bhar loongi
aayenge jab woh saamne baahon mein main bhar loongi
maanoongi unki baat ko unse jid naa karungi
aa aa aa
o o o o
chhaane lagi hai madhoshiyaan haay kya khumaar hai
chhaane lagi hai madhoshiyaan haay kya khumaar hai
aankhon ko intezaar hai dil bekaraar hai
ho o
kaise piya se main kahoon mujhe

unke ghar mein umr bhar raani banke rahoongi main
unke ghar mein umr bhar raani banke rahoongi main
har khushi doongi unhen unka dukh bhi sahoongi main
aa aa aa
o o o o
dil diya unko unhi pe jaanisaar hai
dil diya unko unhi pe jaanisaar hai
aankhon ko intezaar hai dil bekaraar hai
ho o o
kaise piya se main kahoon mujhe kitna pyaar hai
aankhon ko intezaar hai dil bekaraar hai
ho o o
hoga milan apna aa aa mujhe aitbaar hai
aankhon ko intezaar hai dil bekaraar hai
ho o

aa aa aa aa
lalalalalala
aa aa aa aa aa
lalalalalala
aa aa aa aa aa
lalalalalala
aa aa aa aa aa
lalalalalala
aa hha aa a a aa aa
aa lalalalalala
aa aa a aa aa aa
aa aa aa aa aa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4119 Post No. : 15272 Movie Count :

4199

Songs Repeated in Hindi Films – 12
– – – – – – – – – – – – – – – – – –

What we have today is a repeat song of a very familiar and a very wonderful hit of its time, and yes, an all time favorite that seems to carry a timeless appeal for people in love. And as is shown on screen, people in love – of all ages. This reuse has some very interesting circumstances, mostly well evident in the picturization itself.

The original song is from the hit film ‘Khel Khel Mein’ from 1975. The lead pair in that film is Rishi Kapoor and Neetu Singh, who were famously in love off the celluloid also. They were referred to as the ‘Love Birds’ of the Hindi cinema. Their affair culminated in their tying the proverbial matrimonial knot in 1980. ‘Khel Khel Mein’ was possibly their second film together, having worked together earlier for the first time together, in ‘Zehreela Insaan’ in 1974. The original song is performed on screen by this pair, playing roles of college students in love, and in search of fun and adventure through petty pranks. On screen, the scenario is that both are drunk, and have got it into their minds to announce their love for each other to the world through this song. The original song is written by Gulshan Baawra and the music is by RD Burman.

The repeat song is from the 2005 film – ‘Pyaar Mein Twist’. The lead roles in this film are played by Rishi Kapoor and Dimple Kapadia. Seeing this pair on screen brought back memories of many a story, all the way back from three decades ago.

Rewind back to 1973. Rishi and Dimple make their individual debuts as lead players in ‘Bobby’, a teen romance that straddles two diverse strata of the society as well as religious affiliations. The film was the big hit of 1973, that revived the fortunes of RK banner after the box office debacle of ‘Mera Naam Joker’ (1970). The release of this film was preceded, and accompanied by a ton of controversies that had the pulp press working overtime for months on end. An uncanny facial resemblance (at that point in time) between Dimple and Nargis of ‘Barsaat’ (1949), created a havoc laden rumor tornado – that Dimple is actually Raj Kapoor’s daughter from his alleged affair with Nargis when the two were a popular and fantastic pair on screen, and off it, in late 1940s to mid 1950s. Of course the rumor was really preposterous; given the dates and timelines of years. But the smut press was really having a great time. Then another storm of rumor was thrown into this mix – that of an off screen affair between Rishi and Dimple. This was even more flabbergasting – as evidenced by the fact that Rishi – fondly called Chintu Baba, would soon be entangled with Neetu Singh, in a relationship that has lasted a life time. The rumor simply refused to die for weeks on end, despite strong denial statements by all parties concerned.

And then, even before the film ‘Bobby’ was formally released, there came another thunderous event that really complicated the already horrendous mess. Totally out of the blue, the marriage of Rajesh Khanna and Dimple Kapadia was announced. Rajesh Khanna was riding a great popularity wave as the superstar of the decade. The decision raised many an eyebrow, all the way to the sky, given that Rajesh Khanna was already in an almost live-in relationship with the small time actress Anju Mahendru. Couple that with the immediate announcement of Dimple’s retirement from the film industry. Goodness, the amount of dirty gossip raised by all these eventualities, was really getting out of hand. To a right thinking person, all the gossip was incredulous and unbelievable, at that time. It would serve no purpose to regurgitate it. And then, in some months’ time, as the controversies appeared to have lived out their usefulness, the box office success of ‘Bobby’ created another gossip storm – that all the controversies and their public discourse associated with Dimple – all the rumor rot was just a marketing ploy to create a box office success for ‘Bobby’. It took almost a year for the storm to die down.

Fast forward now to 1982. The long brewing trouble in the Rajesh-Dimple marriage came to a head, with Dimple leaving the matrimonial home with her two daughters, never to return again. After a cooling period of a year or so, the news emerged about the much awaited return of Dimple to the films. One of the first films that she signed up for was ‘Saagar’ (1985), opposite to Rishi Kapoor once again. The film was delayed by almost a year – in normal course it would have hit the theatres in 1984. Other films starring Dimple got released earlier.

Over the years, this pair has appeared on screen together with an infrequent regularity – ‘Allah Rakha’ in 1986, then on to ‘Ajooba’ and ‘Ranbhoomi’ in 1991. Then in 2005, after another gap of 14 years, came ‘Pyaar Mein Twist’, the film under discussion today. The two actors have appeared together in two more films since then – ‘Luck By Chance’ in 2009 and then ‘Patiala House’ in 2011.

‘Pyaar Mein Twist’ is a romantic comedy underlining a serious subject of mature age romance between two single parents, Yash (role played by Rishi Kapoor) and Sheetal (role played by Dimple Kapadia), both having a flourishing household each of them is responsible for. And yet, Cupid does not spare them from romantic entanglement, leading to a major social upset in the two families. However, with the support of a benevolent aunt (Toshi Auntie – role played by Farida Jalaal) and a supporting future son-in-law (Sanju – role played by Sameer Dattani), all ends well for all parties concerned. The ending sequence shows Yash performing the kanyadaan ceremony at the wedding of Sheetal’s daughter, topped off with a happy smiling family group photo shoot.

The reused song is actually not the real original. It has been re-recorded in different voices for the purpose of this film. It is a duet – but now it is a male-male duet. The original is sung by Kishore Kumar and Asha Bhosle. The repeat version is sung by Babul Supriyo and Vinod Rathod. On screen, it is performed by Yash and his childhood friend Khanna (role played by Satish Shah). The scene is a marriage anniversary party of Khanna. Yash, after a few pegs down his belt, decides to make a public proclamation of his love for Sheetal – much to her visible surprise and suppressed delight.

One query for the more knowledgeable readers – please help to identify the lady in the red saaree standing next to Dimple in this song. She plays the role of Satish Shah’s wife in this film. I have seen her in a couple of other contemporaneous films, but cannot recall her name.

The song starts off with the opening lines of another iconic hit of Rishi Kapoor – the song “Meri Umar Ke Naujawaanon. . . – To Gaao Om Shanti Om”, in his own voice, and then it leads into the lines “Khullam Khulla. . .”. Of the original three stanza song, only two stanzas have been used in repeat version.

So check out this modern day avataar of an iconic song from the 1970s, which is performed on screen by the same actor – thirty years apart. This must be a record of sorts, after considering WM Khan’s performance of the primeval “De De Khuda Ke Naam Pe. . .” in the three versions of the film ‘Alam Ara’ – 1931, 1956 and 1973.

Listen and enjoy.

Video

Song – Khullam Khulla Pyaar Karenge Hum Dono  (Pyaar Mein Twist) (2005) Singers – Babul Supriyo, Vinod Rathod, Lyrics – Gulshan Bawra, MD – RD Burman
Rishi Kapoor
Unidentified Male Voice
Babul Supriyo + Vinod Rathod
Chorus

Lyrics

hey..ey..ey
tum ne
kabhi kisi se
pyaar kiya

kiya. . .

kabhi kisi ko dil diya

diya. . .

maine bhi diya. . .
hey..ey..ey

jamaa de

hey y’all party people
listen now
. . .  y’all listen now
. . .  . . .  y’all listen now
. . .  . . .  . . .  y’all listen now
the same old love story
back again

yea
come on
now

say it

come on now
you party people

khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono
arrey khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono
pyaar hum karte hai chori nahi
mil gaye dil jora jori nahi
hum wo karenge jo dil kahe
hum ko zamaane se kya

that’s right

arrey khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono

hey..ey..ey
same old love story
like ya sing it
come on now
feel it

hey
dekh wo
ishq chhup chhup ke farma rahe hain
arrey hai
kya mazaa
dil hi dil me to ghabra rahe hain
hey ey
dekh wo 
ishq chhup chhup ke farma rahe hai
arrey hai
kya mazaa
dil hi dil me to ghabra rahe hain
lagta hai dono padosi hain wo
rishta hi aisa hai jaane bhi do
hum wo karenge dil jo kahe
hum ko zamaane se kya

jamaa de

khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono

oye kitta

one one one one
one more time

hey
bolo na
pyaar ka hai ye dushman zamaana
arrey sun
haan bataa
sab ko milta nahin ye khazaana
hey
bolo na
pyaar ka hai ye dushman zamaana
ae hey hey sun
haan bataa
sabko milta nahi ye khazaana
arrey jinko aji ye khazaana miley
dekh dekh unko ye duniya jaley
hum wo karenge dil jo kahe
hum ko zamaane se kya

khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono

watch it watch it now

pyaar hum karte hai chori nahin
mil gaye dil jora jori nahin
hum wo karenge jo dil kahe
hum ko zamaane se kya

jamaa de

khullam khulla pyaar karenge hum dono

watch it watch it now

is duniya se nahin darenge hum dono

oye kitta

khullam khulla pyaar karenge hum dono

that’s right

is duniya se nahin darenge hum dono

jamaa de

khullam khulla pyaar karenge hum dono. . .


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4056 Post No. : 15188

I am an ardent admirer of Ruskin Bond’s short stories. I do not remember as to when I started bonding with Ruskin Bond’s books. It could be sometime early 1990s when I read his first book titled ‘Beautiful Garhwal – Heaven in Himalayas’ (1988). Surprisingly, this book is not listed under the list of his published books. It is a ‘coffee-table book’ with 15 of his articles on the Garhwal Himalayas – from the village life, rivers, valleys, pilgrimage to trees and flowers, etc. It is an excellent and lavishly printed book in art paper with a lot of illustrations and beautiful pictures. This book was printed for Garhwal Mandal Vikas Nigam (GMVL) as a part of promotion of tourism in the Garhwal Himalayas.

Since then, I had ready many of his short stories which are in my collections of books like ‘Rain in the Mountains – Notes from the Himalaya’ (1993), ‘The Lamp is Lit’ (1998), The Room on the Roof’, ‘The Night Train to Deoli & Other Stories’ etc. Very recently, I have read his latest book ‘The Beauty of All My Days’ – A Memoir ( 2018). A few of his books of short story collections which I have read, seems to have been missing from my collections. Probably, I may have given to some ones to read but they did not return.

Ruskin Bond has spent much of his life at the foothills of the Garhwal Himalayas. His last 5 decades have been spent in Landour, a cantonment area of Mussoorie. He has widely travelled in Garhwal Himalayas. Hence, much of his writings is the reflections of the hills and the village life of the Garhwal Himalayas and his nostalgic experiences. His lucid writing style takes the readers to the virtual trip to the Himalayas.

I have been very much influenced by the writings of Ruskin Bond and his nostalgia of the Garhwal Himalayas. Of all the Himalaya treks I have undertaken during the last 35 years, I have done the maximum number of treks in the Garhwal Himalaya. His description of the village life prompted me to prefer home stays in village houses for the overnight stays rather than in the tents whenever I trekked in the Himalayas. I could, therefore, get the first hand experiences of Ruskin Bond’s descriptions of the Garhwal villages and the psyche of the simple villagers.

Recently, I have written an article in the Blog on Gulzar saab on the occasion of his 85th Birthday. When I was going through the profile of Ruskin Bond, I found it interesting to note that there were many similarities in the events in the lives of Ruskin Bond and Gulzar saab. Both were born in 1934, with Gulzar saab being younger by exactly 3 months. Both had a lonely childhood. Gulzar saab lost his mother when he was a child. Ruskin Bond had grown up without the support of his mother as his parents had divorced when he was a child. His mother got remarried and he lived with his father. Circumstances deprived both of them of their fathers’ company when it was most needed. Gulzar saab was sent to Mumbai to stay with his elder step brother, while Ruskin Bond missed his father most of the time because he was in the Royal Air Force and later died from Malaria at an early age.

Both Ruskin Bond and Gulzar Saab developed their writing skills and got their poems/short story published when they were teens. Both got associated with Hindi films albeit with a gap – Gulzar saab in ‘Bandini’ (1963) as a lyricist and Ruskin Bond as a story writer in ‘Junoon’ (1978) based on his novel, ‘A Flight of Pigeons’ (1970s). Both wrote and published a good number of books of children’s literature. Ruskin Bond and Gulzar saab were conferred with Sahitya Akademy Awards in 1992 and 2002 respectively and with Padma Bhushan in 2014 and 2004 respectively.

While the lives of Ruskin Bond and Gulzar saab was moving parallelly, they got merged for the first time when Vishal Bhardwaj decided to make a children’s film in Hindi, ‘The Blue Umbrella’ (Neeli Chhatri, 2005) based on the novella of the same title written by Ruskin Bond. He also wrote screen-play for the film jointly with Vishal Bhardwaj. Gulzar saab got associated with this film as a lyricist.

After a gap of about 5 years, Ruskin Bond and Gulzar saab worked together in Vishal Bhardwaj’s film ‘7 Khoon Maaf’ (2011) which was based on his novel ‘Sussanna’s Seven Husbands’. Ruskin Bond wrote screen-play along with Vishal Bhardwaj and also played a cameo role of a priest in the film. Gulzar saab wrote the lyrics. Collaboration between them for the third film is in the offing. Incidentally, Vishal Bhardwaj has become a neighbour of Ruskin Bond in Landour as revealed by the latter.

As I mentioned earlier, ‘The Blue Umbrella’ (2005) was a children’s film based on Ruskin Bond’s novella by the same name. The film was directed by Vishal Bhardwaj. Except for Pankaj Kapoor and Deepak Dobriyal, rest of the actors in the film are unfamiliar to me. The lead actors in the film is Pankaj Kapoor and 10-year girl, Shreya Sharma. The film was critically acclaimed and it got the National Film Award for the best children’s film in 2008. But the film was a box office disaster.

The film is not available for viewing in any video uploading platforms like YT. I saw the movie on Netflix. There are some minor differences in the story outlined in the film from the story in the book. The story in the book is based in some remote village in Garhwal whereas in the film, the story is based on a remote village in Himachal Pradesh. The end in the film also differ from the book which I will discuss later. The story in the film is as under:

In a remote Himalayan village, 10-year old girl, Biniya (Shreya Sharma) stays with her widowed mother and elder brother. The family has a small terraced field and a couple of cows sufficient to take care of their sustenance.

One day when Biniya goes to graze the cows, she comes across a group of Japanese tourists. Biniya’s eyes fall on a beautiful blue umbrella which is lying open on the meadow. She likes the umbrella and wants to have it but she has no means to get it. The lady tourist sees a necklace with a pedant of bear’s claws in Biniya’s neck and she likes it. Despite the bear’s claws being regarded as a lucky charm, Biniya exchanges for the blue umbrella. From now onward, Biniya and her blue umbrella are inseparable.

Most of the people in her village are envious of her blue umbrella as no one in the village possessed such a beautiful umbrella. The village teacher’s wife pesters her husband to get a similar umbrella for her. But the children in the village are full of praise for Biniya’s blue umbrella.

In the village, Nandkishore (Pankaj Kapoor), the owner of the village’s only tea shop, also becomes envious of Biniya’s blue umbrella as she has become the centre of attention in the village. Even tourists coming in buses for going towards a hill station nearby take a tea break for photographing her with blue umbrella.

Nandkishore tries all tricks of attractive offers to make her sell to him the blue umbrella but she refuses to sell. The blue umbrella causes restlessness in the mind of Nandkishore. He must have that blue umbrella. He tries to get one from the nearby town but it is not available. A similar type of umbrella which may be available in Delhi would cost him a lot. He feels that his attraction to the blue umbrella may have to do with his last birth.

One day, Biniya while grazing the cows on a meadow, finds her umbrella missing. She suspects Nandkishore to be the one who stole her blue umbrella. Police searches the Nadkishore’s shop but does not find the umbrella. Humiliated by the police investigation, Nandkishore buys a colourful red umbrella which, he says, he got from Delhi. He now becomes the centre of attraction in the village.

Biniya’s own investigation on her missing blue umbrella continues which takes her to a nearby town where one umbrella was recently dyed. In the meanwhile, with his status in the village gone up due to owning a red umbrella, Nandkishore is invited as a chief guest for a wrestling competition in the village. During the competition, it starts raining and his red umbrella turns blue as red colour on the umbrella get washed out. It becomes clear that Nandkishore had stolen Biniya’s blue umbrella and got it dyed with red colour. The village panchayat held him guilty and pass a judgement that that the entire village should boycott Nandkishore and his shop.

With the boycott, Nandkishore business is almost stopped. He is not even invited for the marriage of the village chief’s son. Barber’s shop refuses him as a customer. Biniya watches all the happenings to Nandkishore. She feels sorry for him. One day, she visits his shop after a long gap to buy biscuits and forgets her umbrella in his shop. When Nandkishore notices this, he runs after her with the umbrella in snowy conditions and returns to her the umbrella. Biniya refuses to accept the umbrella by telling him that it is not her umbrella and walks away. The village boycott of Nandkishore is lifted and his business in the shop returns to normal.

I found the ending in Ruskin Bond’s book more touching than in the film. In the book, after few days of boycott of Nandkishore’s shop, Biniya feels that she is the cause for all the problems Nandkishore has been facing due to boycott. After many days of boycott, she visits his shop to buy toffees. Nandkishore thinks that Biniya has come to his shop to make fun of his situation or she has come with a counterfeit coin to buy toffees. But none of his presumptions comes out true. She buys the toffee but forget her blue umbrella in the shop. Nandkishore runs after her to give her back the umbrella. However, she tells him that she left the umbrella for him.

After few days of this event, Nandkishore calls Biniya while she is passing by his shop. He shows her his newly made locket of bear’s claws with silver chain. She likes it but she says she has no money to buy. Nandkishore says that it does not matter as she has given him her umbrella and he is giving her a locket of bear’s claws. He places the pedant on her and says that it looks very beautiful on her. She is very much pleased as bear’s claws are regarded luckier than leopard’s claws. For Nandkishore, the smile that she gave him upon receiving the pendant was more rewarding than owning the pendant.

Vishal Bhardwaj, the producer-director of the film had said at the time of the release of the film that it was a children’s film with a message to adults. How true it is! Firstly, how an alien thing like an attractive blue umbrella can disturb the peaceful life of a village. Second, the intense desire to possess something can lead to irrational behaviour and its resultant adverse consequences. Third, forgiveness is the key to normalisation of a relationship. In ‘The Blue Umbrella’ Ruskin Bond has shown that there is always a soft corner in the hearts of individuals. In the end, Biniya gives up her possessiveness and Nandkishore shades his greediness. And the village comes back to its peaceful life.

The film has 3 beautiful songs, all written by Gulzar. One of them has been represented on the Blog.

I have selected for presentation the song ‘neeli aasmaani chhatri’ because this is the only song in which the blue umbrella is on display most of the duration of the song. Like Biniya and Nandkishore in the film, I am also tempted to this beautiful blue umbrella, my temptation being limited to watching it to my heart’s content. The song is sung by Upagna Pandya under the music direction of Vishal Bhardwaj.

It is a lovely song with western symphony music used for interludes.

Video Clip:

Audio Clip :

Song-Neeli Aasmaani chhatri (Blue Umbrella)(2005) Singers-Upagna Pandya, unknown female voice, Lyrics-Gulzar, MD-Vishal Bhardwaj

Lyrics(Based on the Audio Clip)

ku ku ku ku
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku
arre he….ey

(ku ku kudi ku ku )
hey hey
(ku ku kudi ku ku)
neeli aasmaani chhatri
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku,
ku ku kudi ku ku

he…..ey
hey ae
neeli aasmaani chhatri
chhatri ka udan khatola
dole to laage hindola
chhatri ka udan khatola..aa aa
dole to laage hindola
ude kabhi bhaage kabhi
bhaage kabhi daude kabhi
samajh na maane chhatri..ee
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku
ku ku ku ku
ku ku ku ku
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku

ambar ka tukda toda
lakdi ka hattha joda
haath mein apna asmaan hai re
chhatri le ke chalti ho
memon jaisi lagti ho
goron ka dil beimaan hai re
khunti kabhi laathi kabhi
laathi kabhi chhadi kabhi
khunti kabhi laathi kabhi
laathi kabhi chhadi kabhi
paaji shaitaani chhatri..ee

baarish se jo rishta hai
paani pe mann khinchta hai
bijli ko ye pehchaan hai re
shaayad phir ud na jaaye
ambar se jud na chaahe
bholi hai anjaan hai
hai re
doobe kabhi taire kabhi
gote khaati jaaye kabhi
doobe kabhi taire kabhi
gote khaati jaaye kabhi
karein naadaani chhatri..ee
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku
ku ku kudi ku ku

hey ae hey ae
(ku ku kudi ku ku)
hey re
(ku ku kudi ku ku)
neeli asmaani chhatri
chhatri ka udan khatola..aa
dole to laage hindola aa aa
chhatri ka udan khatola..aa aa
dole to laage hindola
ude kabhi bhaage kabhi
bhaage kabhi daude kabhi
samajh na maane chhatri


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14502

ASAD 10th Anniversary Celebrations – 10
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I have just finished noting down lyrics of the song I have chosen – it has taken me one hour at least. I have listened to the song close to 4-5 times. I had to listen to some parts again and again trying to figure out what the singer was saying, revise my lyrics and note down which portions were sung by the male or female singer and which was sung by them both. I do this only once in a while, not being the owner of the blog but an occasional participant. It made me appreciate more and more the amount of dedication the usual writers put in. To combine all this with a write up to explain the song, add anecdotes related to the song and sometimes, stories that led to the song is all hard work, believe me. In this age and time of quick fixes, short cuts, bullet points and shortened attention spans it is difficult to even understand this kind of dedication.

Hats off to the owners of the blog (Atul ji and Sudhir ji) and a team of dedicated Atulties who fuel this blog with their enthusiasm. There are many Atulites who are intensely interested in the goings on related to the blog. I find they are all lovely people who share a deep love of music. Their camaraderie is commendable, not only do they discuss the events on the blog, but also try their best to meet up often. I have attended one such meeting and have been awed by the depth of knowledge they have of music and the various ways in which they share their knowledge.

I have chosen a song from a relatively new movie, ‘Yahan’ from 2005. It is the directorial debut of Shoojit Sircar who garnered fame for the movie that came after this, ‘Vicky Donor’ (2012) and ‘Piku’ (2015). This movie, as far as I remember, did not make any waves. I happened to see the movie in a cinema hall and was struck by it. Minissha Lamba impressed me and Jimmy Shergill is always a pleasure to watch. The story is about a Kashmiri girl, Ada, who falls in love with an army captain, Aman (Jimmy Shergill). They face many difficulties after they fall in love. Ada risks being ostracized, even killed, for loving an army officer, and that too, not of the same religion. Similarly, Aman is also labelled as a traitor for dealing with Ada’s brother who is a terrorist. The denouement is over simplistic. It is hard to imagine something as complex as Kashmir problem being solved (even in part) by a few acts of an army captain. The charm of the movie lay in the sweet character of the two protagonists. Aman is an upright man who takes full responsibility for the woman he loves. Ada hopes to find peace and love in Aman after dealing with the constant strife in her life.

Listening closely to this song while noting the lyrics, I was struck by the beautiful words penned by Gulzar, clothed most wonderfully by the lovely music composed by Shantanu Moitra. Shreya Ghoshal sings it beautifully, there are times when her voice drops to a whisper and rises again. There are times when the music fades and lets the singer’s voice do its magic. When Shreya sings “Jhelum Mein Beh Lenge”, it feesl like I am floating in Jhelum. The song drips with love and longing. It is hard for a song to be so beautiful unless all three key elements of it, music, lyrics and singing is at its best. In this song you can hear them at their best.

Enjoy the lovely song and send up thanks to our great Atulji for allowing us a platform to enjoy and share music like this and congratulations to all the creators of the blog and the readers.

 

 


Song – Poochhe Jo Koi… Meri Nishaani… Rang Henna Likhna (Yahaan) (2005) Singers – Shreya Ghoshal, Shaan, Unidentified Male Voice, Lyrics – Gulzar, MD – Shantanu Moitra
Shreya + Shaan

Lyrics

rakh saaiyan di

rakh saaiyan di

rakh saaiyan di jeeve
jeeve
jeeve
rab rakhwaala jeeve
rakh saaiyan di jeeve
jeeve
jeeve
rab rakhwaala jeeve

pooche jo koi
meri nishaani
rang henna likhna
gore badan pe
ungli se mera
naam ada likhna
kabhi kabhi aaspaas chaand rehta hai
kabhi kabhi aaspaas shaam rehti hai

aao na..aa..aa
aao na
jhelum me beh lenge
vaadi ke mausam bhi
ik din to badlenge
kabhi kabhi aaspaas chaand rehta hai
kabhi kabhi aaspaas shaam rehti hai

aaun to subhaa
jaaun to mera
naam sabaa likhna
barf pade to
barf pe mera
naam dua likhna

zara zara aag waag paas rehti hai
zara zara kaangde ki aanch rehti hai
kabhi kabhi aaspaas chaand rehta hai
shamme bujhane….
kabhi kabhi aaspaas shaam rehti hai
aati hain raaten….
raaten bujhaane
tum aa gaye ho..oo

jab tum hanste ho..oo
din ho jata hai
tum galey lago to..oo..oo
din so jaata hai
doli uthaaye
aayega din to
paas bitha lena
kal jo miley to
maathe pe mere
suraj uga dena
zara zara aaspaas dhoop rahegi
zara zara aaspaas rang rahenge
zara zara aaspaas dhoop rahegi
zara zara aaspaas rang rahenge

pooche jo koi meri nishani
rang henna likhna
gore badan pe ungli se mera
naam ada likhna
aa..aa..aa
kabhi kabhi aaspaas chaand rehta hai

kabhi kabhi aaspaas shaam rehti hai
kabhi kabhi aaspaas chaand rehta hai
kabhi kabhi aaspaas shaam rehti hai

rakh saaiyan di jeeve
jeeve
jeeve
rab rakhwala jeeve
rakh saaiyan di jeeve
jeeve
jeeve
rab rakhwaala jeeve

kabhi kabhi aaspaas chand rehta hai
nanna nanna na na na nanna rehti hai
. . . aaspaas sham rehti hai

lalla lalla laal laal laal la la la laa

lalla lalla aaspaas shaam rehti hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

रख साइयाँ दी

रख साइयाँ दी

रख साइयाँ दी जीवे
जीवे
जीवे
रब रखवाला जीवे
रख साइयाँ दी जीवे
जीवे
जीवे
रब रखवाला जीवे

पूछे जो कोई
मेरी निशानी
रंग हीन्ना लिखना
गोरे बदन पे
उंगली से मेरा
नाम अदा लिखना
कभी कभी आस पास चाँद रहता है
कभी कभी आस पास शाम रहती है

आओ ना॰॰आ॰॰आ
आओ ना
झेलम में बह लेंगे
वादी के मौसम भी
इक दिन तो बदलेंगे
कभी कभी आस पास चाँद रहता है
कभी कभी आस पास शाम रहती है

आऊँ तो सुबह
जाऊँ तो मेरा
नाम सबा लिखना
बर्फ पड़े तो
बर्फ पे मेरा
नाम दुआ लिखना

ज़रा ज़रा आग वाग पास रहती है
ज़रा ज़रा कांगड़े की आंच रहती है
कभी कभी आस पास चाँद रहता है
शम्में बुझाने॰ ॰ ॰
कभी कभी आस पास शाम रहती है
आती हैं रातें॰ ॰ ॰
रातें बुझाने
तुम आ गए हो

जब तुम हँसते हो॰॰ओ
दिन हो जाता है
तुम गले लगा तो॰॰ओ॰॰ओ
दिन सो जाता है

डोली उठाए
आएगा दिन तो
पास बैठा लेना
कल जो मिले तो
माथे पे मेरे
सूरज उगा देना
ज़रा ज़रा आस पास धूप रहेगी
ज़रा ज़रा आस पास रंग रहेंगे
ज़रा ज़रा आस पास धूप रहेगी
ज़रा ज़रा आस पास रंग रहेंगे

पूछे जो कोई
मेरी निशानी
रंग हीन्ना लिखना
गोरे बदन पे
उंगली से मेरा
नाम अदा लिखना
आ॰॰आ॰॰आ
कभी कभी आस पास चाँद रहता है
कभी कभी आस पास शाम रहती है
कभी कभी आस पास चाँद रहता है
कभी कभी आस पास शाम रहती है

रख साइयाँ दी जीवे
जीवे
जीवे
रब रखवाला जीवे
रख साइयाँ दी जीवे
जीवे
जीवे
रब रखवाला जीवे

कभी कभी आस पास चाँद रहता है
नन्ना नन्ना ना ना ना नन्ना रहती है
॰ ॰ ॰ शाम रहती है
लल्ल लल्ल लाल लाल लाल ला ला ला
लल्ल लल्ल आस पास शाम रहती है


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3476 Post No. : 13964

Most Indians are well aware about Subhash Chandra Bose, who was easily one of the most charismatic and inspirational figures among the Indian freedom fighting leaders of pre independence era.

Hindi movies too have been impressed enough with him and there have been quite a few movies featuring him,viz. “Netaji Subhash”(1947), “Samaadhi”(1950), “Netaji Subhash Chandra Bose”(1966), “Subhash Chandra”(1978) etc.

The latest movie on Netaji has been “Bose-The Forgotten hero”(2004).

Lyrics of a song from this movie were sent to me by Avinash Scrapwala to be posted today (23 january 2018) on the occasion of the 121st birth anniversary of Netaji.

That got me interested in watching the movie. I have not watched it fully yet, because the story is too well known and moreover I cannot bear to watch the part when the British realise that Subhash Chandra has escaped. I know that all that happened 77 years ago and what I am watching is just a movie but even today I dread thinking about the treatment meted out by the British to Subhash Chandra Bose’s family members to find his whereabouts. There was nothing Gandhian about how policemen interrogated Subhash Chandra Bose’s relatives.

Fortunately, the song under discussion happens before that. And it involves that part of the movie that appeals me the most. That part has to do with Subhash Chandra Bose’s escape from Calcutta to Gomoh by road and from there he catches a train to Peshawar at midnight.

Subhash Chandra Bose was capable of great meticulousness in making his plans and executing them. And this escape was a shining example of that.

Subhash Chandra Bose was kept in Fort William Jail, Calcutta in december 1940. There he staged a fast unto death strike. Unnerved, the British rulers released him and kept him under house arrest in his residence at 38/2 Elgin Road, Calcutta.

While at his residence, Subhash Chandra Bose pulled off a meticulously planned escape from right under the noses of securitymen.

Subhash Chandra Bose made it known to the world (including Britishers) that he was contemplating sanyas. He retreated into a room in the residence where no one was allowed to see him. His meal would be shoved under the door of the room once a day in a thaali and that thaali would be pushed back after consuming the foodstuff.

Subhash Chandra Bose’s extended family had another residence at 1, Woodburn park. where Subhash’s elder brother Sarat Chandra Bose used to live with his family. Subhash picked Sisir Chandra Bose, the son of Sarat Chandra Bose, for his plan.

The Bose family had several cars, viz Studebaker, Opel, Wanderer W24 etc. Subhash Chandra Bose chose Wanderer 24 W for the purpose.

Prima facie, Wanderer was a noisy car rather than a soundless car as befitting a getaway car But it had advantages over the other cars posssessed by the family. Cars those days did not have efficient cooling arrangements for engine and the radiator was required to be re-filled with water and the car was required to be stopped for cooling while on long distance drive. Wanderer had an advanced cooling system and this car did not suffer from that engine overheating problem during long drives.

Sisir Kumar Das, then a medical student (he went on to become a renowned paediatrician) was made to go on a trial run on 25 december 1940 upto Burdwan ( a distance of 100 km) on this car to check if the car as well as he himself were ready to undertake the long journey.

Every day for several days Sisir would drive to Subhas’s house late at night in his car. When policemen stopped him, he would tell them, “My uncle wants to listen to the radio broadcast about the Second World War. He is too ill to tune the radio himself. So, he depends on me to do it for him. The guards would let him pass. He would leave after midnight. So this routine of leaving in that car after midnight was set up several days in advance.

Bose slipped out of his Calcutta residence after midnight on 1:30 AM on 17 january 1941 on this car, with Sisir Kumar Bose driving as usual and the securitymen did not notice anything unusual.

Sisir Bose drove through the night. He was constantly being served coffee by his uncle who was seated on the left rear side and was carrying a thermos containing coffee. The car arrived Barari near Dhanbad (270 KM), where Ashok Nath Bose, the elder brother of Sisir Bose was posted with “Barari Coke Works” (Now Bharat Central Coalfields Limited) as a chemical Engineer and stayed with his newly married wife Mira. Subhash Chandra Bose, posing as Ziauddin, spent the whole day of 17 January 1941 there. He was supposed to catch 63 UP Howrah-Peshawar train at Asansol, but Ashoknath advised his uncle to board the train at Gomoh. Asansol was an important station and the train arrived there well before midnight so chances of being noticed there were high. Gomoh on the other hand was a smaller station and the train arrived there after midnight, so there would be very few people there and chances of being noticed was low.

Subhash Agreed to this change of plan. Sisir was not famiiar with the road from Barari to Gomoh (50 KM) so Ashoknath and his wife Meera, seated in the rear of the car accompanied Sisir (at the wheel) and Subhash (at the passenger seat) upto Gomoh.

They reached Gomoh railway station at midnight. Subhash asked the others to go back instead of seeing him off at the platform. Sisir insisted on accompanying him to the platform, to see his uncle off. He went to the station, bought the ticket from Gomoh to Peshawar and boarded the train which arrived Gomoh after midnight. Some policemen, rubbing tobacco on their palms were around, while the most sought after revolutionary (though he was not yet known to have escaped) quietly slipped away into the unknown from right under their noses.

Later he reached Peshawar and from there futher plans to escape out of India were chalked out.

The movie does not have scope for many songs, but the song that plays in the background while Subhash’s train runs through the breadth of the nation, hauled by a steam locomotive, is quite evocative and moving. The same song is again played when he is seen going towards the western border of India into Afghanistan.

The song keeps playng in the background at moments like this in parts. The longer and full song is available only in the audio version.

Here is this inspirational and moving song from an inspirational figure from our recent history. The song is sung by Sonu Nigam (hindi part) and Nachiketa Chakraborty (Bangla part), with some chorus singing as well. Jawed Akhtar is the lyricist. Music is composed by A R Rahman.

Audio

Video part I


Video part II

Song-Jodi tor daak shune keu naa aashe..tanha raahi apni raah chalta jaayegaa (Bose The forgotten hero)(2005) Singer-Sonu Nigam, Nachiketa Chakraborty, Lyrics-Jawed Akhtar, MD-A R Rahman

Lyrics (Provided by Avinash Scrapwala)

Jodi tor daak shune keu naa aashe
Tobey ekla cholo re
Jodi tor daak shune keu naa aashe
Tobey ekla cholo re

Ekla cholo
Ekla cholo
Ekla cholo
Ekla cholo re
Jodi tor daak shune keu naa aashe
Tobey ekla cholo re

Tanhaa raahi ee ee apni ee raah chalta jaayegaa
Aa aa aa aa
Tanhaa raahi ee ee apni ee raah chalta jaayegaa
Aa aa aa aa

Ab to jo bhi hoga dekha jaayegaa
Ab to jo bhi hoga dekha jaayegaa

Tanhaa raahi ee ee apni raah chalta jaayegaa
Tanhaa raahi ee ee apni raah chalta jaayegaa
Ab to jo bhi hoga dekha jaayegaa

Aa aa aa aa

Aa aa aa aa
Aa aa aa aa

Bojh kitnaa ho mushkilon ka magar
Na jhuka hai naa jhuk sakega ye sar
Zinda phir bhi rahega mera zameer
Jism ko maut bhi aa jaaye agar r r
Tanhaa raahi ee ee apni ee raah chalta jaayegaa
Tanhaa raahi ee ee apni raah chalta jaayegaa
Ab to jo bhi hoga dekha jaayegaa

Jodi tor daak shune keu naa aashe
Tobey ekla cholo re
Jodi tor daak shune keu naa aashe
Tobey ekla cholo re
Ekla cholo
Ekla cholo
Ekla cholo
Ekla cholo re
Jodi tor daak shune keu naa aashe
Tobey ekla cholo re

Baazi pe lagaane ki khaatir
Ham jaan hathheli par laaye ae ae
Baazi pe lagaane ki khaatir
Ham jaan hathheli par laaye
Ab chaahe jiyen ab chaahe maren
Jo hona hai wo ho jaaye
Ab chaahe jiyen ab chaahe maren
Jo hona hai wo ho jaaye
Jodi tor daak shune keu naa aashe
Tobey ekla cholo re
Jodi tor daak shune keu naa aashe
Tobey ekla cholo re

Manzilen kabhi kya milegi hamen
Hogi kya sahal kabhi jo raah hai kadi
Aaj har jawaab hamko mil jaayega
Aa gayi hai aaj faisle ki ee ghadi ee ee ee ee

Tanhaa raahi apni raah chalta jaayegaa
Aa aa aa aa aa aa
Tanhaa raahi apni raah chalta jaayegaa
Aa aa aa aa aa aa
Ab to jo bhi hoga dekha jaayegaa
Ab to jo bhi hoga dekha jaayegaa

Jodi tor daak shune keu naa aashe
Tobey ekla cholo re
Dekha jaayega
Jodi tor daak shune keu naa aashe
Dekha jaayega
Tobey ekla cholo re
Dekha jaayega
Ekla cholo
Ekla cholo re
Dekha jaayega

Ekla cholo
Ekla cholo re
Jodi tor daak shune keu naa aashe
Tobey ekla cholo re
Dekha jaayega

——————————–
Devnagri Script Lyrics (Provided by Avinash Scrapwala)
——————————–

जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
एकला चोलो
एकला चोलो
एकला चोलो
एकला चोलो रे
एकला चोलो रे

जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे

तनहा राही ई ई अपनी ई राह चलता जाएगा
आ आ आ आ
तनहा राही ई ई अपनी राह चलता जाएगा
आ आ आ आ

अब तो जो भी होगा देखा जाएगा
अब तो जो भी होगा देखा जाएगा

तनहा राही ई ई अपनी राह चलता जाएगा
तनहा राही ई ई अपनी राह चलता जाएगा
अब तो जो भी होगा देखा जाएगा
आ आ आ आ
आ आ आ आ
आ आ आ आ

बोझ कितना हो मुश्किलों का मगर
न झुका है ना झुक सकेगा ये सर
जिंदा फिर भी रहेगा मेरा ज़मीर
जिस्म को मौत भी आ जाए अगर ..र ..र
तनहा राही ई ई अपनी राह चलता जाएगा
तनहा राही ई ई अपनी राह चलता जाएगा
अब तो जो भी होगा देखा जाएगा
जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
एकला चोलो
एकला चोलो
एकला चोलो
एकला चोलो रे
एकला चोलो रे

जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे

बाज़ी पे लगाने की खातिर
हम जान हथेली पर लाये ऐ ऐ
बाज़ी पे लगाने की खातिर
हम जान हथेली पर लाये ऐ ऐ
अब चाहे जिए अब चाहे मरें
जो होना है वो हो जाए
अब चाहे जिए अब चाहे मरें
जो होना है वो हो जाए

जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
एकला चोलो रे

जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
मंजिलें कभी क्या मिलेगी हमें
होगी क्या सहल कभी जो राह है कड़ी
आज हर जवाब हमको मिल जाएगा
आ गयी है आज फैसले की ई घडी ई ई ई
तनहा राही अपनी राह चलता जाएगा
आ आ आ आ आ आ

तनहा राही अपनी राह चलता जाएगा
आ आ आ आ आ आ
अब तो जो भी होगा देखा जाएगा
अब तो जो भी होगा देखा जाएगा
जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
देखा जाएगा
जोदि तोर डाक शुने केवू ना आशे
देखा जाएगा
तोबे एकला चोलो रे
देखा जाएगा

एकला चोलो
एकला चोलो
देखा जाएगा

एकला चोलो
एकला चोलो रे
जोदि तोर डाक शुने केवू ना आशे
तोबे एकला चोलो रे
देखा जाएगा


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in atuldom

The city of Calcutta–1962. A city so vibrant, so alive, so stylish, it was referred to as “The Paris of the East”. This exotic backdrop serves as the perfect locale for the tender, immortal love story about to unfold.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 2
—————————————————–

I am sure everyone remembers Dr. Bhaskar Bannerji.  A very young rookie doctor, who is very troubled with the state of health affairs in general.  An introvert and reserved person, living a very sedate life.  The story is ‘Anand’ and the actor behind the Babu Moshai character captured the attention and the imagination of the audiences and critics alike.  He was new, and struggling and still to land a lead role for himself.  That was 1970.
Read more on this topic…


This article is written by Archana Sapkota, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Before I start, I would like to thank Ava and Harvey for letting me know that this song was not posted here yet and for coming up with the brilliant idea of posting it today and a big thank you to Atul for being so kind and patient and for letting me do this post.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten – Song No. 9
——————————-

This song is simply my most favourite ‘chaand’ song of the 21st century. The last two decades had a few such music scores in Hindi films, ‘ Khaamoshi ‘ and ‘Parineeta’ are among them which made the decades bearable musically. Favourite ‘chaand’ song from the 90’s is here. Melody in film songs was still trying to keep its head above the general cacophony which passed for music and entertainment.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17102

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

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Active for more than 5000 days.

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