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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Govinda


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3709 Post No. : 14636

Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.

There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.

While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.

He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.

On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.

Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.

The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.

There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.

For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.

Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.

Ganpati Baapa Moryaa. . .

 

Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila  (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus

Lyrics (Provided by Prakash Chandra)

ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa

muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

hho o o hho o hho o
ahaaaa…aaaaa

vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

burrrrrrrrrr aaahhaaaaa

shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana

dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le

zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein  bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3624 Post No. : 14443

Hullo Atuldom

The song with this post is a Peevesie discovery. I don’t remember when exactly, but definitely a few years back she mentioned about this song to me. And it looks like she has seen and enjoyed the video too and it has stayed in her memory. She remembered exactly how the song starts. And the dance steps of Govinda and Madhuri. Awesome combination. Just like in the previous Madhuri Dixit song where with Prabhu Deva as her co-dancer, here too, she is excellent. She is in a different orbit when she has a dancer for a co-actor. In “Que sarasara” she matched Prabhu Deva step for step, here it is a typically Govinda dance that is a treat.

So what, if the lyrics are non-sensical. The song is set as a fun-song, going by the video I have a feeling that Madhuri has accidentally eaten or drunk something intoxicating and Govinda is trying his best to control her in the given circumstances.

A few days back I had sent a song from ‘Disco Dancer’ to Atulji and then I had made up my mind to follow it with another Mithun song which features a ‘mithai‘. There were other songs from the 70s which were running through my mind for this particular post which is for a very special occasion. Songs which showed the male running the household while the female is away at work. But on reviewing those songs I felt that the song which Peevesie suggested is better. Why? Well for one today is a party occasion and “mithai toh banti hai” – it is our Ranchiwaale Gaanewala’s birthday (now its about time to give him a new name, he is no longer in Ranchi 🙂 ). It has a lot of activity in it and our sutradhaar is a hyperactive person. I don’t need to give any proof to show his level of activeness, his commitment to his pets, work and the blog is proof enough. There have been days when I have found him online early in the morning with a post at 5:45 a.m. and a few times his last post has been at 12 in the night. Hats off to his dedication. Approximately 10804 posts (on the day this is being written) and still having a lot of ideas to connect with songs and give us new post daily – AMAZING. Thank you Atulji for giving us this group and site to turn to.

Before I sat to write all this, I read through what I had written last year and I feel the same even now- May God give Atulji health, peace of mind, lots of time and good infrastructural support in the form of unending internet and electrical connections. And we will not mind him being absent from the blog when his family is around as they are more entitled to his time. (Hope he enjoyed his first vacation, this year, after he started the blog) And hope he doesn’t mind us pestering him with our farmaishes. Here is hoping he gives us many opportunities to celebrate and we will keep presenting him with lovely songs.

Coming to today’s song it is from the 1990 release “Izzatdaar” which starred the stalwart Dilip Kumar in the lead with the south Indian actor Raghuvaran as villain. Another southern star- Swapna- played Dilip Kumar’s daughter, Madhuri played his grand daughter and Govinda plays a man who works for the underworld (I think) but gets reformed on falling in love. (the powers of the feeling of love 🙂 ). It was a revenge story with Dilip Kumar avenging his daughter’s death etc. with lot of Bollywood masala. It was directed by K Bapaiah, Anand Bakshi wrote songs which were composed by Laxmikant Pyaarelal. Amit Kumar and Alka Yagnik are the playback.

Wish you a very happy birthday Atulji

 

Song – Ek Rasgulla Kahin Phat Gaya Re (Izzatdaar) (1990) Singer – Alka Yagnik, Amit Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Alka Yagnik + Amit Kumar

Lyrics

sun o mister 
o mister 
sun o mister o mister 
mister o mister 
ek taaza khabar

mmmmmmmmm
mmmmm mmmmmm

mmmmmmmmm
mmmmm mmmmmm

ek rasgulla kahin phat gaya re..ae..ae
re baba re
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re
oooo ooooo ooo
ek rasgulla kahin phat gaya re..ae..ae
re baba re
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re

aandhi chali jor ka toofan aa gaya
aandhi chali jor ka toofan aa gaya
mandir se baahar bhagwan aa gaya
bhagwan aa gaya
log samjhe qayamat aa gayi re..ae..ae
re baba re
sara jag ulat pulat gaya re 
ek rasgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re

meri haan mein haan tu milata jaa
gale pada dhol bajaata ja
meri haan mein haan tu milata jaa
gale pada dhol bajaata ja
bajaata ja
kaisi ye musibat mere galey pad gayi..ee..ee
kya bola re
bhoot koi mujhse chimat gaya re 
ek roshgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re

ha ha ha ha ha haaa
wo roshogulla tha ya atom bam tha
atom bam se 
thoda sa hi kam tha
hey

wo roshogulla tha ya atom bam tha
atom bam se thoda sa hi kam tha
thoda sa hi kam tha
rashiya bhi sun ke darr gaya re 
re baba re
amrika bhi peeche hat gaya re 
ek rasgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re 
ek roshagulla kahin phat gaya re 
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सुन ओ मिस्टर
ओ मिस्टर
सुन ओ मिस्टर ओ मिस्टर
मिस्टर ओ मिस्टर
एक ताज़ा खबर

म्मममममम
म्ममम म्मममम

म्मममममम
म्ममम म्मममम

एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
रे बाबा रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे
ओss ओsss ओss
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
रे बाबा रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे

आँधी चली ज़ोर का तूफान आ गया
आँधी चली ज़ोर का तूफान आ गया
मंदिर से बाहर भगवान आ गया
भगवान आ गया
लोग समझे कयामत आ गई रे॰॰ए॰॰ए
रे बाबा रे
सारा जग उलट पुलट गया रे
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
फट के जलेबी से लिपट गया रे

मेरी हाँ में हाँ तू मिलाता जा
गले पड़ा ढोल बजाता जा
मेरी हाँ में हाँ तू मिलाता जा
गले पड़ा ढोल बजाता जा
बजाता जा
कैसी ये मुसीबत मेरे गले पड़ गई॰॰ई॰॰ई
क्या बोला रे
भूत कोई मुझसे चिमट गया रे
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
फट के जलेबी से लिपट गया रे

हा हा हा हा हा हा हा॰॰आ॰॰आ
वो रोशगुल्ला था या एटम बम था
एटम बम से
थोड़ा सा हि कम था
हे
वो रोशगुल्ला था या एटम बम था
एटम बम से थोड़ा सा हि कम था
थोड़ा सा हि कम था
रशिया भी सुन के डर गया रे
रे बाबा रे
अमरीका भी पीछे हट गया रे
एक रसगुल्ला कहीं फट गया रे
फट के जलेबी से लिपट गया रे
एक रोशगुल्ला कहीं फट गया रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3578 Post No. : 14327

“Teri Paayal Mere Geet”(1993) was produced by Prem Lalwani and directed by Rehman Naushad. The movie had Govinda, Meenakshi Sheshadri, Shakti Kapoor, Kadar Khan, Bharat Bhushan, Johny Lever, Nivin Nischol etc in it.

The movie had a theme that was more 1960s than 1990s and it came as no surprise that the movie had few takers at the box office.

The movie had eight songs in it. Here is the first song from “Teri Paayal Mere Geet”(1993) to appear in the blog. The song is sung by S P Balasubrahmaniam. Hasan Kamal is the lyricist. Music is composed by Naushad.

The picturisation shows Govinda lip sayncing this song while staying hidden from the views of Shakti Kapoor and Meenakshi Sheshadri.

With this song, “Teri Paayal Mere Geet”(1993) makes its debut in the blog.


Song-Baat sabse karo pyaar hamse karo (Teri Paayal Mere Geet)(1993) Singer-S P Balasubramaniam, Lyrics-Hasan Kamaal, MD-Naushad

Lyrics

sabhi milne ko milte hain
magar kab dil se milte hain
mohabbat karne waale to
badi mushqil se milte hain

tumse ek arz hai tum agar maan lo
baat sabse karo pyaar humse karo
baat sabse karo pyaar humse karo
tumse ik arz hai tum agar maan lo
baat sabse karo pyaar humse karo
pyaar humse karo
pyaar humse karo o o

sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
apna deewaana sabko banaate raho
apna deewaana sabko banaate raho
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
pyaar humse karo
haan

sabko ye roop
ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
sabko ye roop ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
tumko tan chaahiye humko man chaahiye ae ae
tumko tan chaahiye humko man chaahiye
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
pyaar humse karo
pyaar humse karo


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to Atuldom

We have had two posts today celebrating the birth anniversary of the one and only Mohd. Rafi. And both were excellent posts. Our Avinashji has managed to remember Mahipal’s birth anniversary too. Great job!

Today also happens to be the birthdate of an actor/ star shining in Bollywood since 1984. I won’t say he didn’t struggle to find his place in Bollywood. I won’t say that being the son of a producer made things easy for him. He began by playing one the many young characters in Umesh Mehra’s “Humare Tumhare”. He assisted director Bapu who was then directing “Hum Paanch”. I am talking of Anil Kapoor. It is hard to believe he turns 61 today. I saw a recent movie of his, this morning on one satellite channel where his physique matches his young nephew- Arjun Kapoor- who was his co-actor. I seem to have been seen a lot of movies of his post 1990 when he played a mentor obsessive of his protégé- Taal. He has played a mentally retarded man who is a very understanding and supportive husband in Eeshwar, a modern city educated son of a proud village headman who gets his priorities right when he sees his father hacked to death in Viraasat. Oh, definitely he is a master of all genres when in front of the camera including comedy. I can list out all his collaborations with David Dhawan to prove my point here. But I will pick a movie called “Deewana Mastana” and the rest of the post will explain why this particular movie.

There is one other actor who had his birthday this week. He too, like Anil Kapoor, belonged to a family connected with Bollywood. His father was an actor in the forties till mid-fifties and mother was a classical singer of the Patiala Gharana and also an actress of the forties. Our actor/ star who is their son is one of Arun Kumar Ahuja and Nirmala Devi’s six children- Govinda. His birthday was on 21st and he turned 54 only!!? Should be considering he was born in 1963. He too began his journey in Bollywood in the 80s, playing second fiddle to the likes of Raj Kumar – Marte Dum Tak, Dilip Kumar- Izzatdaar; Dharamendra – Dadagiri and a few more; Vinod Khanna, Shatrughan Sinha, Rajnikant , Amitabh Bachchan, Rajesh Khanna, Jeeteedra and all the top stars of that period. He played into the hearts of the audience with his dancing abilities which he had honed after seeing Mithun in Disco Dancer. I remember I was floored by the way he danced in Pahlaj Nihalani’s “Ilzaam” to the “street dancer” song. But he found his comic capabilities on teaming up with David Dhawan and then we were drowned in a sea of ‘No:1’ movies.
Though Deewana Mastana didn’t carry the ‘No:1’ tag it was still a rib-tickler. We had Anil Kapoor as Raja ganging-up with Johnny Lever as Ghafoor against Govinda as Bunnu and trying to woo the beautiful Psychiatrist Dr. Neha (Juhi Chawla). And without resorting to buffoonery these two keep the proceedings lively. All the comedy is through the dialogues. There is one particular scene where Bunnu and Raja discus all the movies that ever-had love-triangles in them and how eventually one person has to sacrifice his love but the movie had a unique ending with both the suitors losing the girl 🙂 .

Today’s song is a party number where the whole cast joins the lead three. It is written by Anand Bakshi and Laxmikant-Pyarelal were the composers. Kavitha Krishnamurthy, Udit Narayan and Vinod Rathod are the singers. The movie was produced by Ketan Desai.

Happy Birthday to Anil Kapoor and belated wishes to Govinda.


Song-Head ya tail (Deewaana Mastaana)(1997) Singers-Vinod Rathod, Udit Narayan, Kavita Krishnamoorty, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Vinod Rathod + Kavita Krishnamoorthy

Lyrics

Laa lara laa
ishq hazaaron karte hain
par aashiq sabka naam nahin
yeh sab ke bas ka kaam nahin

head ya tail
head ya tail
pyar mohabbat dil ka khel
head ya tail
head ya tail
pyar mohabbat dil ka khel
iss khel mein koi hai pass
iss khel mein koi hai pass
koi hai pass
to koi hai fail

hey
head ya tail

head ya tail
pyar mohabbat dil ka khel
head ya tail

head ya tail
pyar mohabbat dil ka khel
is khel me koi hai pas
is khel mein koi hai paas
koi hai paas
toh koi hai fail

head ya tail
head ya tail
pyaar mohabbat dil ka khel

do dilon ke beech mein jo aayega
aayega
muft mein bemaut maaraa jaayega
do dilon ke beech mein jo aayega
aayega
muft mein bemaut maraa jaayega
dekhta hi reh jaayega villain
arre dekhta hi reh jaayega villain
hero heroine ko le jaayega

haan aaj ho ya kal
hoga do dilon ka mel
hoga do dilon ka mel
hey head ya tail
head ya tail
arre pyaar mohabbat dil ka khel

bade bade haar gaye
iss khel mein
iss khel mein
thhode paagal khaane gaye
thhode jail mein
thhode jail mein
arre bade bade haar gaye
iss khel mein
thhode paagal khaane gaye
thhode jail mein
dariya mein doob gaya thha mahiwaal
dariya mein doob gaya thha mahiwaal
raanjhe ka ho gaya thha majnu sa haal
romeo ka ho gaya thha heart fail

ho gaya thha heart fail
hey head ya tail
head ya tail
pyaar mohabbat dil ka khel
is khel mein koi hai pass
is khel mein koi hai pass
koi hai pass
toh koi hai fail
head ya tail

head ya tail
pyaar mohabbat dil ka khel
bolo head ya tail
head
tail


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

On this blog, Atul has a page for birthdays of various Hindi film artistes. He has meticulously kept track of these dates and makes it a point, as much as possible, to post a song honouring the artiste on the concerned date. That is like a doctor treating his patients.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the story of a ‘self-proprietorship firm’ uniquely named ‘Atul Song A Day’ (hereinafter called the Company) which was set up on July 19, 2008 by Atul Besra. In his venture, he received encouragement from Raja, his Cricforum friend. The mission was to produce at least one song a day. However, due to abundant supply of ‘raw material’ and the demand for the ‘finished product’, the production was increased to more than one song a day within 3 months of its existence.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The last time I discussed my dogs was in february 2013, which was more than two years ago. My dogs were two years old at that time. Now they are four years old. So they have become twice as old as they were at that time.
Read more on this topic…


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

By the time 1990s came along Hindi movies were getting loud, the heros were mannerless, ill-bred uncouth fellows. Sadak Chhap Romeos with a heart of gold, diamonds in the rough who start out rather badly, but by the end, redeem themselves by doing the right thing.
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I have posted a song from “Joru Ka Ghulaam” (1972) where Rajesh Khanna was the lead actor. Another movie of the same name was released in 2000, and guess who was the lead actor in this movie ? It was Twinkle Khanna, daughter of our beloved Kaka.
Read more on this topic…


Bollywood music touched its nadir in 1980s when “Disco” music took over the music scene. The fact that Bappi Lahiri and Mithun da were the biggest beneficiary of that era says it all. Bappi Lahiri (though capable of creating great music) preferred to create forgettable music. Mithun da indulded in so called disco “densing”, which, if you watched closely, bore little resemblence to actual “densing”. “Densing”, incidentally was how Mithun da pronounced “dancing”.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14600 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14646

Number of movies covered in the blog

Movies with all their songs covered =1147
Total Number of movies covered =4000

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  • 10,789,033 hits

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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