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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shakti Kapoor


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3709 Post No. : 14636

Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.

There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.

While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.

He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.

On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.

Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.

The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.

There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.

For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.

Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.

Ganpati Baapa Moryaa. . .

 

Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila  (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus

Lyrics (Provided by Prakash Chandra)

ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa

muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

hho o o hho o hho o
ahaaaa…aaaaa

vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

burrrrrrrrrr aaahhaaaaa

shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana

dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le

zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein  bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila

jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3699 Post No. : 14617

Hullo to all in Atuldom

I have written two posts in the past to celebrate this actor’s birthday. Both times the occasion had been a last-minute discovery. Also last year I happened to discover that this actor shared his special date with music composer- Pyarelal Ramprasad Sharma, of the Laxmikant- Pyarelal duo.

Pyarelal Sharma was the son of a trumpeter popular as “Babaji” or Ramprasad Sharma and learnt the basics of music from his father. He was tutored to play the violin by a Goan musician, Anthony Gonsalves – a music composer and arranger who had assisted many prominent music directors of the 50s & 60s and it is widely believed that hugely popular song “My name is Anthony Gonsalves” that Laxmi-Pyare composed for Manmohan Desai’s Amar Akbar Anthony was a tribute to Pyarelalji’s music teacher. He made his entry into movies along with Laxmikant Kudalkar by assisting all the reputed composers of the 50s. In fact, they also assisted R D Burman in his first movie “Chhote Nawab” and their friendship continued even after L-P made a name for themselves in later years. The stats page of our blog gives the number of songs by this duo as 2901 and we have posted only 772 songs; so that leaves us with a very wide choice to go with this post.

But when we try to find songs in combination with the actor who turns a year older today, things become slightly difficult. Though L-P have given music to many movies that starred this actor there are very few songs actually picturised or choreographed on him. This is partly because in the period when L-P were active this actor used to primarily play villainous roles. He might be present on the scene during a song or two but not actually shake a leg, “John Jaani Janardhan” from Naseeb is one such example (that was an L-P composition)- our today’s birthday boy is present in the song as Amitabh’s boss. Now I see an “Aah! I know who she is talking about” reaction from whoever is reading this.

Of course, there are two bosses for Amitabh in that song and so, without further ado, let us wish Shakti Kapoor on his birthday. 🙂
Today’s song is from Yash Johar’s Dharma Productions’ 1990 release “Agneepath” which was directed by Mukul Anand. The title was taken from Harivanshrai Bachchan’s poem with the same name which is recited at the beginning of the movie. It starred Amitabh Bachchan and Danny in main characters and Shakti Kapoor plays himself (an actor visiting Kancha Cheena, the villain, in his den) in a guest appearance for a song and dance sequence along with Archana Puran Singh.

The song confirms, what I always felt, that Shakti Kapoor was a better dancer than many of the lead actors, barring Mithun Chakravarty Jeetendra or Govinda (to name a few of our good dancing actors), of that time who used to be his co-stars. He definitely had a sense of rhythm. And he looks so good in this song, that I have a feeling he should have got a few lead actor or hero-type roles. I remember seeing him in a movie where Smita Patil falls in love with him and marries him only to be cheated later on. The same was the case with Swaroop Sampat in Himmatwala and Karamdaata.

The song was written by Anand Bakshi. Aadesh Shrivastava and Runa Laila are the playback singers. Goga Kapoor and Bob Christo are seen frolicking around in the party.

Here is wishing Pyarelalji and Shakti Kapoor a very Happy and musical birthday today (3 september 2018).


Song-Ali baaba mil gaya chaalis choron se (Agnipath)(1990) Singers-Runa Laila, Aadesh Shrivastava, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

ali baba
ali baba
mil gaya chaalis choron se
ali baba
ali baba
mil gaya chaalis choron se

jhoomo
naacho
jhoomo naacho gaao
jhoomo
naacho
gaao
o yaaron zoro shoron se
ali baba
ali baba
mil gaya chaalis choron se
ali baba
oo laa
??
??
ek shaayar ka kahaa
sun le zamaane waale
dost hote nahin sab
haath milaane waale

kaun hai dil mein
kis pe nazar hai
kaun hai dil mein
kaun hai dil mein
kis pe nazar hai
kis pe nazar hai
tumko pata hai
humko khabar hai
nahin kuchh kehna auron se
ali baba
oo laa aa
ali baba
mil gaya chaalis choron se
ali baaba

hmm
raaz hote nahin ye
sabko bataane waale
dost hote nahin sab
haath milaane waale

aisi cheez
koi pi li hai
ho aisi cheez
koi pi li hai
pyaas bujhi nahin
aag lagi hai
ye dil dhadka hai zoron se
ali baba
oo laaa aa aa
ali baba
mil gaya chaalis choron se
ali baba

hmm
jaam hote nahin sab
peene pilaane waale
dost hote nahin sab
haath milaane waale

yaa yaa yaa
??

door tumhen jaane na doongi
ho door tumhen jaane na doongi
baandh ke tumko main rakh loongi
ghani zulfon ki chhaaon(?) mein
ali baba
oo laa
ali baba
mil gaya chaalis choron se
ali baba

hmmm
yaar hote nahin sab
pyar jataane waale
dost hote nahin sab
haath milaane waale

jhoomo
naacho
jhoomo naacho gaao
jhoomo
naacho
gaao
o yaaron zoro shoron se
ali baba
oo laa aa aa
ali baba
mil gaya chaalis choron se
ali baba
oo laa aa
aaaaa

ali baba
oo laa
aaaaa

ali baba


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3578 Post No. : 14327

“Teri Paayal Mere Geet”(1993) was produced by Prem Lalwani and directed by Rehman Naushad. The movie had Govinda, Meenakshi Sheshadri, Shakti Kapoor, Kadar Khan, Bharat Bhushan, Johny Lever, Nivin Nischol etc in it.

The movie had a theme that was more 1960s than 1990s and it came as no surprise that the movie had few takers at the box office.

The movie had eight songs in it. Here is the first song from “Teri Paayal Mere Geet”(1993) to appear in the blog. The song is sung by S P Balasubrahmaniam. Hasan Kamal is the lyricist. Music is composed by Naushad.

The picturisation shows Govinda lip sayncing this song while staying hidden from the views of Shakti Kapoor and Meenakshi Sheshadri.

With this song, “Teri Paayal Mere Geet”(1993) makes its debut in the blog.


Song-Baat sabse karo pyaar hamse karo (Teri Paayal Mere Geet)(1993) Singer-S P Balasubramaniam, Lyrics-Hasan Kamaal, MD-Naushad

Lyrics

sabhi milne ko milte hain
magar kab dil se milte hain
mohabbat karne waale to
badi mushqil se milte hain

tumse ek arz hai tum agar maan lo
baat sabse karo pyaar humse karo
baat sabse karo pyaar humse karo
tumse ik arz hai tum agar maan lo
baat sabse karo pyaar humse karo
pyaar humse karo
pyaar humse karo o o

sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
apna deewaana sabko banaate raho
apna deewaana sabko banaate raho
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
pyaar humse karo
haan

sabko ye roop
ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
sabko ye roop ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
tumko tan chaahiye humko man chaahiye ae ae
tumko tan chaahiye humko man chaahiye
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
pyaar humse karo
pyaar humse karo


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo Atulwaasis

Today’s(3 september 2017) post is inspired by this post of Atulji. To be more exact I have been saving up this post ever since this was posted and this was mentioned in the comments by Bharatji and Maheshji.

I was saving this song to present it on the occasion of the birthdate of two people involved in this song.
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (10 may 2017) is the third anniversary of passing away of character actor Sudhir (10 May, 2014).

Now the last I had seen him in a movie was in ‘Jhoom Barabar Jhoom’ in 2007 in a blink and miss role. Then we had also seen him in movies like ‘Dulhe Raja’ (1998) in a slightly less brief role with some comic timing thrown in. Prior to this I can remember him in Shahrukh Khan’s ‘Baadshah’ (1999) where also he had some comedy in the situation of his character. In the interim he was also seen in a few television serials. But of course if someone asked me who Sudhir was I can say that he was the smart guy (smarter than Dev Anand if I am allowed to say) in ‘Gambler’ (1971) who sits besides the heroine, Zahida, in the song “Dil Aaj Shaayar Hai Gham Aaj Naghma Hai“. But I had no material at hand to write about Sudhir. For example, I didn’t know where he was from etc. He played characters that were always behind the scenes in many of his movies like ‘Shareef Badmash’ (1973) etc. I checked online and found that his real name was Bhagwandas Mulchand Luthria. I also learnt that he is uncle to Milan Luthria who has made a few movies in recent times. Then on further googling I also saw that he had produced a movie or two (according to IMDB.com). It seems he was also an assistant director.  But nothing more that would stand out so I am leaving it to our experts in Atuldom to fill about this character artiste.

[Ed Note: Please see the post for the song “Na Maano To Koi Shikaayat Nahin” from film ‘Ustad 420’ (1969), as well as the comments therein. The comments plus the post provide a fairly detailed bio sketch of the character actor Sudhir.]
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Does the name Sunil Sikanderlal Kapoor ring a bell in our minds? No? But if I say “Nandu, sabka Bandhu”, will that help us to identify the person I am talking of? I think the answer will be yes, by some of the regulars in the blog. Now one more famous line from this actor—“main crime master GO-GO, ankhen nikal ke goti kheloonga”. I can quote so many of his dialogues that I will stop here or the readers will say –“Samajhta nahin hai yaar” (she is boring us). Now I am sure that all of you would have come pretty close to identifying the actor who celebrated his 58th birthday yesterday (3rd September).
(Note: The article was received in good time yesterday, but could not be posted in time. 🙂 )
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

July 18th is an important date in the life of atulsongaday.me. Actually it marks the eve of the birth of the blog itself. I wonder what must have been Atul ji’s sphere of activity on the day prior to this date in the year 2008 when the blog was launched. Last year on this date we were on a countdown to reach our song number 10,000. With this post, we stand at 11,295.
Read more on this topic…


I was not aware that there are quite a few new year songs in Hindi movies. I may not be aware of them, but the knowledgeable readers and contributors of this blog are quite aware of such songs.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

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Movies with all their songs covered =1150
Total Number of movies covered =4034

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