Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


“Amar” (1954) is a movie starring Dilip Kumar and Madhubala. Those were the days when the two of them were actually romantically involved and their off screen chemistry used to be visible in their on screen performances too.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Saigal Saab and Suraiyyaa were to be paired together in 3 films between 1945 and 1947. Tadbeer (1945) was the first such film in which these two singer-star sensations came together. Tadbeer is a social drama produced and directed by Jayant Desai. The film presented an impressive star cast that includes Saigal Saab, Suraiyyaa, Mubarak, Jillobai, Rehana, Salvi, Reva Shankar, Amina, Shalini, Raja Joshi and Shashi Kapur. (This last name is not the Shashi Kapoor that we are all familiar with).
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When I look back at the list of pending farmaishes in the farmaish page of this blog, I see that the oldest farmaishes are by sid for a few K C Dey songs. All these days, I did not know where to find these songs. Now I have been able to find these rare songs. So I will try and clear the backlock of this and other pending farmaishes.
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Though I have discussed as many as seven songs from “Nastik” (1954), I was not aware of this song till a few hours ago.

This song is a bhajan cum public lament. In this song, Ajit, Usha Kiran and others are sitting in a temple in front of the idols of gods and Ajit sings this song. The song states that non believers tend to blame God for their misdeeds, but their efforts to give a bad name to God cannot succeed. God’s flag will always fly high, come what may.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

With the songs of Saigal Saab, there is an interesting phenomena; every time you listen to one of his renditions, the mind’s response is that there is nothing better than this soulful song or ghazal just heard. And then one gets to hear another song or ghazal, and the mind searches for newer adjectives now to suit another creation by this perceptive artist.
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