Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


Though I have discussed as many as seven songs from “Nastik” (1954), I was not aware of this song till a few hours ago.

This song is a bhajan cum public lament. In this song, Ajit, Usha Kiran and others are sitting in a temple in front of the idols of gods and Ajit sings this song. The song states that non believers tend to blame God for their misdeeds, but their efforts to give a bad name to God cannot succeed. God’s flag will always fly high, come what may.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

With the songs of Saigal Saab, there is an interesting phenomena; every time you listen to one of his renditions, the mind’s response is that there is nothing better than this soulful song or ghazal just heard. And then one gets to hear another song or ghazal, and the mind searches for newer adjectives now to suit another creation by this perceptive artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

The film ‘Musafir’ (1957) is one of the most endearing movies for me. It is a remarkable and a representative perspective of the cycle of life. It is about a now forgotten era when our society was still sensitive to human values and faith was the bedrock of all relationships. The film brings forth reality of small town and the simple middle class folks of the 1950s engaged in punctilious fulfilling of their daily routines of life. Many of us, who toiled ceaselessly (or have seen our parents toil) after the 1947 partition to bring up their families in the 50s and 60s, would easily relate to these themes.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Meena Kumari, born Mahajabeen Bano, lived a relatively short life of 39 years, of which all but 4 years, she was working on the silver screen. Born of parents both of whom were stage and cinema artists, she took to working in films at the fragile age of four. She wanted to go to school, but the domestic economic situation decided otherwise for her. Her career took off in 1952/53 with hits like Baiju Baawra and Madhosh, and by the time she breathed her last in 1972, she had already acted in ninety plus films, and won 4 Filmfare awards. In the year 1962, she made history as being the only actress with three nominations for the best actress award in the same year (for Aarti, Mein Chup Rahoongi, and Sahib Biwi Aur Ghulam).
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