Posts Tagged ‘Laxmikant Pyaarelal’
Ae Dost Kisi Roz Tu Pachhtaayega
Posted on: July 31, 2023
- In: "Advice" song | Artist century song in blog | Century songs for the blog | Devnagri script lyrics by nahm | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by nahm | Rafi solo | Rafi songs | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 3 Comments
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5491 | Post No. : | 17928 |
Tribute to Mohammad Rafi on 43rd death anniversary
We come to that day again, when the death anniversary of Rafi Sahab becomes the subject of talk, discussion, posts in the blog, awe-inspiring for learners and a deep-thinking day for die-hard fans like me. As I grow older, the word ‘fan’ in this context sounds basic and amateur. Not that it is anything great for me to be a ‘fan’ per se, because I am but a speck on this mortal earth, whereas Rafi Sahab’s voice and songs have attained immortality.
We are 6 months away from the beginning of centenary year of Rafi Sahab. There was only one Mohammed Rafi, he had no sibling, nobody could follow closely in his shadow, to constantly compete with. No one to keep him on his toes, always threatening to overtake. No one could make him feel insecure, for he was a pious Khuda ka banda who had faith as a guiding light. In his career of 35 years, he was able to take snubs or insults in his stride, with a smile, as he did the adulation and respect showered on him. For the faith tells him that all izzat and zillat is from Almighty Allah. No one else has any ability to give anything to anybody, but Him.
In this materialistic era, it is very difficult to keep this sort of faith and belief, which gives total peace to the soul. Rafi Sahab had that peaceful demeanor, which he always wore in his smile.
I remember a quote from a friend. She said that Rafi Sahab has the aura or presence that emanates peace. She said this when we were talking about him one day years ago. It is only now I am trying to understand what she meant by that. Rafi Sahab was not a threat to anybody, nor could he feel threatened by anybody. He expected nothing as his due from people and he was forever grateful for whatever barakah he received. And he pointed to the sky and said – “sab uparwale ki den hai”. These 5 words uttered in so low a voice that it will not register, if the listener was not concentrating, intent on absorbing every word.
Lata Mangeshkar has said in interviews about him that – “bahut shaleen svabhaav ke the, un ko gussa kabhi nahi aata thha”. There are many artists and others who worked with him and knew him, have said similar things.
Now let’s move to some research and analysis on the phenomena called Rafi Sahab.
A few days ago, this post appeared in the blog “Tore Kurte Se Tohra Tan Jhalke“. Mahesh ji has raised some questions in the post vis-à-vis Mukesh-Naushad, Rafi-Naushad and Mukesh-Lata-Naushad. While reading the post, my first thought was, hey. . . Naushad had Mukesh sing for Rajendra Kumar in ‘Saathi’. Then came the next thought – maybe it was almost two decades later after Andaaz. The table giving the list of songs confirmed it.
| Naushad (1940-2004) | 540 | 64 movies (593) |
As can be seen above, Naushad’s score is 593 songs in 64 movies in a career spanning more than 60 years. It averages to more than 9 songs per movie. Even at the top of his career, he was doing 2-3 films per year in 50’s which trickled down to 1-2 in 60’s. In the 40’s too he was less prolific. 19, 10 and 9 songs of GM Durrani, Shyam Kumar and Surendra respectively, were almost all in the 40’s. GM Durrani had one song in ‘Deedar’. By this time not just Mukesh, but all the others were out of the picture for Naushad, including the great Saigal. Similarly, Naushad had pretty much replaced everyone else (including Shamshad Begum) with Lata Mangeshkar by early 50’s. What could be the reason for Rafi ending up with only 159 songs for Naushad, despite being his only choice as male singer, throughout 50’s and 60’s? The explanation for this is that the era of 40’s and 50’s the films had more female songs than male ones. Then who is most prolific singer for Naushad? The answer is Lata Mangeshkar with highest number of songs with 200-250 songs, or more at a guess.
Then Mahesh ji answered his own question in the comments with this statement 🙂 – “I think Naushad would have avoided Mukesh in any case as in Rafi he found an irreplaceable singer apt for his compositions and the discipline and manners that he expected.”
And Naushad is not in isolation, as far as his preference for Rafi Sahab is concerned, as his sole male singer. There are scores of composers including Madan Mohan, Ravi, Chitragupt, C Ramchandra, Roshan, Hansraj Behl, Husnlal Bhagatram, OPN, Laxmikant Pyarelal, Shankar Jaikishan, SD Burman and RD Burman, among others. All of them ended up with movies which had only Rafi as the male playback singer. People say SDB was partial to Kishore Kumar, but I say he was partial to Rafi, and in many movies, he had Rafi sing for Dev Anand. Dev Anand’s friendship with Kishore Kumar is well known, but SDB was getting full scores by Rafi on Dev Anand, even when Kishore Kumar was giving playback only to Dev Anand. The celebrated ‘Guide’ is only one part of it.
The superstar Rajesh Khanna was never known to be partial to Kishore Kumar at least he did not put pressure on Laxmikant Pyarelal to have only Kishore Kumar as his playback singer. He was the superstar, he could have dictated anything, but he did not. In this way Rajesh Khanna favoured Rafi Sahab, when the maestro’s career was at a low point.
Another point raised by Mahesh ji is about the duets that were not composed by Naushad with Mukesh and Lata Mangeshkar. Only such duet is in ‘Sunehra Sansaar’ 1975. But Naushad was not known for composing many duets, though I see 4 duets with Shamshad in ‘Mela’ (1948). But otherwise, Naushad composed few duets of even Rafi-Lata. One can try to put Mukesh’s voice in any of the Rafi solos and duets composed by Naushad, with the help of AI and see the results. Purely as a matter of interest and study, not to make any point here.
Through 1950’s Naushad’s compositions were based on Hindustani classical, for which Rafi’s classical training was a plus point. Or rather, because he had Rafi Sahab to deliver them, Naushad could compose such classics.
As I said above, there were music directors, who stuck to Rafi, there being other talented and specialist genre singers available, because in him and with him they found freedom to create songs, without fear or worry of whether the song would turn out well, or the singer will be able to perform the song as imagined. Their creativity demanded that they make the most of Rafi Sahab’s versatile gifted abilities. Then there were those, whose egos got the better of them and they denied this fact and avoided Rafi Sahab, only to go into exile or to be sidelined by their close ones in the film music circles. These very same people came full circle decades later to get Rafi sahab to sing for them. There was Khaiyyam, whose debut movie had superlative Rafi solos, who could not /or would not continue with him. It was Rafi Sahab who requested Khaiyyam to record those non-film songs.
There are a few talented persons even today, who are singing his songs all over the world and making vlogs about those songs, and they refrain from taking Rafi Sahab’s name, when discussing and explaining those songs and their murkiyan and they teach technique to make it easy for the new learners to grasp the nuances. So be it, who are we to begrudge them their choices and their ways of earning a livelihood.
For this anniversary post, I am presenting a simple rendition of Anand Bakshi’s poetry, composed by Laxmikant-Pyarelal for the film ‘Mera Dost’ (1969). The lyrics are meaningful, and they remind me of my own poem/ghazal which I wrote last year. I gave it the title “Ibrat” which means “a lesson well learned and remembered” in my own dictionary. It is one of those words whose meaning Google cannot fully understand.
عبرت
میںکچھچاہتیہوںلکھناعبادتکیطرحسے
کہخواہشنھیھِےاقبالساحر و فِیضکیطرحسے
گرکْچھنہکہوںتوکیاکہوںاےخْدا
جوتیرسانکلےپرتعبیرنہۃوخوابکیطرحسے
عشقپیداہواتوعاشقچلابازارتک
کہغیرکولےجاوںگاغیرتکیطرحسے
گواہیدیتیہےتاریخزندانکیدیواروںپر
توسنتوزرااسکوعبرتکیطرحسے
آنکھیںہوںکبوترکیاورلبوںکوسیلے
جوتجھےناکامشہرتلگےعزّتکیطرحسے
دوستتجھےجوچاہیےچھینلےمجھسے
پروعدہہےاداتوہیکرےگاقیمتکیطرح ے
Ibrat
main kuchh chahti hoon likhna ibaadat ki tarah se
ke khwaahish nahin hai iqbal, saahir wa faiz ki tarah se
gar kuchh na kahun to kya kahun aye Khudaa
jo teer sa nikle par ta’abeer ho khwaab ki tarah se
ishq paida huaa to aashiq chala bazaar tak
ke gair ko le jaaunga gairat ki tarah se
gawaahi deti hai taareekh zindaan ki deewaron par
tu sun to zara is ko ibrat ki tarah se
aankhen hon kabootar ki aur labon ko si le
jo tujhe nakaam shohrat lage izzat ki tarah se
dost tujhe jo chahiye chheen le mujh se
par wa’ada hai adaa tu hi karega qeemat ki tarah se
This is just amateurish poetry and I feel too embarrassed to show them to a Ustad. It is my creativity and its 100% amateur, but original. The millennials are taking to free style poetry like a storm. So, I am also joining their throngs 🙂 .
Back to Rafi Sahab and the song. A song made special by the mere rendering of it by Rafi Sahab. Note how every word is infused with meaning and how many variations the word ‘Ae’ is given, in stanza’s and in repetition of mukhda. No wonder, the musicians are still missing him, 43 years after he left this faani duniya. His brand of integrity and humility is rare and in short supply forever.
un safīnoñ kī tabāhī meñ hai ibrat kā sabaq
jo kināre tak pahuñch kar nazr-e-tūfāñ ho gaye
(Mahfuzur Rahman Adil)
(Editor’s note: With this song, Anand Bakshi, silently and unnoticeably completes 1200 songs in the blog as a lyricist.)
Song – Ae Dost Kisi Roz Tu Pachhtaayega (Mera Dost) (1969) Singer – Mohammed Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lyrics
ae dost kisi roz tu pachhtaaega
ae dost kisi roz tu pachhtaaega
jo aag se khelega wo jal jaaega
ae dost kisi roz tu pachhtaaega
ae dost kisi roz tu pachhtaaega
mat bhool badi bhool kiye jaata hai
mat bhool badi bhool kiye jaata hai
jo dard tu auron ko diye jaata hai
wo dard tere dil ko bhi tadpaaega
ae dost kisi roz tu pachhtaaega
ae dost kisi roz tu pachhtaaega
daulat ka nasha hosh udaa deta hai
daulat ka nasha hosh udaa deta hai
insaan ko deewana banaa deta hai
yeh jam utthaaya to behak jaaega
ae dost kisi roz tu pachhtaaega
ae dost kisi roz tu pachhtaaega
jo aag se khelega wo jal jaaega
ae dost kisi roz tu pachhtaaega
royega tu tadpega pareshan hoga aa
royega tu tadpega pareshan hoga aa
aur apne kiye pe tu pashemaan hoga
par haath gaya waqt nahi aaega
ae dost kisi roz tu pachhtaaega
ae dost kisi roz tu pachhtaaega
dekha na wahi baat hui saudaayi
dekha na wahi baat hui saudaayi
yeh paap ki daulat tere kis kaam aayi
tu apni khataaon ki sazaa paaega
ae dost kisi roz tu pachhtaaega
ae dost kisi roz tu pachhtaaega
———————————————————
Hindi script lyrics (Provided by Nahm)
———————————————————
ए दोस्त किसी रोज़ तू पछ्ताएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
जो आग से खेलेगा वो जल जायेगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
मत भूल बड़ी भूल किए जाता है
मत भूल बड़ी भूल किए जाता है
जो दर्द तू औरों को दिए जाता है
वो दर्द तेरे दिल को भी तड़पायेगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
दौलत का नशा होश उड़ा देता है
दौलत का नशा होश उड़ा देता है
इन्सान को दिवाना बना देता है
ये जाम उठाया तो बहक जाएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
जो आग से खेलेगा वो जल जायेगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
रोएगा तू तड़पेगा परेशान होगा
रोएगा तू तड़पेगा परेशान होगा
और अपने किए पे तू पशेमां होगा
पर हाथ गया वक़्त नहीं आएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
देखा ना वही बात हुई सौदाई
देखा ना वही बात हुई सौदाई
ये पाप की दौलत तेरे किस काम आई
तू अपनी खताओं की सज़ा पाएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
ए दोस्त किसी रोज़ तू पछ्ताएगा
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5439 | Post No. : | 17831 | Movie Count : |
4766 |
Hullo Atuldom
There is this gorgeous lady who made her debut into the Hindi film industry in a title role; the movie released on 28th September 1973. That film was commercially successful, went on to win five awards in that year’s Filmfare Awards. It helped the film’s producer- director come out of debts which he had incurred with his previous magnum-opus debacle. The content of this film was the typical Romeo-Juliet kind of romance, presented in a new style; but the commercial success was attributed to the two-fresh-faced-delightful youngsters who emoted on-screen with ease. Small wonder that they won that year’s Best Actor & Best Actress Filmfare awards.
Sudhirji has written this, in a post to a song of this film, about how the girl is presented on-screen for the first time:-
“a girl in a white frock with grey dots and a red piping – standing next to the entrance, near the golden statue of a maiden carrying a pot of water, quenching the thirst of many kinds; and the strains of music that play on that first sighting – “Jeena Yahaan Marna Yahaan, Is Ke Siwa Jaana Kahaan”. As always, the master of melodramatic presentation, RK chose this oh so appropriate music to play when this simple young girl made her first presence on the screen, and into the hearts of million young men – yes – Is Ke Siwa Jaana Kahaan. …“
This image of the girl is what made many youngsters go weak in the knees back-then, almost like the effect her husband had on a whole lot of young girls of the early 1970s. Am I right, Sudhir ji?
The husband was Rajesh Khanna.
Oh yes, the girl – Dimple Kapadia, was all of 14 or 15 when she began shooting for her debut film- ‘Bobby’. By the time the shoot wrapped up she was already married to The Phenomenon Rajesh Khanna, breaking the hearts of many young girls & guys in the process. She simply turned her back on the industry, quit acting, mothered two beautiful daughters before making a comeback to films. She may have had her personal reasons to separate from Rajesh Khanna, that is not our lookout here. Her fans just welcomed her back with open arms and then there has been no stopping this versatile actress who has been seen in a variety of roles, many of which were author backed. She has won the Filmfare awards a few times, in various categories. She was also awarded the Best Actress National award for ‘Rudaali’ (1993). She is still active & her films can be seen on various OTT platforms – the last one ‘Saas, Bahu Aur Flamingo’ released on Disney/ Hotstar on 5th May 2023.
Yesterday, 8th June was her birthday- Here is wishing her all health and happiness (albeit belated)
For this occasion, I have chosen a song from the 1991 released ‘Ranbhoomi’ which was directed by Deepak Sareen & produced by Vijay Sinha. It was one of those regular, masaaledaar films, which had Shatrughan Sinha, Jeetendra, Rishi Kapoor, Neelam, Raza Murad, Shekhar Suman, Amita Nangia, Gulshan Grover, Parijat (never heard of her), Yunus Parvez, etc as Dimple’s co-actors. I must confess that I haven’t seen the whole film, only some parts, but I have seen a dance of Dimple’s as a kothewaali. That is the song we are going to see today. It is sung by Anuradha Paudwal written by Asad Bhopali, & Laxmi-Pyaare are the music directors.
I landed on this film in my quest to pay tribute to the lyricist Asad Bhopali, whose death anniversary it is today. ‘Ranbhoomi’ released almost a year after the passing of the lyricist. The song was for us to feast our eyes on the beautiful Dimple Kapadia
Asad Bhopali was born Asadullah Khan in Bhopal on July 10th, 1921 to Munshi Ahmad Khan. He was learned in Persian, Arabic, Urdu and English. AT 28 he moved to Mumbai to become a songwriter. That was the period of lyricists and songwriters of repute like DN Madhok, Prem Dhawan, Rajinder Krishan, Khumar Barabankavi, Jaan Nisar Akhtar etc. and Asad Bhopali managed to create an identity for himself.
Asad Bhopali has given songs which have been popular and can be heard on the radio & music systems regularly. Songs like “Wo Jab Yaad Aaye, Bahut Yaad Aaye“, “Kismat Bigadi Duniya Badli“, “Sau Baar Janam Lenge“, and the fun song in the late 1970s “Ram Dulaari Maike Gayi”. Today’s generation or those in their 30s currently will remember the songs of ‘Maine Pyar Kiya’ (1989) which was among his last movies. Radio Ceylon, in its morning program today, played some of his popular songs.
Thanking Asad Bhopali for today’s song and numerous others that he wrote for movies since his debut in 1949.
PS-It has been pointed out by Prakashchandra that Asad Bhopali has penned a few songs of this movie, but the song under discussion is penned by Santosh Anand.
Audio
Video
Song – Kaahe Mosey Karey Jora Jori Beech Bajariya Mein (Ranbhoomi) (1991) Singer – Anuradha Paudwal, Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal
Lyrics (Provided by Sudhir)
aaa aaa
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
beech bajariya mein
ambuwa ki daari
gaaye koyal kaari
ambuwa ki daari daari
gaaye koyal kaari
kar degi badnam saari nagariya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
jora jori
jora jori
beech bajariya mein
kaahe mosey karey jora jori
beech bajariya mein
koi kahe champa to koi chameli
koi kahe champa to koi chameli
itne deewaano ki chaahat akeli
roop ki rani hamaari nimaani
mere darwaje ki ye hai nishaani
saankal nahin hai kiwadiya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
jora jori
jora jori
beech bajariya mein
main to samajhti rupiye ki boli
ho main to samajhti rupiye ki boli
har ek samajhta main uski ho li
kya tu khareedega meri adaayen
deta rahega khud ko sazaayen
khud ko sazaayen
jee naa lagega naukariya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
jora jori
jora jori
beech bajariya mein
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
आssss आssss
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
अम्बुवा की डारी
गाये कोयल कारी
अम्बुवा की डारी डारी
गाये कोयल कारी
कर देगी बदनाम सारी नगरिया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
जोरा जोरी
जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
कोई कहे चम्पा तो कोई चमेली
कोई कहे चम्पा तो कोई चमेली
इतने दीवानों की चाहत अकेली
रूप की रानी हमारी निमानी
मेरे दरवजे की यही है निशानी
सांकल नहीं किवड़िया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
जोरा जोरी
जोरा जोरी
बीच बजरीया में
मैं तो समझती रूपिये की बोली
हो मैं तो समझती रूपिये की बोली
हर एक समझता मैं उस की हो ली
क्या तू खरीदेगा मेरी अदाएं
देता रहेगा खुद को सजाएँ
हाँ खुद को सजाएँ
जी न लगेगा नौकरिया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
जोरा जोरी
जोरा जोरी
बीच बजरीया में
Ae Mere Dil, La La La La
Posted on: October 6, 2022
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5193 | Post No. : | 17173 | Movie Count : |
4624 |
I first met him on screen in 1971. The film was ‘Mere Apne’, a story of a destitute old lady fallen on to hard times, intersecting with gang wars between young street smarts. I had heard his name before. In 1968, when Sunil Dutt launched his younger brother Som Dutt via his home production ‘Man Ka Meet’, one also read in the news that another new face was being introduced – name Vinod Khanna.
Remembering Vinod Khanna on his birth anniversary today. He would have been celebrating his 76th year on this planet. He passed away five years ago, on 27th April, after losing a battle with the dreaded cancer.
As the decade of 1960s came to a close, the latter half introduced a few handsome young men to the the Hindi screen, that would go on to make big name for themselves over next few decades – Rishi Kapoor, Rajesh Khanna, Jeetendra, Amitabh Bachchan – and yes, Vinod Khanna.
I was verily impressed by his screen presence in ‘Mere Apne’. An attractive physique, a stoic and solemn demeanor that is not easily ruffled, a determined and earnest quietness, an un-agitated dialogue delivery that conveys a commanding confidence. His screen presence felt good and comfortable.
As the decade would progress, there would be more impressive performances that added to his stature as an accomplished actor in Hindi cinema. Starting with the villain’s role in ‘Man Ka Meet’, he went on to doing side roles or shared leads in films like ‘Purab Aur Paschim’, ‘Mastaana’, ‘Aan Milo Sajna’ and ‘Sachcha Jhootha’ (all 1970) and ‘Reshma Aur Shera’ (1971), he moved into the lead role with the film ‘Hum, Tum Aur Who’ (1971) opposite Bharati. That year also witnessed two more of his great perfromances – ‘Mere Apne’ by Gulzar and ‘Mera Gaon Mera Desh’ by Raj Khosla. In the former he share the lead with Shatrughan Sinha, and in the latter with an established Dharmendra. And he stood his ground well in both these outings.
In 1972, we see him as the best friend of the hero in Gulzar’s ‘Parichay’. All this while, his presence in films is growing rapidly. In 1973 he plays the role of an army officer inadvertently caught in an illicit love triangle in ‘Achanak’, a film by Gulzar and KA Abbas. This role earned him a lot of critical acclaim.
In 1974, another very impressive performance in ‘Imtihan’ and also in ‘Haath Ki Safai’. For the latter performance, he got the Filmfare’s Best Supporting Actor award for the year. From 1976 I remember his roles in ‘Shaque’ and ‘Hera Pheri’. Moving on to bigger and better in 1977, we see him in ‘Parvarish’, the outstanding cops and robbers story ‘Inkaar’ and the blockbuster hit ‘Amar Akbar Anthony’.
1978 turned out to be yet another big year for him with films like ‘Main Tulsi Tere Aangan Ki’ and ‘Muqaddar Ka Sikandar’. 1979 saw him play the role of Rana ji in Gulzar’s ‘Meera’. And in 1980 he made it big with films like ‘Qurbani’ and ‘The Burning Train’. From 1981 I remember him in ‘Kudrat’, a film by Chetan Anand.
Although Vinod Khanna went on to a brilliant career, the above listed films are the ones that are in my mind as mine, my selection – I have watched them on the big screen.
In 1982, Vinod took a break in his career, to be with Acharya Rajneesh, his spiritual Guru. That break ended in 1986, as he returned to India, after Acharya Rajneesh was made to leave the US by the authorities. Coming back, Vinod rejoined the industry and continued with his career. We see him active in the industry all the way up to 2015. Later, the medical issues overtook his life and he passed away in 2017. His last role was in a film released posthumously in 2020 – ‘Guns Of Banaras’.
The song I present today is from the 1974 film ‘The Cheat’ aka ‘Farebi’. The film is from Jaimini Dewan Productions. (Readers will recall that Jaimini Dewan was the elder brother of actor Karan Dewan). It is directed by Sudesh Issar. The cast of the film is listed as Vinod Khanna, Maushumi Chatterjee, Nirupa Rai, Anwar Hussain, Fariyal, Ranjeet, Randhir, Uma Dutt, Jankidas, Dubey, Naidu, Nishan Singh, Haroon Khan, Madhu Chauhan, Shah Agha, Soni, Ratan Gaurang, Jawahar Chopra, Sunil Sharma, Sat Prakash, and Bindu.
The film has six songs, all have been penned by Verma Malik. Music is composed by Laxmikant Pyaarelal. The singing voice is that of Kishore Kumar. With this song, the film ‘The Cheat’ makes its debut on our blog.
The lyrics of this song have been provided by dear Prakash ji.
Video
Audio
Song – Ae Mere Dil, La La La La (The Cheat) (1974) Singer – Kishore Kumar, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Lyrics (Provided by Prakashchandra)
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
la la la la
khushi se machal
la la la la
poori karunga main teri tamanna
aaj mere kadmon me duniya
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
ye dil fareb din nasheen
ye moorten haseen haaen
ye dil fareb din nasheen
ye moorten haseen haaen
ye roop ki numaaishen
ye shokh shokh naazneen
thaam loon baahon ko
main rokun teri raahon ko
dil na mila na sahi
mila gaeen nigaahon ko
mila gaeen nigaahon ko
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
bhara bhara ye jaam hai
ye mehki mehki shaam hai
bhara bhara ye jaam hai
ye mehki mehki shaam hai
ae dil mere bharam na kar
ye sab tumhaare naam hai
ye mere dil ki pyaas hai
ye zindagi ki aas hai
aaj tum se door jo
wo kal tumhare paas hai
wo kal tumhare paas hai
ae mere dil
la la la la
khushi se machal
la la la la
poori karunga main teri tamanna
aaj mere kadmon me duniya
ae mere dil
la la la la
khushi se machal
la la la la
ae mere dil
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
पूरी करूंगा मैं तेरी तमन्ना
आज मेरे कदमों में दुनिया
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
ये दिल फरेब दिलनशीं
ये मूरतें हसीं हसीं
ये दिल फरेब दिलनशीं
ये मूरतें हसीं हसीं
ये रूप की नुमाइशें
ये शोख शोख नाज़नीन
थाम लूँ बाहों को
मैं रोकूँ तेरी राहों को
दिल ना मिला ना सही
मिला गईं निगाहों को
मिला गईं निगाहों को
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
भरा भरा ये जाम है
ये महको महकी महकी शाम है
भरा भरा ये जाम है
ये महको महकी महकी शाम है
ए मेरे दिल भरम ना कर
ये सब तुम्हारे नाम है
ये मेरे दिल की प्यास है
या ज़िंदगी की आस है
आज तुमसे दूर जो
वो कल तुम्हारे पास है
वो कल तुम्हारे पास है
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
पूरी करूंगा मैं तेरी तमन्ना
आज मेरे कदमों में दुनिया
ए मेरे दिल
ला ला ला ला
खुशी से मचल
ला ला ला ला
ए मेरे दिल
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4928 | Post No. : | 16768 | Movie Count : |
4564 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 05#
——————————————
We are celebrating fifty years of the year 1972. And we are adding on the blog, the movies of 1972, which so far have not been presented on the blog. There were total 131 movies released in the year 1972. We will be checking this list alphabetically and keep adding such movies which are still missing. In this ‘project’ our today’s movie is ‘Gaon Hamaara Shehar Tumhaara’.
I was surprised that this movie has not been presented on the blog till now. I was under the impression that this movie has already been covered on the blog. Well, alphabetically ‘Gaon Hamaaraa Shehar Tumhaaraa’ is the forty-sixth movie from the year 1972 (as per HFGK Vol-V (1971-1980). In between from alphabet ‘D’ to ‘G’ we find one more movie ‘Fighter Sheela’ of which the songs and other information seems to be unavailable as of now.
Here is the alphabetical list of movies of 1972 up to today’s movie.
| S NO | Movie Title | Director | Music Director | Passed by Censor Board | No of Songs on the Blog | No of Songs as per HFGK |
| 1 | Aakraant | Girish Vaidya | Jagat Singh | 07.12.1972 | 0 | No Information |
| 2 | Aanbaan | Prakash Mehra | Shankar-Jaikishan | 15.04.1972 | 6 | 6 |
| 3 | Aankh Michouli | Ramanna | Shankar-Jaikishan | 26.04.1972 | 2 | 5 |
| 4 | Aankhon Aankhon Mein | Raghunath Jhalani | Shankar-Jaikishan | 05.04.1972 | 6 | 6 |
| 5 | Achchhaa Buraa | Mohammad Hussain | Rajkamal | 05.07.1972 | 1 | 4 |
| 6 | Annadaataa | Asit Sen | Salil Chaudhary | 19.04.1972 | 6 | 6 |
| 7 | Anokhaa Daan | Asit Sen | Salil Chaudhary | 22.12.1972 | 5 | 5 |
| 8 | Anokhaa Milan | Jagannath Chatterjee | Salil Chaudhary | 26.06.1972 | 2 | 2 |
| 9 | Anokhi Pehchaan | Satyen Bose | Kalyanji-Anandji | 17.08.1972 | 1 | 5 |
| 10 | Anuraag | Shakti Samanta | S.D. Burman | 22.11.1972 | 6 | 5 |
| 11 | Aparaadh | Feroz Khan | Kalyanji-Anandji | 18.04.1972 | 2 | 5 |
| 12 | Apnaa Desh | Jambu | R.D. Burman | 28.03.1972 | 6 | 6 |
| 13 | Baabul Ki Galiyaan | Satya Dev Narang | Ravi | 01.08.1972 | 2 | 5 |
| 14 | Baankelaal | Ratan Kumar | Pardesi | 30.08.1972 | 1 | 8 |
| 15 | Baawarchi | Hrishikesh Mukherjee | Madan Mohan | 30.06.1972 | 6 | 6 |
| 16 | Baazigar | Thakur Karunesh | Sapan-Jagmohan | 05.08.1972 | 2 | 4 |
| 17 | Bachche Mere Saathi | T.N. Babu | M.S. Vishwanathan | 17.11.1972 | Songs Not Available | 6 |
| 18 | Bahaaro Phool Barsaao | Umesh Mathur | Rajan Pal | 05.03.1972 | 1 | 6 |
| 19 | Bandagi | K. Shankar | Shankar-Jaikishan | 17.05.1972 | 2 | 6 |
| 20 | Bansi Birju | Prakash Verma | Vijay Raghav Rao | 29.08.1972 | 2 | 7 |
| 21 | Bees Saal Pehle | Prabir Roy | Hemant Kumar | 06.06.1972 | 2 | 7 |
| 22 | Beimaan | Sohan Lal Kanwar | Shankar-Jaikishan | 05.06.1972 | 4 | 7 |
| 23 | Bhaai Ho To Aisaa | Manmohan Desai | Sonik-Omi | 11.05.1972 | 2 | 5 |
| 24 | Bharat Darshan | Khwaja Ahmed Abbas | Jaidev | 04.11.1972 | 0 | No Information |
| 25 | Bharat Ke Shaheed | Vishram Bedekar | Prem Dhawan | 18.07.1972 | 5 | 7 |
| 26 | Bhaavna | Thakur Karunesh | Jaidev | 05.07.1972 | 2 | 5 |
| 27 | Bijli | Ram Kumar | Usha Khanna, (Bulo C. Rani) | 25.03.1972 | 1 | 5 (4) |
| 28 | Bombay To Goa | S. Ramnathan | R.D. Burman | 25.02.1972 | 6 | 6 |
| 29 | Buniyaad | B. Subhash | Laxmikant-Pyarelal | 22.08.1972 | 4 | 4 |
| 30 | Daastaan | B.R. Chopra | Laxmikant-Pyarelal | 02.03.1972 | 5 | 5 |
| 31 | Daraar | Ved Rahi | Sudhir Phadke | 26.07.1972 | 2 | 4 |
| 32 | Dhadkan | Devendra Goel | Ravi | 10.04.1972 | 2 | 9 |
| 33 | Dil Daulat Duniya | Prem Narayan Arora | Shankar-Jaikishan | 12.06.1972 | 5 | 5 |
| 34 | Dil Ka Raajaa | P. Madhawan | R.D. Burman | 29.11.1972 | 1 | 5 |
| 35 | Do Bachche Dus Haath | K. Parvez | Sonik-Omi | 23.09.1972 | 1 | 4 |
| 36 | Do Chor | Padmanabh | R.D. Burman | 27.12.1972 | 5 | 5 |
| 37 | Doctor X | B. Gupta | Sonik-Omi | 04.05.1972 | 1 | 6 |
| 38 | Do Gaj Zameen Ke Neeche | R. Tulsi Shyam | Sapan-Jagmohan | 29.08.1972 | 1 | 3 |
| 39 | Do Yaar | Kewal Mishra | Sonik-Omi | 09.11.1972 | 1 | 4 |
| 40 | Ek Baar Muskuraa Do | Ram Mukherji | O.P. Nayyar | 06.04.1972 | 8 | 8 |
| 41 | Ek Bechaaraa | S.M. Abbas | Laxmikant-Pyarelal | 25.02.1972 | 2 | 5 |
| 42 | Ek Haseena Do Deewaane | S.M. Abbas | Kalyanji-Anandji | 21.02.1972 | 3 | 6 |
| 43 | Ek Khilaadi Baawan Patte | Ravi Khanna | Sonik-Omi | 15.02.1972 | 1 | 5 |
| 44 | Ek Nazar | B.R. Ishaara | Laxmikant-Pyarelal | 22.07.1972 | 5 | 5 |
| 45 | Fighter Sheela | Vijay | Not Mentioned | 07.10.1972 | 0 | No Information |
| 46 | Gaon Hamaara Shehar Tumhaara | Naresh Kumar | Laxmikant-Pyarelal | 16.10.1972 | making its debut on the blog today | 4 |
*Note: – Songs for films ‘Aakraant’, ‘Bachche Mere Saathi’, ‘Bharat Darshan’ and ‘Fighter Sheela’ seems to be unavailable as of now).
‘Gaon Hamaara Shehar Tumhaara’ is directed by Naresh Kumar for Dimple Films, Bombay. He is also the producer of this movie. This movie was presented by Rajendra Kumar. The star cast includes Rajendra Kumar, Rekha, Sujit Kumar, Lalita Pawar, Satyadeep, Shamsher, Aarti, Ajit Sachdev, Sundar, Bhagwan, Kamaldeep, Kanhaiyyalal and others.
Dialogues of this movie are written by Rajinder Krishan. And editing of this movie is done by Govind Dalwadi. This movie was passed by Censor Board on 16.10.1972.
‘Gaaon Hamaaraa Shehar Tumhaaraa’ had four songs written by Rajinder Krishan and composed to music by Laxmikant-Pyarelal. Lata Mangeshkar, Mohd Rafi and Asha Bhonsle had given their voices to the songs in this movie. The list of songs in this movie is as given below (as provided in HFGK).
| S No | Song Title | Singer/s |
| 01 | Nayi hawaa mein udne dekho ban ka mor chalaa | Mohd Rafi |
| 02 | Ik pyaar karnewaale ne ik pyaar karnewaale se ye poochha | Mohd Rafi |
| 03 | Kaise kahoon kis’se kahoon sharm ki hai baat | Asha Bhonsle |
| 04 | Jaana hai jaana hai door kahin jaana hai | Lata Mangeshkar |
Today’s song is the first song in the movie, and it is played while the titles roll on. It is sung by Mohd Rafi, and on-screen Rajendra Kumar is lip-syncing the song. Rajendra Kumar is shown carrying his luggage and singing the song and telling the ‘gaaonwaalaas that he is going to ‘shehar’ now.
Some other artists, (whom I am unable to identify) can also be seen in the picturisation of this song which shows Rajendra Kumar’s journey from ‘village’ to ‘city’ and the city is none other than Bombay (current day Mumbai).
I have not watched this movie so can’t say much about it. I would request knowledgeable readers to throw more light on the movie and its songs.
Let us now listen to the today’s song
With the today’s song the movie ‘Gaon Hamaara Shehar Tumhaara’ makes its debut on the blog.
Video
Audio
Song – Nai Hawa Mein Udne Dekho Ban Ka Mor Chala (Gaaon Hamaara Shehar Tumhaara) (1972) Singer – Mohammed Rafi, Lyrics – Rajinder Krishan, MD – Laxmikant Pyaarelal
Lyrics
nayi hawa mein udne dekho ban ka mor chala
apna gaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo
main to shehar ki ore chala
nayi hawa mein udne dekho ban ka mor chala
apna gaaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo o
main to shehar ki ore chala
sunte hain shehar mein jab jab
saawan bhaadon aata hai
sunte hain shehar mein jab jab
saawan bhaadon aata hai
paani ki boondon ke badle
harey note barsaataa hai
bhar letein hai jholi
jiska jitna zor chala
apna gaaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo
main to shehar ki ore chala
ye bhi suna hai raat wahaan ki
din ko sharmaati hai
ye bhi suna hai raat wahaan ki
din ko sharmaati hai
deewaaron ko haath lagaao
to batti jal jaati hai
apne ghar to diya kabhi naa
saari raat jala
apna gaaon sambhaalo
main to shehar ki ore chala
apna gaaon sambhaalo
main to shehar ki ore chala
ye dharti aakaash wahaan bhi
hoga yaa naa hoga aa
ye dharti aakaash wahaan bhi
hoga yaa naa hoga aa
dekha jaayega kismat mein
jo bhi likha hoga
nikal pade jab ghar se
kyun naa karega raam bhala aa
apna gaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo o
main to shehar ki ore chala
aon Hamaara
Jal gayee jal gayee jal gayee
Posted on: July 9, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4739 | Post No. : | 16464 |
Today’s song is from the ‘1970’ movie ‘Darpan’.
I came across this song very recently on ‘Vividh Bharti’. I liked this song on the very first instance when I listened to it. And as usual thereafter I checked it on the blog. I was pleasantly surprised that it was not yet covered on the blog, because that gives me this opportunity to present this song on the blog. Though I am bit late in sending this to our editors.
I want it to send for 8th July in remembrance of actor Jagdeep (29th March’1939 – 08th’2020) who is performing with Soniya Sahni in this entertaining duet song.
Actor Jagdeep passed away last year in 2020 and yesterday 8th July’ 2021 was his first remembrance anniversary.
Syed Ishtiaq Ahmed Jaafrey better known to us as Jagdeep was born on 29th March’1939 in Datia of the then Central Provinces (of British India) and nowadays Madhya Pradesh.
He started his career as a child artist in the Hindi Film Industry and went to become an established comedian in the movies. He acted in more than four hundred movies.
As a child artist some of his well-known movies are ‘Afsaanaa’, ‘Dhobi Doctor’,’Do Bigha Zameen’, ‘Ab Dilli Door Nahin’, and ‘Ham Panchhi Ek Daal Ke’ etc.
Before he established himself as a ‘comedian’ he has played many good roles in his career as an adult artist in movies like ‘Bhabhi-1957’, ‘Punar Milan-1964’, ‘Noor Mahal-1964’, ‘Lootera Aur Jaadugar-1968’ etc. He played a comic role in the ‘1968’ movie ‘Brahmachari’ and went on to do mainly the comic roles thereafter.
And with his famous ‘Soorma Bhopali’ act in the 1975 movie ‘Sholay’ he became an household name and with ‘Sholay’ creating history in HFM, Jagdeep’s ‘Soorma Bhopali’ also become a part of that history.
His last appearance was in the ‘2017’ movie ‘Masti Nahin Sasti’. (As per information available on him in ‘Wikipedia’).
I think the today’s movie was one of those movies where he played a comedian. I am guessing because I have not watched this movie. I would request knowledgeable readers to throw more light on this movie and its songs.
‘Darpan-1970’ was directed by A. Subbarao for ‘Balan Movies Combines, Bombay’. It had Sunil Dutt, Waheeda Rehman, Rehman, Soniya Sahni, Jagdeep, Sulochana, Lalita Pawar, Achala Sachdev, Seema, Baby Guddi, Sandhya Rani, Shammi, Arun Rai, Sadhna Khote, Saleema, Ramesh Deo, Mukri, Sundar, Bawan Lal, Prem Kumar, Ramchandra Rao and others.
This movie had seven songs in it, all written by Anand Bakshi. Music for this movie was composed by Laxmikant-Pyarelal.
Here is the list of songs appearing in this movie (as per HFGK Vol-IV 1961-1970)
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Jise tu thhukraaye | Lata Mangeshkar, chorus | |
| 02 | Tere pyaar ka kya jawaab doon | Lata Mangeshkar | 25.11.2012 |
| 03 | Chali meri dulhan ki doli | Mohd Rafi | 22.11.2012 |
| 04 | Ek gagan ka raaja | Lata Mangeshkar | 04.12.2013 |
| 05 | Jal gayee, jal gayee, jal gayee, duniya jal gayee | Asha Bhonsle, Kishore Kumar | Being covered today in this article |
| 06 | Darpan jhoothh na boley | Manna Dey | 24.10.2014 |
| 07 | Bujhaa do deepak andheraa kar do | Kishore Kumar |
So far, four songs from this movie ‘Darpan-1970’ have been posted on the blog.
Today’s song is the fifth song from this movie to be posted on the blog. Today’s song is sung by Asha Bhonsle and Kishore Kumar. As mentioned above Soniya Sahni and Jagdeep are performing on this ‘rickshaw song’ and lip-syncing in the voices of Asha Bhonsle and Kishore Kumar, respectively.
Let us now enjoy this sweet, lovely song …
Video
Audio
Song-Jal gayee jal gayee jal gayee (Darpan)(1970) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
he duniya jalti hai jalne de
ye prem ka rickshaw chalne de
o yaa yaa yaa yaa
jab ye nain ishaaraa karte hain
o yaa yaa yaa yaa
jab ye nain ishaaraa karte hain
o yaa yaa yaa yaa
chhup ke log nazaaraa karte hain
mazaa bhi lete hain
arey waah
khafaa bhi hoten hain
logon ki jaan nikalne de
ye prem ka rickshaw chalne de
he logon ki jaan nikalne de
ye prem ka rickshaw chalne de ae
jal gayee
jal gayee
jal gayee
duniya jal gayee
he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de ae
o o yaa yaa yaa yaa
pyaare preet mein
duniya chhodi hai
o yaa yaa yaa yaa
pyaare preet mein
duniya chhodi hai
o yaa yaa yaa yaa
pyaari khoob hamaari jodi hai
dukhon ki raaton ko o
oye nahin (?)
ghamon ki baaton ko
khushiyon mein aaj badalne de
ye prem ka rickshaw chalne de
khushiyon mein aaj badalne de
ye prem ka rickshaw chalne de
jal gayee
jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
o yaa yaa yaa yaa
jeewan ke ye khel tamaashe hain
o yaa yaa yaa yaa
jeewan ke ye khel tamaashe hain
o yaa yaa yaa yaa
ham donon janam ke pyaase hain
gulaabi aankhon se
o o o o
sharaabi ho ho hoke
girne de aur sambhalne de
ye prem ka rickshaw chalne de
he girne de aur sambhalne de
ye prem ka rickshaw chalne de
jal gayee
arey jal gayee
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
he duniya jalti hai jalne de
ye prem ka rickshaw chalne de
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Blog Day : |
4738 | Post No. : | 16461 |
Hullo Atuldom
“Parvarish” (1977) was one of the four movies that was directed by Manmohan Desai in 1977. It was produced by A A Nadiadwala. It had a small starcast headed by Shammi Kapoor, Neetu Singh, Shabana Azmi, Indrani Mukherjee, Dev Kumar, Tom Alter, Yusuf Khan (Zebisco of Amar Akbar Anthony which also released in 1977) plus some of Manmohan Desai’s favourite actors of that year viz. Amitabh Bachchan, Vinod Khanna, Kadar Khan and Amjad Khan. Kadar Khan also was in-charge of the dialogues.
The movie’s songs were written by Majrooh Sultanpuri and composed by Laxmi Pyare. Mohd Rafi, Kishore Kumar, Amit Kumar, Shailendra Singh and Lata- Asha- Usha were the playback singers used for the six songs of the movie, five of which are there on the blog as under.
| Song | Date of posting | Remarks |
|---|---|---|
| Aji thahr zara thhahro | 7 February 2009 | It was a farmaish by Rajaji before he became a contributor; has 14 comments |
| Ham premi prem karna jaanen | 8 February 2009 | |
| Khuli nazar kya khel dikhega duniya kaa | 6 October 2010 | |
| Aaiye shauq se kahiye | 7 February 2019 | |
| Ye oonche mahal suhaane sab janta ka hai | 29 November 2019 | shortest post for a song from this movie |
High time we took this movie, which first appeared on the blog in 2009, to “Yyiippeeee” station. And July 8th is a good date to do so as it is the 63rd birthday of the sweet-cute-charming-elegant-beautiful Neetu Singh a.k.a Baby Sonia of the gorgeous smile. She was born in Delhi in a Sikh family with the birth name Harneet Kaur. She began as a child actor in the late ’60s as baby Sonia with movies like ‘Suraj’, ‘Dus Lakh’, ‘Do Dooni Chaar’ etc. was seen as an adolescent in ‘Pavitra Paapi’ ‘Ghar Ghar Ki Kahani’ etc before turning to adult roles with ‘Rickshawala’ ‘Yaadon Ki Baraat’ etc in 1973.
She had a good successful career of nearly 10-12 years as an adult before she bade goodbye to stardom to raise a family. We all know she is Bahu of the Kapoor-Khandaan, Mrs. Rishi Kapoor, mother of actor Ranbir Kapoor, etc.. But she is also Neetu Singh (Kapoor to the present generation of moviegoers) and we are all her fans. Here is wishing her good health and cheer. Happy Birthday Baby Sonia.
Today’s song is a stage song where Amjad Khan is the chief guest and Neetu and Shabo (Desai didn’t break his head in naming his heroines) are the qawwali artists on the stage and use the situation to ‘take shots’ at Amjad Khan (ex. daku Mangal Singh) who was the cause of the death of their parents (Ram Sethi and Chand Usmani in blink and miss appearances). If I remember correctly, this was the song just before the climax of the movie. The song is sung by Lata Mangeshkar and Usha Mangeshkar.
Video
Audio
Song-Sambhal jaaye zara jo hum pe khanjar aazmaate hain (Parvarish)(1977) Singers-Lata, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus
Lyrics
sambhal jaaye zara
jo hum pe khanjar aazmaate hain
sambhal jaaye zara
jo hum pe khanjar aazmaate hain
ab aayi apni baari
ab nishaana hum lagaate hain
mere dil jhoom zara
manzil paas aayi
mere dil jhoom zara
manzil paas aayi
badi muddat ke ba.aa.ad
kismat rang laayi
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai
mere dil jhoom zara
manzil paas aayi
badi muddat ke ba..aa..ad
kismat rang laayi
aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai
jiske liye shehar shehar
aaye haaye shehar shehar
aaa aaa shehar shehar phire aawaara
besahara jaise koi toota taara
aaaaa aaaa aaaa aaaa aaaaa
jiske liye shehar shehar phire aanwaara
besahara jaise koi toota taara
aakhir rach gaye wo din
wo sama guzar gaya
aaj toh aisa lage,
jaise dil thehar gaya
mera kaatil bhi yahi
uski mehfil bhi yahi
mera kaatil bhi yahi
uski mehfil bhi yahi
nazar mili aane lagi angdaai
jise hum dhoondh rahe,
wahi rut laut aayi
badi muddat ke ba..aa..ad kismat rang laayi
(chorus)
aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai
miley ho aaj mushkil se
miley ho aaj mushkil se
aahe mile ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
miley ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
meri jaan aapki toh hum,
meri jaan aapki toh hum
meri jaan aapki toh hum,
tabeeyyat saaf kar denge
mile ho aaj mushkil se
na samjho maaf kar denge
na samjho maaf kar denge
mile ho aaj mushkil se
ke apna aur tumhara,
aaj insaaf karenge
bada tadpaaya humein,
bada tarsaaya humein
tumhe dekha toh sanam,
sab yaad aaya humein
tumhe dekha to sanam,
sab yaad aaya humein
rote rote yunhi nahi hansi aayi
faisla hone toh do,
kiski kaza aayi
badi muddat ke ba..aa..ad kismat rang laayi
(chorus)
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi,
meri tauba duhaai
ummm ummm ummm
umm umm um um umm umm
ummm ummm ummm
umm umm um um umm umm
ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin
ya to tum nahin
tum nahin
ya to hum nahi n
hum nahin
ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4645 | Post No. : | 16307 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 130 # Aayegi zaroor chithhi mere naam ki #
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Today’s song is from the ‘1974’ movie ‘Dulhan’. ‘Dulhan-1974’ is one of those movies which had made its debut in the initial months of this blog, on 02.11.2008 with its song ‘jaane chaman jaane bahaar’. But since then, this movie is waiting to see its second song on the blog. Today after ‘twelve years, five months, and three days (or 4537 days), we are going to listen to the second song from this movie.
I remember the today’s song was frequently heard on radio and loud-speakers in those days i.e., my childhood days 😊. And maybe then I was not aware which movie it was from. But I vaguely remember that I never liked this song then and in fact it was irritating for me whenever it was played on radio or around. However, I think that this song must be the most popular song from this movie. And I was thus surprised to note that this has not been posted on the blog until now.
The other song I am familiar from this movie is ‘Govinda aa Gopaalaa aa, mere rote nainaa poochhen’ which was also frequently played then. And in comparison, to the above two songs, the song jaane chaman jaane bahaar from ‘Dulhan-1974’ is a song I am less familiar with.
‘Dulhan-1974’ was directed by C.V. Rajendran for ‘Sujata International, Madras’. It had Ashok Kumar, Jeetendra, Hema Malini, Jamuna, Mehmood (in special appearance), Nazir Hussain, David, Agha, Paintal, Manorama, Mukesh, Vijay Kumar, Prem Kumar, Raghav, Bhagwan, Baby Doll, Leela, Munni, Asha, Shammi and others.
This movie was passed by Censor Board on 19.10.1974.
This movie had five sound tracks including its ‘title-music’ as mentioned in HFGK Vol-V (1971-1980). HFGK also mentions that one song from this movie i.e., ‘main teri dulhan tu dulha piyaa’ is given in two-parts on the LP record of this movie.
Anand Bakshi was the lyricist for this movie who had written all the songs for this movie. Music for this movie was composed by Laxmikant-Pyarelal.
As per HFGK Vol-V (1971-1980) this movie ‘Dulhan-1974’ had the following songs;
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Aayegi zaroor chithhi mere naam ki | Lata Mangeshkar | Being discussed today |
| 02 | Jaane chaman jaane bahaar | Kishore Kumar | 02.11.2008 |
| 03 | Main dulhan teri tu dulha piya | Lata Mangeshkar | |
| 04 | Jai Hari Govind… Govinda Gopaala | Lata Mangeshkar,Chorus | |
| 05 | Title music |
— —
I have not watched this movie, so I would request knowledgeable readers to throw more light on this movie and its songs.
Let us listen to the today’s song now.
This song is lip synced on screen by Hema Malini while Jeetendra is also present there.
In the second part the mukhda of this song plays in the background and Ashok Kumar, Hema Malini, Nazir Hussain and many others are also seen in the picturization.
Video (Part I)
Video (Part II)
Audio
Song-Aayegi zaroor chithhi tere naam ki sab dekhna (Dulhan)(1974) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
aa aa aa aa aa aa
aa aa aa aa aa aa
o o o o o
o o o o o o
o o o o o
aa aa aa aa aa
aa aa aa aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
haal mere dil ka ho logon
tab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
phir pardesi yaad
aane lagaa hai
phir pardesi yaad
aane lagaa hai
palkon pe gham ka baadal
chhaane lagaa hai
chhaane lagaa hai ae ae ae
o o
baras padenge aansoo
ab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
karo aitbaar meraa
baat nahin jhoothhi ee
karo aitbaar meraa
baat nahin jhoothhi ee
tootaa hai dil meraa
aas nahin tooti
aas nahin tooti ee ee ee
ho o
maanega mera roothha
rab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki
sab dekhna aa
sab ko sunaaungi main
jab ye khabariyaa
sab ko sunaaungi main
jab ye khabariyaa
laaj ke maare jhuk
jaayegi najariyaa
jaayegi najariyaa aa aa aa aa
ho o
kaanp uthhenge mere ae
lab dekhna aa aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekh ……….
————————–
(part-2)
————————–
aayegi zaroor chithhi
mere naam ki
sab dekhna aa
haal mere dil ka ho logon
tab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
hmm hmm hmm
hmm hmm
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
o o o o o o
o o o o o o
aa aa aa aa aa
aa aa aa aa aa
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4629 | Post No. : | 16281 | Movie Count : |
4422 |
[Ed Note: Delayed by 3 days on our account, this post was received in email just past midnight on 17th March. It should have posted on 18th. The reference to the dates in the article should be taken from 17th March.]
Hullo Atuldom
18th March 2012 was the first time I sent a contribution to Atulji in the form of lyrics of one of Deewaar’s songs – “Maine Tujhe Maanga Tujhe Paaya Hai“. That happened to be Shashi Kapoor’s 74th birthday. That post also marked 300 songs of Sahir Ludhianvi on the blog. It is nine years since then and we touched 700 songs of Sahir on the blog recently. That was post number 5655 for the blog considering that we had touched 2900 on 3rd September 2010 and those days the blog was chugging along at a great speed.
Ever since 2012 March I have tried, rather inconsistently, to send in a post for Shashi Kapoor’s birthday. My last post for the occasion was in 2019, the song being “Kya Karoon Mujhko Time Nahin“. As I re-read that post I found that the first time I participated on the blog was as a commentor (I was a pillion rider to Peevesie that day when she wrote that comment) for a Shashi Kapoor song.
The first Amitabh song that I wrote a post for was, I think, the friendship song of Suhaag. I am glued to the idiot box whenever there is an Shashi Kapoor-Amitabh Bachchan movie playing and I have been indulged by a certain channel of the DTH provider who played ‘Namak Halal’ (1982) and ‘Suhaag’ (1979) yesterday.
As I am writing this post, that particular channel is showing ‘Chori Mera Kaam’ (1975) of which I have very vague memories of, having seen it in the ’70s. The things that I remember is Deven Verma’s character which was called Praveen Bhai, Zeenat Aman and Shashi trying to outsmart each other and because this was a movie directed by Brij it had interesting roles for Ashok Kumar and Pran. It had great music by Kalyanji Anandji.
He must have been a great co-actor as we have seen him with Shatrughan Sinha, Sanjeev Kumar, Rekha, Hema Malini, Rakhee, Zeenat Aman, Sharmila Tagore, Parveen Babi and so many others. But we can’t forget his pairing with Nanda in the ’60s with whom he featured in 8 films.
He began his career playing the childhood of Raj Kapoor in ‘Awaara’ (1951) etc. and had his first adult role in Yash Chopra’s ‘Dharmaputra’ (1961) going on to act in almost 116 movies of which 60 were solos and 55 multi-starrers. He was a Padma Bhushan winner and was honored with the Dadasaheb Phalke award in 2014, for his contribution to Hindi Cinema.
He was a filmmaker who made movies that were not in the commercial format and got the likes of Shyam Benegal, Govind Nihalani, Aparna Sen, Girish Karnad to direct it. And he used to say that he acted in the regular masala movie so that he could finance the kind of movies that he liked to offer his fans.
I was reminded of today’s song thanks to ‘Chori Mera Kaam’. No, I haven’t discovered any hidden song in that movie. We have already Yippeee’d it. It reminded me of the Zeenat Aman – Shashi Kapoor films. ‘Chori Mera Kaam’ was followed by 10 films like ‘Vakil Babu’ (1982), ‘Bandhan Kachhe Dhaagon Ka’ (1983) etc.
There was this 1983 masala movie ‘Pakhandi’ directed by Samir Ganguly. It had Shashi Kapoor- Zeenat Aman -Asha Parekh- Sanjeev Kumar leading a cast with Ranjeet, Jagdeep, Helen, Leela Mishra as supporting cast. The song is the handiwork of Majrooh Sultanpuri-Laxmi-Pyare-Asha Bhonsle-Kishore Kumar. The video shows Zeenat and Shashi Kapoor participating in a DANCE COMPETITION!!!! Shashi Kapoor dancing???? I will not say that he was a bad dancer but definitely not in the same league as his brother Shammi Kapoor or his nephew Rishi Kapoor. He had a sense of rhythm like his other brother Raj Kapoor and no ‘two- left-feet’ issue like his contemporary Dharmendra. And this song has choreography very different from what we generally see Shashi do. It has prompted me to put this masala movie in my to be seen list.
Audio
Video
Song – Tu Jab Bhi Dekhega Jidhar Bhi Dekhega (Pakhandee) (1983) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Female Chorus, Male Chorus
Female + Male Chorus
Lyrics
la la la la lala
la la la la la laaa
tu jab bhi dekhega
jahaan bhi dekhega
mujhi ko dekhega
arre nahi hai nahi hai nahi hai
mera jawab
koi nahi koi nahi koi nahi
mera jawab
kahin nahi kahin nahi kahin nahi
mera jawab
koi nahin koi nahi koi nahi
tu jab bhi dekhega
jahaan bhi dekhega
tu jab bhi dekhega
nikli hoon dekho sina taan ke
aaye koi
aaye koi
kehti hoon main to imaan se
aaye koi
aaye koi
zameen se nahi to aasman se
aaye koi
aaye koi
arre tu bhi nahin
tu bhi nahin
tu bhi nahin
tu bhi nahin
hey ae ae
tu jab bhi dekhega
jahaan bhi dekhega
mujhi ko dekhega
arre nahi hai nahi hai nahi hai
mera jawab
koi nahi koi nahi koi nahi
mera jawaab
kahin nahi kahin nahin kahi nahin
mera jawab
koi nahi koi nahi koi nahi
tu jab bhi dekhega
jahaan bhi dekhega
tu jab bhi dekhega
la la la laaa
la la la laa
la la la laa
la la la la la laaa
la la la la la laaa
yeh lo ji main aaya hoon muqabil
jaqne jigar
dekho idhar
meri bhi ada hai badi qatil
ek nazar
dekho idhar
kehti phirogi haye haye dil
dekho idhar
dekho idhar
isiliye maine kahan maine kahan maine kahan
he ae ae
tu jab bhi dekhegi
jahaan bhi dekhegi
mujhhi ko dekhegi
arre nahi hai nahi hai nahi hai
mera jawab
koi nahi koi nahi koi nahi
mera jawaab
kahin nahi kahin nahin kahi nahin
mera jawab
koi nahi koi nahi koi nahi
tu jab bhi dekhegi
jahaan bhi dekhegi
tu jab bhi dekhegi
waah waah re waah
la la la la
waah waah re waah
la la la la
waah waah re waah
la la la la
waah waah re waah
la la la la
waah waah re waah
waah waah re waah
waah waah re waah
koi chala ye chala
teere nazar jigar bachaana
baahon mein aa
main tujhe sikha doon
nishana lagana
shola hoon main tujhe jala na doon
arey sambhal ke aa tujhe bujha na doon
aayi teri kaza
chhod bhi ye ada
o aayi teri kaza
chhod bhi ye ada
o chhod meri kalai
he dene lagi duhai
isiliye maine kaha maine kaha maine kaha
he ae ae
tu jab bhi dekhegi
jahaan bhi dekhegi
mujhhi ko dekhegi
arre nahi hai nahi hai nahi hai
mera jawab
koi nahi koi nahi koi nahi
mera jawaab
kahin nahi kahin nahin kahi nahin
mera jawab
koi nahi koi nahi koi nahi
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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