Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Laxmikant Pyaarelal


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4928 Post No. : 16768 Movie Count :

4564

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 05#
——————————————

We are celebrating fifty years of the year 1972. And we are adding on the blog, the movies of 1972, which so far have not been presented on the blog. There were total 131 movies released in the year 1972. We will be checking this list alphabetically and keep adding such movies which are still missing. In this ‘project’ our today’s movie is ‘Gaon Hamaara Shehar Tumhaara’.

I was surprised that this movie has not been presented on the blog till now. I was under the impression that this movie has already been covered on the blog. Well, alphabetically ‘Gaon Hamaaraa Shehar Tumhaaraa’ is the forty-sixth movie from the year 1972 (as per HFGK Vol-V (1971-1980). In between from alphabet ‘D’ to ‘G’ we find one more movie ‘Fighter Sheela’ of which the songs and other information seems to be unavailable as of now.

Here is the alphabetical list of movies of 1972 up to today’s movie.

S NO Movie Title Director Music Director Passed by Censor Board No of Songs on the Blog No of Songs as per HFGK
1 Aakraant Girish Vaidya Jagat Singh 07.12.1972 0 No Information
2 Aanbaan Prakash Mehra Shankar-Jaikishan 15.04.1972 6 6
3 Aankh Michouli Ramanna Shankar-Jaikishan 26.04.1972 2 5
4 Aankhon Aankhon Mein Raghunath Jhalani Shankar-Jaikishan 05.04.1972 6 6
5 Achchhaa Buraa Mohammad Hussain Rajkamal 05.07.1972 1 4
6 Annadaataa Asit Sen Salil Chaudhary 19.04.1972 6 6
7 Anokhaa Daan Asit Sen Salil Chaudhary 22.12.1972 5 5
8 Anokhaa Milan Jagannath Chatterjee Salil Chaudhary 26.06.1972 2 2
9 Anokhi Pehchaan Satyen Bose Kalyanji-Anandji 17.08.1972 1 5
10 Anuraag Shakti Samanta S.D. Burman 22.11.1972 6 5
11 Aparaadh Feroz Khan Kalyanji-Anandji 18.04.1972 2 5
12 Apnaa Desh Jambu R.D. Burman 28.03.1972 6 6
13 Baabul Ki Galiyaan Satya Dev Narang Ravi 01.08.1972 2 5
14 Baankelaal Ratan Kumar Pardesi 30.08.1972 1 8
15 Baawarchi Hrishikesh Mukherjee Madan Mohan 30.06.1972 6 6
16 Baazigar Thakur Karunesh Sapan-Jagmohan 05.08.1972 2 4
17 Bachche Mere Saathi T.N. Babu M.S. Vishwanathan 17.11.1972 Songs Not Available 6
18 Bahaaro Phool Barsaao Umesh Mathur Rajan Pal 05.03.1972 1 6
19 Bandagi K. Shankar Shankar-Jaikishan 17.05.1972 2 6
20 Bansi Birju Prakash Verma Vijay Raghav Rao 29.08.1972 2 7
21 Bees Saal Pehle Prabir Roy Hemant Kumar 06.06.1972 2 7
22 Beimaan Sohan Lal Kanwar Shankar-Jaikishan 05.06.1972 4 7
23 Bhaai Ho To Aisaa Manmohan Desai Sonik-Omi 11.05.1972 2 5
24 Bharat Darshan Khwaja Ahmed Abbas Jaidev 04.11.1972 0 No Information
25 Bharat Ke Shaheed Vishram Bedekar Prem Dhawan 18.07.1972 5 7
26 Bhaavna Thakur Karunesh Jaidev 05.07.1972 2 5
27 Bijli Ram Kumar Usha Khanna, (Bulo C. Rani) 25.03.1972 1 5 (4)
28 Bombay To Goa S. Ramnathan R.D. Burman 25.02.1972 6 6
29 Buniyaad B. Subhash Laxmikant-Pyarelal 22.08.1972 4 4
30 Daastaan B.R. Chopra Laxmikant-Pyarelal 02.03.1972 5 5
31 Daraar Ved Rahi Sudhir Phadke 26.07.1972 2 4
32 Dhadkan Devendra Goel Ravi 10.04.1972 2 9
33 Dil Daulat Duniya Prem Narayan Arora Shankar-Jaikishan 12.06.1972 5 5
34 Dil Ka Raajaa P. Madhawan R.D. Burman 29.11.1972 1 5
35 Do Bachche Dus Haath K. Parvez Sonik-Omi 23.09.1972 1 4
36 Do Chor Padmanabh R.D. Burman 27.12.1972 5 5
37 Doctor X B. Gupta Sonik-Omi 04.05.1972 1 6
38 Do Gaj Zameen Ke Neeche R. Tulsi Shyam Sapan-Jagmohan 29.08.1972 1 3
39 Do Yaar Kewal Mishra Sonik-Omi 09.11.1972 1 4
40 Ek Baar Muskuraa Do Ram Mukherji O.P. Nayyar 06.04.1972 8 8
41 Ek Bechaaraa S.M. Abbas Laxmikant-Pyarelal 25.02.1972 2 5
42 Ek Haseena Do Deewaane S.M. Abbas Kalyanji-Anandji 21.02.1972 3 6
43 Ek Khilaadi Baawan Patte Ravi Khanna Sonik-Omi 15.02.1972 1 5
44 Ek Nazar B.R. Ishaara Laxmikant-Pyarelal 22.07.1972 5 5
45 Fighter Sheela Vijay Not Mentioned 07.10.1972 0 No Information
46 Gaon Hamaara Shehar Tumhaara Naresh Kumar Laxmikant-Pyarelal 16.10.1972 making its debut on the blog today 4

*Note: – Songs for films ‘Aakraant’, ‘Bachche Mere Saathi’, ‘Bharat Darshan’ and ‘Fighter Sheela’ seems to be unavailable as of now).

‘Gaon Hamaara Shehar Tumhaara’ is directed by Naresh Kumar for Dimple Films, Bombay. He is also the producer of this movie. This movie was presented by Rajendra Kumar. The star cast includes Rajendra Kumar, Rekha, Sujit Kumar, Lalita Pawar, Satyadeep, Shamsher, Aarti, Ajit Sachdev, Sundar, Bhagwan, Kamaldeep, Kanhaiyyalal and others.

Dialogues of this movie are written by Rajinder Krishan. And editing of this movie is done by Govind Dalwadi. This movie was passed by Censor Board on 16.10.1972.

‘Gaaon Hamaaraa Shehar Tumhaaraa’ had four songs written by Rajinder Krishan and composed to music by Laxmikant-Pyarelal. Lata Mangeshkar, Mohd Rafi and Asha Bhonsle had given their voices to the songs in this movie. The list of songs in this movie is as given below (as provided in HFGK).

S No Song Title Singer/s
01 Nayi hawaa mein udne dekho ban ka mor chalaa Mohd Rafi
02 Ik pyaar karnewaale ne ik pyaar karnewaale se ye poochha Mohd Rafi
03 Kaise kahoon kis’se kahoon sharm ki hai baat Asha Bhonsle
04 Jaana hai jaana hai door kahin jaana hai Lata Mangeshkar

Today’s song is the first song in the movie, and it is played while the titles roll on. It is sung by Mohd Rafi, and on-screen Rajendra Kumar is lip-syncing the song. Rajendra Kumar is shown carrying his luggage and singing the song and telling the ‘gaaonwaalaas that he is going to ‘shehar’ now.

Some other artists, (whom I am unable to identify) can also be seen in the picturisation of this song which shows Rajendra Kumar’s journey from ‘village’ to ‘city’ and the city is none other than Bombay (current day Mumbai).

I have not watched this movie so can’t say much about it. I would request knowledgeable readers to throw more light on the movie and its songs.

Let us now listen to the today’s song

With the today’s song the movie ‘Gaon Hamaara Shehar Tumhaara’ makes its debut on the blog.

Video

Audio

Song – Nai Hawa Mein Udne Dekho Ban Ka Mor Chala (Gaaon Hamaara Shehar Tumhaara) (1972) Singer – Mohammed Rafi, Lyrics – Rajinder Krishan, MD – Laxmikant Pyaarelal

Lyrics

nayi hawa mein udne dekho ban ka mor chala
apna gaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo
main to shehar ki ore chala

nayi hawa mein udne dekho ban ka mor chala
apna gaaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo o
main to shehar ki ore chala

sunte hain shehar mein jab jab
saawan bhaadon aata hai
sunte hain shehar mein jab jab
saawan bhaadon aata hai
paani ki boondon ke badle
harey note barsaataa hai
bhar letein hai jholi
jiska jitna zor chala
apna gaaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo
main to shehar ki ore chala

ye bhi suna hai raat wahaan ki
din ko sharmaati hai
ye bhi suna hai raat wahaan ki
din ko sharmaati hai
deewaaron ko haath lagaao
to batti jal jaati hai
apne ghar to diya kabhi naa
saari raat jala
apna gaaon sambhaalo
main to shehar ki ore chala
apna gaaon sambhaalo
main to shehar ki ore chala

ye dharti aakaash wahaan bhi
hoga yaa naa hoga aa
ye dharti aakaash wahaan bhi
hoga yaa naa hoga aa
dekha jaayega kismat mein
jo bhi likha hoga
nikal pade jab ghar se
kyun naa karega raam bhala aa
apna gaon sambhaalo
main to shehar ki ore chala
apna gaon sambhaalo o
main to shehar ki ore chala
aon Hamaara


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4739 Post No. : 16464

Today’s song is from the ‘1970’ movie ‘Darpan’.

I came across this song very recently on ‘Vividh Bharti’. I liked this song on the very first instance when I listened to it. And as usual thereafter I checked it on the blog. I was pleasantly surprised that it was not yet covered on the blog, because that gives me this opportunity to present this song on the blog. Though I am bit late in sending this to our editors.
I want it to send for 8th July in remembrance of actor Jagdeep (29th March’1939 – 08th’2020) who is performing with Soniya Sahni in this entertaining duet song.

Actor Jagdeep passed away last year in 2020 and yesterday 8th July’ 2021 was his first remembrance anniversary.

Syed Ishtiaq Ahmed Jaafrey better known to us as Jagdeep was born on 29th March’1939 in Datia of the then Central Provinces (of British India) and nowadays Madhya Pradesh.

He started his career as a child artist in the Hindi Film Industry and went to become an established comedian in the movies. He acted in more than four hundred movies.

As a child artist some of his well-known movies are ‘Afsaanaa’, ‘Dhobi Doctor’,’Do Bigha Zameen’, ‘Ab Dilli Door Nahin’, and ‘Ham Panchhi Ek Daal Ke’ etc.

Before he established himself as a ‘comedian’ he has played many good roles in his career as an adult artist in movies like ‘Bhabhi-1957’, ‘Punar Milan-1964’, ‘Noor Mahal-1964’, ‘Lootera Aur Jaadugar-1968’ etc. He played a comic role in the ‘1968’ movie ‘Brahmachari’ and went on to do mainly the comic roles thereafter.

And with his famous ‘Soorma Bhopali’ act in the 1975 movie ‘Sholay’ he became an household name and with ‘Sholay’ creating history in HFM, Jagdeep’s ‘Soorma Bhopali’ also become a part of that history.

His last appearance was in the ‘2017’ movie ‘Masti Nahin Sasti’. (As per information available on him in ‘Wikipedia’).

I think the today’s movie was one of those movies where he played a comedian. I am guessing because I have not watched this movie. I would request knowledgeable readers to throw more light on this movie and its songs.

‘Darpan-1970’ was directed by A. Subbarao for ‘Balan Movies Combines, Bombay’. It had Sunil Dutt, Waheeda Rehman, Rehman, Soniya Sahni, Jagdeep, Sulochana, Lalita Pawar, Achala Sachdev, Seema, Baby Guddi, Sandhya Rani, Shammi, Arun Rai, Sadhna Khote, Saleema, Ramesh Deo, Mukri, Sundar, Bawan Lal, Prem Kumar, Ramchandra Rao and others.

This movie had seven songs in it, all written by Anand Bakshi. Music for this movie was composed by Laxmikant-Pyarelal.

Here is the list of songs appearing in this movie (as per HFGK Vol-IV 1961-1970)

S.No. Song Title Singer/s Posted On
01 Jise tu thhukraaye Lata Mangeshkar, chorus
02 Tere pyaar ka kya jawaab doon Lata Mangeshkar 25.11.2012
03 Chali meri dulhan ki doli Mohd Rafi 22.11.2012
04 Ek gagan ka raaja Lata Mangeshkar 04.12.2013
05 Jal gayee, jal gayee, jal gayee, duniya jal gayee Asha Bhonsle, Kishore Kumar Being covered today in this article
06 Darpan jhoothh na boley Manna Dey 24.10.2014
07 Bujhaa do deepak andheraa kar do Kishore Kumar

So far, four songs from this movie ‘Darpan-1970’ have been posted on the blog.

Today’s song is the fifth song from this movie to be posted on the blog. Today’s song is sung by Asha Bhonsle and Kishore Kumar. As mentioned above Soniya Sahni and Jagdeep are performing on this ‘rickshaw song’ and lip-syncing in the voices of Asha Bhonsle and Kishore Kumar, respectively.

Let us now enjoy this sweet, lovely song …

Video

Audio

Song-Jal gayee jal gayee jal gayee (Darpan)(1970) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee

ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
he duniya jalti hai jalne de
ye prem ka rickshaw chalne de

o yaa yaa yaa yaa
jab ye nain ishaaraa karte hain
o yaa yaa yaa yaa
jab ye nain ishaaraa karte hain
o yaa yaa yaa yaa
chhup ke log nazaaraa karte hain

mazaa bhi lete hain
arey waah
khafaa bhi hoten hain
logon ki jaan nikalne de
ye prem ka rickshaw chalne de
he logon ki jaan nikalne de

ye prem ka rickshaw chalne de ae

jal gayee
jal gayee
jal gayee
duniya jal gayee

he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de ae

o o yaa yaa yaa yaa
pyaare preet mein
duniya chhodi hai
o yaa yaa yaa yaa
pyaare preet mein
duniya chhodi hai

o yaa yaa yaa yaa
pyaari khoob hamaari jodi hai
dukhon ki raaton ko o
oye nahin (?)
ghamon ki baaton ko
khushiyon mein aaj badalne de

ye prem ka rickshaw chalne de
khushiyon mein aaj badalne de
ye prem ka rickshaw chalne de
jal gayee

jal gayee
jal gayee
duniya jal gayee
ye he jalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de
duniya jalti hai jalne de
ye prem ka rickshaw chalne de

o yaa yaa yaa yaa
jeewan ke ye khel tamaashe hain
o yaa yaa yaa yaa
jeewan ke ye khel tamaashe hain
o yaa yaa yaa yaa
ham donon janam ke pyaase hain

gulaabi aankhon se
o o o o
sharaabi ho ho hoke
girne de aur sambhalne de
ye prem ka rickshaw chalne de
he girne de aur sambhalne de

ye prem ka rickshaw chalne de
jal gayee
arey jal gayee
arey
jal gayee
jal gayee
jal gayee
duniya jal gayee
jalne de

duniya jalti hai jalne de
ye prem ka rickshaw chalne de
he duniya jalti hai jalne de
ye prem ka rickshaw chalne de


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4738 Post No. : 16461

Hullo Atuldom

“Parvarish” (1977) was one of the four movies that was directed by Manmohan Desai in 1977. It was produced by A A Nadiadwala. It had a small starcast headed by Shammi Kapoor, Neetu Singh, Shabana Azmi, Indrani Mukherjee, Dev Kumar, Tom Alter, Yusuf Khan (Zebisco of Amar Akbar Anthony which also released in 1977) plus some of Manmohan Desai’s favourite actors of that year viz. Amitabh Bachchan, Vinod Khanna, Kadar Khan and Amjad Khan. Kadar Khan also was in-charge of the dialogues.

The movie’s songs were written by Majrooh Sultanpuri and composed by Laxmi Pyare. Mohd Rafi, Kishore Kumar, Amit Kumar, Shailendra Singh and Lata- Asha- Usha were the playback singers used for the six songs of the movie, five of which are there on the blog as under.

Song Date of posting Remarks
Aji thahr zara thhahro 7 February 2009 It was a farmaish by Rajaji before he became a contributor; has 14 comments
Ham premi prem karna jaanen 8 February 2009
Khuli nazar kya khel dikhega duniya kaa 6 October 2010
Aaiye shauq se kahiye 7 February 2019
Ye oonche mahal suhaane sab janta ka hai 29 November 2019 shortest post for a song from this movie

High time we took this movie, which first appeared on the blog in 2009, to “Yyiippeeee” station. And July 8th is a good date to do so as it is the 63rd birthday of the sweet-cute-charming-elegant-beautiful Neetu Singh a.k.a Baby Sonia of the gorgeous smile. She was born in Delhi in a Sikh family with the birth name Harneet Kaur. She began as a child actor in the late ’60s as baby Sonia with movies like ‘Suraj’, ‘Dus Lakh’, ‘Do Dooni Chaar’ etc. was seen as an adolescent in ‘Pavitra Paapi’ ‘Ghar Ghar Ki Kahani’ etc before turning to adult roles with ‘Rickshawala’ ‘Yaadon Ki Baraat’ etc in 1973.

She had a good successful career of nearly 10-12 years as an adult before she bade goodbye to stardom to raise a family. We all know she is Bahu of the Kapoor-Khandaan, Mrs. Rishi Kapoor, mother of actor Ranbir Kapoor, etc.. But she is also Neetu Singh (Kapoor to the present generation of moviegoers) and we are all her fans. Here is wishing her good health and cheer. Happy Birthday Baby Sonia.

Today’s song is a stage song where Amjad Khan is the chief guest and Neetu and Shabo (Desai didn’t break his head in naming his heroines) are the qawwali artists on the stage and use the situation to ‘take shots’ at Amjad Khan (ex. daku Mangal Singh) who was the cause of the death of their parents (Ram Sethi and Chand Usmani in blink and miss appearances). If I remember correctly, this was the song just before the climax of the movie. The song is sung by Lata Mangeshkar and Usha Mangeshkar.

Video

Audio

Song-Sambhal jaaye zara jo hum pe khanjar aazmaate hain (Parvarish)(1977) Singers-Lata, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus

Lyrics

sambhal jaaye zara
jo hum pe khanjar aazmaate hain
sambhal jaaye zara
jo hum pe khanjar aazmaate hain

ab aayi apni baari
ab nishaana hum lagaate hain
mere dil jhoom zara
manzil paas aayi
mere dil jhoom zara
manzil paas aayi

badi muddat ke ba.aa.ad
kismat rang laayi
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai

mere dil jhoom zara
manzil paas aayi
badi muddat ke ba..aa..ad
kismat rang laayi

aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai

jiske liye shehar shehar
aaye haaye shehar shehar
aaa aaa shehar shehar phire aawaara
besahara jaise koi toota taara
aaaaa aaaa aaaa aaaa aaaaa
jiske liye shehar shehar phire aanwaara
besahara jaise koi toota taara

aakhir rach gaye wo din
wo sama guzar gaya
aaj toh aisa lage,
jaise dil thehar gaya
mera kaatil bhi yahi
uski mehfil bhi yahi
mera kaatil bhi yahi
uski mehfil bhi yahi

nazar mili aane lagi angdaai
jise hum dhoondh rahe,
wahi rut laut aayi
badi muddat ke ba..aa..ad kismat rang laayi
(chorus)
aayi wo raat aayi
aayi wo raat aayi
aayi wo raat aayi
meri tauba duhaai

miley ho aaj mushkil se
miley ho aaj mushkil se
aahe mile ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
miley ho aaj mushkil se
miley ho aaj mushkil se
na samjho maaf kar denge
meri jaan aapki toh hum,
meri jaan aapki toh hum
meri jaan aapki toh hum,
tabeeyyat saaf kar denge

mile ho aaj mushkil se
na samjho maaf kar denge

na samjho maaf kar denge
mile ho aaj mushkil se

ke apna aur tumhara,
aaj insaaf karenge
bada tadpaaya humein,
bada tarsaaya humein
tumhe dekha toh sanam,
sab yaad aaya humein
tumhe dekha to sanam,
sab yaad aaya humein
rote rote yunhi nahi hansi aayi
faisla hone toh do,
kiski kaza aayi
badi muddat ke ba..aa..ad kismat rang laayi

(chorus)
aayi wo raat aayi,
aayi wo raat aayi
aayi wo raat aayi,
meri tauba duhaai

ummm ummm ummm
umm umm um um umm umm
ummm ummm ummm
umm umm um um umm umm

ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin

ya to tum nahin
tum nahin
ya to hum nahi n
hum nahin

ya to tum nahin
ya to hum nahin
ya to tum nahin
ya to hum nahin


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4645 Post No. : 16307

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 130 # Aayegi zaroor chithhi mere naam ki #
——————————————-—-

Today’s song is from the ‘1974’ movie ‘Dulhan’. ‘Dulhan-1974’ is one of those movies which had made its debut in the initial months of this blog, on 02.11.2008 with its song ‘jaane chaman jaane bahaar’. But since then, this movie is waiting to see its second song on the blog. Today after ‘twelve years, five months, and three days (or 4537 days), we are going to listen to the second song from this movie.

I remember the today’s song was frequently heard on radio and loud-speakers in those days i.e., my childhood days 😊. And maybe then I was not aware which movie it was from. But I vaguely remember that I never liked this song then and in fact it was irritating for me whenever it was played on radio or around. However, I think that this song must be the most popular song from this movie. And I was thus surprised to note that this has not been posted on the blog until now.

The other song I am familiar from this movie is ‘Govinda aa Gopaalaa aa, mere rote nainaa poochhen’ which was also frequently played then. And in comparison, to the above two songs, the song jaane chaman jaane bahaar from ‘Dulhan-1974’ is a song I am less familiar with.

‘Dulhan-1974’ was directed by C.V. Rajendran for ‘Sujata International, Madras’. It had Ashok Kumar, Jeetendra, Hema Malini, Jamuna, Mehmood (in special appearance), Nazir Hussain, David, Agha, Paintal, Manorama, Mukesh, Vijay Kumar, Prem Kumar, Raghav, Bhagwan, Baby Doll, Leela, Munni, Asha, Shammi and others.

This movie was passed by Censor Board on 19.10.1974.

This movie had five sound tracks including its ‘title-music’ as mentioned in HFGK Vol-V (1971-1980). HFGK also mentions that one song from this movie i.e., ‘main teri dulhan tu dulha piyaa’ is given in two-parts on the LP record of this movie.

Anand Bakshi was the lyricist for this movie who had written all the songs for this movie. Music for this movie was composed by Laxmikant-Pyarelal.

As per HFGK Vol-V (1971-1980) this movie ‘Dulhan-1974’ had the following songs;

SNo Song Title Singer/s Posted On
01 Aayegi zaroor chithhi mere naam ki Lata Mangeshkar Being discussed today
02 Jaane chaman jaane bahaar Kishore Kumar 02.11.2008
03 Main dulhan teri tu dulha piya Lata Mangeshkar
04 Jai Hari Govind… Govinda Gopaala Lata Mangeshkar,Chorus
05 Title music

— —
I have not watched this movie, so I would request knowledgeable readers to throw more light on this movie and its songs.

Let us listen to the today’s song now.

This song is lip synced on screen by Hema Malini while Jeetendra is also present there.
In the second part the mukhda of this song plays in the background and Ashok Kumar, Hema Malini, Nazir Hussain and many others are also seen in the picturization.

Video (Part I)

Video (Part II)

Audio

Song-Aayegi zaroor chithhi tere naam ki sab dekhna (Dulhan)(1974) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

aa aa aa aa aa aa
aa aa aa aa aa aa
o o o o o
o o o o o o
o o o o o
aa aa aa aa aa
aa aa aa aa aa

aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
haal mere dil ka ho logon
tab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa

phir pardesi yaad
aane lagaa hai
phir pardesi yaad
aane lagaa hai
palkon pe gham ka baadal
chhaane lagaa hai
chhaane lagaa hai ae ae ae
o o
baras padenge aansoo
ab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa

karo aitbaar meraa
baat nahin jhoothhi ee
karo aitbaar meraa
baat nahin jhoothhi ee
tootaa hai dil meraa
aas nahin tooti
aas nahin tooti ee ee ee
ho o
maanega mera roothha
rab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa
aayegi zaroor chithhi
mere naam ki
sab dekhna aa

sab ko sunaaungi main
jab ye khabariyaa
sab ko sunaaungi main
jab ye khabariyaa
laaj ke maare jhuk
jaayegi najariyaa
jaayegi najariyaa aa aa aa aa
ho o
kaanp uthhenge mere ae
lab dekhna aa aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekh ……….

————————–
(part-2)
————————–
aayegi zaroor chithhi
mere naam ki
sab dekhna aa
haal mere dil ka ho logon
tab dekhna aa aa
aayegi zaroor chithhi
mere naam ki ee
sab dekhna aa

hmm hmm hmm
hmm hmm
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa
o o o o o o
o o o o o o
aa aa aa aa aa
aa aa aa aa aa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4629 Post No. : 16281 Movie Count :

4422

[Ed Note: Delayed by 3 days on our account, this post was received in email just past midnight on 17th March. It should have posted on 18th. The reference to the dates in the article should be taken from 17th March.]

Hullo Atuldom

18th March 2012 was the first time I sent a contribution to Atulji in the form of lyrics of one of Deewaar’s songs – “Maine Tujhe Maanga Tujhe Paaya Hai“. That happened to be Shashi Kapoor’s 74th birthday. That post also marked 300 songs of Sahir Ludhianvi on the blog. It is nine years since then and we touched 700 songs of Sahir on the blog recently. That was post number 5655 for the blog considering that we had touched 2900 on 3rd September 2010 and those days the blog was chugging along at a great speed.

Ever since 2012 March I have tried, rather inconsistently, to send in a post for Shashi Kapoor’s birthday. My last post for the occasion was in 2019, the song being “Kya Karoon Mujhko Time Nahin“. As I re-read that post I found that the first time I participated on the blog was as a commentor (I was a pillion rider to Peevesie that day when she wrote that comment) for a Shashi Kapoor song.

The first Amitabh song that I wrote a post for was, I think, the friendship song of Suhaag. I am glued to the idiot box whenever there is an Shashi Kapoor-Amitabh Bachchan movie playing and I have been indulged by a certain channel of the DTH provider who played ‘Namak Halal’ (1982) and ‘Suhaag’ (1979) yesterday.

As I am writing this post, that particular channel is showing ‘Chori Mera Kaam’ (1975) of which I have very vague memories of, having seen it in the ’70s. The things that I remember is Deven Verma’s character which was called Praveen Bhai, Zeenat Aman and Shashi trying to outsmart each other and because this was a movie directed by Brij it had interesting roles for Ashok Kumar and Pran. It had great music by Kalyanji Anandji.

He must have been a great co-actor as we have seen him with Shatrughan Sinha, Sanjeev Kumar, Rekha, Hema Malini, Rakhee, Zeenat Aman, Sharmila Tagore, Parveen Babi and so many others. But we can’t forget his pairing with Nanda in the ’60s with whom he featured in 8 films.

He began his career playing the childhood of Raj Kapoor in ‘Awaara’ (1951) etc. and had his first adult role in Yash Chopra’s ‘Dharmaputra’ (1961) going on to act in almost 116 movies of which 60 were solos and 55 multi-starrers. He was a Padma Bhushan winner and was honored with the Dadasaheb Phalke award in 2014, for his contribution to Hindi Cinema.

He was a filmmaker who made movies that were not in the commercial format and got the likes of Shyam Benegal, Govind Nihalani, Aparna Sen, Girish Karnad to direct it. And he used to say that he acted in the regular masala movie so that he could finance the kind of movies that he liked to offer his fans.

I was reminded of today’s song thanks to ‘Chori Mera Kaam’. No, I haven’t discovered any hidden song in that movie. We have already Yippeee’d it. It reminded me of the Zeenat Aman – Shashi Kapoor films. ‘Chori Mera Kaam’ was followed by 10 films like ‘Vakil Babu’ (1982), ‘Bandhan Kachhe Dhaagon Ka’ (1983) etc.

There was this 1983 masala movie ‘Pakhandi’ directed by Samir Ganguly. It had Shashi Kapoor- Zeenat Aman -Asha Parekh- Sanjeev Kumar leading a cast with Ranjeet, Jagdeep, Helen, Leela Mishra as supporting cast. The song is the handiwork of Majrooh Sultanpuri-Laxmi-Pyare-Asha Bhonsle-Kishore Kumar. The video shows Zeenat and Shashi Kapoor participating in a DANCE COMPETITION!!!! Shashi Kapoor dancing???? I will not say that he was a bad dancer but definitely not in the same league as his brother Shammi Kapoor or his nephew Rishi Kapoor. He had a sense of rhythm like his other brother Raj Kapoor and no ‘two- left-feet’ issue like his contemporary Dharmendra. And this song has choreography very different from what we generally see Shashi do. It has prompted me to put this masala movie in my to be seen list.

Audio

Video

Song – Tu Jab Bhi Dekhega Jidhar Bhi Dekhega (Pakhandee) (1983) Singer – Asha Bhosle, Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – Laxmikant Pyaarelal
Female Chorus, Male Chorus
Female + Male Chorus

Lyrics

la la la la lala
la la la la la laaa

tu jab bhi dekhega 
jahaan bhi dekhega
mujhi ko dekhega 
arre nahi hai nahi hai nahi hai
mera jawab 
koi nahi koi nahi koi nahi 
mera jawab
kahin nahi kahin nahi kahin nahi 
mera jawab
koi nahin koi nahi koi nahi
tu jab bhi dekhega 
jahaan bhi dekhega
tu jab bhi dekhega

nikli hoon dekho sina taan ke
aaye koi
aaye koi
kehti hoon main to imaan se 
aaye koi
aaye koi
zameen se nahi to aasman se 
aaye koi 
aaye koi
arre tu bhi nahin 
tu bhi nahin 
tu bhi nahin
tu bhi nahin 
hey ae ae
tu jab bhi dekhega 
jahaan bhi dekhega
mujhi ko dekhega 
arre nahi hai nahi hai nahi hai
mera jawab 
koi nahi koi nahi koi nahi 
mera jawaab
kahin nahi kahin nahin kahi nahin 
mera jawab
koi nahi koi nahi koi nahi
tu jab bhi dekhega 
jahaan bhi dekhega
tu jab bhi dekhega

la la la laaa 
la la la laa 
la la la laa
la la la la la laaa
la la la la la laaa

yeh lo ji main aaya hoon muqabil 
jaqne jigar
dekho idhar
meri bhi ada hai badi qatil 
ek nazar
dekho idhar
kehti phirogi haye haye dil 
dekho idhar
dekho idhar
isiliye maine kahan maine kahan maine kahan 
he ae ae 
tu jab bhi dekhegi 
jahaan bhi dekhegi
mujhhi ko dekhegi 
arre nahi hai nahi hai nahi hai
mera jawab 
koi nahi koi nahi koi nahi 
mera jawaab
kahin nahi kahin nahin kahi nahin 
mera jawab
koi nahi koi nahi koi nahi
tu jab bhi dekhegi 
jahaan bhi dekhegi
tu jab bhi dekhegi

waah waah re waah
la la la la
waah waah re waah
la la la la
waah waah re waah
la la la la 
waah waah re waah
la la la la 
waah waah re waah
waah waah re waah
waah waah re waah

koi chala ye chala 
teere nazar jigar bachaana
baahon mein aa
main tujhe sikha doon 
nishana lagana
shola hoon main tujhe jala na doon
arey sambhal ke aa tujhe bujha na doon
aayi teri kaza 
chhod bhi ye ada
o aayi teri kaza 
chhod bhi ye ada
o chhod meri kalai 
he dene lagi duhai
isiliye maine kaha maine kaha maine kaha
he ae ae
tu jab bhi dekhegi 

jahaan bhi dekhegi
mujhhi ko dekhegi
arre nahi hai nahi hai nahi hai 
mera jawab 
koi nahi koi nahi koi nahi 
mera jawaab
kahin nahi kahin nahin kahi nahin 
mera jawab
koi nahi koi nahi koi nahi
 


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4616 Post No. : 16252

Today is the 8th of March.
A date that has an immediate connect with those who love Urdu poetry, and lyrics of Hindi films.

They celebrate it every year as the birth anniversary of one of the giants of 20th century Urdu poetry, and easily one of the most highly regarded lyricists the Hindi film industry has known.

I’m talking about Sahir Ludhianvi, of course.
He is right up there as one of the greatest – and I don’t think anyone disputes this.

It’s no secret to those who have read my previous posts here that I’m a massive fan of Sahir. I’ve written many posts on him here – on practically every birth and death anniversary of his. And even some in between.

And yet today is an extra extra special day.

For it’s not just another birth anniversary of his – it is his birth CENTENARY.

Yes, he was born on 8th March 1921 – in other words, exactly 100 years ago.

I need to take a deep breath here to take in this occasion.

What a momentous one it is!

I suppose a centenary is also an opportunity to take a step back and look at what the person’s influence has been over the period in question.

And that is what I hope to do a little bit of here in this post.

Sahir passed away in 1980 – he was only 59 at the time.

But what a life!

Like Lincoln supposedly said “It’s not the years in your life that count, it’s the life in your years”.

Sahir lived a life that influenced not only people during his lifetime, but is also inspirational for people, like me and many others, 40 years after his death.

(I hope you can hear this from up there, Sahir saab!)

To understand the influence of Sahir, we need to look at him as more than just a poet.
There were poets before him – and there have been poets after him too.
In his own words, “mujhse pehle kitne shaayar aaye aur aakar chale gaye” and “kal aur aayenge naghmon ki khilti kaliyaan chunne waale”.
And it’s true.
And mind you, they have all, in their own ways, been fabulous too.
We should not demean any of their poetic abilities.

And yet where Sahir stands out, even while being exceptional as a poet, is in being exceptional in speaking out against power and oppression.

No one, NO ONE, did it as well as Sahir.
Or as frequently.

And for that, Sahir is in a league of one.

He exemplified the saying “The pen is mightier than the sword” better than any other poet I know, post-independence, with his poetry repeatedly exposing the hypocrisy in Indian society, and the ills prevalent across various sections of it. He railed against patriarchy and misogyny, against capitalists exploiting labour, against the government silencing dissent.

How can you NOT love such a person?

It all probably started early in Sahir’s life, when, having to choose between his rich father and his suffering mother, he chose the latter.

Maybe that was the trigger for him for the rest of his life, because he always spoke up for the poor, the underprivileged, the oppressed, the marginalized.

Of course there’s more to Sahir than just this.
He had amazing variety too.
Romantic songs. The songs of Hum Dono, Taj Mahal, Gumraah, Humraaz, Shagun and Waqt come immediately to my mind.
Philosophical songs. Main zindagi ka saath, aage bhi jaane na tu, mann ri tu kaahe na dheer dhare, kabhi khud pe…
Bhajans. Aan milo aan milo Shyam saanvre , Allah tero naam and tora mann darpan kehlaaye come to mind.
Qawwalis. Songs of Barsaat Ki Raat and Taj Mahal, for example.
Songs on mother-child relationship – Mujhe Jeene Do, Dhool Ka Phool and Trishul, among others.
Pure fun, zany songs. Sar jo tera chakraaye, aye meri topi palat ke aa.

Each one a gem.

And yet, as I look back on this centenary occasion, it is Sahir’s songs that speak of society, and speak TO society, that I would consider as his most significant and lasting influence.

Without them too, he would be a GREAT poet, no doubt.
But with them, he elevates himself from being just a great poet, to being a decent and conscious human being.

And that to me is far more important than anything else.

So let’s quickly run through some of his poetry where he talks about, or, to, society.
There are many songs of course, but I’ll just mention a few here.

Ye kooche ye neelaam ghar dilkashi ke – Pyaasa (1957)
Ye mehlon ye takhton – Pyaasa (1957)
Saathi haath badhaana – Naya Daur (1957)
Aurat ne janam diya mardon ko – Sadhna (1958)
Tu Hindu banega na Musalmaan banega – Dhool Ka Phool (1959)
Wo subah kabhi to aayegi – Phir Subah Hogi (1958)
Cheen-o-Arab hamaara – Phir Subah Hogi (1958)
Khuda-e-bartar – Taj Mahal (1963)
Na munh chhupa ke jiyo – Humraaz (1967)
Ponchh kar ashq apni aankhon se – Naya Raasta (1970)
Samaj ko badal daalo – Samaj Ko Badal Daalo (1970)

Sahir’s lyrics for such songs were piercing – they went straight to the heart.
It was as if he was pouring out his agony, venting his frustration at society. Showing it a mirror, exposing its hypocrisy.

For example, these seemingly innocuous lines (Sadhna-1958):

kaho jee tum kya kya khareedoge
yahaan to har cheez bikti hai

mohabbat bechti hoon main
sharaafat bechti hoon main
na ho ghairat to le jo
ki ghairat bechti hoon main

Powerful.

Of course, it was not always doom and gloom in his lyrics.
Even while he was critical of society and its ills, he also wrote uplifting lyrics, with hope in them.
Like na munh chhupa ke jiyo , ponchh kar ashq, wo subah kabhi to aayegi mentioned above.
So it’s a combination of frustration and hope – which is probably a pretty accurate representation of his own personality. 🙂
Sahir was himself known to be fairly moody – cheerful one moment, morose the next.

I can keep on and on about Sahir and his songs – I haven’t even scratched the surface.
I haven’t even talked about gems like “pyar par bas to nahin” – Sone Ki Chidiya (1958). But then, one really can’t do justice to Sahir in one post.

So I’m going to force myself to move on – and get to the song for this post.

Before I get to the song, one other thing.

Today, the 8th of March, is also celebrated as International Women’s Day.

It is such a coincidence that both Sahir’s birth date and this date are the same.

Or was it pre-ordained in a sense, because if there was one person who regularly spoke up for women, their rights, how they’ve been oppressed, it was Sahir.

Aurat ne janam diya mardon ko from Sadhna-1958 is of course one of Hindi cinema’s classics. I’ve heard this song many times – and every time it gives me a punch in the gut.

But there were other lesser-known songs too.

And this song which I’m posting today is in that category.

It is from Jiyo Aur Jeene Do (1982).

Since Sahir passed away in 1980, I’m presuming this was one of his last few songs.
Or maybe he had written this earlier, but it got used only later in this film.

Anyway, as usual, it is Avinashji who has helped me with this.
He sent me the lyrics – and, considering it is Sahir’s Day AND Woman’s Day today, it seems to be just the right song for the occasion.

I haven’t seen the film, so I can’t comment about the situation, but the words of the song are powerful – and typically Sahir.

As usual, he talks about exploitation of women in Indian society.
And he references often to Seeta to bring home his point.
How women even today have to go through Agni Pariksha like Seeta had to.
How every woman is expected to just accept oppression without protest.
How even Seeta, who accompanied Ram during his exile, had to listen to his admonition of her.
How a woman can be expected to save herself in a world that has been created for man.
How, when even Ram could be influenced against Seeta, what hope for mere mortals?
How it is the lot of women like Seeta to be born in every era only to bear the burdens of this world.

I must admit the lyrics are very depressing.
Possibly some of the most depressing I have ever come across.
And I’d really like to think the lyrics are also highly exaggerated, and this isn’t today’s reality anyway. After all these lyrics are from more than 40 years ago, and a lot has changed since.

Or has it?

Yes, on one level, it has.
Many more women are better off today than they were 40 years ago.
More educated, more independent.
And yet, most of these are probably from middle- or upper classes of society.
(And even amongst them, there are many horror stories that don’t come to light).
But beyond these, there are many millions of women in India for whom life is a daily struggle.
From the moment they wake up early in the morning, to the moment they finally go to sleep that night, it is a day of just work, work and work. Women are taken so much for granted that society expects nothing less from them.
A woman just relaxing or enjoying herself is a rare sight – it almost seems out of place.
And so many women (especially among the poor) have sadly internalized this lifestyle of struggle, so they think it’s the most normal thing to do.
And I haven’t even talked about women’s safety here – that’s another minefield of a topic where, thanks to men, women don’t feel safe at all anytime during the day, every single day of their lives.
As a man, enjoying freedom that I take for granted, I just cannot imagine how it must be to live like this. All one’s life.

So yes, LOTS to think about.
And LOTS of work to do.
And the ball is in the court of MEN, not WOMEN.
For the simple reason that the cause of the problem is MEN, not WOMEN.

So then I think, however depressing the lyrics of this Sahir song are, are they more depressing than the actual lives of many women in India?

Anyway, this is supposed to be a day of celebration – I do not want to spoil the mood.
And yet, I cannot pretend – so if you don’t mind, I’d like it to be treated as a day of reflection for men too. Sahir would’ve liked that.

Thank you, Sahir saab, for your searing poetry. And for always standing up for the oppressed, and raising awareness on the right issues.
It is entirely our failing as a society that we have failed to make the lyrics you wrote all those decades ago irrelevant.
They are just as relevant today as they were when they were written.

And on that extremely sobering note, let me now end this post.
Thank you for reading.

Video

Audio (Longer)

Song-Seeta ke liye likkhaa hai yahi (Jiyo Aur Jeene Do)(1982) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Chorus

Lyrics(Provided by Avinash Scrapwala)

Chup chup apni jaan pe sah jaa aa aa
Duniya ka anyaay
Koyi nahin is dharti par
Jo tera dard bataaye

Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

Gairon ke kadwe bol sune
Apnon ka atyaachaar sahe
Gairon ke ae kadwe bol sune
Apnon ka atyaachaar sahe
Jis Raam ke sang ban ban bhatke
Us Raam ki bhi dutkaar sahe
Dharti mein samaane se pehle
Dharti mein samaane se pehle
Dharti ki tarah har bhaar sahe
Seeta ke liye likkha hai yahi

Purushon ki banaayi duniyaa mein
Kya ik naari ka maan bache
Purushon ki banaayi ee duniyaa mein
Kya ik naari ka maan bache
Jis zahar se Raam ka man na bachaa
Us zahar se kya insaan bache
Jo reet yugon se jaari hai
Jo reet yugon se jaari hai
Us reet se kaise jaan bache
Seeta ke liye likkha hai yahi

Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa

Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Jeete ji kasht uthhaana
Marne pe sati kahlaana hai
Marne ae pe sati kahlaana hai
Itihaas ke pannon ko sadiyon
Itihaas ke pannon ko sadiyon
Yoon hi ye katha dohraana hai
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
चुप चुप अपनी जान पे सह जा आ
दुनिया का अन्याय
कोई नहीं इस धरती पर
जो तेरा दर्द बटाय

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही

गैरों के कडवे बोल सुने
अपनों का अत्याचार सहे
गैरों के ए कडवे बोल सुने
अपनों का अत्याचार सहे ए
जिस राम के संग बन बन भटके
उस राम की भी दुत्कार सहे
धरती में समाने से पहले
धरती में समाने से पहले
धरती की तरह हर भार सहे
सीता के लिए लिखा है यही

पुरुषों की बनायी दुनिया में
क्या इक नारी का मान बचे
पुरुषों की बनायी ई दुनिया में
क्या इक नारी का मान बचे
जिस ज़हर से राम का मन न बचा
उस ज़हर से क्या इंसान बचे
जो रीत युगों से जारी है
जो रीत युगों से जारी है
उस रीत से कैसे जान बचे
सीता के लिए लिखा है यही

आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ

इस अंधी बहरी नगरी में
जब जब सीता को आना है
इस अंधी बहरी नगरी में
जब जब सीता को आना है
जीते जी कष्ट उठाना
मरने पे सती कहलाना है
मरने ए पे सती कहलाना है
इतिहास के पन्नो को सदियों
इतिहास के पन्नो को सदियों
यूँ ही ये कथा दोहराना है

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4595 Post No. : 16221

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXI: Year 1967
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1967.

In 1967, 83 Hindi movies containing 538 songs were released. Lata Mangeshkar got to sing in 44 of these movies and she sang 106 songs in these movies. So Lata Mangeshkar’s voice was heard in 53 % of the movies released in 1967. Her voice was heard in 19.7 % of the songs appearing in the movies of 1967.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1967 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aamne Saamne Kalyanji Anandji 1 1 0 1 0 0 Anand Bakshi
2 Aman Shankar Jaikishan 2 2 2 0 0 0 Hasrat Jaipuri
3 Anita Laxmikant Pyarelal 4 4 3 0 1 0 Raja Mehdi Ali Khan (3) Anand Bakshi (1)
4 Arabian Nights Lala Sattar 0 1 0 0 1 0 Ash Kanwal
5 Aurat Ravi 1 1 1 0 0 0 Shakeel Badayuni
6 Bahaaron Ke Sapne R D Burman 4 4 2 1 1 0 Majrooh Sultanpuri
7 Bahu Begam Roshan 2 2 1 0 1 0 Sahir Ludhianvi
8 Chandan Ka Palna R D Burman 3 3 2 0 1 0 Anand Bakshi
9 Chhaila Baabu Laxmikant Pyarelal 1 1 0 1 0 0 Hasrat Jaipuri
10 Chhoti Si Mulaakaat Shankar Jaikishan 2 2 2 0 0 0 Shailendra
11 Dil Ne Pukaara Kalyanji Anandji 2 2 1 1 0 0 Indeewar (1) Prem Warbartani (1)
12 Duniya Naachegi Laxmikant Pyarelal 0 1 1 0 0 0 Majrooh Sultanpuri
13 Ek Raat Usha Khanna 1 1 1 0 0 0 Jalal Malihabadi
14 Farz Laxmikant Pyarelal 2 2 1 1 0 0 Anand Bakshi
15 Ghar Ka Chiraag Madan Mohan 2 2 2 0 0 0 Kaifi Azmi
16 Gunaahon Ka Devtaa Shankar Jaikishan 1 1 1 0 0 0 Hasrat Jaipuri
17 Jaal Laxmikant Pyarelal 4 4 3 1 0 0 Raja Mehdi Ali Khan (3) Anand Bakshi (1)
18 Jab Yaad Kisi Ki Aati Hai Madan Mohan 5 5 3 2 0 0 Raja Mehdi Ali Khan
19 Johar in Bombay Usha Khanna 1 1 0 0 1 0 Unknown
20 Jewel Thief S D Burman 4 4 1 3 0 0 Majrooh Sultanpuri
21 Laat Saheb Shankar Jaikishan 1 1 1 0 0 0 Hasrat Jaipuri
22 Majhli Didi Hemant Kumar 2 2 1 0 0 1 Neeraj
23 Meharbaan Ravi 0 2 1 1 0 0 Rajinder Krishan
24 Mera Munna Kalyanji Anandji 1 3 3 0 0 0 Indeewar (2) Qamar Jalalabadi (1)
25 Milan Laxmikant Pyarelal 6 6 2 4 0 0 Anand Bakshi
26 Milan Ki Raat Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
27 Nai Roshni Ravi 2 2 1 1 0 0 Rajinder Krishan
28 Naunihaal Madan Mohan 2 2 1 0 1 0 Kaifi Azmi
29 Night in London Laxmikant Pyarelal 4 4 1 3 0 0 Anand Bakshi
30 Noorjehaan Roshan 1 1 1 0 0 0 Shakeel Badayuni
31 Paalki Naushad 3 3 2 0 0 1 Shakeel Badayuni
32 Parivaar Kalyanji Anandji 2 2 1 1 0 0 Gulshan Bawra
33 Patthar Ke Sanam Laxmikant Pyarelal 3 3 2 1 0 0 Majrooh Sultanpuri
34 Raam aur Shyam Naushad 2 2 1 1 0 0 Shakeel Badayuni
35 Raam Rajya Vasant Desai 2 5 3 2 0 0 Bharat Vyas
36 Raat aur Din Shankar Jaikishan 6 6 5 1 0 0 Shailendra (5) Hasrat Jaipuri (1)
37 Raaz Kalyanji Anandji 3 3 2 1 0 0 Qamar Jalalabadi (1) Gulshan Bawra (1) Shamim Jaipuri (1)
38 Sangdil G S Kohli 1 1 0 0 1 0 Naqsh Llayalpuri
39 Sardaar Usha Khanna 1 2 2 0 0 0 Asad Bhopali
40 Shaagird Laxmikant Pyarelal 4 4 3 1 0 0 Majrooh Sultanpuri
41 Taqdeer Laxmikant Pyarelal 3 3 2 0 0 1 Anand Bakshi
42 Trip To Moon Usha Khanna 0 2 2 0 0 0 Unknown
43 Upkaar Kalyanji Anandji 1 1 1 0 0 0 Gulshan Bawra
44 Woh Koi aur Hoga Usha Khanna 1 1 1 0 0 0 Asad Bhopali
Total 44 movies 14 MDs 92 106 67 28 8 3 20 lyricists

Lata Mangeshkar worked with 14 music directors and 20 lyricists in these 44 movies released in 1967. Shankar Jaikishan with 369 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by C Ramchandra with 273 songs. Other top music directors for Lata Mangeshkar were Chitragupta (209), Madan Mohan (159), Roshan (143), Hemant Kumar (121),Anil Biswas (120), Naushad (118), S D Burman (116), Laxmikant Pyarelal (11), Kalyanji Anandji (111), Husnlal Bhagatram (108) and Vasant Desai (102). Together these thirteen music directors composed 2063 songs out of 3072 songs that Lata Mangeshkar had sung in Hindi movies till end of 1967. The top seven lyricists till end of 1967 for Lata Mangeshkar were Rajinder Krishan (459), Shailendra (357), Hasrat Jaipuri (249), Prem Dhawan (185), Majrooh Sultanpuri (183), Bharat Vyas (180), Shakeel Badayuni (179). These seven lyricists had penned 1794 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar tied up with music director Asar Sattar for the first time in movies released in 1967. She had worked with Lata Asar Sattar previously. She collaborated with lyricists Neeraj and Prem Warbatani for the first time in movies of 1967.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1967 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 134 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 149 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 140 172 144 23 4 1
1955 50 movies 165 218 177 30 10 1
1956 49 movies 168 204 153 35 13 3
1957 47 movies 129 160 110 38 7 5
1958 35 movies 102 132 95 25 10 1
1959 58 movies 188 211 130 68 12 1
1960 48 movies 139 166 102 50 12 1
1961 44 movies 125 152 88 55 5 4
1962 40 movies 118 129 84 40 5 0
1963 37 movies 103 111 62 38 8 3
1964 46 movies 122 133 91 31 8 3
1965 42 movies 83 91 71 17 1 2
1966 49 movies 104 133 110 14 8 1
1967 44 movies 92 106 67 38 8 3
Total upto 1967 865 movies 2610 3072 2169 694 160 57

We notice that Lata Mangeshkar had crossed 3000 songs in Hindi movies during this year 1967. She became the first playback singer to achieve this feat in HFM. It took her two decades to reach this mark.

It can be seen from the table of 1967 that Lata Mangeshkar sang 106 songs in movies released in 1967. It was the second lowest figure in a year for her since 1948.

As many as 92 of these 106 songs have already been covered in the blog. Out of 44 movies of 1967 where Lata Mangeshkar sang, all Lata Mangeshkar songs of 35 movies are already covered. So we only have 14 Lata songs belonging to 9 movies of 1967 that are not yet covered in the blog.

Alphabetically the first such movie that offers us Lata Mangeshkar songs to discuss is “Arabian Nights”(1967). Unfortunately this song could not be located by me till now and it does not seem to be available on line.

The next movie that offers us Lata Mangeshkar songs to discuss is “Duniya Naachegi”(1967). This movie was directed by K Parvez for Gay Films, Bombay. This “social” movie had Kishore Kumar, Kumkum, Mukri, Bhagan, Ifthikar, Babu Raje, arun Irani etc in it.

HFGK lists five songs for this movie but does not mention any singers. Nevertheless, one song from this movie has been covered and that song turned out to be a Kishore Kumar solo.

It turns out that the movie has one Lata Mangeshkar solo in it as well.

Here is the Lata Mangeshkar solo song from “Duniya Naachegi”(1967). Music is composed by Laxmikant Pyarelal.

HFGK mentions two lyricists for the movie namely Raja Mehdi Ali Khan and Majrooh Sultanpuri. But the distribution of songs among them is not mentioned in HFGK. However, Lata Geetkosh vol VI (compiled by Mr Snehashish Chatterjee) mentions this song as penned by Majrooh Sultanpuri.

The song is lip synced by Kumkum. I request our knowledgeable readers to help identify the other actors seen in the picturisation.

This extremely hummable song has a tune that is Lata Mangeshkar’s favorite and it is inspired by a folk song of Lata Mangeshkar’s nanihaal (mother’s place). Lata Mangeshkar is so fond of this song that she got quite a few songs recorded in Hindi movies based on this tune. One such song is Tu na aaya aur hone lagi shaam re from “Asha”(1957). It as peneed by Rajinder Krishan and composed by C Ramchandra. Meri patli kamar lambe baal re from “Mere Laal”(1966) has the same tune. It is penned by Majrooh Sultanpuri and it is composed by Laxmikant Pyarelal.

So this “Duniya Naachegi”(1967) song is by the same musical team as “Mere Lal”(1966).

Unlike the above two songs, the influence of that folk song is more subtle, but it is unmistakably there.

So here is a Lata song from 1967. It is one of those few songs whose singer is not mentioned in HFGK. So when the song got located, it turned out to be a pleasant discovery that it was a Lata Mangeshkar song.

Audio

Video

Song-Bhool gaye sainyya puraani mulaqaat (Duniya Naachegi)(1967) Lata Laxmikant Pyarelal

Lyrics

ek din aise hi baanh meri thhaami thhi
yaad hai humko wo taaro bhri raat haay haay haay
bhool gaye sainya puraani mulaakaat
bhool gaye sainya puraani mulaakaat
ek din aise hi banh meri thhaami thi
yaad hai humko wo taaron bhri raat haay haay haay
bhool gaye sainya purani mulaakaat
bhool gaye sainya purani mulaakaat

kaahe ko phir bane jaane tamnna
chup ho khade kuch kahna na sunna
ho jaane pahchane se bante ho anjaane se
tumko jaanen hum apna aur ho tum begaane se
pyaar yaahi hai to chhodo mera haath
pyaar yahi hai to chhodo mera haath haay haay haay
bhool gaye saiya puraani mulaakaat
bhool gaye saiya puraani mulaakaat

dekhe na tu par aankhon mein teri
thhodi si hai wohi tasweer meri
haath mein hai halka halka rang mere hi aanchal ka
ab tak mukhde par hai daag in nainon ke kaajal ka
yaad nahin tumko hai ye bhi koi baat
yaad nahin tumko hai ye bhi koi baat haay haay haay
bhool gaye sainya puraani mulaakaat
bhool gaye sainya puraani mulaakaat

tera chalan teri ghaaten bedardi
tu na kahe teri nainon ne kah di
aankh jo sab pe chaar kare
wo kaise ikraar kare
yaad rahe kya usko jo roz naya ek pyaar kare
kya kahoon kaisi hai mardon ki jaat
kya kahoon kaisi hai mardo ki jaat haay haay haay
bhul gaye sainya puraani mulaakaat
bhul gaye sainya puraani mulaakaat
ek din aise hi banh meri thami thi
yaad hai humko wo taaron bhari raat haay haay haay
bhool gaye sainya puraani mulaakaat
bhool gaye sainya puraani mulaakaat


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4323 Post No. : 15611

Hullo Atuldom

These days we have people from all walks of life connecting with each other over video calls, chat groups coming together on various online platforms etc. Similarly there are people who are going ‘live’ on Facebook and YouTube. On these ‘live’ days they showcase their talents in singing and dancing etc. I have watched a few and must say, rather admit, that this period of Lock-down is helping everyone rediscover their passion in singing and other art forms. All the best to all of them

Some videos of these ‘live’ acts are doing the rounds on the social media called Whatsapp. My husband forwarded me one such video which had the South Indian stalwart SP Balasubramaniam singing one of his popular songs from the 1979 Telugu movie ‘Shankarabharanam’.

That movie had some great songs which were based on Carnatic Ragas and told the story of an exponent of classical music Sankara Sastri (JV Somayajulu) and his ardent fan cum disciple Tulsi (Manju Bhargavi). The movie was written and directed by K Viswanath, had music by KV Mahadevan and lyrics were by V Sundararama Murthy. K Viswanath later remade this movie in Hindi as ‘Sur Sangam’ in 1985.

The Hindi version had Girish Karnad and Jaya Prada playing the roles of Pandit Shivshankar Shastri and Tulsi. The film made its debut on the blog on 19th May, 2013 with the song “Mai Ka Piya Bulaave Apne Mandirva“. (In that sense, it is like a seven-year challenge. 🙂 )

Our dear Sudhir ji had posted one song from this movie on the occasion of World Music day in 2017 “Aaye Sur Ke Panchhi Aaye“. The movie has eleven songs in all with “Aaye Sur Ke Panchhi Aaye” appearing as two parts in the movie. Then we also have the song Dhanya Bhaag Sewa Ka Awsar Paaya which was shared by Khyatiben in July 2014 as part of the build up to the 10000th post. Sudhir ji then later wrote a heartfelt tribute to Girish Karnad in his post on the song “Hey Shiv Shankar Hey Karunakar” last year.

I feel Sudhir ji has given us a good biography of Girish Karnad in his post last year. So I shall go directly to the next song from this film. In this song we see the Shastri ji teaching a small boy a classical bhajan. He is unaware that the boy is actually the son of his fan/disciple Tulsi. He feels that the little boy has a lot of potential to take over the mantle from him. In fact the second anatara shows the child singing what he has learnt from the guru and the mother envisions the guru himself. The song is in the vocals of the Mishra brothers – Rajan and Sajan Mishra, with Lata Mangeshkar. Lyricist is Vasant Dev with Laxmikant-Pyaarelal as the music composers. I must admit here that I have no knowledge about the Raag or Taal that this song is in. I expect knowledgeable readers to help here.

Thinking of the versatile actor Girish Karnad today on his 82nd birthday.

Audio

Video

Song – Jaaun Torey Charan Kamal Par Vaari  (Sur Sangam) (1985) Singer – Rajan-Sajan Misra, Lata Mangeshkar, Lyrics – Vasant Dev, MD – Laxmikant Pyaarelal
Rajan-Sajan Misra + Lata Mangeshkar

Lyrics 

jaa..aaun torey charan kamal par vaari
o ho 
jaaun torey charan kamal par vaari
hey gopal govind murari
hey gopal govind murari 
sharnaagat hoon dwaar tihaare
jaaun torey charan kamal par vaari
jaa..aaun torey charan kamal par vaari

kitna ghana bana andhiyaara
kitna ghana bana andhiyaara
ghulta mai saara ka saara
ghulta mai saara ka saara 
tu hi mera ek adhaa..aa..aar
aa a a aa aaaa aaaa
ga re pa ga dha pa
dha pa ga re ga pa dha re
re ga ga re sa dha pa ga re
ga pa dha pa re
sa dha ga pa
ga dha pa ga
pa ma ga re
ma ga re sa
re ga re ga pa dha pa
sa dha pa ga re sa
tu hi mera ek adhaar
sharanaagat hoon dwaar tihaare
jaaun torey charan par vaari
jaa..aaun torey charan par vaari

sana nana nana nana
sana nana pawan jhakora aata
sana nana pawan jhakora aata
haara mann tapta gabraata
haara mann tapta gabraata
toot raha saanson ka taar
aaaaaa aaa
toot raha saanson ka taar 
sharanasgat hoon dwaar tihaare
jaaun torey charan kamal par vaari
jaa..aaun torey charan kamal par vaari

morpankh ki kiran jaga kar
jaga kar
morpankh ki kiran jaga kar
adharon par muskaan uga kar
adharon par muskaan uga kar 
har le mann ki piir apaa..aa..aar
sa re sa ga sa pa
sa dha sa pa dha pa ga re
sa dha sa
har le mann ki piir apaar
sharanaagat hoon dwaar tihaare
jaa..aaun torey charan kamal par vaari
hey gopal govind murari
sharanaagat hoon dwaar tihaare
jaaun torey charan kamal par vaari
jaa..aaun torey charan kamal par vaari

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

जाऊँ तोरे चरण कमल पर वारी
ओ हो
जा॰॰आऊँ तोरे चरण कमल पर वारी
हे गोपाल गोविंद मुरारी
हे गोपाल गोविंद मुरारी
जाऊँ तोरे चरण कमल पर वारी
जा॰॰आऊँ तोरे चरण कमल पर वारी

कितना घना बना अँधियारा
कितना घना बना अँधियारा
घुलता मैं सारा का सारा
घुलता मैं सारा का सारा
तू ही मेरा एक आधार
आ आ आs आsss आsss
ग रे प ग ध प
ध प ग रे ग ध प रे
रे ग ग रे स ध प ग रे
ग प ध प रे
स ध ग प
ग ध प ग
प म ग रे
म ग रे स
तू ही मेरा एक आधार
शरणागत हूँ द्वार तिहारे
जाऊँ तोरे चरण कमल पर वारी
जा॰॰आऊँ तोरे चरण कमल पर वारी

स न न न न न न
स न न न पवन झकोरा आता
स न न न पवन झकोरा आता
हारा मन तपता घबराता
हारा मन तपता घबराता
टूट रहा साँसों का तार
आsssss आss
टूट रहा साँसों का तार
शरणागत हूँ द्वार तिहारे
जाऊँ तोरे चरण कमल पर वारी
जाऊँ तोरे चरण कमल पर वारी

मोरपंख की किरण जगा कर
जगा कर
मोरपंख की किरण जगा कर
अधरों पर मुस्कान उगा कर
अधरों पर मुस्कान उगा कर
हर ले मन की पीर अपा॰॰आर
स रे स ग स प
स ध स प ध प ग रे
स ध स
हर ले मन की पीर अपार
शरणागत हूँ द्वार तिहारे
जाऊँ तोरे चरण कमल पर वारी
जाऊँ तोरे चरण कमल पर वारी
जा॰॰आऊँ तोरे चरण कमल पर वारी


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4319 Post No. : 15605 Movie Count :

4297

Hullo Atuldom

Today’s song is from a movie that released 32 years ago. This movie and song were instrumental in catapulting our today’s birthday girl into the big-league.

She had made her debut in Bollywood in 1984 through a Rajshri Productions movie which had a story similar to the Jaya Bhaduri starrer “Uphaar” of the 70s. Then followed a string of movies; which were not so successful; where she was an “also there” or what is generally termed as a glamour doll. Even 1988 saw her in four movies three of which were commercial failures. So we can term her start to be something like what the Big B experienced in the 70s.

But her fourth release of 1988 (release date 11 November) made her an overnight star along with re-affirming Anil Kapoor’s standing in the industry.

So today’s song is from N.Chandra’s “Tezaab” and with this we are wishing our “Mohini” a.k.a Madhuri Dixit (Nene got added to her name after marriage to Dr. Nene in 1999). Madhuri played a unfortunate, kindhearted and gentle girl who is forced to dance by her father so that his drunken ways are financed. She looked the role of a meek, frail girl but danced brilliantly.

Most Madhuri’s subsequent movies had atleast one great dance number. Who can forget “humko aaj kal hain intezaar”; “mera piya ghar aaya o ramji”; “Tamma tamma loge”; “dhak dhak karne laga” and the cream of them all “choli ke peeche kya hain” to name the most popular ones (there are many more) As I write this I find all the songs that I have mentioned here are yet to make their appearance on the blog except for the song from Khalnayak “choli ke peeche”.

She made an excellent pair with whoever she was cast opposite but the pairing with Anil Kapoor was a different class altogether. They did 18 films together including the 2018 release “Total Dhamaal”. There is a strange camaraderie between the two actors which is evident in any scene that they enact.

She must be among the few actress who have acted with pairs of father and son- Rishi and Ranbir Kapoor, Vinod and Akshaye Khanna for example.
Today’s song has a female and male version. Female playback -Alka Yagnik and male – Amit Kumar. The songs were written by Javed Akhtar and Laxmi-Pyare were the composers.

The male version is shot on the streets of Mumbai and we can see the steps of the famous Asiatic Library; also Akbarally’s which was one of the first departmental store of Mumbai (have done shopping there a few times when the kids were small.)

The Female version is a stage song which ends when a group of bandits or thugs led by Kiran Kumar, invade the scene with the intention to corner Anupam Kher (who played the drunkard father of Mohini). They leave carrying Mohini with them when they cannot find Anupam Kher.

So here is wishing the ever so beautiful brilliant dancer and of a million-bucks smile a long and healthy life and success in all her future ventures too. She still has a lot of time before she calls it a day. She is still very young.

Male version

Female version

Song-Ek do teen chaar paanch chhe saat (Tezaab)(1988) Singer-Amit Kumar/ Alka Yanik, Lyrics-Jawed Akhtar, MD-Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics

——————–
Male version
——————–
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong
ding dong ding
ding dong ding dong ding dong

ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

tera karoon
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

chaudah ko jab maine kehlaaya thha
chaudah ko jab maine kehlaaya thha
pandarah ko aaoonga
main aaya thha
pandarah ko parde se nikli na tu
tujh ko na paake main ghabraaya tha
solah ko bhi
solah ko bhi subah se tha bekarar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

satarah ko soya nahin raatbhar
athhaarah ko bhi tu na aayi nazar
unees ko main deewaana hua
bees ko ghar se rawaana hua
galiyon mein
galiyon mein goonje deewaane ki pukaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
chaar paanch chhe saat aath nau
dus gyarah barah terah

ikkees ko aayi na
baaees ko tu
jab na mili teyees chaubees ko
pachees ko samjhaya sab ne mujhe
mat jaane de de na chhabees ko
duniya mein bas
duniya mein bas din hain mere aur chaar
aaja sanam aayi bahaar
tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah baarah terah

din lage hafte
re hafte maheene
maheene lagte saal
aake zaara tu dekh toh le
kya hua hai mera haal
deewaana dar dar main phirta hoon
na jeeta hoon na main marta hoon
tanhaayi ki raatein sehta hoon
aaja aaja
aaja aaja aaja
aaja ke din ginta rehta hoon
aaaa
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

tera karoon din gin gin ke intezaar
aaja sanam aayi bahaar
ek do teen
char paanch chhe saat aath nau
dus gyarah barah terah

—————————————–
Female version
—————————————–

mohini mohini mohini mohini
mohini mohini mohini mohini
ho ho ho ho
ho ho ho ho oooooo

namaskaar
namaskaar
kahiye, kya sunege aap
arre pehle ye kahiye, kahaan thi aap
main
main kar rahi thi kisi ka intezaar
kaun hai woh
jisse karati hoon pyaar
haaye
aur, jisse karati hoon minnate baar baar,
kaise
aise

ding dong ding,
ding dong ding dong ding dong
ding dong dong
ding dong ding dong dong dong
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

tera karoon,
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

chaudah ko tera sandesa aaya
chaudah ko tera sandesa aaya,
pandrah ko aaoonga ye kehlaaya
chaudah ko aaya na pandrah ko tu,
tadpaake mujhko toone kya paaya
solah ko bhi
solah ko bhi solah kiye thhe singaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aayi bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

satrah ko samjhi sang chhoot gaya
athharah ko dil toot gaya
ro ro guzaaraa maine saaraa unnees
bees ko dil ke tukde hue bees
phir bhi nahin
phir bhi nahin dil se gaya tera pyaar,
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

ikkees beeti,
baayees gayi,
teyees guzari, chaubees gai
pachchees chhabees ne maara mujhe
birha ki chakki mein main pis gayi
din bas
din bas maheene ke hain aur chaar
aaja piya aayi bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

din bane hafte re,
hafte maheene,
mahine ban gaye saal
aake zara tu dekh to le
kya hua hai mera haal
deewaani dar dar main phirti hoon
main jeeti hoon naa main marti hoon
tanhaayi ki raaten sehti hoon
aaja aaja
aaja aaja aaja
aaja ke din ginnti rehti hoon
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyarah barah terah

tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
tera karoon din gin gin ke intezaar,
aaja piya aaye bahaar
ek do teen,
chaar paanch chhai saat aath nau,
dus gyarah barah terah
ek do teen,
chaar paanch chhe saat aath nau,
dus gyaarah baarah terah


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4283 Post No. : 15529

Hello Atuldom

I am back again with one more birthday post. I was aware of this date- 9th April. For additional reminder Avinashji played my alarm this time. Every year I make mental notes to wish this Bengali Beauty but on the run-up to the date I end up forgetting to write and send a song.
When I shared my experience of seeing the dream girl at Mumbai airport with my friends from school we had a major down-memory-lane session. We remembered who was whose fan at that young age of ours. And my friends were talking of how I was a die-hard Rekha fan and she herself was a Jaya Bhadhuri fan. Actually we were three of us and between us we had Rekha, Jaya and Hema as favourites and the other heroines of those time were also-rans in our opinion. Oh! to be that age again!!! Hope the song with post is liked by my girl-gang.

Jaya Bhaduri (later known as Jaya Bachchan) is an actress who had a naturalistic style of acting in both commercial and middle of the road movies. She debuted at the age of 15 in a Satyajit Ray film in Bengali, joined FTII graduated and made her Hindi debut in the title role of “Guddi” in 1971. This was followed by similar girl-next-door roles in “Mili”, “Chupke Chupke”, “Bawarchi”, “Piya Ka Ghar” etc. She tried to play slightly urban characters in “Jawani Deewani”, “Dil Deewana”, “Naya Din Nayi Raat”, “Parichay”; these characters were independent and had a mind of their own and could make decisions for themselves. Whether girl-next-door or modern, her footing was on-par with the male lead. Her “raat-ki-rani” in “Shor” or “knife sharpener” Mala of “Zanjeer” and Sushma of “Naya Din Nayi Raat” are still remembered fondly. She had the distinction of playing girl-friend, wife, daughter and bhabhi to Sanjeev Kumar. She has played daughter to Dharmendra twice -“Phagun” and “Samadhi”. She had acted in about nine movies with Amitabh as co-star before she took a sabbatical to look after her family.

During her days as lead actress there was one movie with an unusual casting- Gaai aur Gori. I have not seen the movie but from what I have read on IMDB and in the post (Gori o gori prem kar le)by Avinashji for the only song to be posted; the movie was the story of a village belle (something that Jaya Bhaduri had never played) who has a pet cow and her journey through life. “Gaai aur Gori” was a movie were she paired with Shatrughan Sinha (this movie also joins my list of movies to be seen).

Now today’s song has Jaya in the riding a bullock cart through the village singing in the voice of Lata Mangeshkar a song written by Anand Bakshi and composed by Laxmikant Pyarelal. From the video it looks like she has a tomboyish character in the movie. This song reminded me of the “sawaan ka mahina” song from “Milan” in the sense that Lata says the word ‘Shamu’ as ‘Saamu’.
Here is wishing our Guddi a very Happy Birthday

Audio

Video
Song-Bhaag mere Raamu jaag mere Shaamu (Gaai Aur Gori)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Based on Audio link)

oh Ramu bhaiyya,
saamu bhaiyya
ghar ko chalo
baarish aane waali hai

champa chameli
kaahe saheli
hum nikli akeli
rutt aise jaise koi paheli
paanv mein paayal honthon pe raag
bhaag bhaag bhaag bhaag bhaag bhaag
bhaag mere raamu
jaag mere saamu
bhaag mere raamu
jaag mere saamu
chal jaldi se chal
lambi dagar
chhoti umar
anmol har ek pal
chal chal chal
bhaag mere raamu
jaag mere saamu
chal jaldi se chal
lambi dagar
chhoti umar
anmol har ek pal
chal chal
bhaag mere raamu
jaag mere saamu

aise na chal hauley hauley
lamba safar dil doley doley
aise na chal hauley hauley
lamba safar dil doley
ghoonghat na kholey
gori sharmaaye
haaye
raste mein kisi se nazar na lad jaaye
ho amber pe baadal dharti pe aag
bhaag bhaag bhaag bhaag bhaag
bhaag mere raamu
jaag mere saamu
chal jaldi se chal
lambi dagar
chhoti umar
anmol har ek pal
chal chal chal
bhaag mere raamu
jaag mere saamu

peechhe shahar gaanv aage
daiyya re daiyya darr laage laage
peechhe shahar gaanv aage
daiyya re daiyya dar laage
roop ke choron ki hai ye nagariya
mele se main laayi malmal ki chunariya
ho mukhde pe jhoome zulfon ke naag
bhaag bhaag bhaag bhaag bhaag
bhaag mere raamu
jaag mere shaamu
chal jaldi se chal
lambi dager
chhoti umar
anmol har ek pal
chal chal
bhaag mere raamu
jaag mere saamu


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 17000 song posts by now.

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