Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sunder


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5180 Post No. : 17156

Today’s song is from the film Lehren-1953. It was made by ” New Sai Productions” Bombay. It was a film production company floated by C.Ramchandra, his close friend actor Omprakash and Lata Mangeshkar. They produced Jhanjhar-1953, Leharen-1953 and Duniya gol hai-1955 ( directed by Omprakash himself.) These films were neither successful nor their music became popular.

When the film Jhanjhar-1953 was about to be released, C. Ramchandra and Lata Mangeshkar went to Punjab to attend the release function of the film. In this visit, Lata Mangeshkar spoke to singer Nurjehan in Pakistan, from her hotel room telephone and they decided to meet each other. Accordingly Lata and Nurjehan met on the “No Man’s Land” between the Indo-Pak border. They embraced each other and spent a lot of time together.

Another noteworthy event happened when the film Jhanjhar was in the making. At that time C.Ramchandra, under a loose contract with Filmistan, was also giving music to Filmistan’s ” Anarkali’. Directors in Filmistan knew that he was also making his own film Jhanjhar and they suspected that he may be neglecting music of Anarkali at the cost of Jhanjhar. He was sent a legal notice accusing him of this. However, Jhanjhar released first, flopped and then Anarkali was released. Anarkali music became a superhit and Jhanjhar was nowhere. The legal case was happily dropped and C Ramchandra was also awarded a gift from Filmistan for its music !

Film Lehren-1953 was directed by H. S.Rawail and the 10 songs of the film were written by Rajendra krishna. Rajendra Krishna (6-6-1919 to 23-9-1987. Songs 1671 for 269 films) and C.Ramchandra were very good friends. They came together from C. Ramchandra[‘s film Patanga-1949. Together they worked in 52 films. However, in 1958 this friendship broke up. The story is….in 1958 C.Ramchandra was called to Madras by producer S.S.Vasan of Gemini Films. He was offered the film Raaj Tilak for music. This was a remake of Vasan’s hit Tamil film ” Vanjikottai Valiban”. A Telugu remake was also on cards and C.Ramchandra was to give music to Hindi and Telugu versions. He had already given music to the Tamil original. He gladly accepted and wanted to call Rajendra krishna to write the songs. To his shock, Vasan objected to calling Rajendra krishna. Vasan was angry at him because he had written songs for his competitor AVM’s 2 films Bhai Bhai-1956 and Bhabhi-1957. Both films’ songs were popular and hits also. Vasan asked Ramchandra to suggest some other name. He suggested P.L.Santoshi and it was accepted. The music was completed for Raaj Tilak-1958.

C.Ramchandra went back to Bombay and started making songs for the film Amardeep along with Rajendra krishna. After the music was set, Rajendra Krishna came to know that C.Ramchandra had replaced him with Santoshi for a South film. He was enraged and broke their partnership. Rajendra krishna was also popular in South and he started suggesting the Southern producers names of Chitragupta and Ravi as Music Directors. C. Ramchandra stopped getting any films from Madras. At that time even Lata left him after recording 2 songs of the film Amardeep-1958. C.Ramchandra’s bad period had begun…..

The cast of the film Lehren-1953 was Shyama, Kishore Kumar, Shakuntala, Bipin Gupta, Iftikhar, Sunder, Johnny Walker, Leela Mishra and others. In this film, Raj kapoor was a Guest Artiste. Also Omprakash’s brother Pachhi did a small role in this film. Later Pachhi became a big Producer of Hindi films himself. In this film 6 singers were used for 10 songs. The singers were Mohd. Rafi, Kishore kumar, Hiemant kumar, Lata Mangeshkar, Shamshad Begum and Sunder. Today’s fun song is sung by Mohd. Rafi and Sunder. To most readers Sunder was a comedian, but Sunder Singh was a Hero in his early films and sang many songs in his own films.

For a long time,I was searching for information on comedian Sunder. I got hold of a 2 page detailed article on Sunder, but it was in Punjabi- which I could not read or use. I found a small paragraph on Sunder in Sanjit Narvekar ji’s book ” Eena Meena Deeka”. Lastly, I requested Harish Raghuwanshi ji for help. Despite his failing health, he promptly sent me articles in Hindi, English and Gujarati, on Sunder. He is such a helpful person. May God give him a healthy life.

Sunder Singh aka Sunder was born in Sialkot, Punjab on 10th August 1916. His father was working in Madon Theatres, Calcutta. Sunder also started working there. Initially, for a long period,he did Girl’s roles. Once his work was seen by H.S.Rawail (Director in later life). He was quite impressed. Later Rawail started working with R.N.Vaidya as his assistant in direction.Meanwhile Sunder started working in Talkie films. His first film,where he was credited, was ” Na hone wali baat”-38. Before that, Rawail and Vaidya were preparing to make the film Banke Sipahi-37.Rawail recommended Sunder and Vaidya gave him an uncredited small role in that film.

Sunder and Rawail became good friends and started staying in one flat in Calcutta. After a few films here, they both went to Lahore and Sunder got the Hero’s role in the film ” Shukriya”-44. There were 4 Heroines in the film- Ramola, Rooplekha, Manorama and Raksha. Sunder’s role in this film was that of a young man from a village and Ramola was from a City. Sunder’s one song from this film-‘ Nayanon ke teer chala gayee ek shehar ki laundiya’ became very popular all over India, However the song was banned in Punjab due to its lyrics. After this they both came back to Calcutta.

His next film was Albeli-45, in which too there were 4 Heroines- Ramola, Rooplekha, Manorama and Usha. In the 40’s , Sunder acted in many films like Arabian Nights, Baap, Shabri, Chandrashekhar, Ek aurat, Grihalaxmi, Lottery, Samapti, Jhoothi kasme, Savyasachi, Do baaten, Shadi ke baad, Bawra, Khiladi, Nai Bhabhi etc. In Calcutta, Sunder got married to a girl from his community. Rawail left for Bombay. After a few months, Sunder also returned to Bombay.

Rawail was very happy to get him back and gave him roles in almost all of his films. Not only Rawail, but also J.Om Prakash, Mohan Kumar, Lekhraj Bhakri, Manoj kumar etc gave him roles in all their films and he became a busy actor. He was at one time, in great demand. He was quite popular due to his nature.In the decade of 50’s he did 88 films, which increased in the 60s and 70s. In the 80s however films came haltingly.

From singing Hero, he became a Junior artiste( extra), in presence of the new crop of actors. The role of comedians was on decline, as Heroes like Amitabh and others did comedy scenes themselves. His health started troubling him. His last film was probably Bahurani-89. He became ill for a long time and finally died on 5-3-1992. Sunder acted in 436 films. He was a good singer and sang his own songs in early cinemas. In all, Sunder sang 40 songs in 25 films. ( Thanks to Harish Raghuwanshi ji for material for adaptation.)

The story of the film Lehren-1953 was….The story of Lehren-53 revolves around 3 characters. One Hero and 2 Heroines. Kishore loves Shakuntala and treats Shyama sympathetically because she had lost her parents. She stays with her uncle omprakash. Shyama however takes Kishore’s sympathy as his love for her. Even his uncle and Kishore’s best friend Sunder think that way. This happens because Kishore feels too shy to express his love for Shakuntala. This situation becomes very embarrassing for Kishore, especially as he is pushed to marry Shyama. This part of the story is upto Interval.

After Interval, Kishore tries very hard to get out of this tricky situation and succeeds by first telling the truth to Sunder and then to uncle Omprakash. They make a plan so that Shyama overhears Kishore’s love dialogues to Shakuntala. But this has an opposite effect. Shyama thinks that Kishore has played a double game with both the girls.

At the end, all misunderstandings are cleared( for which Shakuntala had to pretend her suicide and sacrifice to allow Shyama and Kishore to get married). Shyama steps back and Kishore and Shakuntala are married.

Let us now enjoy the comedy song, by Rafi and Sunder Singh.


Song-Kehta hoon sach ke jhoothh ki aadat nahin mujhe (Lehren)(1953) singers-Sunder, Rafi, Lyrics-Rajinder Krishan, MD-C Ramchandra
Both

Lyrics

Duniya jhol hai
ae jee hum na kehte thhe
ke duniya jhol hai
aur tum samahte thhe ke beta gol hai
waah
aah
samhe mama
kehta hoon ke
kehta hoon sach
ke jhoothh ki aadat nahin mujhe
kehta hoon sach
ke jhoothh ke jhoothh ki aadat nahin mujhe
ae jaaneman
kisi se adaawat nahin mujhe
ae jaaneman
kisi se adaawat nahin mujhe
kehta hoon sach
ke jhoothh ki aadat nahin mujhe
kehta hoon sach
ke jhoothh ki aadat nahin mujhe
ae jaaneman kisi se adaawat nahin mujhe
ae jaaneman kisi se adaawat nahin mujhe

ae jee achche bure ko dekh ke
achche bure ko dekh ke
kehta hoon saaf baat
kya
arre suno to mama
arre achche bure ko dekh ke
arre kehta hoon saaf baat
arre din ho to din kahoonga
agar raat ho o o to raat
ahahaha

arre jhoothe kaa
kya
munh kaala

arre nahin
suno to mama
arre jhhoote ka saathh
dene ki aadat nahin mujhe
jhhoothe ka saath dene ki aadat nahin mujhe
ae jaaneman kisi se adaawat nahin mujhe
ae jaaneman kisi se adaawat nahin mujhe

aa aa aa aa aa
aji jaaiye bhi aap to
jhoothon ke baap hain

aji mama ee
dekho main to nahin hoon
per aap hain
aa aa aa aa
ab chhodiye jee peechha
ke fursat nahin mujhe
ab chhodiye jee peechha
ke fursat nahin mujhe

ae jaaneman kisi se adaawat nahin mujhe
ae jaaneman kisi se adaawat nahin mujhe

kehta hoon sach ke jhoothh ki ee ee ee ee ee ee ee
kehta hoon sach ke jhoothh kee ee ee ee ee ee ee
kehta hoon
o kehta hoon
o kehta hoon
o kehta hoon
sach ke jhoothh ki aadat nahin mujhe

kehta hoon sach
ke jhoothh ki aadat nahin mujhe
ae jaaneman kisi se adaawat nahin mujhe
ae jaaneman kisi se adaawat nahin mujhe ae ae


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4392 Post No. : 15759 Movie Count :

4343

Hullo Atuldom

Holi kab hai? kab hai holi? kab? kab?” – these are the famous lines mouthed by the most dreaded daaku of Ramgarh. He was wanted ‘dead or alive’ and carried a reward of ‘pachhas hazaar’ on his head. And from his den he declared rather pompously “Yahan se pachhas pachhas kos door gaon mein … jab bachcha raat ko rota hai, toh maa kehti hai bete so ja … so ja nahi to Gabbar Singh aa jayega”. With the most simple and not-so-profound dialogues like ‘Kitne Aadmi The’, ‘Jo Darr Gaya Samjho Marr Gaya’ andTera kya hoga Kalia’, Gabbar Singh alias Amjad Khan had arrived on the Bollywood scene, giving life to one of the most celebrated and iconic characters in Hindi cinema.

Born in undivided India’s Peshawar in 1940, he was the first child of actor Jayant (Zakaria Khan). He was a bright student who had a Masters in Philosophy and loved to read English poets like Keats and Wordsworth and could debate on political theories or philosophies of Plato, Socrates and even Dr. Radhakrishnan. After his M.Phil he ventured on to the world of theatre to give a chance to his passion of acting that he had inherited from his father. That is where he was spotted by the writer duo Salim-Javed who recommended him to Ramesh Sippy and rest of the story is well known to all the fans of this wonderful actor.

That was 1975. Post ‘Sholay’ Amjad Khan went on to live a number of memorable characters on celluloid. Can anyone forget the risk-taking best friend Bishan of Kishan (Amitabh) in ‘Yaarana’,  or the funny policeman of Kumar Gaurav’s debut ‘Love Story’. He was unforgettable as Nawab Wajid Ali Shah in Satyajit Ray’s ‘Shatranj Ke Khiladi’. What versatility. He was happy that his directors and writers saw more than a villain or a daaku in him and thanked them for not typecasting him else, we would never have seen his comic timing and his mastery in emoting any kind of role.

Today it is 28 years since his passing and we have a song that shows him trying to shake a leg with Mithun. The song is penned by Farooq Kaiser and set to tune by Bappi Lahiri. It is from the 1985 release ‘Maa Kasam’ which was directed by Shibu Mitra & had a cast of Mithun, Amjad Khan, Ranjeet, Divya Rana, Sushma Seth and Pran. It was a typical masala movie complete with dances where the lead actors are in disguise etc.

I stumbled on this song recently and filed it away to post it in remembrance of Amjad Khan. It is sung by Mohd Aziz, Vijay Benedict and Parvati Khan. We also have Kalpana Iyer as part of the group dance. We can also see Guddi Maruti and Sundar present in this clip. Just to know why everyone is dressed in tribal outfits which the Red Indians will claim as their traditional wear I need to see this movie.

Audio

Video

Song – Bingo Bingo Bingo Main Hoon Bingo  (Maa Kasam) (1985) Singer – Mohd Aziz, Vijay Benedict, Parvati Khan, Lyrics – Farooque Qaiser, MD – Bappi Lahiri
Mohd Aziz + Vijay Benedict

Lyrics 

bingo bingo bingo
main hoon bingo 
ringo ringo ringo
main hoon ringo
bingo bingo bingo
main hoon bingo 
ringo ringo ringo
main hoon ringo
aah haa main pappi sundaram 
sambhal ke rakhna har kadam
karenge chutti maa kasam 
maa kasam
maa kasam 
bingo bingo bingo
main hoon bingo 
ringo ringo ringo
main hoon ringo
aah ha main pappi sundaram 
sambhal ke rakhna har kadam
karenge chutti maa kasam 
maa kasam 
maa kasam

badi hai pataka 
zara si yeh potti 
ke dil na chura le yeh choti
kamariya hai patali 
umariya hai chhoti 
aankhen badi moti moti
badi hai pataka 
zara si yeh poti 
ke dil na chura le yeh choti
kamariya hai patali 
umariya hai chhoti
aankhen badi moti moti 
jao jao jao jao
tu hai jhootha
mere aage baatein na kar tu jhooti
lage hai pappi besharam 
banege hum bhi bereham
karenge chutti maa kasam 
maa kasam
maa kasam 
bingo bingo bingo
main hoon bingo
ringo ringo ringo
main hoon ringo

lapa lap yun naache 
uchhalti hai machhi
arrey laage nazariya toh achhi
bata doon main sachhi 
lage hai tu acchi 
thodi jawaani hai kacchi
haan
lapa lap yun naache 
uchhalti hai machhi 
arrey lage nazariya to achhi
bata doon main sachhi 
lage hai tu achhi 
thodi jawaani hai kacchi
jao jao jao jao
tukde tukde kar daaloongi 
samjha hai kya bacchi
lage hai pappi kuchh garam 
magar hai iss ka dil naram
karenge chutti maa kasam 
maa kasam
maa kasam 
bingo bingo bingo
main hoon bingo 
ringo ringo ringo
main hoon ringo
aah ha mai pappi sundaram 
sambhal ke rakhna har kadam
karenge chhuti maa kasam 
maa kasam
maa kasam 

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
आह हा मैं पप्पी सुंदरम
संभल के रखना हर कदम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों
आह हा मैं पप्पी सुंदरम
संभल के रखना हर कदम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम

बड़ी है पटाका
ज़रा सी ये पोट्टी
के दिल ना चुरा ले ये चोट्टी
कमरीया है पतली
उमरीया है छोटी
आँखें बड़ी मोटी मोटी
बड़ी है पटाका
ज़रा सी ये पोट्टी
के दिल ना चुरा ले ये चोट्टी
कमरीया है पतली
उमरीया है छोटी
आँखें बड़ी मोटी मोटी
जाओ जाओ जाओ जाओ
तू है झूठा
मेरे आगे बातें ना कर तू झूठी
लगे है पप्पी बेशरम
बनेंगे हम भी बेरहम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों

लपालप यूं नाचे
उछलती है मच्छी
अरे लागे नज़रिया तो अच्छी
बता दूँ मैं सच्ची
लगे है तू अच्छी
थोड़ी जवानी है कच्ची
हाँ
लपालप यूं नाचे
उछलती है मच्छी
अरे लागे नज़रिया तो अच्छी
बता दूँ मैं सच्ची
लगे है तू अच्छी
थोड़ी जवानी है कच्ची
जाओ जाओ जाओ जाओ
टुकड़े टुकड़े कर डालूंगी
समझा है क्या बच्ची
लगे है पप्पी कुछ गरम
मगर है इसका दिल नरम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम
बिंगो बिंगो बिंगो
मैं हूँ बिंगो
रिंगों रिंगों रिंगों
मैं हूँ रिंगों

संभल के रखना हर कदम
करेंगे छुट्टी माँ कसम
माँ कसम
माँ कसम


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4288 Post No. : 15538

“Laal Quila”(1960) was produced by H L Khanna and directed by Nanabhai Bhatt for H L K Productions. The movie had Nirupa Roy, Jairaj, Helen, Tiwari, Kumar, Kamal Kapoor, Rajan Haksar, Ram Singh, Altaf, Rajan Kapoor, Sundar, Shammi, Mridula, Ratnamala, Sheila Vaz, D Babulal, B M Vyas etc in it.

The movie had seven songs in it. Five songs have been covered in the past.

Today (14 april 2020) is the 101st bith anniversary of Shamshad Begam (14 April 1919 – 23 April 2013). On this occasion, here is a duet song from “Laal Quila”(1960). This song is a dance song which is sung by Rafi, Shamshad Begam and chorus. Bharat Vys is the lyricist. Music is composed by S N Tripathi.

I am unable to identify the actors seen in the picturisation. I request our nowledgeable readers to help identify them.

Audio

video (Full)


Song-Jhinchak jhinchak chakaachak pyaar karo (Laal Quila)(1960) Singers-Rafi, Shamshad Begam, Lyrics-Bharat Vyas, MD-S N Tripathi
Chorus

Lyrics

hey
hey

jhin chak jhin chak
jhin chaka chak
pyaar karo
bhai pyaar karo
jhin chak jhin chak
jhin chaka chak
pyaar karo
bhai pyaar karo

aayi suhaani raat suno ji baat
haath mein haath kisi ka lekar ankhiyaan chaar karo
bhai pyaar karo
jhin chak jhin chak
jhin chaka chak
chaka chak
chaka chak
pyaar karo
bhai pyar karo

bade puraane log ye humko keh gaye baat anoothhi
dil se dil ka pyaar hai saccha
aur baat sab jhoothhi re bhai
aur baat sab jhoothhi

suno ji suno ji sarkaar
suno ji suno ji sarkaar
nahin bekaar humse takraar karo
hum jawaan tum boodhhe
(cough cough cough)
hum jawaan tum boodhhe
kaise pyaar karo ji pyaar karo
kya khaakh pyaar karen be

jhin chak jhin chak
jhin chaka chak
chaka chak chaka chak
pyaar karo
bhai pyaar karo

aayi suhaani raat suno ji baat
haath mein haath kisi ka lekar ankhiyaan chaar karo

bhai pyaar karo
jhin chak jhin chak
jhin chaka chak
chaka chak chaka chak
pyaar karo
bhai pyaar karo

arre tu kya dikhaata hai apni adaa
meri baaanki adaa pe zamaana fidaa
jo mere husn ko apne bas mein kare
aise mardon ki moochhon pe taav nahin
aise mardon ki moochhon pe taav nahin
aise mardon ki moochhon pe taav nahin
aise mardon ki moochhon pe taav nahin
aise mardon ki moochhon pe taav nahin
aise mardon ki moochhon pe taav nahin

ek taraf hai tirchhi nazar
aur ek taraf hai patli kamar
aag(?) baraabar lagi huyi
na idhar kasar na udhar kasar
jhinkchak
hoy jhinchak
hoy jhinchak
jhinchak jhin chakaachak
pyaar karo bhai pyaar karo

jhinchak jhinchak jhin chakaachak
jhinchak jhinchak jhin chakaachak
jhinchak jhinchak
jhinchak jhinchak
jhinchak jhinchak
jhinchak jhinchak
hoy jhinchak
hoy jhinchak
hoy jhinchak
hoy jhinchak
jhinchak
jhinchak
jhinchak
jhinchak
jhinchak
jhinchak
jhinchak
jhinchak
jhinchak jhinchak jhin chakaachak
pyaar karo bhai pyaar karo
jhinchak jhinchak jhin chakaachak
pyaar karo bhai pyaar karo
jhinchak jhinchak jhin chakaachak
pyaar karo bhai pyaar karo
jhinchak jhinchak jhin chakaachak
pyaar karo bhai pyaar karo
jhinchak jhinchak jhin chakaachak
pyaar karo bhai pyaar karo
jhinchak jhinchak jhin chakaachak
pyaar karo bhai pyaar karo


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3905 Post No. : 14961

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 23
————————————————

On 28th March of 2009, six songs had made their appearance on the blog. The songs and the films represented are listed below.

 

Man Darpan Hai Dushman 1939
Mitti Se Khelte Ho Patita 1953
Sach Kahta Hoon Bahut Haseen Ho Jaali Note 1960
Chanda Re Mori Patiyaan Le Jaa Banjaarin 1960
Baalamwa Bolo Na Bolo Na Picnic 1966
Yoon Na Sharmaa Phailaade Apni Gori Gori Baanhen Parwaana 1971

 

Of these six films, ‘Dushman’ (1939), ‘Patita’ (1953), ‘Jaali Note’ (1960), ‘Picnic’ (1966) and ‘Parwaana’ (1971) have been yippeee’d by now. The 1960 film ‘Banjaarin’ remains. This film has eight songs in all. Three songs have been showcased here. Today, we bring on the fourth song, on the 10th anniversary of this film’s debut here.

‘Banjaarin’ is produced by Ratan, under the banner of Ratan Pictures, Bombay. The film is a costume drama, directed by Jaswant Jhaveri.  The list of actors reads like Kanchan Kamini, Manhar Desai, Lalita Kumari, Sundar, Indira Bansal, Dalpat, Pal Sharma, Neelu, Shri Bhagwan, Bela, TN Sinha, Saroj, Murari, Paro, Prayag, Rehana, Paulson, Geeta, Chetan Kumar, Malika, Sheela R, CH Singh, Shekhar Purohit, Shriram, and S Chaddha.

The eight songs of this film are all penned by Pt Madhur. The music is by Pardesi – a lesser known artist whose name appears as music director for maybe 4 or 5 films only. The singing voice in this song is Geeta Dutt.

The video clip of this song is available. The clip is somewhat dim, and hence much details or even identification of artists on screen is not very feasible. The song is overlapped with a lot of other action in the film. The song itself seems to be a club dance song, or maybe a villain’s den song. There are a number of artists, but I am able to recognize only Sunder. I am not able to identify the main dancer in this song. Is that Sheela Ramani? I am not sure. I would request our more knowledgeable readers to please help with identification of artists.

The song is constructed well. I am hearing it for the first time today. It sure has an interesting rhythm and beat to it, and it has been rendered by Geeta Dutt with the customary zest. Listen and enjoy.

[PS: I have not been able to decipher two words in the first stanza. I request other folks to please help insert the correct words.]

Song – Qismat Ke Khel Tu Khel Khilaadi  (Banjaarin) (1960) Singer – Geeta Dutt, Lyrics – Pandit Madhur, MD – Pardesi

Lyrics

qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi

zindagi ki karwaten kaanton pe liye ja
aaya hai duniya mein to kuchh naam kiye ja
zindagi ki karwaten kaanton pe liye ja
aaya hai duniya mein to kuchh naam kiye ja
daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi

jeet kabhi haar baney
haar kabhi jeet
daanv laga zindagi ka khel ki ye reet
daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi

tu kisi se kam nahin majboor nahin hai
aur din bhi kaamyaabi ke ab door nahin hain
tu kisi se kam nahin majboor nahin hai
aur din bhi kaamyaabi ke ab door nahin hain
daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi

daanv badha josh mein
rehna magar hosh mein
daanv badha josh mein
rehna magar hosh mein
duniya kahe na anaadi
oo oo oo
qismat ke khel tu khel khilaadi
qismat ke khel tu khel khilaadi

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी

जिंदगी की करवटें काँटों पे लिए जा
आया है दुनिया में तो कुछ नाम किए जा
जिंदगी की करवटें काँटों पे लिए जा
आया है दुनिया में तो कुछ नाम किए जा
दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी

जीत कभी हार बने
हार कभी जीत
दांव लगा ज़िंदगी का खेल की ये रीत
दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी

तू किसी से कम नहीं मजबूर नहीं है
और दिन भी कामयाबी के अब दूर नहीं हैं
तू किसी से कम नहीं मजबूर नहीं है
और दिन भी कामयाबी के अब दूर नहीं हैं
दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी

दांव बढ़ा जोश में
रहना मगर होश में
दांव बढ़ा जोश में
रहना मगर होश में
दुनिया कहे ना अनाड़ी
ओ ओ ओ
किस्मत के खेल तू खेल खिलाड़ी
किस्मत के खेल तू खेल खिलाड़ी


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3737 Post No. : 14689

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 26
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘भ’ – भैया रे भैया नैया छूआओ ना’ ॰ ॰ ॰

– – – –

चंदा का दिल टूट गया
के रोने लगे हैं सितारे ॰ ॰ ॰ 

कुछ ऐसा ही हुआ था उस दिन, जिस दिन तुम्हारे कूच की खबर आई थी॰ ॰ ॰

[Something as such, happened that fateful day, when the news of you departure came. . .]

– – – –

Today’s song is a wonderfully crafted song. And is euqally well performed and filmed.

The scenario is familiar – Shri Ram, accompanied by Sita ji and Lakshman, are travelling on foot, after departing from Ayodhya, for their sojourn of 14 years in the forest. They come to Shringverpur on the banks of river Ganga. To cross the river, Shri Ram requests the boatman to ferry them in a boat. Kevat, the boatman, at first refuses to ferry them. He has heard of the incident at the deserted ashram of Gautam Rishi, where by the mere touch of the dust from the feet of the Lord, Sati Ahilya who had been cast into stone by the curse of her husband, Gautam Rishi, came to life once again. Kevat cites that incident, and expresses apprehension that if by the touch of the dust from the feet of the Lord, his boat made of wood, would also come to life in the form of a lady, then what would become of him. Not just that he would lose his only source of income, and the only occupation he knows, he would have the additional burden of another member added to the family.

Much to the chagrin of Lakshman, Kevat dithers and dilly-dallies. And then he agrees on one condition – that the Lord should permit him to wash His feet, ostensibly to wash off any dust from the divine feet, and only then allow the trio to step on to his boat.

This event from the Ramayan is well known. It is so beautifully presented here in this song. The film is ‘Bharat Milap’ from 1965. The verses of this song are penned by Bharat Vyas, and the music is from the mind of Vasant Desai. The words are so beautifully crafted and the verses are embellished – अलंकृत is the word. The melodic construction is also very pleasing. It is a quick paced song, based on the folk music of the rural North India. The singing voices are of Rafi Sb and Kamal Barot.

On screen, the song is performed by Sunder, and a lady actor I am not able to identify and name. I request knowledgeable readers and friends to please help make the identification. The duo is accompanied by other members of the village community, and the song is presented as a group dance.
[Note: Thanks to Pramod ji and Prakash ji, the lady dancers are identified as Jeevankala, Manjula, Sheela Ramchandra, Aruna.]

The other main players in this scene are Shri Ram, Sita ji and Lakshman. Indrani Mukherjee plays the role of Devi Sita. As per IMDB listing of cast and crew, Anand Ashish Kumar plays the role of Ram. As far as Lakshman, I am not able to identify and name the actor playing that role.
[Note: Thanks to Pramod ji for correction to the name of he actor in the role of Ram.]

All in all, a very lilting, very pleasing and a very energetic presentation. Lovely song.

Audio

Video

Song – Bhaiya Re Bhaiya Re Bhaiya Naiya Chhuaao Na  (Bharat Milap) (1965) Singer – Mohammed Rafi, Kamal Barot, Lyrics – Bharat Vyas, MD – Vasant Desai
Male Chorus
Female Chorus
All Chorus

Lyrics 

dhum tak
hey tak dhum tak
dhum tak
hey tak dhum tak
ho taa naa dere naa dere naa taa naa dere naa
hoooom
ho taa naa dere naa dere naa taa naa dere naa

uhun aahoon uhun aahoon uhun aahoon uhun aahoon

bhaiya re bhaiya re bhaiya ho..oo

dhum tak
hey tak dhum tak

ho bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan se ye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo

hum ne suni kahaani
gaaon waalon ki jabaani
jadu waala hai re ye ramaiyya
oho oho oho oho oho..oo
hum ne suni kahaani
gaaon waalon ki jabaani
jadu waala hai re ye ramaiyya
jadu waala hai re ye ramaiyya
jadu waala hai re ye ramaiyya
daiya re daiya re
ik patthar chhuaa to
jhat ban gayi phat se lugaiya
daiya daiya daiya
daiya re daiya re
ik patthar chhuaa to
jhat ban gayi phat se lugaiya
jhat ban gayi phat se lugaiya
jhat ban gayi phat se lugaiya
hey hey bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo

bhori bhori batiyaan
suratiyaa suhaani hai
to batiyon mein mat phas jaiyo
hmmmmmm
arey haa..aan
bhori bhori batiyaan
suratiyaa suhaani hai
to batiyon mein mat phas jaiyo
batiyon mein mat phas jaiyo
batiyon mein mat phas jaiyo
saaf safaai kar
paaon dhoaai kar
peechhe naiya mein bithaio
ehe ehe ehe..ae
saaf safaai kar
paaon dhoaai kar
peechhe naiya mein bithaio
peechhe naiya mein bithaio
peechhe naiya mein bithaio
e he he bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo
dhum tak tak
dhum tak
dhum tak
o tak dhum tak

oo oo ooo ooooooo
ooooooo oooooooooo
ooooooooo ooooooooooo
hum bhi kevat prabhu
tum bhi kevat ho to
bhaichaara hum se nibhaio
prabhu ji bhaichaara hum se nibhaio
oo ooo ooo
nadiya ke paar
nadiya ke paar lagaayen tumhen tum
hum ko bhi paar lagaiyo
haaaaye hum ko bhi paar lagaiyo
bhav saagar se paar lagaiyo
ho ho
bhav saagar se paar lagaiyo
e he he bhaiya re bhaiya re bhaiya ho ho..oo
dhum tak tak
tak tak dhum tak tak
tak tak
dere na dere na taa naa dere na
hoom hoom
dere na dere na taa naa dere na
dhum tak tak
tak tak dhum tak tak
tak tak
dere na dere na taa naa dere na
hoom hoom
dere na dere na taa naa dere na
oo oo ooo ooooooo

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

धुम तक
हे तक धुम तक
धुम तक
हे तक धुम तक
हो ता ना देरे ना देरे ना ता ना देरे ना
हूम
हो ता ना देरे ना देरे ना ता ना देरे ना

उहूं आहूँ उहूं आहूँ उहूं आहूँ उहूं आहूँ

भैया रे भैया रे भैया हो॰॰ओ

धुम तक
हे तक धुम तक

भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ
भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ

हमने सुनी कहानी
गाँव वालों की जबानी
जादू वाला है रे ये रमइय्या
ओहो ओहो ओहो ओहो ओहो॰॰ओ
हमने सुनी कहानी
गाँव वालों की जबानी
जादू वाला है रे ये रमइय्या
जादू वाला है रे ये रमइय्या
जादू वाला है रे ये रमइय्या
दैय्या रे दैय्या रे
इक पत्थर छूआ तो
झट बन गई फट से लुगईय्या
दैय्या दैय्या दैय्या
दैय्या रे दैय्या रे
इक पत्थर छूआ तो
झट बन गई फट से लुगईय्या
झट बन गई फट से लुगईय्या
झट बन गई फट से लुगईय्या
हे हे भैया रे भैया रे भैया हो॰॰ओ
भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ

भोरी भोरी बतियाँ
सुरतिया सुहानी है
तो बतियों में मत फंस जइय्यो
हम्ममममम
अरे हाँ॰॰आँ
भोरी भोरी बतियाँ
सुरतिया सुहानी है
तो बतियों में मत फंस जइय्यो
बतियों में मत फंस जइय्यो
बतियों में मत फंस जइय्यो
साफ सफाई कर
पाँव धोआई कर
पीछे नैया में बिठईओ
ऐहे ऐहे ऐहे॰॰ऐ
साफ सफाई कर
पाँव धोआई कर
पीछे नैया में बिठईओ
पीछे नैया में बिठईओ
पीछे नैया में बिठईओ
ऐ हे हे भैया रे भैया रे भैया हो॰॰ओ
धुम तक तक
धुम तक
धुम तक
ओ तक धुम तक

ओ ओs ओss ओsssssss
ओssssss ओsssssssss
ओssssssss ओssssssssss
हम भी केवट प्रभु
तुम भी केवट हो तो
भाईचारा हम से निभईओ
प्रभु जी
भाईचारा हम से निभईओ
ओ ओss ओss
नदिया के पार
नदिया के पार लगाएँ तुम्हें तुम
हम को भी पार लगईओ
हाए हम को भी पार लगईओ
भव सागर से पार लगईओ
हो हो भव सागर से पार लगईओ
ऐ हे हे भैया रे भैया रे भैया हो हो॰॰ओ
धुम तक तक
तक तक धुम तक तक
तक तक
देरे ना देरे ना ता ना देरे ना
हूम हूम
देरे ना देरे ना ता ना देरे ना
धुम तक तक
तक तक धुम तक तक
तक तक
देरे ना देरे ना ता ना देरे ना
हूम हूम
देरे ना देरे ना ता ना देरे ना
ओ ओs ओss ओsssssss


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3595 Post No. : 14351

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 9
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ख’ – खुश कर दिया तूने मेरे रामा

गीत गाता हूँ मैं ॰ ॰ ॰

Yes, surely the Almighty God sent you here amongst us, only for singing and to add to the music on this earth. And what a wonderful treasure you have bequeathed to the lesser mortals of this earth. We shall always be indebted for this tremendous legacy you gave us.

Continuing with Rafi Sb’s duet series after a gap of – goodness, seventy two days. Wow. Anyway, back again with another rollicking duet, this time accompanied by Lata Mangeshkar.

And rollicking is just the word. The setting is Punjabi, the performance is a Punjabi Bhangra dance, and the occasion – one of the most awaited and the most celebrated in Indian families – birth of a male child.

The film is ‘Jeet’ from 1972. The main performers in this group dance song are Randhir Kapoor and Babita. The film being released in 1972, would have been in the making in 1971, the year that this lead pair tied the knot and became a real life couple. Ah but that story for another occasion, another post. Today, we are moving ahead with the duet series of Rafi Sb, getting to the 10th episode in this series, which promises to be long – going thru the entire Devnagri alphabet.

The film is produced under the banner of Babu Movies Combine, and is directed by A Subbarao. Besides the lead pair mentioned above, the other players in the star cast include Rajendra Nath, Rupesh Kumar, Jatin, Nana Palsikar, Anwar Hussain, Jeevan, Sundar, Hari Shivdasani, Dada Mirasi, Keshav Rana, Master Shahid, Heena Kausar, Sanjana, Sulochana Latakar, Manorama, Dulari, and Baby Sudha etc.

The film has six songs, three of which are already showcased on our blog. Goodness, that was 2009, all three songs posted so far. After a gap of nine years, we once again get an opportunity to revisit this film – today’s being the fourth song posted. All songs are written by Anand Bakshi. Music direction is by the duo of Laxmikant Pyaarelal.

On screen, we see a homely set of a village lane with houses lined up close to each other. Randhir and Babita are leading the bhangra dance event, with Sunder also part of the male dance group. In between, we see Dulari holding a baby (well, not looking too much new born, but oh well 🙂 ). There is another lady sitting next to her. I am guessing that she is Sanjana. I request other more knowledgeable readers and friends to please confirm or correct this guess. As per Prakash ji, the other lady is Heena Kausar. Plus, one of the dancers accompanying Babita is Sheela Ramchandran.

The event and the celebration is about the new born child, but quite apparently, the lead pair is spending more lines trying to woo each other and play the romantic love birds. Well in fact, it is just the mukhda lines that talk about the child birth celebrations. The entire verse set for both antaraas is just the romancing between the hero and the heroine. Quite a ‘filmi’ thing, right?

Enjoy this lively bhangra dance song; and I hope to speed up things on this series, let us see. 😉

Video (Partial)

Audio (Full)

Song – Khush Kar Diya Tu Ne Mere Rama (Jeet) (1971) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics (Provided by Prakashchandra)
[Based on Audio version]

khush kar diya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

oo oo oo
main is paar
te us paar
tu piyaa. . .
main is paar
te us paar
tu piyaa. . .
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
tere  mere beech mein
lambi lambi galiyaan te
uchchi uchchi jag ki deewarein
o kaise beeten
o kaise beeten
judaai diaan shaamaan
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

oo oo oo oo
jindri na rol
aaja kol soniye. . .
jindri na rol
aaja kol moniye. . .
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
darr mat baandh ke sehra
main bana doonga
tujhko main munde di maami
mach gaya
mach gaya pind wich hangaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

haaye. . .
ye dil ye jaan
do jahaan
maang le. . .
ye dil ye jaan
do jahaan
maang le. . .
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
taange mein bitha ke
boley sair kara doon
main hoon muflis taange waala
tera reshmi
tera reshmi kurta pajama
ke munde da tu mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुश कर दिया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

ओ ओ ओ
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
तेरे मेरे बीच में
लंबी लंबी गलियाँ ते
उच्ची उच्ची जग की दीवारें
ओ कैसे बीतें
ओ कैसे बीतें
जुदाई दियाँ शामाँ
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

ओ ओ ओ ओ
जींदड़ी ना रोल
आजा कोल सोनिए॰ ॰ ॰
जींदड़ी ना रोल
आजा कोल मोनिए॰ ॰ ॰
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
डर मत बांध के सेहरा
मैं बना दूँगा
तुझको मैं मुंडे दी मामी
मच गया
मच गया पिंड विच हंगामा
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

हाय॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
टाँगे में बैठा के
बोले सैर करा दूँ
मैं हूँ मुफलिस टाँगे वाला
तेरा रेशमी
तेरा रेशमी कुर्ता पाजामा
के मुंडे दा तू मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3505 Post No. : 14085

‘Saas Bhi Kabhi Bahu Thi’ (1971) is different from the serial ‘Kyun Ki Saas Bhi Kabhi Bahu Thi’ which came a long time after the movie. The movie was an all-round entertainer. We would not get anything less in a movie where Om Prakash heads the cast and the hero (Sanjay Khan in this case) plays a second fiddle to Om Prakash and Jagdeep. Plus, when the mirch-masalas Lalita Pawar and Shashikala spice up the whole setup, it is but natural that the lead cast (Sanjay Khan and Leena Chandavarkar) become secondary – their presence being needed for the romantic interludes.

I must confess I was unaware of this movie till a few years back – till 2014 to be exact. I chanced upon it on one of the umpteen satellite channels. The title made me sit through what turned out to be an enjoyable family- entertainer (as they used to be called back then) which didn’t make you start crying halfway through. A family-entertainer essentially was one which one could see with the entire family and the viewer will be preached about how to maintain family relationships and a few ladies in the audience will be seen crying into their hankies. This movie was not like that.

So, coming to today’s song we have Om Prakash playing a Sadhu Baba and Sanjay and Jagdeep are his chelaas (I think it means students) with Sunder playing an assistant. In the movie Sanjay is Om Prakash’s son, Sunder – his servant and Jagdeep is Sanjay’s saala (brother-in-law). The song has Shashikala and Lalitha Pawar as ladies who have come with queries to the “antaryaami baba”. Through the song we get a gist of the movie. The song is in the voice of Manna Dey written by Rajendra Krishan, with music composed by RD Burman.

One song from this movie was discussed in 2016 by our Avinashji. On the occasion of Om Prakash’s passing away anniversary today; we shall see him the way he was largely-loved by the public. It is 20 years since he passed away.

In those days we used to live in Chembur, Bombay (not yet Mumbai then) and both Om Prakash and Ashok Kumar lived not very far from where we were. Those were the days when it was still cable TV and not satellite TV. And what did the cable operator providing service to our apartment do, he just stopped service for the day and put up a notice on black card— to enable the public in the area to attend the funeral of our beloved “jija ji” (as Om Prakash’s character was in “’Chupke Chupke”) we are suspending our service for a day. That was how much he was loved.

We can remember so many of his memorable characters – starting from ‘Guddi’ (1971) (that is where I noticed him first) to all his characters in Hrishikesh Mukherjee movies, to ‘Ghar Ho To Aisa’ (1990) (that is the last time I saw him in a movie). Of course, his career spanned 42 years and starting from movies made in Lahore in 1942 to “Ghar Ki Izzat” in 1994 he was a co star to every actor – big or small- and gave his best no matter the size of the role as in ‘Purab Aur Paschim’ (1970).

Thinking of Jija ji today on his anniversary

Audio

Song – Suno Re Saadho Ye Sansaaram Ultam Paltam Ho Gaya (Saas Bhi Kabhi Bahu Thi) (1970) Singer – Manna Dey, Lyrics – Rajendra Krishan, MD – RD Burman
Chorus

Lyrics

baaba-leeka

hey..ey
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
bam bam leharey bam bam
bam bam leharey bam bam
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
bam bam leharey bam bam
bam bam leharey bam bam

dekho re dekho
dekho re saadho
kalyug ki naari ka namoona
apni hi santaan ko is ne
kas ke lagaaya kaisa choona
apni bahu ko bete se apne
sau gaj door sulaya
prabhu kripa se
phir bhi is ne
chaand sa pota paaya
bolo
bam bam leharey bam bam
phir se
bam bam leharey bam bam

dhanya hai saadho
ye devi bhi
chidiya jaisi bholi bhali
rang birange pankh hai iske
chonch magar hai kaali kaali
apni boodhi saas ko is ne
ghar se maar bhagaaya
jab ye saas bani to is ko
bahu ne mazaa chakhaya
ho bolo
bam bam leharey bam bam
phir se
bam bam leharey bam bam

hey..ey
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
ho bolo
bam bam leharey bam bam
bolo
bam bam leharey bam bam

bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बाबा-लीका

हे॰॰ए
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
बम बम लहरे बम बम
बम बम लहरे बम बम
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
बम बम लहरे बम बम
बम बम लहरे बम बम

देखो रे देखो
देखो रे साधो
कलयुग की नारी का नमूना
अपनी ही संतान को इसने
कस के लगाया कैसा चूना
अपनी बहू को बेटे से अपने
सौ गज दूर सुलाया
प्रभु कृपा से
फिर भी इसने
चाँद सा पोता पाया
बोलो
बम बम लहरे बम बम
फिर से
बम बम लहरे बम बम

धन्य है साधो
ये देवी भी
चिड़िया जैसी भोली भाली
रंग बिरंगे पंख हैं इसके
चोंच मगर है काली काली
अपनी बूढ़ी सास को इसने
घर से मार भगाया
जब ये सास बनी तो इसको
बहू ने मज़ा चखाया
हो बोलो
बम बम लहरे बम बम
फिर से
बम बम लहरे बम बम

हे॰॰ए
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
हो बोलो
बम बम लहरे बम बम
बोलो
बम बम लहरे बम बम

बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog had two new resolutions and I had decided to stick to them as long as I can. One was to introduce a “new” movie daily and another was to to close the account of another movie by YIPPying it.

We are in may 2017, and both these resolutions have finally seen breaks. For instance, there was no YIPPEE song on 13 may 2017, a day that had only one post, a post that introduced a “new” song. The string on YIPPEE posts was in fact broken a few days earlier on 6 may itself when I posted a song that I thought was YIPPYing its movie but I was wrong. The “new” post string had got broken a while ago.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 27
– – – – – – – – – – – – – – – – – –

मजरूह का गीत हो
चित्रगुप्त संगीत हो
लता की आवाज़ हो
और कुमकुम का नाच हो॰॰॰
           ॰॰॰ तो कैसे आए ना नाग बस में

 

majrooh ka geet ho
chitragupt sangeet ho
lata ki awaaz ho
aur kumkum ka naach ho. . .
      . . .to kaise aaye na naag bas mein

Welcome all.  The blog is compounding its riches, and is coming to another century milestone today – this halt being the 10,500th song.  Congratulations to all friends, readers and contributors.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS…song no. 5
—————————————

So far, I have done 16 series here. This is the 17th series. Writing for a series is not an easy job.It not only requires lot of spade work,but also requires a continuous flow,avoiding a long gap between 2 posts, lest the tempo is lost. When I start a series, I am always in lot of tension till it is completed successfully. Every series is a new beginning for me. In spite of all this (and the ensuing allegations of ” neglect ” from the family ) I enjoy doing this work. There are many Blogs on internet which do posts on theme like ” Cycle songs”, Motor songs” or Sawan songs etc. I have always felt that Atul ji’s Blog is not an ordinary one and it must have real specially made exclusive topics for series I could do these posts,because Atul ji has always helped me with the Lyrics and has encouraged me always. Thanks Atul ji.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17100 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

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