Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘expression of love’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In 1949, our Hindi film music got richer by the induction of a new lyricists team of Hasrat Jaipuri and Shailendra and the new music director duo of Shanker-Jaikishan to the Hindi film industry. Raj Kapoor was their god father and the film BARSAAT (1949) was to decide their destiny. The film became a super hit and this combined team of lyricists and musical duo ruled the Hindi film industry for the next two decades with their down to earth lyrics with masterly compositions. It is said that with successes at every stage, ego problems do crop up leading to crack in the team. It was creditable that the entire team of Hasrat Jaipuri, Shailedra, Shanker-Jaikishanand Raj Kapoor lasted until the death of Shailendra in December 1966 and enriched the golden era of Hindi film music with their contributions.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a new contributor of write ups to this blog.

I am totally overwhelmed with the response to my first write up. I want to thank Atul ji for posting it almost immediately. Thus encouraged I am now ready to do my second post. What could be the second step after a Lata solo ? No prizes for quessing, it has to be a Rafi solo. Mohammed Rafi solo by O.P.Nayyar to be precise. I would have preferred to have a solo song by S D Burman. I like O.P.Nayyar songs a lot, but S D Burman and Madan Mohan’s songs are my favourites. I have a few song by them lined up for discussion, Atul ji permitting.
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“Aarti” (1962) was one of the first (if not the first) movie of Rajshree Productions. It was directed by Phani Majumdar. The movie had Ashok Kumar, Meena Kumari, Pradeep Kumar, Shashikala, Peace Kanwal, Jagirdar, Rajendranath, Vijaya Choudhry, Surekha, Niranjan Sharma, Ramesh Deo, Chandrima Bhaduri, Keshto Mukherjee etc in it. That sounds like quite an impressive starcast, though quite a few of them were newcomers at that time.
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In 1950s, we had a genre of songs where a lady, alone or accompanied by other co workers carrying basket on her head would be going on her way to her work while singing a song. The hero and heroine would be at hand to listen to the song. The song in a way would express the feelings that the leading duo have for each other but are too shy to express themselves. alternatively the song may set the tone for the movie. Such a song is there in “Aar Paar” (Kabhi aar kabhi paar ),”Do Aankhen Barah Haath” (Sainya jhoothon ka bada sartaaj nikla), CID (Boojh mera kyaa naam re ) etc. I am trying to think of a name that describes such songs, but I am unable to find an appropriate descriptive name for such a genre of songs. I request our readers to help out in suggesting a name for such songs.
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“Jhuk Gaya Aasmaan” (1968) was an R D B Production. It was directed by Lekh Tandon. The starcast had Rajendra Kumar, Saira Banu, Prem Chopra,Rajendranath, Parveen Choudhary, Jagirdar, Randhir, Jagdish Raaj, Sulochana, Chaman Puri, Kamal Kapoor, Madhumati, David Abraham, Durga Khote, Hari Shivdasani etc in it.
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Looking at the video of this song adds considerably to my general knowledge about movies. For example, I was not aware that Rajesh Khanna had worked in a movie called “Aurat”(1967) and that too opposite an actress as obscure as Naazima. But then Rajesh Khanna himself was a newcomer those days.
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“Ram Aur Shyam” (1967) was a Vijay International Production. It was directed by Chanakya. Starcast of the movie included Dilip Kumar, Waheeda Rehman, Mumtaz, Nirupa Roy, Kanhaiyalal, Nazir Hussain, Sajjan, Mukri, Amar, Leela Misra, Zebunissa, Farida, Pran etc.
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“Tu Nahin Aur Sahi” (1960) was a Radhika Chitra production. It was directed by Brij and the movie had Pradeep Kumar, Kumkum, Nishi, Minu Mumtaz, Helen, Tuntun, Murad, Kundan, Dinshaw, Amar, Anwar Hussain, Ramlal, Shyamlal etc in its cast.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Talking about romantic pairing in Hindi films, Nanda – Shashi Kapoor pairing is probably the most attractive pair in the 60s. It is interesting to note their career graphs. Both of them started off in the films as child artists. Nanda’s father, Master Vinayak, passed away when she was just 8 years old. She was obliged to start working in films as a child artist, Baby Nanda, due to financial difficulties at home. On the other hand, as a child, Shashi was part of the already famous Kapoor clan, and the youngest son of Prithviraj Kapoor. And with all his family seniors in the cine business, it was only natural that followed their footsteps. He too appeared in many films as a child artist.
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