Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘fun timepass song’ Category


“Taqdeer” (1967) is a Rajshree Productions movie. It was directed by A Salaam. The movie had Shalini, Kamal Kapoor, Farida Jalal, Kajal, Sushil, Jalal Agha, Ajay, Dinesh, Dilip Dutt, Champakala, Subhash Ghai, Bharat Bhushan etc in this movie.
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Though I subscribe to three newspapers daily, I rarely go through much of their contents and the newspapers finally end up with the “raddiwala” after a few months. But on saturdays I look forward to these newspapers, rather to one column of one newspaper. It is the “Swar panchami” column of Hindi newspaper “Dainik Bhaskar”. In this column, Vividh Bharati radio announcer Yunus Khan discusses a few old songs. And as can be guessed, this topic is right up my alley.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

The versatility of one voice has been unmatched in the annals of Hindi film music. A voice that is a match for any emotion, from one end of the spectrum to another. A voice that renders gaiety and fun as effortlessly as sadness and regrets of life. A voice that could woo the lady love and call out to the Almighty God with the conviction that one actually strains the hearing, expecting an answer come back from the heavens. A voice that has the capability to merge itself into any personality so totally and unobtrusively that the listener could never separate the voice from the character. That is the voice of Rafi Saab, a divine gift that dwelt on this earth for single lifetime, and left behind a legacy that would span an eternity. It is indeed a matter of good fortune to be born in this era, and be touched by the voice of this marvelous, unearthly tenor – a sound that appears maybe once in an aeon.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The melodious strains of ‘Chalo Dildaar Chalo, Chaand Ke Paar Chalo’, composed more than 4 decades ago, sound and feel like a fresh breeze of air, every time one listens to it. The magnum opus of the famously talented Ghulam Mohammed, a string of his best creations – ‘Chalte Chalte Yun Hi Koi Mil Gayaa Thhaa’, ‘Inhi Logon Ne Le Leena Dupatta Mera’, ‘Mausam Hai Aashiqaana’ and more – establish the definition of what Ghulam Mohammed’s body of musical creation is. A pity that this success came somewhat late in the day – a release that marked a watershed in the history of Hindi film music was to happen about three years after the demise of its creator.
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