Archive for the ‘Geeta Dutt solo’ Category
There are many musical blockbuster movies whose songs are under represented and in some cases even unrepresented in this blog. But then the reason is that there are far too many gems lying there than need to be posted. There are literally a goldmine of great songs that are still left to be posted.
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Hoon main ik nayaa taraana
Posted on: October 23, 2009
A female dancer singing and dancing in a club, paying particular attention to the table where the hero is seated was a standard fare in Bollywood movies of 1950s. Geeta Bali, Geeta Dutt and Dev Anand often figured in such songs.
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“Sailaab” (1956) is an obscure movie and so is the case with its music.
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This song must be one of the very first songs of its genre namely a party/ club song, where a lady sings in a bar/ club to entertain the customers, and one of the customers is the hero.
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We all know that Shammi Kapoor married Geeta Bali in 1950s, but did he work with her in any movies the way his nephews (Randhir Kapoor and Rishi Kapoor) worked in movies with their wives ? I am told that “Mujrim” (1958) was one such movie.
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Bollywood movies and Indian Railways are two of the major unifying factors for this vast nation of India. And these two often come face to face. We have people sitting in railway trains and singing songs (ask beggars on local trains) and on the other hand we have movies depicting songs sung in trains.
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Kitni sach hai ye baat re
Posted on: September 27, 2009
“Mashaal” (1950) was a musical blockbuster which had some very nice songs. For example, ‘Upar gagan vishaal”, which announced the arrival of Manna Dey as a playback singer, was from this movie.
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Dil de daala nazraana
Posted on: September 18, 2009
“Musaafirkhaana” (1955) is a forgotten movie, whose music too has been forgotten. But listening to these songs is enough to conclude that these songs are worth listening.
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Preetam aan milo
Posted on: September 18, 2009
C H Atma was a singer who was a devotee of K L Saigal and sang in K L Saigal style. There were many people who sang in Saigal style in 1940s during K L Saigal’s heydays. But C H Atma continued to sing in Saigal style in 1950s even when playback singing style had changed and Bollywood had moved on from 1940s.
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