Archive for the ‘Ghazal’ Category
This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Yet another non filmi ghazal offering from the genius of vocal expression. I have written about this before, and yet I am compelled to write again. Listening to Saigal Saab render a ghazal, is more than just good music and singing. There is an element of revelation, as one can feel that the singer is rendering each word with an understanding that gives a deeper import to the words of the ghazal itself. The singing comes through as not simply a rendering, but also comes through is a conviction, that the singer understands the words, and is making the effort to pass on the implication and the values of the words, and not just a vocal rendering.
Read more on this topic…
This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Continuing the silsilaa of ghazals rendered by Saigal Saab, this ghazal is a non film offering. The verses are written by Ghalib, and the combination, as always, is a heady wine that takes one to worlds beyond.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contrributor to this blog.
Everything that Saigal Saab has rendered, is special. And then, whatever one is listening, in the moment, always seems more special than the others. That is the magic of this voice, no matter how many times one may have heard that particular song or ghazal before. Many ghazal singers have come after Saigal Saab, but somehow, when one listens to a ghazal rendered by him, there does not seem to be anything better, anything to compare in the world.
Read more on this topic…
Kaun veeraane mein dekhegaa bahaar
Posted on: August 6, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Hearing the renditions of Saigal Saab is such a idyllic experience. His mastery of the seven sur and the three swara of music is unparalleled. His control on the sound, and its aarohan-avrohan is immense and unmatched. As one listens to his recital, one realizes that the flow of one note into the next is so smooth and effortless, that it is completely un-noticeable. Listening to his voice is like elegant smooth glide through a stream of honey. His resonance takes on a distinct identity of its own, and the printed material carries separate treatment of Saigal, the person and “Saigal, the voice” or “Saigal Ki Awaaz”. In fact, ‘Saigal, the voice’ assumed an identity of its own, and it became a topic of discussion in newspapers and magazines.
Read more on this topic…
Kyaa karoon kyaa karoon
Posted on: August 3, 2011
“Raftaar” (1955) is a movie starring Nadira and Talat Mehmood. Yes, it is a movie of those days when Talat Mehmood was trying hard to make it big as a singing acting hero.
Read more on this topic…
There are several ways in which I come across musical gems. Arbitrarily clicking away at various youtube clips is one such way. But another, and far more effective way is to go through the farmaishes of readers on the farmaish page, and look for those songs. That is what I am consciously doing these days, and it has been a highly rewarding experience.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Street Singer (1938) is a wonderful musical bonanza, that has two of the greatest singer-actors in it, in the person of Saigal Saab and Kaanan Devi. Six songs from this movie are already posted on this blog. This is the seventh song, and what a wonderful ghazal it is. The ghazal itself is presented as a duet, and is rendered very simply, yet elegantly by Saigal Saab and Kaanan Devi. A summary of the story line of this film has already been discussed in the previous two songs posted for this movie, viz., ‘Ghungharwaa baaje chhananana chhan’ and ‘Hai kyaa koi suhaawan sapnaa’. In this song, the two street singers meet the rich theatre owner for the first time – a meeting that will change their lives and destinies. The theatre owner’s role is played by Jagdeesh Sethi. (Folks can recall the film ‘Baat Ek Raat Ki’ (1962), where this very person, Jagdeesh Sethi has played a role of a rich film producer who takes fancy to a street performer (Waheeda Rehman), takes her under his care, and makes her a film star. Another variant to the theme of this movie, although the 1962 creation further develops as a murder mystery).
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
“Yahudi Ki Ladki” (1933) is the first movie in which K L Saigal’s voice was first heard in a Hindi movie. And this voice took the nation by storm.
Read more on this topic…
Zindagi ka ajab fasaanaa hai
Posted on: July 10, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This is another beautiful ghazal from the film Chhoti Chhoti Baaten (1965), presented as a duet in this movie. The ghazal is sung by Mukesh and Lata Mangeshkar, and on screen, it is picturized on Moti Sagar and Manju. Moti Sagar plays the role of Motilal’s son in this movie. Motilal leaves his children and comes to live in a village. After some time, one of his sons, Moti Sagar, disillusioned with his own life in his own ways, also follows him and starts to live with his father in the village. Here, he falls in love with a village girls, Radha, played by actress Manju.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments