Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Ghazal’ Category


“Dil e Naadaan” (1953) is a movie starring Talat Mehmood, Shyama and Peace Kanwal.

Here is a song from this movie which is sung by Sudha Malhotra. The song is picturised on Shyama singing this melancholic song inside her room, with Peace Kanwal wondering outside what is going on.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

This is another lovely ghazal rendered by Mubarak Begum. As I continue to search for her songs that I have heard before, I also keep running into songs that I have never heard before, and they are simply wonderful. This one I had heard before, decades ago, and have been searching for it for some time. Nowadays it seems that anything that is available as an audio or video recording, it will surface eventually on YouTube, so I keep trawling through this immense storehouse. Eventually I am able to locate this ghazal on YouTube. Only the audio is available, yet a relief that it is there.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The poetry rendered to life by Saigal saab, is limited and yet infinite. By all accounts, the total recordings available of the songs and ghazals sung by him is less than 200. And yet, the presence of these countable offerings is infinite in themselves. Every time I pick up a recording to listen, it sounds new, fresh, and with new meanings and inflections. Such is the depth and range of this divine voice, that it is impossible to fathom it fully, no matter how many times one listens.
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I have so far discussed over 4100 songs in this blog, and I still feel that I have only scratched the surface. There are still tens of thousands of great songs that belong here. In fact, many well known songs are yet to figure in this blog. Hopefully, with time, all the missing songs will also appear here.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sheikh Muhammad Ibrahim “Zauq” is considered as a leading light amongst the Urdu poets across all ages in the subcontinent. Born in 1789, he was the son of a lowly placed soldier in the Mughal Army. He was educated in the ‘maktab’ (elementary religious school) under the tutelage of Hafiz Ghulam Rasool. Hafiz saab was a poet himself, and used to write ghazals under the pen name of ‘shauk’. Under this influence, Muhammad Ibrahim got addicted to poetry, and himself started to write under the pen name of ‘Zauq’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ghazal that epitomizes in parts the sufi philosophy of life, this probably is the only poetry of the famous poet Seemaab Akbarabadi that has been rendered by Saigal saab. This is a non filmi offering, and like all other songs / ghazals sung by him, this one too is steeped in a profound philosophy. The ghazal expounds the nature of life and its interpretation by the poet. The poet alludes to the ephemeral quality of what life is, and advances the thesis of detachment from this world.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Hain Sabse Madhur Wo Geet Jinhen Hum Dard Ke Sur Mein Gaate Hain” – so are the lines that Shailendra has written for the song in Patita (1953), echoing the words of another great poet, Percy Shelley who wrote (150 years earlier) – “Our sweetest songs are those that tell of saddest thought”. So it is not a wonder that the songs that tell of sorrow, are the ones that sound the sweetest and are the dearest to our hearts.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

It is said that illustrious poets and their marvelous, amazing poetry has existed and will continues to exist till the end of time. Alas, the divinity that was bestowed by the cadence of KL Saigal’s rendition, was reserved for a privileged few. Any piece of poetry that was fortunate enough to be sung by this singer, came to life in his voice, as nothing else ever before or after him. From the simple, to the truly inspired creations of famous poets, each rendering was as if the singer himself was living the very life that the verse manifested. There may be words to describe the voice and the tone of KL Saigal, but there is no words, no comparison to the vitality and the liveliness that his voice imparted to the words.
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If you want to discover unheard of musical gems from Hindi movies, then the best bet would be to look for B grade movies. The catch is, finding such B grade movies can be a tall order as such movies as well as their music tends to be highly elusive.
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