Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Arunkumar Deshmukh’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19810

Today’ song is from an early film of Talat Mehmood – Samapti-1949.

Talat has sung some memorable songs. He worked in 3 films in Calcutta and 9 films in Bombay as an actor. Today’s film is his 3rd and last film done in Calcutta. His first film as an actor was Raj laxmi-1945, the second was Tum aur Hum-1947. For this film, he had taken a new name – Tapan Kumar. The reason, presumably, was that there was another actor with a similar name – Talaaq Mehmood, working in this film. To avoid any confusion, he probably took this name. During the period 1947 to 1949, he sang many Bangla NFS in the name of Tapan Kumar.

Today’s song was composed by Music Director Timir Baran Bhattacharya. It was directed by Amar Mullick and the star cast was Bharati Devi, Heeralal, Sunder, Talat mehmood and others. I have neither seen this film nor know of its story. The film had 8 songs. 2 Solos and 2 Duets of Talat and Puprabha Sarkar and 2 solos of Suprabha are mentioned in HFGK. 2 remaining songs do not show a singer’s name. The HFGK also mentioned the title of this film as Sampatti instead of Samapti. This was , however, corrected in subsequent editions.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6386 Post No. : 19804

Today’s song is from a Muslim Social film Paak Daman-1957.

1957 – what a year it was ! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Barah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil ‘, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke ‘, ‘Kathputali’, ‘Sharada’ . . . Films like Baarish, Ab Dilli door nahin, Abhiman, Bada Bhai, Begunah, Beti, Chhote Babu, Coffee House, Dushman, Johnny Walker, Miss Bombay, Miss India, Mr. X, Narsi Bhagat, Paak Daman, Pawanputra Hanuman, Ustad, Zamana.

Films produced in Madras were quite popular. AVM’s ‘Bhabhi’, ‘Miss Mary’ and ‘Hum Panchhi Ek Daal Ke’, Prasad Production’s first Hindi film ‘Sharda’, and MV Raman’s film ‘Asha’ played havoc with their captive audiences. Films from south somehow have always concocted a success formula, mixing comedy, tragedy, social message, excellent production values and above all superb music, which made their films very popular everywhere.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6385 Post No. : 19801

Today’s song is one of the very few songs sung by the Music Director Anil Biswas. Today’s film is Bhookh-1947.

In olden days, there were 3 major film centres-Bombay, Lahore and Calcutta. After 1947, all the Hindi film activity at Lahore shifted to Bombay. By mid 50’s even Calcutta almost stopped making Hindi films. Many Hindi speaking artistes in various disciplines of film making shifted to Bombay and finally Bombay became the only and the main Hindi film making Centre.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6384 Post No. : 19797

Today’s song is from a non descript C grade stunt film, Namumkin aka Impossible – 1946.

1946 was an important year in the history of Hindi films. This was the period when the impending Independence of India was on the Anvil and everyone knew that in the year 1947 it would take place. At the same time when the country was to be divided on the basis of Religion and another muslim country Pakistan was to come into existence. Many of the muslims in the film industry were excitedly awaiting their departure from India to the Utopia. This would, naturally, create a lot of vacancies in every department of film making. However, there was enough talent available in the remaining India to fill up the void. Hence from the year 1946 itself there were several debutantes. This made the year 1946 an year of Debuts of several new actors, directors, MDs, Lyricists etc etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6383 Post No. : 19794

Today’s song is a duet from a Mythological milestone film – Bharat Milap-1942.

Mythological films have been an important part of Indian films for a long time and this was evident from the fact that there was hardly any production house that did not make a Mythological film. The period of 1940 to 1965 can be called an age of meaningful religious films. In this too, the 1950 to 1960 period was the peak period for this genre. Later on the production of such films dwindled and these days, of course, one has to make efforts to find such a film, with a large magnifying glass !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6382 Post No. : 19791

Today’s song is a Bhajan from the Religious film (Bhakti Pradhan)- Narsi Mehta-1957.

This film was made by Producer/Director Devendra Goyal for his banner Goyal Cine Corporation, Bombay. The music was by Ravi aka Ravishankar Sharma, who had debuted as an independent Music Director, with the film Vachan in 1955. In a very short time, he had earned a good name. There were popular bhajans like, Darshan do Ghanshyam, Jay Govinda Gopala, Vaishnav jan to tene kahiye, Sab ki naiya paar lagaiya’ Ramdhun lagi etc. On the whole this film was full of religious fervour, good music and a show of histrionic talents by experienced artists. The cast included Shyama, Shahu Modak, Lalita Pawar, Radha Kishen, Madan Puri, protima Devi and many others. There were 4 Guest artists, including S.N.Tripathi.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6381 Post No. : 19788

Today’s song is a special song from a Muslim Social film – Darwaza-1954.

The film was produced by the famous writer of Urdu, Ismat Chugtai (21-8-1915 to 24-10-1991). She was the wife of this film’s director Shahid Lateef (11-6-1913 to 16-4-1967). His famous films were Naya Sansar-41, Jhoola-41, Anjaan-41, Ziddi-48, Arzoo-50, Fareb-53, Darwaza-54, Sone ki chidiya-58 and Baharen phir bhi aayengi-66. This pair of story writer, screenplay writer and producer- Ismat Chugtai and director Shahid Lateef worked in many films, including today’s film Darwaza-1954. The banner was Film India Corporation, Bombay. Music for this film was by Nashaad.

Film Darwaza-1954, true to its name, was the entry door for many artists. Singers Suman Kalyanpur and Sabita Bannerjee debuted as Hindi film singers with this film. Lyricist Khumar Barabankvi also debuted as a Lyricist with this film. The cast of the film was Shyama, Shekhar, Nazir Hussain, Leela Mishra, Neelam, Kumkum, Altaf (husband of Khurshid Jr, actress and singer as well as sister of Meena Kumari). Master Romi was a Guest artist.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6380 Post No. : 19784

Today’s song is from a social family drama- Bhai Saheb-1954. I have not seen this film, but as per Wiki and IMDB, the story revolves around a kind and talented man who works in Radio as a counselor for needy people and solves their problems by his means, which has a positive response. He falls in love with a sweet girl and wants to marry her but first he must complete the task of reuniting other individuals, leading to consequences. The story is not very attractive or different from normal love stories. As compared to the other musical and entertaining films of 1954, this film was actually nowhere.

The 50’s decade was called the Golden Era of HFM, not for nothing. Year after year, the films provided excellent songs, different film Genres, convincing stories, superb acting and Full Paisa Vasool Entertainment. In such a scenario an average music, beaten track stories, mediocre acting, poor direction and lustreless short lived songs had no chance of winning. Today’s film was one such film.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6378 Post No. : 19776

Madhubala-1950, A Ranjit Movietone film, directed by Prahlad Dutt had music by Pt.Lachhiram. The cast of the film was Madhubala, Dev Anand, Jeevan, Randhir, Manju, Ram Avatar and others.

We have been taught in our school that 2=2 is 4. But in life, sometimes 2+2 is also 22 like, when a Love marriage is by the willing consent of both the families, or getting a child after 10 years of marriage or when your son stands First and wins a Gold medal in his MBBS course, it is the 2+2=22 ! Similarly when ‘Rati’ and ‘Madan’ come together, it is 2+2=22 ! In our language, when the eternal beauty Madhubala pairs with the handsome, young Dev Anand it is 2+2=22 again.

In the film Madhubala-1950, when these two were paired, no wonder people were ecstatic and crowded the cinema halls. No one bothered if the story was weak or the music was third rate. These two were enough to please them. Here, of course the story was good and the music too !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6377 Post No. : 19774

Today’s song is from a Costume film (HFGK mentions it as a ‘social’ film) – Awara Shehzadi-1956.

There are a total of 14 film titles having Awara in it. Funnily, the original “Awara Shehzada”was a film of 1933. It took 23 years to bring about a female version of the Title with Awara Shehzadi in 1956 ! Incidentally, the film ‘Awara Shehzada’-33 was the First Talkie film, having a Double Role. Shahu Modak had done the roles of the Prince ( Rajkumar) and the Pauper ( Bholaram) in this film. It was directed by Master Vithal, the First Hero of First Talike of India, “Aalam Ara “-1931. Master Vithal was also the first male actor to feature in the Silent Films’ first double role in the film ” Prisoner of Love “- 1927 (aka Raj Tarang) made by Sharda Films.
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