Archive for the ‘Post by Sadanand Kamath’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6424 | Post No. : | 19939 |
Remembering Nalini Jayawant (18/02/1926 – 20/12/2010) on the occasion of her 100th birth anniversary today, February 18, 2026. She was one of the top actress of the golden period of 1950s of Hindi films. Unfortunately, like Suraiya, Nalini Jaywant also took early retirement from films when her films of the 1960s failed one after another. Once voted as a most photogenic face of Hindi films, she spent her post-retirement life as a recluse to such an extent that her death on December 20, 2010, got noticed only after a couple of days.
Nalini Jaywant had two distinct phases of her filmy career. The first phase began with her debut film ‘Radhika’ (1941) produced by Chimanbhai Desai and directed by his son, Virendra Desai. In this film, she sang for herself. Her second film to release was Mehboob Khan’s ‘Bahen’ (1941) where she was paired with Sheikh Mukhtar in the role of his younger sister. This was followed by ‘Nirdosh’ (1941) with Mukesh, ‘Aankh Michauli’ (1942) with Satish Batra and ‘Aadab Arz’ (1943) with Karan Diwan. These films did not work out good in the box office front but Nalini Jaywant established herself in the Hindi film industry as an accomplished actress.
Sometime in 1945, Nalini Jaywant married Virendra Desai who was already married with children. This was not liked by his father, Chimanbhai Desai who expelled Virendra Desai from the house and removed him from his film production company, Amar Films. Later, Nalini Jaywant and Virendra Desai signed a 2-year contract with Filmistan, as an actress and as a director, respectively. However, both of them did not get any assignment during the period of contract. This gap was long enough for the film industry to forget their existence. Once the contract with Filmistan came to an end, Nalini Jaywant and Virendra Desai jointly produced ‘Gunjan’ (1948) which failed at the box. Soon Nalini Jaywant divorced Virendra Desai in 1948.
The second phase of Nalini Jaywant’s filmy career started with ‘Anokha Pyaar’ (1948) with Dilip Kumar and Nargis. This film gave her new lease of life in her filmy career. Film critics praised her in the role of a flower girl. ‘Shikast’ (1953) was a milestone in her career in which she paired with Dilip Kumar. She got a rare praise from Dilip Kumar for her brilliant performance in the film.
The real take off in her filmi career came from ‘Samaadhi’ (1950) in which she paired with Ashok Kumar for the first time. This was followed by another big success for her in ‘Sangraam’ (1950), once again pairing with Ashok Kumar. The success of Ashok Kumar-Nalini Jaywant combination resulted in both working together in as many as 11 films during 1950-58.
The box office success of ‘Naastik’ (1954) in which she was paired with Ajit resulted her working with Ajit in 11 films. Her pairing with Dev Anand in ‘Munimji’ (1955) and with Shammi Kapoor in ‘Ham Sab Chor Hain’ (1956) resulted in box office success of these films. For her performance in ‘Kala Paani’ (1958) with Dev Anand, she got the Filmfare Best Supporting Actress award. But after this film, Nalini Jaywant did not have films much to talk about. From the beginning of the 1960s, film offers started declining. Many new leading actresses like Asha Parekh, Sadhana and Saira Bano had joined the film industry.
The box office failure of ‘Amar Rahe Ye Pyaar’ (1961) jointly produced by Radhakrishan and Prabhu Dayal and directed by Prabhu Dayal financially broke both of them. While Radhakrishan committed suicide, Prabhu Dayal who by that time had married Nalini Jaywant, became an alcohol addict. ‘Bombay Racecourse’ (1965) was virtually her last film in a lead role though, Toofan Main Pyaar Kahaan; (1966) was her last released film in the lead role. After the release of these two films, she had almost retired from her filmy career until she accepted character roles in two films, ‘Bandish’ (1980) and ‘Naastik’ (1983).
In a rare interview of Nalini Jaywant published in the Deccan Herald after her death in 2010, she regretted that she could get to show her acting prowess only in films like ‘Anokha Pyaar’ (1948), ‘Sangraam’ (1950), ‘Shikast’ (1953), ‘Raahi’ (1953) and ‘Kaala Paani’ (1958). She said that she was not interested in making a comeback in films when the offer came for a character role in ‘Naastik’ (1983). But she had to accept it after many requests from Pran and Promod Chakravarty.
Nalini Jayawant died of a heart attack but was found dead after 3 days of her death in her bungalow by neighbours, due to the continuing howling by her two pet dogs. She was staying alone after the death of her husband, Prabhu Dayal in 2001 and was leading a life of a recluse with a couple of pet dogs to give her the company. A distant relative of her is said to have taken her body on a municipal ambulance and cremated her.
On the occasion of Nalini Jaywant’s 100th birth anniversary, I have selected a song from ‘Toofaan Mein Pyaar Kahaan’ (1966), her last film in the lead role and also her last film with Ashok Kumar in lead roles. I had already given the film’s detailed story in my article while covering one of its song, le pee zaraa aur pee. The gist of the story is as under:
Shamu (Ashok Kumar) is a truck driver of Mahajan (Tiwari), a smuggler who indulges in business of smuggled good across the border with Sikkim. He lives in a den with Mahajan and others when they are not on duty. Although Shamu feels bad about serving Mahajan for his smuggling activities, he has to do this for taking care of Rami (Achala Sachdev), a Tibetan and her daughter as promised by him at the time of the death of her husband.
In a different village, Shanta (Nalini Jaywant) is being readied to depart for her marriage with Raimohan (Tarun Bose) against her wish. She runs away from the house. Shamu gives her shelter in his den in an adjoining room with a condition that she should find a different place to stay as his den is full of bad people. Shanta finds Shamu a kind-hearted person. Next day, Mahajan visits the den, Shanta introduces herself as the wife of Shamu for her own safety. Pulma (Jayshree Gadkar), who runs a tea shop and is in love with Shamu, does not believe that Shanta is Shamu’s wife. By now Shamu has fallen in love with Shanta and has decided to propose her for the marriage. One day, Shamu visits her room to propose her for the marriage. He sees a letter written by Raimohan to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for hand in marriage. Next morning, before Shanta could explain to Shamu about Raimohan, she finds that Shamu has left the place with Pulma.
Raimohan with the help of Mahajan conspire to kidnap Shanta to sell her across the border at a high price. Shanta now takes shelter in Rami’s house from where she is kidnapped by Raimohan and Mahajan. When Shamu comes to know about Shanta’s kidnapping, he takes out his truck with Pulma and follows the jeep in which Shanta is being taken. While driving on a jig jag hill road, the jeep roles down from road to valley killing Shanta, Raimohan and Mahajan. While consoling Shamu, Pulma reiterates her love for him.
The film had eight songs written by Prem Dhawan which were set to music by Chitragupt. Three songs have been covered on the Blog. On the occasion of the 100th birth anniversary of Nalini Jaywant, I am presenting a song, ‘jaane kaisa hai ye pyaar’ rendered by Lata Mangeshkar and picturised on Nalini Jaywant.
The context of the song is that after Shamu (Ashok Kumar) gives shelter to a runaway girl Shanta (Nalini Jaywant) in his den, she has started liking him for his kind heartedness which soon turns into her love for him. But she is not sure whether he loves her. In this song, Shanta expresses her feelings toward Shamu and doubts whenter Shamu knows about her feelings toward him. Later, she comes to know about his reciprocal feelings toward her through Pulma (Jayshree Gadkar). With this, Shanta expects that Shamu would propose her in his next meeting. Shamu does come to her room with the intention of proposing her. However, in her room, Shamu gets a letter to read which is a letter written by Raimohan (Tarun Boase) to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for her hand in marriage. Before she could explain the reality, Shamu has left his place of dwelling.
Video Clip:
Audio Clip:
Song-Jaane kaisa hai ye pyaar (Toofaan Mein Pyaar Kahaan)(1966) Singer-Lata, Lyricist-Prem Dhawan, MD-Chitragupta
Lyrics:
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane na
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane na
gaaoon jiske main geet haaye
wahee meree preet dekho jaane na
naye naye rang meree ankhiyon mein chhaaye
kaisee kaisee tasveeren sapnon mein aaye
naye naye rang meree ankhiyon mein chhaaye
kaisee kaisee tasveeren sapnon mein aaye
kisee kee sadaayen mujhe door se bulaayen
chalee jaaoon main naadaan
aaye
kahaan se ye taan koyee jaane naa
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane naa
pehle to samjhee main dekha koi sapnaa
hone lagaa dheere dheere phir koi apnaa
pehle to samjhee main dekha koi sapnaa
hone laga dheere dheere phir koi apnaa
bada meethha laage ab to raaton ko tadapnaa
maara jisne ye teer
haaye
wahee meree peer pahchaane na
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane naa
gaaoon jiske main geet
haaye
wahee meree preet dekho jaane naa
Kaun mila mohey haaye re
Posted on: February 13, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6419 | Post No. : | 19923 |
Today, February 13, 2026, is the 97th birth anniversary of Lekh Tandon, one of the versatile yet underrated Hindi filmmakers. Like Hrishikesh Mukherjee, Lekh Tandon made decent films with commercial appeal. He experienced many ups and downs in his filmy career of about five decades. Yet he never gave up the career until his death.
Lekh Raj Tandon (13/02/1929 – 17/10/2017) was born in Lahore. His father, Faqueer Chand Tandon was the classmate of Prithviraj Kapoor. His elder brother, Yograj Tandon was Urdu playwright and worked as a secretary to Prithviraj Kapoor. Lekh Tandon’s father wanted him to compete for Civil Engineering entrance examination of VJTI in Bombay (Mumbai). Sometime in summer vacation, Lekh Tandon visited Bombay and stayed with Prithviraj Kapoor. During his stay, he used to go with Raj Kapoor and Shammi Kapoor for watching the film shoots. He instantly liked the medium of film and decided that he wanted to become the film director.
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Ud jaayegaa hans akela
Posted on: February 11, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6417 | Post No. : | 19917 | Movie Count : |
5188 |
‘Dozakh’ (2015) was a film about whose existence I came to know about very recently thanks to Sant Kabir’s couplets which was the only song in this film. The title of the film itself put me in a confusion as I heard this word for the first time. Online search revealed that ‘dozakh’ is a Persian word which means ‘hell’ and ‘jahannum’ in Arabic. The full title of the film is ‘Dozakh – In Search of Heaven’. The idea behind the title is that the director wanted to emphasise on a dogmatic belief that a person who strictly follows his own religious guidelines and hates other religions will go to heaven.
The film had Lalit Tiwari and the child actor, Garrick Chaudhari in the main roles, supported by Ruby Saini, Nazim Khan, Khushboo Seth, Pawan Tiwari, Irfaan Rizvi etc. The film was produced by Zaigham Imam and Pawan Tiwari and was directed by Zaigham Imam. This film can be put under the category of the parallel cinema. The film was shown in some international fiom festivals – both in India and abroad during 2013-14. It received Censor Certificate for theatrical release on August 30, 2014 but the film could get the thetrical release in India on March 20, 2015.
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Beet gaye din par din beet gaye
Posted on: February 9, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6415 | Post No. : | 19910 | Movie Count : |
5187 |
‘Mahabharat’ (1988), the TV Serial produced by B R Chopra and directed by Ravi Chopra was telecast on Doordarshan in 94 episodes from October 2, 1988, to June 24, 1990. The screenplay and dialogues were written by Rahi Masoom Raza. There were 20 main actors and about 60 actors in supporting roles apart from some actors appearing specifically for one or two episodes.
The episodes were telecast every Sunday and I have watched almost all the episodes when these were telecast. Those who have watched the episodes would recall that each episode used to start with the title song, ‘ath shree Mahabharat kathha’ and to end with a theme song of each episode which were rendered by Mahendra Kapoor. But there were many other songs in some episodes which I have almost forgotten except a few, that too, only the context and not the songs. Fortunately, Wikipedia has listed the songs of TV Serial, Mahabharat (1988) numbering 22 songs (including the title song) rendered by eight playback singers which include Mahendra Kapoor, Rajkamal, Anuradha Paudwal, Sadhana Sargam, Kavita Krishnamurthy, Nitin Mukesh, Suresh Wadkar and Roopa Ganguly. The songs were written by Pandit Narendra Sharma apart from songs with traditional lyrics. All the songs were set to music by Rajkamal.
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Mujhe zindagee kee dua na de
Posted on: February 6, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6412 | Post No. : | 19898 |
Today, February 6, 2026, is the 86th birth anniversary of Bhupinder Singh (06/02/1940 – 18/07/2022), singer, composer and guitarist who regaled the listeners with his natural and wounded feeling voice. Gulzar had said about him in some context that Bhupendra was a bit of a fakir, just like Sufis and Sadhus. They look lazy but they are very focused and attentive. There is no greed or haste in him. Whatever Bhupinder does, he does from his heart. Because of his Sufiana spirit, Bhupinder Singh could render ghazals beautifully.
Born in Amritsar in 1940, Bhupinder Singh started his singing training in his childhood with his father, who was a music professor in Khalsa College in Amritsar. But his interest was more towards playing musical instruments. Bhupinder Singh grew up in Delhi after his father shifted there and completed his high school. In Delhi, he got further training from Ratilal and Gopal Krishan Acharya. From his teenage days, he had started singing ghazals to his friends in the tunes set by himself. Side by side, he developed interest in playing Hawaiian Guitar which he learnt by self-studies. He got a job in AIR Delhi as a singer and the musician under Satish Bhatia, another Hindi film music director.
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Kya kahoon kya na kahoon
Posted on: February 3, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6409 | Post No. : | 19884 | Movie Count : |
5184 |
‘Galiyon Kaa Baadshah’ (1990) was produced and directed by Sher Jung Singh under the banner of Ayodhya Films. The film’s multi-star cast comprised of Raj Kumar, Hema Malini, Smita Patil, Mithun Chakraborty, Poonam Dillon, Dr Sriram Lagoo, Ranjeet, Danny Denzongpa, Iftekhar, Parikshit Sahni, Aruna Irani, Om Shivpuri, Kiran Vairale, Dev Kumar, Leela Mishra, Jankidas, C S Dubey, Master Raju, Baby Gazala etc. In the film, there were cameo roles of Helen, Bharat Bhushan and Amrita Singh whose names did not appear on the credit titles. The film belongs to action-thriller genre.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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