Posts Tagged ‘Meenakshi Sheshadri’
Pyaar tum mujhse karti ho
Posted on: October 19, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4841 | Post No. : | 16629 | Movie Count : |
4530 |
Hullo Atuldom
The song with this post is heavily inspired by this song. This 1973 song which was sung by Kishore Kumar had Dharmendra trying to pacify his upset love Rekha. He resorted to all kinds of buffoonery to get a smile on her face and also get her to admit her love for him
In today’s song Kishore Kumar’s son Amit Kumar is the voice for Dharmendra’s son Sunny Deol. Sunny is running behind a ‘roothhi’ Meenakshi Seshadri and trying to get her to re-admit her love. So, the situation is like this. Just before this song, Sunny -who is a boxer for his college- has been reprimanded by his coach (Viju Khote) for day-dreaming about Meenakshi. Consequently, he refuses to acknowledge when she comes to meet him at his coaching camp. Later, when Sunny goes to meet her at a cafe, she pays him back in the same coin and also gathers public support citing that he is eve-teasing her. Now, it is the duty of our naayak to ‘manao’ a ‘roothhi’ naayikaa.
Hence this song which is written by Anjaan and composed by Bappi Lahiri. As I have said in the previous paragraph the male voice is Amit Kumar’s and S. Janaki sings for Meenakshi Seshadri. This marks the debut of “Ghayal” (as written in the titles of the movie). This 1990 movie starred Raj Babbar and Moushumi Chatterjee as Sunny’s bhaiyya and bhabhi. Amrish Puri played Balwant Rai (the villain) with Kulbhushan Kharbanda, Om Puri, Ashalata, Shafi Inamdar, Annu Kapoor etc in supporting roles. There were a few actors like Shabbir Khan, Sudesh Berry and Mitwa who played Sunny’s support in his mission to expose the wrong-doings of the big-time businessman Balwant Rai. Disco Shanti had a dance number too.
I am writing this post to wish the ‘dhai kilo ke haath’ wala, hand-pump ookhadnewala (uprooting a hand-pump), strong dialogue delivery wala, son of Dharmendra and Prakash Kaur- Ajay Singh Deol a.k.a Sunny Deol- on his birthday today. . It is apparent from his recent movies that he is a huge fan of his father. He has acted in three editions of a movie whose title was inspired by a famous song of his father from the ’70s- the Yamla Pagla Deewana series. He also chose another of his father’s song from the ’70s to use as a title for a movie that he directed to launch his son Karan in Bollywood- Pal Pal Dil Ke Paas. Additionally he has acted with his father in ‘Sultanat’, ‘Apne’ and a few more.
Happy birthday Sunny Deol.
Video
Audio
Song-Pyaar tum mujhse karti ho (Ghayal)(1990) Singers-Amit Kumar, S Janaki, Lyrics-Anjaan, MD-Bappi Lahiri
Lyrics
pyaar tum mujhse karti ho
don’t say no
pyaar tum mujhse karti ho
don’t say no
marti ho mujh par marti ho
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haan haan
chhodo na na
pyaar tum mujhse karti ho
don’t say no
marti ho mujh par marti ho
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haan haan
chhodo na na
nahin nahin nahin
main tumse pyar nahin karti
haah haah
pyaar tum mujhse karti ho
don’t say no
bol bol bol bol bol sachh bol
teri hansi se saari khul gayi pol
jahaan jahaan jaayegi main aaoonga vahaan
bhaagi kahaan yeh saari duniya hai gol
peechha tera chhodoon na
bol bhi de ab haan haan haan haan
arrey baba bola na
main tum se pyar nahi karti
hmmm
chhodo gussa jaane do
na
don’t say no
dil se dil mil jaane do
na
don’t say no
inkaar mein ikraar hai
yeh pyaar hai
bolo haa haa
chhodo na na
pyar tum mujhse karti ho
don’t say no
dekho dekho dekho
kaisa pyaara hai samaa
dil ke deewaane miley khul ke yahaan
tod ke dil yoon na rooth ke jaa
varna kasam teri de doonga jaan
thham jaaye na dil ye jawaan
bol bhi de ab haan haan haan
arey jiyo chahe maro
mera peechha mat karo
ai
arey jiyo chahe maro
mera peechha mat karo
oye
mar gaya to pachhtaogi
don’t say no
ro ro kar mar jaaogi
don’t say no
inkaar mein ikraar hai
ye pyaar hai
bolo haan haan
chhodo na na
pyaar tum mujhse karti ho
don’t say no
main bolta hoon haan
maan bhi jaao varna
shor machaoonga
cheekhoonga chillaaoonga
logon ko bulaaoonga
logon suno suno zara meri daastaan
pyaar mein guzrikya mujh pe yahaan
ogo suno suno zara meri daastaan
pyaar mein guzari kya mujh pe yahaan
jaan meri leke bhagemeri jaan
lut gaya
mit gaya
mar gaya haan haan haan haan
hadd ho chuki
kar na dukhi
bol bhi de ab ha ha ha ha
haan baba haan baba
I love you, I love you
pyaar main tumse karti hoon
I love you
marti hoon tum pe marti hoon
I love you
tum jeete aur main haari
I love you
jaan gayi duniya saari
I love you
I love you
I love you
hoo hoo ooo
pat gayi pat gayi pat gayi re
soni kudi dekho pat gayi re
mere galey se lipat gayi re,
kismat meri palat gayi re
hey pat gayi pat gayi pat gayi re
soni kudi dekho pat gayi re
bruu bruu ya ya
arre pat gayi re
pat pat pat pat pataa
pat pat pat pat pataa
pataa
haha
hoy hoy hoy
hey hey hey hey
O Mere Sajan Barsaat Mein Aa
Posted on: May 25, 2021
- In: "saawan" song | Actor-Singer song | Boat song | Calling the beloved | Duet | Feelings of heart | Guest posts | Lata Mahendra Kapoor duet | Lata song | Mahendra Kapoor songs | Missing the loved ones | Post by Avinash Scrapwala | Rain song | Singer Singing His Own Song On Screen | Songs of 1980s (1981 to 1990) | Songs of 1983 | Yearwise breakup of songs
- 7 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4694 | Post No. : | 16381 |
Music of Uttam Singh – 01
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#Nostalgia – Summer – 1983 (2) #
When I talk about the summer nostalgia-1983 I cannot forget the today’s movie. And that is why this separate write-up. Because the movie was a special movie for people like me who were interested in Manoj Kumar and his movies. And since his brother was making a debut with three others also making a debut, we (me and my friends) were excited about this movie.
Promotion of this movie on radio had already started earlier when we were already preparing for our board exams (of class Xth). Me and my friends used to discuss about its songs as some were nice songs and already heard frequently during promotion of this movie. Few songs from this movie were also becoming our favorites and we were also eager to watch the debutant actor and actresses of this movie.
The movie is ‘Painter Babu from 1983. The music of this movie is composed by music duo Uttam Singh- Jagdish Khanna. This was their first movie as music director duo. And this was also the first introduction of these names to me.
Well, we get to watch this movie in the vacations after our board examinations were over. After watching and liking this movie we become curious to know more about the music composers of this movie viz. Uttam Singh and Jagdish Khanna. However, after the Board exams it was ‘World Cup-1983’, and around the same time the results for the exams were declared. After that everything took a back seat and looking for admissions to ‘polytechnic’ or ‘11th -12th, become the priority. And that time there was no internet or blog like ‘atulsongaday’, and I was also not into contributing of lyrics or writing about movies and their songs 😊, So everything was deferred for the future.
‘Painter Babu’ was not as much successful on the box office as it was expected to do. But its beautiful songs were liked and enjoyed by music lovers like me. Some of its songs were already popular like “Kab Talak Shamma Jali Yaad Nahin” which has already been posted on the blog on 11.07.2012, more than eight years ago. Since I loved the songs of this movie, I had shared two of its songs after getting associated with this blog. I had noted two songs of this movie long time back, but they remained to be posted.
Today I am presenting this song on birth anniversary of Music Director Uttam Singh.
Uttam Singh was born on 25th May’1948. Today is his seventy-third birth anniversary. On this occasion we wish him a very happy birthday and a healthy and peaceful life ahead. (We will discuss more about him and his filmography in the future posts coming on the blog. Till then we move to the today’s movie again.)
‘Painter Babu’ is directed by Ashok for ‘V.I.P. Films, Bombay’. It is produced by Manoj Kumar who also wrote the story and screenplay for this movie and had also done the editing.
The star cast of the film includes Rajiv Goswami (debutant and in title role), Meenakshi Sheshadri (debutant), Neelima (debutant), and Virendra Sharma (also a debutant). They were supported by Rakesh Bedi, Madan Puri, Om Shivpuri, Krishna Dhawan, Pichoo Kapoor, Bandini, Ram Mohan, Kamaldeep, Bharat Kapoor, CS Dubey, Birbal, Lalita Kumari, Meena T, Tun Tun, Sundar Taneja, Rajan Kapoor, Madhup Sharma, Shyam Jeet, Walia, Heera, Bhinda, Leela Mishra, Jankidas, Sudhir, Mohan Choti, Shammi, Dinesh Hingoo, Aruna Irani, Kamini Kaushal and others. Singer Mahendra Kapoor had a special role in this movie.
This movie was passed by Censor Board on 31.03.1983.
This movie has seven songs written by three lyricists viz. Manoj Kumar, Qamar Jalalabadi and Qateel Shifai. Lata Mangeshkar, Mahendra Kapoor, Kishore Kumar, and Bhupinder Singh have given their voices to the songs in this movie. The list of the songs in this movie is as given below.
| S.No. | Song Title |
| 01 | Ho, ham kuchh bhi rakh le naam uskaa |
| 02 | Painter Babu, I love you |
| 03 | “Kab Talak Shamma Jali Yaad Nahin” (Posted 11-07-2012) |
| 04 | O mere sajan barsaat mein aa (Discussed Today) |
| 05 | Yaar kapadaa shaandaar hai |
| 06 | Hamkaa le chal yaaraa thhandi thhandi nahar ki kinaare |
| 07 | Jab yaad ki badli chhaati hai tab aankh meri bhar aati hai |
Today’s song is sung by Lata Mangeshkar and Mahendra Kapoor. On screen Meenakshi Sheshadri is lip syncing for Lata Mangeshkar’s voice and Mahendra Kapoor is singing for himself as plays a ‘boatman’ here in this song. Rajiv Goswami, the hero of the movie is seen in jail in the picturization of this song and many other artists perform on the boat in this song.
This song may remind some of us the song “Kho Gaya Hai Mera Pyaar” from the film ‘Hariyali Aur Raasta’ (1962) sung by Mahendra Kapoor. In that song the ‘hero’ is searching for his lost love, while in today’s song the heroine is missing her beloved and singing for him.
I have said above that few songs of this movie are very nice. E.g. the song “Kab Talak Shamma Jali Yaad Nahin” posted earlier on the blog, the songs “Jab Yaad Ki Badli Chhaati Hai”, “Hum Kuchh Bhi Rakh Len Naam Uska’ and the song beibg discussed today’s. But surprisingly none of these songs could make it to the annual ‘Binaca Geetmala’ list of 1983. However two other songs from this movie featured in the list – they are “Humka Layi Chal Yaara Thandi Thandi Nehar Ke Kinaare” (at rank 21) and “Yaar Ladki Shaandar Hai” (ranking at number 26).
Let us now listen to the today’s song and take a trip down memory lane (almost) thirty-eight years back. . .
O mere sajan barsaat mein aa
And also wish a very happy birthday to Uttam Singh. . .
(Lyrics for this song are written by Manoj Kumar as I have noted from some alternate sources. HFGK Vol-VI (1981-1985) does not mention the lyricist’s name for individual songs separately).
Video (Partial)
Audio (Complete)
Song – O Mere Sajan Barsaat Mein Aa (Painter Babu) (1983), Singer – Lata Mangeshkar, Mahendra Kapoor, Lyrics – Manoj Kumar, MD – Uttam Singh – Jagdish Khanna
Female Chorus
Male Chorus
Male Chorus + Mahendra Kapoor
Lyrics
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin jhin jhin
o saagar mein kaisa hai shorr
o chhayi hai ae ghataa ghanghor
jhin chak jhin jhin
jhin chak jhin
ek lehar hai aati
jhin chak jhin jhin
jhin chak jhin
ek lehar hai jaati
jhin chak jhin jhin
jhin chak jhin
aane jaane me lehar
ek hi geet sunaati
o mere sajan barsaat mein aa
o mere sajan barsaat mein aa
saawan ki andheri raat mein aa
o mere sajan barsaat mein aa
o mere sajan barsaat mein aa
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin
jhin jhin
o paani re
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin
jhin jhin
jhoomke barsaa paani re
tutke barsaa paani re
jhoomke barsaa paani re
tutke barsaa paani re
saawan ki,
saawan ki andheri raaton mein
main kya jaanu kya hota hai
oye main kya jaanu kya hota hai
main roti hoon dil rota hai
main roti hoon dil rota hai
aur saath hi baadal rota hai
barsaat aayee ee ee ee ee
barsaat mein aa
saawan ki andheri raat mein aa
o mere sajan barsaat mein aa
o mere sajan barsaat mein aa
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin
jhin jhin
o paani re
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin
jhin jhin
paani ek kahaani re
aankh se behtaa paani re
paani ek kahaani re
aankh se behtaa paani re
tujhse teri yaad hi achhi hai
jo mujhse sharmaati hi nahin
tujhse teri yaad hi achhi hai
jo mujhse sharmaati hi nahin
tu jaake kabhi aata hi nahin
tu jaake kabhi aata hi nahin
yaad aake kabhi jaati hi nahin
barsaat kahe ae ae ae ae
barsaat mein aa
saawan ki andheri raat mein aa
o mere sajan barsaat mein aa
o mere sajan barsaat mein aa
saawan ki andheri raat mein aa
o mere sajan barsaat mein aa
o saagar mein kaisa hai shorr
o chhayi hai ae ghataa ghanghor
o mere sajan barsaat mein aa
o mere sajan barsaat mein aa
o mere sajan barsaat mein aa
o mere sajan barsaat mein aa
hoon hoon hoon hoon hoon hoon
hoon hoon hoon hoon hoon hoon
o saagar mein ae ae ae
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin jhin jhin
jhin chak jhin jhin
jhin chak jhin
jhin chak jhin jhin
o o o o o o o o
jhin chak jhin
jhin chak jhin jhin jhin
jhin chak jhin
jhin chak jhin jhin jhin
jhin chak jhin
jhin chak jhin jhin jhin
jhin chak jhin
jhin chak jhin jhin jhin
Shaadi mubaarak bole shehnaayi
Posted on: November 13, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4501 | Post No. : | 16038 | Movie Count : |
4386 |
I am not well-informed about Hindi films of 1980s and beyond, except about those that I have watched in the theatres or on Video sharing platforms. Between the late 1960s and early 1970s, I used to watch almost one film every week either on Saturdays or Sundays. My ‘over-exposure’ to films, mostly masala films, during this period created an aversion in me that discuraged me from watch theese films in the later years. Probably the theory of diminishing marginal utility was being applied to me. Over a period of time, my quota of watching films came down from once a week to 2-3 films a year which is still in force. Because of this, I have missed many entertaining and a few quality films released especially in 80s and 90s.
It may sound strange but until yesterday, I was not aware that there was a film titled ‘Swati’ (1986). I do not recall having heard about this film from any one of my relatives and friends who have interest in Hindi films. What attracted me to know more about this film was that first, it was a film from a well-known banner, Prasad Productions. Secondly, its ensemble of star cast included Shashi Kapoor, Sharmila Tagore, Meenakshi Seshadri, Madhuri Dixit, Vinod Mehra, Sarika, Akbar Khan among others. I was not aware that Meenakshi Seshadri and Madhuri Dixit had worked together in a film. I came to know later that both of them had earlier worked together in ‘Aawaara Baap’ (1985).
From the synopsis of the film’s story, it appeared that Shashi Kapoor and Sharmila Tagore worked in this film in the role of an elderly couple. The combination of the actors under a well-known film production banner motivated me to watch the film, the DVD of which was available on-line. The film was a remake of a Telugu film of the same title which was released in 1984 and became the box office hit. The film was also remade in Kannada as ‘Usha’ (1986). The story of the film is as under:
Dr. Rajendra (Shashi Kapoor) is a doctor who runs a nursing home. Sharda (Sharmila Tagore) works as a nurse with Rajendra. An event in her life has happened which has forced her to live a life in anonymity and as a single mother (I will not go into the details). She has a grown up daughter, Swati (Meenakshi Seshadri). She is under the impression that her father has deserted her mother which had made her a feminist and outspoken. She hates hypocrisies and prejudices which dominate our society.
During one of her argumentative encounters with a group of males, Swati meets Ram Mohan (Akbar Khan) who is associated with some leftist group and always seen with writing slogans on the walls. After the initial hate relations with Ram Mohan, Swati falls in love with him. Dr. Rajendra has been a widower with a grown-up daughter, Anandi (Madhuri Dixit), a tomboyish type girl. She is in love with Kapil (Raja Bundela) simply because her idol is cricketer, Kapil Dev. She is also fond of asking her father as well Kapil puzzles to solve.
Swati thinks that after her marriage with Ram Mohan, her mother will be left alone. She needs a companion. Swati knows that her mother and Dr Rajendra like each other but due to societal constraints, both can not think of upgrading their fondness into a life partnership. Swati persuades her mother and Dr Rajendra to get married. His daughter, Anandi is happy that she would get a mother. The marriage takes place and Swati and her mother shift to Dr. Rajendra’s house. Things are now well settled. Both Swati and Anandi gel very well too. Anandi’s marriage with Kapil is also fixed.
One day, Swati finds an old man lying on the road unconscious. She takes him to Dr. Rajendra’s nursing home. The patient come into consciousness and tells his life story to Swati. It becomes apparent that he is Satya Prakash, Sharda’s fiancé and Swati’s real father. If the real story comes into light, it may affect the marriage of Anandi with Kapil. It is also likely to affect the relations of Rajendra and Sharda. But Swati steers the unforeseen problem taking into the confidence Rajendra after revealing him the real story and taking a promise from him that he would not reveal his patient’s identity to her mother. Satya Prakash knows that he has no chance of survival. His wish is to see Sharda for the last time.
On the day of marriage of Anandi with Kapil, Both Rajendra and Swati arrange to bring Satya Prakash to the marriage venue. He gets to see Sharda during the marriage ceremony from a balcony. After the kanyadan ceremony is over, Satya Prakash is happy to see Sharda. With happiness displayed over his face, Satya Prakash dies.
I found the film in keeping with tradition of Prasad Productions which is known for producing films in the genre of family drama. In the standard of 1980s, the story of the film is bold and broad-minded. From the title of the film, it is apparent that it is Meenakshi Seshadri’s film. I have not seen any film of Meenakshi Seshadri. So, it is the first time I am watching her performance in this film which is outstanding. She has displayed all the moods of her character in the film – from a hard-core feminist, a kind hearted daughter for her mother as well for those affected by the prejudice towards them in the society. Her best scene is the poignant moments in the film when she has to solve the issues arising out of a sudden appearance of real father. Madhuri Dikshit as a step sister of Meenakshi Seshadri has a light comical role which she performs very well. She has a lively presence in the film. Shashi Kapoor and Sharmila Tagore in the role of elderly couple look elegant. Dialogues by Rahi Masoom Reza is catchy.
Despite having good share of melodramatic contents, the film is not a tear-jerker. I found the film absorbing.
‘Swati’ (1986) had 5 songs none of which has been represented in the Blog. I present the first song from the film ‘shaadi mubaarak bole shehnaayi’ to appear on the Blog. The song is sung by Anuradha Paudwal and Alka Yagnik. The words are that of Anand Bakshi which are set to music by Laxmikant-Pyarelal. It is a marriage song picturised on Meenakshi Seshadri and Madhuri Dixit on the occasion of the marriage of their parents Sharmila Tagore and Shashi Kapoor.
With this, ’Swati’ (1986) makes its debut on the Blog.
Audio
Video
Song-Shaadi mubaarak bole shehnaayi (Swati)(1986) Singers-Anuradha Paudwal, Alka Yagnik, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
shaadi ke din mummy daddy sun lo baat hamaari
ek dooje ke aaj huye tum chhod ke duniya saari
samjhe
shaadi mubaarak bole shehnaayi
o bole shehnaayi
badhaayi badhaayi badhaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi
dulhe ka sehra
dulhan ki doli
gaaye pawan purwaayi ee
badhaayi badhaayi badhaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi
ye baat hai yaad rakhne waali
ye shaadi sab shaadiyon se niraali
ye baat hai yaad rakhne waali
ye shaadi sab shaadiyon se niraali
jannat mein jode bante hain sabke
ye jodi humne banaayi ee
banaayi banaayi banaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi
aapas mein tum na
takraar karna
ik doosre se bahut pyaar karna
aapas mein tum na
takraar karna
ik doosre se bahut pyaar karna
koi na maane
koi na jaane
tum aise karna ladaayi
ladaayi ladaayi ladaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi
jeete raho tum
hanste raho tum
doodho nahaao phoolo phalo tum
jeete raho tum
hanste raho tum
doodho nahaao phoolo phalo tum
dil se dua lab pe aayi
badhaayi badhaayi badhaayi
shaadi mubarak bole shehnaayi
o bole shehnaayi
badhaayi badhaayi badhaayi
dulhe ka sehra
dulhan ki doli
gaaye pawan purwaayi ee
badhaayi badhaayi badhaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi
badhaayi badhaayi badhaayi
badhaayi badhaayi badhaayi
- In: "Piano" song | Duet | Feelings of heart | Guest posts | Lata song | Motivational song | Nitin Mukesh songs | One singer singing for several actors | Post by nahm | Shabbir Kumar Songs | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1985 | Theme song | Yearwise breakup of songs
- 9 Comments
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4095 | Post No. : | 15240 |
wo chaand hai to aks bhi paani mein aayegaa
kirdaar khud ubhar ke kahaani mein aayegaa
(Iqbal Sajid)
Aks – reflection
Kirdaar – character
“jis ke paas koyi saboot nahin hota, kya wo kabhi beqasoor nahi ho sakta.”
This is the dialogue spoken by Meenakshi Sheshadri to Anil Kapoor, a lawyer, when he has refused to take her sister’s Beena’s case. Meenakshi’s sister is a doctor and a patient dies in her private clinic, after she has administered a medicine to the patient. The medicine contains poison, and the bottle is already in the custody of the courts/police. There is no way anyone can prove that the patient did not die because of the medicine in that bottle. So all the lawyers are refusing the case and Meenakshi and the brother in law Parikshit Sahani, also a doctor, are running from pillar to post to find a lawyer who can defend Beena in the court.
The moment she says this dialogue, Anil Kapoor is transported to his childhood, when his mother Nutan had said the same words to the lawyer/ public prosecutor Amrish Puri, in defense of her husband Girish Karnad. This whole story is in flash back – the story of Anil Kapoor, his sister and parents.
In the present, Anil Kapoor decides to defend Beena in the courts, and in true heroic style, drinks the medicine from the very bottle to prove that the patient did not die because of the medicine. Within minutes, the case is over, judgment delivered, Beena is ‘ba-izzat bari’. Parikshit Sahani takes Anil Kapoor to the hospital immediately and treats him to save his life. What happens to the actual culprit who put poison into the medicine bottle, I don’t know.
The court language in this type of films had glossary like ‘mulzim’ which is the one accused of a crime, ‘mujrim’ is the one whose crime is proved. Crime is ‘jurm’ and ‘mere faazil dost’ means ‘my esteemed friend’ – this is how lawyers would refer to each other in front of a judge.
So with the case over, the doctors are grateful to Anil Kapoor and Meenakshi is in love with him. The doctors host a party to celebrate and Anil Kapoor on piano, again revives his child hood memory of the theme song at the party. This is Part-II of the song. After this party this dream sequence song, “Ae Mere Khwaabon Ke Shehzaade” comes up. This is a beach song, posted Peevicies’s mom and I have seen that song too just now. That song is one extravaganza on Madh island or Aksa beach and what is Meenakshi wearing in the last sequence? Looks as if she was trying to be a South Indian Cleopatra.
Now back to flashback: Girish Karnad is convicted of a crime he did not commit. Nutan has tried in vain to get someone to fight her husband’s case against the formidable Amrish Puri. Their happy family is ruined, even as she manages to obtain a stay on the conviction of ‘sazaa-e-maut’, but reached late on the location. Girish Karnad has been hanged. After this I think, she loses her mind and is taken to mental Asylum.
Meanwhile the young children Anil Kapoor and the sister are left to fend for themselves in the big bad world. That is when Anil Kapoor is remembers the song that his mother and father used to sing, with his father on the piano, “Jeet Jaayenge Hum. . .”. The song is highly motivational, though situational. It is songs like these which make Laxmikant-Pyarelal such kings of the proverbial situational songs. Theme song or not, the lyrics and composition is all more than apt for the mood and need of the script. And to think that the script by Javed Akhtar originally had no scope for songs.
The events of childhood have a profound effect on the young Anil Kapoor and the song motivates him to keep fighting and to always hope and strive to win against all odds. And win he does, grows up to become a lawyer himself, struggles with the system and grows to achieve his goals step by step. All this while he is always conscious of how his mother’s struggles with the system to save his father from being punished from the crime which he has not committed. He has raised his younger sister Khushoo and who is now studying in a college. Anil Kapoor manages to trace his mother also and brings her home. But she is still not well and does not remember her children. Which is a cause for more pain, prompting Anil Kapoor to recall the childhood song again. This is when the Part-III of the song is played when Anil Kapoor and Meenakshi sing this song at home, hoping to revive Nutan’s memory and restore her mental health.
I thought, this was a movie made by GP Sippy, but turns out it was eventually made by Subhash Ghai. Actually I found this song on YouTube a few days ago and saved the link to see it sometime. Today I got the time to see it and all the memory of the story, dialogue and songs etc. came rushing in the mind.
Jab itna kuchh likhne ke liye yaad aa gayaa to ek post to ban hi jaati hai. 🙂
The song is played multiple times throughout the film. This can’t be anyone other than Anand Bakshi’s doing, the lyrics I mean. Singers are Shabbir Kumar (in full Rafi mode) for Anil Kapoor, Nitin Mukesh for Girish Karnad and Lata Mangeshkar for Nutan, Meenakshi Sheshadri and Khushboo.
It shows that successful people have motivation for success, early in life and have to be ready for struggle. Come what may, we will not give up. Because life is always a struggle, even if one cannot foresee the difficulties to come. ‘Jung’ is not war here, but an avowal not to give up against adversities. In every way, it is struggle to succeed and defeat the bad. And this struggle starts with self to improve the self and its abilities and make them pure, truthful, honest and trustworthy. Because to do ‘jung’ with your lot is to do ‘jidd-o-jahad’ i.e. to struggle and strive.
I found a poem in the photos which I had taken in the hotel at Jaipur, during our vacation visit earlier this year. I am searching the net for the name of the poet but even Rekhta.com is not having the works of this poet. The title of the poem is ‘Kuchh Kehna Chaahta Hoon”.
tum kuchh lafz
musta’aar de do
main bolna chaahta hoonmere lafzon ke haathh
ab sar par aa chuke hain
jaise haarey huye sipaahiwo itna jhooth pee chuke hain
sach keh nahin sakteapaahij, beemar aur za’eefon ki tarah
un ko sirf taknaa aata haitum kuchh lafz
musta’aar de do
main kuchh kehnaa chaahta hoon.Musta’aar – lend, loan for a while.
Apaahij – handicap
Za’eef – aged, frail with age
Audio (Part I)
Video (Part I)
Video (Part II)
Video (Part III)
Audio (Part III)
Song – Zindagi Har Qadam Ik Nayi Jung Hai (Meri Jung) (1985) Singer – Lata Mangeshkar, Nitin Mukesh, Shabbir Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lata Mangeshkar + Nitin Mukesh
Lata Mangeshkar + Shabbir Kumar
Lyrics
(Part I)
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
oo oo ooooo
oo oo ooooo
aaa aaaaa aaaaa
hmmmmmm mmmmm
hmmmmmm mmmmm
jeet jaayenge hum
oo ooo ooooo
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
tu ne hi
sajaaye hain
mere honthon pe ye geet
tu ne hi
sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera roop rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi ee
har qadam
ik nayi
jung hai
hausla na chhod
kar saamna jahaan ka
hausla na chhod
kar saamna jahaan ka
wo badal rahaa hai
dekh rang aasmaan ka
rang aasmaan ka
ye shikast ka nahin
ye fateh ka rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
roz kahaan dhoondenge
sooraj chaand sitaaron ko
aag lagaa kar hum roshan
kar lenge andhiyaaron ko
gham nahin jab talak
dil mein ye umang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
(Part II)
ooo ooooo
hmmmm mmmm mmmmm
hmmm mmmm mmm
oooo ooooo
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ek nayi
jung hai
(Part III)
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
ik dooje se
ham donon ke
naam judey hain aise
ik dooje se
ham donon ke
naam judey hain aise
mast hawaaon mein ea
saaz judey hain aise
jaise main dor hoon
aur tu patang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
jung hai
aaaaa aaaaaaaa
oooo oooooo
aaaa aaaaaaa
ooooooo oooooooo
ooooooo
[Nutan speaks]
tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi
tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera aa
mera aa
mera aa
mera aa
[Anil Kapoor : gaao na maa]
main hoon ik tasveer
tu mera roop rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
tu agar
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
Baat sabse karo pyaar hamse karo
Posted on: May 5, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3578 | Post No. : | 14327 |
“Teri Paayal Mere Geet”(1993) was produced by Prem Lalwani and directed by Rehman Naushad. The movie had Govinda, Meenakshi Sheshadri, Shakti Kapoor, Kadar Khan, Bharat Bhushan, Johny Lever, Nivin Nischol etc in it.
The movie had a theme that was more 1960s than 1990s and it came as no surprise that the movie had few takers at the box office.
The movie had eight songs in it. Here is the first song from “Teri Paayal Mere Geet”(1993) to appear in the blog. The song is sung by S P Balasubrahmaniam. Hasan Kamal is the lyricist. Music is composed by Naushad.
The picturisation shows Govinda lip sayncing this song while staying hidden from the views of Shakti Kapoor and Meenakshi Sheshadri.
With this song, “Teri Paayal Mere Geet”(1993) makes its debut in the blog.
Audio
Video
Song-Baat sabse karo pyaar hamse karo (Teri Paayal Mere Geet)(1993) Singer-S P Balasubramaniam, Lyrics-Hasan Kamaal, MD-Naushad
Lyrics
sabhi milne ko milte hain
magar kab dil se milte hain
mohabbat karne waale to
badi mushqil se milte hain
tumse ek arz hai tum agar maan lo
baat sabse karo pyaar humse karo
baat sabse karo pyaar humse karo
tumse ik arz hai tum agar maan lo
baat sabse karo pyaar humse karo
pyaar humse karo
pyaar humse karo o o
sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
apna deewaana sabko banaate raho
apna deewaana sabko banaate raho
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
pyaar humse karo
haan
sabko ye roop
ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
sabko ye roop ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
tumko tan chaahiye humko man chaahiye ae ae
tumko tan chaahiye humko man chaahiye
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
pyaar humse karo
pyaar humse karo
Ae mere khwaabon ke shehzaade
Posted on: November 16, 2017
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
Only yesterday I saw a rather old episode of the TALK SHOW – back then they used to call it interview (simple)- “Phool Khile Hain Gulshan Gulshan” which Tabassum used to host. I am sure all movie/ music lovers would have seen at least one episode on Friday evenings (I think). I used to try and see it without fail. But the episode (https://www.youtube.com/watch?v=MFFwOfs1IWw) I saw yesterday on YouTube I don’t recollect having seen in 1983. Just as well since; when I saw it yesterday it was an eye opener. It featured Anand Bakshi the lyricist.
Read more on this topic…
Mohabbat ye mohabbat
Posted on: November 6, 2017
- In: "Dance under duress" song | "Villain's" den song | Devnagri script lyrics by Avinash Scrapwala | Duet | Lata song | Lata-Suresh Wadkar duet | Lyrics by Peevesie's mom | Lyrics contributed by readers | qawwali | Shammi Kapoor present (without lip syncing) | Shammi Kapoor songs | Songs of 1980s (1981 to 1990) | Songs of 1983 | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
‘Hero’(1983) was produced and directed by Subhash Ghai for Mukta Arts Limited, Bombay. Introducing newcomer pairs in lead roles was the in thing those day. It had started with ‘Bobby’(1973), which was followed by ‘Love Story’(1980), ‘Rocky’(1981) and then ‘Betaab’(1983).
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Zor se bajaao zara band baajaa
Posted on: November 16, 2016
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
So now we are all busy discussing the pros and cons of the demonetisation on our WhatsApp group. We are also having a fair number of jokes on the subject. But as our dear thandapani mentioned last week when our PM dropped the demonetisation bomb (as I like to call it) I have also decided to wait and watch for the rush at the banks and cash ATMs. At such a time a few songs ran through my mind. Let us have one of them today.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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