Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5960 Post No. : 18618 Movie Count :

5007

‘Sanshodhan’ (1996) was jointly produced by NDFC and UNICEF and was directed by Govind Nihalani who was also the Cinematographer for the film. The main cast comprising of Manoj Vajpayee, Vanya Joshi, Lalit Parimoo, Anupam Shyam, Uttara Baokar, Utkarsha Naik, Kavita Rairath, Harish Khanna, Ashutosh Rana, Kishore Kadam etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5957 Post No. : 18612 Movie Count :

5004

Writing is a constant search for someone who understands it. I love literature but I would like to love it a hundred times more. I am not an angry young man. I am a hungry young man. I want to learn Kannada, Urdu, Punjabi, Tamil, Bengali, Telugu. I want to love literature in a hundred different ways. My only worry is that I cannot love it enough.

The relationship between Rabindranath Tagore and me is that of a donor and a forever unsatisfied solicitor (अतृप्त याचक).

Thus said P. L. Deshpande on his literary journey in Film’s Division’s documentary on his 60th birthday. What he said sums up his infinite love for literature.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5952 Post No. : 18599 Movie Count :

5001

kat gayi umr meri to mujhe pataa ye chalaa
zindagi sirf kati hai isse jiyaa hi kahaan

This is the sum and substance of a film which I propose to take up for discussion in this article.

There comes a time in every person’s life when the thought of death becomes scary especially for those who have unsatiable ambitions and desires. Taking this unusual theme, a bunch of new film makers took upon themselves of making a film, ‘Asambhava’ (1985). I came to know about this film very recently when I stumbled upon the abovementioned song from the film. Fortunately, the film is available for viewing on one of the video sharing platforms.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5948 Post No. : 18588 Movie Count :

4998

‘Phir Aayee Barsaat’ (1985) is a forgotten film, produced under the banner of Movie Trek. The film was directed by Jaiprakash Vinayak. The cast included Anuradha Patel, Sunil Lahiri, Javed Khan, Saeed Jaffrey, Asma, Ashok Kumar, Paintal, Harindranath Chattopadhyay, Neelam, Dinesh Kaushik etc. The film was majorly shot in around Bhopal. It got released on March 08, 1985. For Jaiprakash Vinayak, this was his first feature film as a director. Earlier, he had directed the first video film, ‘Teri Meri Kahaani’ (1981) for B R Chopra.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5946 Post No. : 18583 Movie Count :

4996

While going through the filmography of the music director, Vanraj Bhatia recently, I found that he had done the music composition mostly for the off-beat or ‘middle of the road’ films, including those of Shyam Benegal’s films. Among his Bollywood masala films which are few, ‘Surkhiyaan’ (1985) was one of them which came as surprise to me because a couple of songs from the film which I had heard long back, sounded to me like that of R D Burman. The title of the film gave the hint that the story may have something to do with print media. With Naseeruddin Shah as a lead actor, I thought that the script of the film would be good for him to agree to work in the film. I watched the film a couple of days back on this assumption.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5943 Post No. : 18576

In this article, I have taken up for discussion, one of the unreleased films, ‘Sameera’ (1982) which was initially titled ‘Wohi Baat’ when it went to floor for shooting in 1977. The film was jointly produced by Cinematographer, K K Mahajan and the Film Editor, Pran Mehra and was directed by debutant, Vinay Shukla. The main actors in the films were Shabana Azmi, Parikshit Sahni, Mithun Chakraborty and Amol Palekar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5939 Post No. : 18568 Movie Count :

4994

Hampi, one of the World Heritage Sites of India, was once the capital of Vijayanagar Empire in the 16th century and was the wealthiest city under the Empire. Most of the monuments had been damaged and the wealth looted by the then neighbouring sultanates in the war with Vijayanagar Empire. We had visited Hampi in January 2012 and stayed there for 4 days. Some monuments are still intact, and they are awesome so also the remains of the ruined monuments. The visit to Hampi momentarily gave us a feeling that we were in the memory lane of the Vijayanagar Empire of the 16th century as Hampi, now as a village, retains the charm of a bygone era.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5936 Post No. : 18561 Movie Count :

4993

The Marathi film, ‘Mee Vasantrao’ (2022) is a biopic on Dr Vasantrao Deshpande, the Hindustani classical vocalist who was reluctant to take this on the profession level during his younger days due to domestic compulsion. His close friends included P L Deshpande, Pandit Kumar Gandharva, Begum Akhtar, Pandit Bhimsen Joshi. After he left the Govt service, Vasantrao attained the fame mainly as an actor-singer in many Marathi musical plays. In the later part of his life, Vasantrao devoted mainly as a Hindustani classical vocalist.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5932 Post No. : 18556 Movie Count :

4991

About a decade ago, I had watched a Marathi film, ‘Katyaar Kaljat Ghusali’ (2015) in the very first week when it was released in a multiplex. The literal meaning of the film’s title in English is ‘a dagger speared the heart’. It was near houseful crowd with an overwhelming majority being senior citizens. Probably, most of them may have watched the play in the theatre during their younger days and they may be curious to watch in the cinematic form. The film still lingers in my mind, and I have watched all its songs umpteen times. It is one of the recent viewing of the songs from the film that has prompted me to write this article.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5926 Post No. : 18542

In this article, I propose to discuss the last song from the film, ‘Chandan Kaa Palna’ (1967), to be covered on the Blog. The song is ‘niratata dhang’, a part of the ‘ashtapadi’ written and composed by Pandit Bindadin Maharaj (1830 – 1918), the doyen of the Lucknow Gharana of Kathak dance.
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