Archive for the ‘Post by Sadanand Kamath’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 13
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Naqsh-e-khayaal dil se mitaaya nahin hanooz
Bedard maine tujh ko bhulaaya nahin hanooz
——Josh Malihabadi
Dil se tera khayaal na jaaye to kya karoon
Main kya karoon koi na bataaye to kya karoon
—–Hafeez Jalandhari
Both these ghazals have been written in the same metre expressing almost the same sentiments. I have no idea as to which one of them was written first. But these ghazals have become a source of inspiration for writing lyrics for songs in Hindi films for situations like ‘broken heart’, separation from the beloved etc.
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Aa teri tasweer banaa loon
Posted on: February 24, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 12
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Readers of this Blog may recall Talat Mehmood’s iconic song aa teri tasweer banaa loon from ‘Naadaan’ (1951) which was composed by Chic Chocolate (Antonio X. Vaz). Recently, I came across the mp3 clip of a song with the same starting verse from an obscure film ‘Rekha’ (1943). There is no mention of the names of singers and lyricist of the song. I got some information from the internet about the film but drew a blank on the names of singers. I could not locate the song on YT.
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Aashiqon ka kaafilaa
Posted on: February 19, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 11
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SASSI PUNNU (1946) was produced under the banner of Vaswani Art Productions and was directed by J P Advani. The starcast included Jairaj, Geeta Nizami, E Billimoria, Bibbo, Gope, Yashodara Katju, Narbada Shankar etc. There were 10 songs in the film, all penned by I C Kapoor which were set to music by Pandit Gobindram.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 10
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The history books of Maratha empire (1674-1818) tell us that the empire reached its zenith between 1720 and 1760 when about two-third of the Indian sub-continent was under their control. During this period, Madhavrao Peshwa, also called ‘Thorle’ (Senior) Madhavrao Pehswa or Madhavrao-I is credited with recovering the lost ground of the Maratha empire and for his administrative skills. During his reign, Madhavrao Peshwa appointed Ramshastri Prabhune (mostly known as Ramshastri) as ‘Mukhya Nyaayadheesh’ (Chief Justice) of the Peshwa court who was known for his honesty, impartiality and integrity. The highlight of his tenure was that he passed a judgement of capital punishment on Raghunathrao, the Peshwa-in-waiting, his involvement in the assassination of young Narayanrao Peshwa who was under his protection.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There has been some confusion as to when Begum Akhtar (1914-1974) first sang in a concert. Also, associated with this confusion is when she first recorded the ghazals and thumris for the issue of her 78 rpm discs. Rita Ganguly, one of the senior disciples of Begum Akhtar, in her book ‘ Ae Mohobbat – A Reminiscing Begum Akhtar’ (2008) has mentioned that Begum Akhtar’s first participation in a concert as a singer was at the age of 11 (1925) at Calcutta (now Kolkata) which was arranged for Bihar Flood Relief Fund. However, many of the articles and blogs mention that her first concert was in 1934 for Bihar Earthquake Relief Fund. Some articles even mention that she sang in a concert for the first time at the age of 15.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
15th August and 26th January are two days in the year when I find myself going back in time by almost 50 years to my school days at the time of the flag hosting ceremonies in our housing society.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today, the 16th January, 2016 is the 90th birth anniversary of rhythm and melody king O P Nayyar. Based on his interviews, the musical career and the song compositions which are well known to most of the readers of the Blog, I may say that he was an unique personality in the sphere of Hindi film music. Some of the events in his life listed below give me that impression.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 9
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When we hear the song sundar naari preetam pyaari from ‘Manzil’ (1936), the voice of Pankaj Malik vibrates in our ears.
When we hear the ghazal sukoon dil ka mayassar gul-o-samar mein nahin from ‘Street Singer’ (1938), K L Saigal and Kanan Devi come to our mind.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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