Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Mukesh was regarded as Raj Kapoor’s voice. The film audience accepted it, though in my view, Raj Kapoor’s voice matched more with that of Manna Dey. I came across a somewhat similar situation albeit on a smaller scale in the 40s with reference to a lead actor of that time viz Ragini and the playback singer Zeenat Begum. It is said that Zeenat Begum’s voice matched so much with that of Ragini that many filmgoers of that time felt that it was Ragini who was singing for herself on the screen. Obviously, during that period, Zeenat Begum became the main playback singer for Ragini and with this tag, she became the playback singer for many lead actors of that time. For those to whom these two names do not ring any bells, here are their brief profiles (with inputs from various sources on the internet).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I remember the film GARAM COAT(1955) mainly because I had listened to one of its songs ‘jogiyaa se preet kiye dukh hoye’ in my friend’s house sometime in early 70s. Thereafter, I do not remember to have heard this song on the radio or any other medium until a few days back on YT.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my childhood and younger days, I had heard some songs and in case of a few of them I remembered only the tunes. I had no idea whether they belonged to films or were non-film songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my travels and trekking in the Himalaya, I have met some interesting personalities – from fellow travellers/ trekkers, drivers, guides, porters, villagers etc. I even had the company of Bhotia dogs during some of my high altitude treks. I remember that in 1986, a Bhotia dog accompanied me during the full 65 kms of trek from start to finish crossing a pass with knee deep snow. Fortunately, it was a round trek thus bringing the Bhotia dog back to his village.
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This article is written by sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The name Sulochana Kadam may not ring bells for many except for old Hindi film songs buffs. I was not aware of this name as a playback singer in Hindi film industry until I got a 78 RPM gramophone record of her song ‘mausam aaya hai rangeen’ from film ‘Dholak’ (1951) sometime in early 70s. But I was aware of the name Sulochana Chavan as the famous lavani singer of Maharashtra.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had neither heard of the film RISHTA (1954) nor its songs till a few days back. The film was produced under the banner of Rajasthan Productions and directed by Aslam. The star cast included Suresh, Nigar Sultana, S Nazir, Vijaylaxmi, Rammohan, Leela Mishra, Neelam. I could not get anything about the story line or genre of the film on the internet. But from the title, I guess, it was a social film. What interested me to look for the songs from this film was its music director K Datta (Datta Korgaonkar) whose immortal songs from films like ‘Badi Maa (1945) and ‘Daaman’ (1950) had impressed me a lot.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently, I came across a rare song ‘saajan tumse pyaar karoon main’ from the film BADNAAM (1952) sung by Lata Mangeshkar. It was written by Hasrat Jaipuri and set to music by Basant Prakash. I always felt that this talented music director belonging to the golden era of Hindi film songs was side tracked by Hindi film industry for reasons best known to them. As a result, during his 30years of active filmy career, he was the music director in about a dozen films only, some of which were joint ventures with other music directors.
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This article is written by Sadananad Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have a 78 RPM record (N.50600) of the song ‘saathi na bane koi’ from film DHUAAN (1953) sung by Krishna Goel which was set to music by Dhaniram. Since I was not able to listen to this record (which in any case is in poor condition) for want of a record player, I have been searching for the audio clip of the same on the internet sites.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently,I came across a duet song ‘chanda tale muskuraaye jawaaniyaan’ from the film ‘CHANDI RANI’ (1953) sung by Talat Mehmood and P Bhanumathi. I had never heard of the film or the song. From the Indian Film Trade and other websites, I could gather that the film was produced under the banner of Bharani Pictures jointly owned by P S Ramakrishna Rao and P Bhanumathi and directed by herself. The film was made in Telugu, Tamil and Hindi and released simultaneously. This was her debut film as a director. She was also the lead actor ( double roles) with N T Rama Rao. I could not get synopsis of this film but I guess from the title of the film that it was a film based on some fairy tale. It is said that with this film, she became the first woman in the history of Indian film industry to produce, direct, act and sing in a film.
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